The Baudrillard Index - Bishop's University

CA:109
(the) disappearance of art is offset by the art of disappearance, this isn’t the
end of art, because the actual disappearance is a whole art unto itself,
U:150
end of, is not due to total absorption of real and art into each other, it is due to
hyperrealism which is the limit of art, and of the real, by respective
exchange, on the level of the simulacrum, of the privileges and the
prejudices which are their basis – the hyperreal transcends representation,
S2:146-147
art does not die because there is no more art, it dies because there is too
much, the excess of reality disheartens me as does the excess of art
when it imposes itself as reality, CA:64
entered a kind of stasis, as though everything that had developed magically
over several centuries had suddenly been immobilized, TE:15
entered into infinite reproduction, SD:75
every image is an ephemeral vanishing act, in it s countless contemporary
forms, its only magic is the magic of disappearance, and the pleasures it
gives are bloodless ones, C1:67
everydayness and, CR:109
everyone now is potentially a creator (video technology), TE:16
(is) everywhere, artifice lies at heart of reality, so art is dead, SD:75; S2:151-2
expressionism, SC:181; CA:25
fauvist, CS:119
form, art is a form, something that does not exactly have a history but a
destiny, today art has fallen into value, CA:63
art in its form signifies nothing, it is only a sign of absence, CA:93
(art a) function, for me, no, it once had one, BL:132
galleries now primarily deal with the byproducts of art, CA:54
gives a meaning or sense of identity to something which is meaningless, which
has no identity, BL:165
has become, for the most part, a prosthesis of advertising and culture, a
generalized prosthesis, culture and art are the total prosthesis of a world
that has lost the magic of form and appearance. CA:106
has become a terminal, an mage feed back to reality or hyper reality, CA:78
has kept alive the possibility of playing out the illusion to the full and finding the
rules for it, to the exclusion of any reality, genuine art doesn’t concern itself
with the question of the real, P:45
has lost the notion that it is an artifice, it has naturalized itself in the modern
age on the basis of the Rousseauist idea that there’s a natural foundation to
man, P:106
has not final destination other than the fluid universe of communication,
networks, and interaction, CA:93
history: one is no longer in a history of art, or a history of forms, they have
been deconstructed, destroyed, BL:94
history: repentance and ressentiment constitute the last stage of, IE:26; AA:7
hyper-realists in 1960’s (Jim Dine), A:86; R:22