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The Baudrillard Index - Bishop's University

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surrealism and, are inseparable, CR:193<br />

total functionality, total semiurgy, CR:185 ff.<br />

Bazin, P:110<br />

Beagle Channel, C4:9<br />

Beaubourg, R:17; BL:50, 65; P:42; ST:41<br />

advertising monuments (Les Halles, La Villette) of the operation of culture,<br />

E:20<br />

an object that is wrecked before it ever begins, the only modern object we<br />

have produced unintentionally, C1:105<br />

a space of total diffusion, CA:135<br />

digital clock at, C3:93; PC:49; IX:43; SC:133; CA:148<br />

perfect symbol for the century which can do nothing more than<br />

count the seconds separating it from its end, time no longer counter<br />

progressively, by addition, but by subtraction, starting from the end,<br />

when you count the seconds separating you from the end, it means you<br />

are already at the end, beyond the end, V:34-35<br />

removed from Beaubourg, stored at Parc de la Villette, then displaced to<br />

the Place de la Bastille, a truly illuminating emblem of Y2K’s failure to<br />

take place, V:35-36<br />

effect: implosion and deterrence, SS:61-73<br />

expresses flux, storage, redistribution, SA:38<br />

flagrant contradiction of its objectives, SS:62<br />

Formless, exhibition, P:109<br />

hyperreality of culture, SS:67<br />

hyperrealist exhibition at, E:30 ff.<br />

illustrates that an order of simulacra establishes itself on the alibi of the<br />

previous order, SS:64<br />

implosion happening here is not surrealist but hyperrealist, CA:136<br />

incinerator absorbing and devouring cultural energy, SS:61<br />

is indeed the best reading of a culture of total dispersion, of combination,<br />

CA:135<br />

lack of distinction, an indifference to everything,CA:134<br />

machine for making emptiness, SS:61<br />

(a) monster (like La Villette, La Defence, Opera Bastille) they are not<br />

monuments but monsters, they testify not to the integrity of the city but to its<br />

disintegration, not to its organic nature but to its disorganization, they reflect<br />

the satellization of urban existence, C1:105<br />

(a) monstrous object, something insuperable, something we are<br />

unable to repeat, SA:14<br />

(a) monster because it demonstrates nothing, it’s a monster, and in<br />

that sense a kind of singularity, SA:21<br />

mass, the, imposed its practices on the spot thwarting the concerns

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