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Light in the outdoor area - Erco

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Situations<br />

Facade<br />

Vertical surfaces <strong>in</strong> an urban sett<strong>in</strong>g contribute<br />

significantly to <strong>the</strong> spatial def<strong>in</strong>ition of squares,<br />

traffic routes and build<strong>in</strong>gs. From <strong>the</strong> po<strong>in</strong>t of<br />

view of both perception psychology and design,<br />

this makes facade light<strong>in</strong>g a key element <strong>in</strong> <strong>the</strong><br />

night light<strong>in</strong>g concept for urban <strong>area</strong>s. Different<br />

types of facades require specific light<strong>in</strong>g concepts<br />

to reveal <strong>the</strong> qualities of <strong>the</strong> architecture.<br />

In <strong>the</strong> same way as build<strong>in</strong>gs look different <strong>in</strong><br />

daylight, sophisticated light<strong>in</strong>g solutions give<br />

<strong>the</strong>m a different appearance at night. In pr<strong>in</strong>ciple,<br />

facades that are predom<strong>in</strong>antly solid require<br />

a light<strong>in</strong>g design that is dist<strong>in</strong>ct from transparent<br />

build<strong>in</strong>gs. In addition to provid<strong>in</strong>g wallwash<strong>in</strong>g<br />

effects on massive facades, a fur<strong>the</strong>r option is to<br />

accentuate <strong>the</strong> build<strong>in</strong>g contours or <strong>in</strong>dividual<br />

build<strong>in</strong>g elements. In contrast to <strong>the</strong> illum<strong>in</strong>ation<br />

of a massive frontal elevation, glass architecture<br />

can give <strong>the</strong> impression of light sh<strong>in</strong><strong>in</strong>g<br />

outwards from <strong>the</strong> <strong>in</strong>side when specific <strong>area</strong>s<br />

<strong>in</strong>side <strong>the</strong> build<strong>in</strong>g are illum<strong>in</strong>ated. Dur<strong>in</strong>g <strong>the</strong><br />

day, passers-by do not often see a build<strong>in</strong>g <strong>in</strong>side<br />

because <strong>the</strong> higher <strong>in</strong>tensity of <strong>the</strong> daylight<br />

causes significant reflections of <strong>the</strong> surround<strong>in</strong>gs<br />

on <strong>the</strong> glass surfaces. At night, however,<br />

transparent build<strong>in</strong>gs seem to ga<strong>in</strong> <strong>in</strong> depth due<br />

to visibility of <strong>the</strong> <strong>in</strong>terior; <strong>the</strong> facade structure<br />

stands out as a silhouette aga<strong>in</strong>st <strong>the</strong> build<strong>in</strong>g<br />

core.<br />

Once twilight sets <strong>in</strong>, light<strong>in</strong>g controls allow<br />

light scenes for facade light<strong>in</strong>g to be automatically<br />

recalled through sensor or timer functions.<br />

The special asymmetri -<br />

cal light distribution pro -<br />

vided by wallwash<strong>in</strong>g<br />

creates highly uniform<br />

light on <strong>the</strong> facade. The<br />

angle of <strong>in</strong>cl<strong>in</strong>ation can<br />

be adjusted to ensure<br />

that <strong>the</strong> light is emitted<br />

without spill<strong>in</strong>g beyond<br />

<strong>the</strong> roof, <strong>in</strong> order to comply<br />

with <strong>the</strong> requirements<br />

of a Dark Sky concept.<br />

Beamer spotlight<br />

Tesis recessed floor<br />

lum<strong>in</strong>aire<br />

Sensors and light<strong>in</strong>g<br />

control systems<br />

Narrow beam lum<strong>in</strong>aires<br />

emphasise <strong>the</strong> vertical<br />

structure of <strong>the</strong> facade.<br />

Illum<strong>in</strong>ated build<strong>in</strong>g<br />

contours underl<strong>in</strong>e <strong>the</strong><br />

dimensions. The lum<strong>in</strong>aires<br />

are mounted close<br />

to <strong>the</strong> facade to produce<br />

a strik<strong>in</strong>g effect with<br />

graz<strong>in</strong>g light that accentuates<br />

<strong>the</strong> texture of <strong>the</strong><br />

brickwork.<br />

Lum<strong>in</strong>aire arrangement for facade light<strong>in</strong>g<br />

Recessed <strong>in</strong>-ground<br />

lum<strong>in</strong>aires <strong>in</strong>tegrate<br />

smoothly <strong>in</strong>to <strong>the</strong>ir<br />

surround<strong>in</strong>gs. Lum<strong>in</strong>aires<br />

mounted close<br />

to <strong>the</strong> facade produce<br />

an <strong>in</strong>tense graz<strong>in</strong>g<br />

light.<br />

Floodlights mounted<br />

at a distance to <strong>the</strong><br />

facade ensure uniform<br />

illum<strong>in</strong>ation of<br />

<strong>the</strong> facade without<br />

harsh shadows.<br />

Parscoop floodlight<br />

Tesis lens wallwasher<br />

Illum<strong>in</strong>at<strong>in</strong>g <strong>the</strong> surface<br />

from top to bottom<br />

is consistent with<br />

<strong>the</strong> direction of light<br />

dur<strong>in</strong>g <strong>the</strong> day and<br />

reduces <strong>the</strong> problem<br />

of light spill<strong>in</strong>g <strong>in</strong>to<br />

<strong>the</strong> night sky. Dur<strong>in</strong>g<br />

<strong>the</strong> day, <strong>the</strong> cantilever<br />

arm is clearly visible<br />

aga<strong>in</strong>st <strong>the</strong> roof edge.<br />

Exist<strong>in</strong>g poles such<br />

as street light columns<br />

are ideal when used<br />

to mount facade lum<strong>in</strong>aires.<br />

The greater<br />

distance to <strong>the</strong> build<strong>in</strong>g<br />

renders <strong>the</strong> facade<br />

flatter, as fewer shadows<br />

are produced. It is<br />

important to consider<br />

that when look<strong>in</strong>g out<br />

Brandenburg Gate,<br />

Berl<strong>in</strong>: Illum<strong>in</strong>at<strong>in</strong>g <strong>the</strong><br />

vertical elements us<strong>in</strong>g<br />

light<strong>in</strong>g tools with appropriate<br />

asymmetrical light<br />

distribution effectively<br />

draws attention to this<br />

landmark. Recessed Tesis<br />

lens wallwashers accentuate<br />

<strong>the</strong> columns, while<br />

of <strong>the</strong> build<strong>in</strong>g <strong>the</strong>re<br />

will be no glare.<br />

Parscoop floodlights<br />

mounted near <strong>the</strong> top<br />

of <strong>the</strong> gateway raise <strong>the</strong><br />

impression of spatial<br />

depth.<br />

Lum<strong>in</strong>aires posi -<br />

tioned directly on<br />

<strong>the</strong> facade produce<br />

graz<strong>in</strong>g light that can<br />

emphasise surface<br />

textures through dist<strong>in</strong>ct<br />

shadows.<br />

22 ERCO ERCO 23

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