Light in the outdoor area - Erco
Light in the outdoor area - Erco
Light in the outdoor area - Erco
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Situations<br />
Facade<br />
Vertical surfaces <strong>in</strong> an urban sett<strong>in</strong>g contribute<br />
significantly to <strong>the</strong> spatial def<strong>in</strong>ition of squares,<br />
traffic routes and build<strong>in</strong>gs. From <strong>the</strong> po<strong>in</strong>t of<br />
view of both perception psychology and design,<br />
this makes facade light<strong>in</strong>g a key element <strong>in</strong> <strong>the</strong><br />
night light<strong>in</strong>g concept for urban <strong>area</strong>s. Different<br />
types of facades require specific light<strong>in</strong>g concepts<br />
to reveal <strong>the</strong> qualities of <strong>the</strong> architecture.<br />
In <strong>the</strong> same way as build<strong>in</strong>gs look different <strong>in</strong><br />
daylight, sophisticated light<strong>in</strong>g solutions give<br />
<strong>the</strong>m a different appearance at night. In pr<strong>in</strong>ciple,<br />
facades that are predom<strong>in</strong>antly solid require<br />
a light<strong>in</strong>g design that is dist<strong>in</strong>ct from transparent<br />
build<strong>in</strong>gs. In addition to provid<strong>in</strong>g wallwash<strong>in</strong>g<br />
effects on massive facades, a fur<strong>the</strong>r option is to<br />
accentuate <strong>the</strong> build<strong>in</strong>g contours or <strong>in</strong>dividual<br />
build<strong>in</strong>g elements. In contrast to <strong>the</strong> illum<strong>in</strong>ation<br />
of a massive frontal elevation, glass architecture<br />
can give <strong>the</strong> impression of light sh<strong>in</strong><strong>in</strong>g<br />
outwards from <strong>the</strong> <strong>in</strong>side when specific <strong>area</strong>s<br />
<strong>in</strong>side <strong>the</strong> build<strong>in</strong>g are illum<strong>in</strong>ated. Dur<strong>in</strong>g <strong>the</strong><br />
day, passers-by do not often see a build<strong>in</strong>g <strong>in</strong>side<br />
because <strong>the</strong> higher <strong>in</strong>tensity of <strong>the</strong> daylight<br />
causes significant reflections of <strong>the</strong> surround<strong>in</strong>gs<br />
on <strong>the</strong> glass surfaces. At night, however,<br />
transparent build<strong>in</strong>gs seem to ga<strong>in</strong> <strong>in</strong> depth due<br />
to visibility of <strong>the</strong> <strong>in</strong>terior; <strong>the</strong> facade structure<br />
stands out as a silhouette aga<strong>in</strong>st <strong>the</strong> build<strong>in</strong>g<br />
core.<br />
Once twilight sets <strong>in</strong>, light<strong>in</strong>g controls allow<br />
light scenes for facade light<strong>in</strong>g to be automatically<br />
recalled through sensor or timer functions.<br />
The special asymmetri -<br />
cal light distribution pro -<br />
vided by wallwash<strong>in</strong>g<br />
creates highly uniform<br />
light on <strong>the</strong> facade. The<br />
angle of <strong>in</strong>cl<strong>in</strong>ation can<br />
be adjusted to ensure<br />
that <strong>the</strong> light is emitted<br />
without spill<strong>in</strong>g beyond<br />
<strong>the</strong> roof, <strong>in</strong> order to comply<br />
with <strong>the</strong> requirements<br />
of a Dark Sky concept.<br />
Beamer spotlight<br />
Tesis recessed floor<br />
lum<strong>in</strong>aire<br />
Sensors and light<strong>in</strong>g<br />
control systems<br />
Narrow beam lum<strong>in</strong>aires<br />
emphasise <strong>the</strong> vertical<br />
structure of <strong>the</strong> facade.<br />
Illum<strong>in</strong>ated build<strong>in</strong>g<br />
contours underl<strong>in</strong>e <strong>the</strong><br />
dimensions. The lum<strong>in</strong>aires<br />
are mounted close<br />
to <strong>the</strong> facade to produce<br />
a strik<strong>in</strong>g effect with<br />
graz<strong>in</strong>g light that accentuates<br />
<strong>the</strong> texture of <strong>the</strong><br />
brickwork.<br />
Lum<strong>in</strong>aire arrangement for facade light<strong>in</strong>g<br />
Recessed <strong>in</strong>-ground<br />
lum<strong>in</strong>aires <strong>in</strong>tegrate<br />
smoothly <strong>in</strong>to <strong>the</strong>ir<br />
surround<strong>in</strong>gs. Lum<strong>in</strong>aires<br />
mounted close<br />
to <strong>the</strong> facade produce<br />
an <strong>in</strong>tense graz<strong>in</strong>g<br />
light.<br />
Floodlights mounted<br />
at a distance to <strong>the</strong><br />
facade ensure uniform<br />
illum<strong>in</strong>ation of<br />
<strong>the</strong> facade without<br />
harsh shadows.<br />
Parscoop floodlight<br />
Tesis lens wallwasher<br />
Illum<strong>in</strong>at<strong>in</strong>g <strong>the</strong> surface<br />
from top to bottom<br />
is consistent with<br />
<strong>the</strong> direction of light<br />
dur<strong>in</strong>g <strong>the</strong> day and<br />
reduces <strong>the</strong> problem<br />
of light spill<strong>in</strong>g <strong>in</strong>to<br />
<strong>the</strong> night sky. Dur<strong>in</strong>g<br />
<strong>the</strong> day, <strong>the</strong> cantilever<br />
arm is clearly visible<br />
aga<strong>in</strong>st <strong>the</strong> roof edge.<br />
Exist<strong>in</strong>g poles such<br />
as street light columns<br />
are ideal when used<br />
to mount facade lum<strong>in</strong>aires.<br />
The greater<br />
distance to <strong>the</strong> build<strong>in</strong>g<br />
renders <strong>the</strong> facade<br />
flatter, as fewer shadows<br />
are produced. It is<br />
important to consider<br />
that when look<strong>in</strong>g out<br />
Brandenburg Gate,<br />
Berl<strong>in</strong>: Illum<strong>in</strong>at<strong>in</strong>g <strong>the</strong><br />
vertical elements us<strong>in</strong>g<br />
light<strong>in</strong>g tools with appropriate<br />
asymmetrical light<br />
distribution effectively<br />
draws attention to this<br />
landmark. Recessed Tesis<br />
lens wallwashers accentuate<br />
<strong>the</strong> columns, while<br />
of <strong>the</strong> build<strong>in</strong>g <strong>the</strong>re<br />
will be no glare.<br />
Parscoop floodlights<br />
mounted near <strong>the</strong> top<br />
of <strong>the</strong> gateway raise <strong>the</strong><br />
impression of spatial<br />
depth.<br />
Lum<strong>in</strong>aires posi -<br />
tioned directly on<br />
<strong>the</strong> facade produce<br />
graz<strong>in</strong>g light that can<br />
emphasise surface<br />
textures through dist<strong>in</strong>ct<br />
shadows.<br />
22 ERCO ERCO 23