Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
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etc).<br />
-Chapter 3 from :00 to 1:01: “Night” (Police Force) Bars 20-33 (mixed, repeated,<br />
-Chapter 3 from 2:12 to 2:54: “Lead-In A” (Police Force) all 9 bars.<br />
-Chapter 3 from 4:21 to 5:11: “Lead-In F” all 11 bars.<br />
*****************************************<br />
“The High Graders” January 18, 1958 **** A-<br />
This is an excellent episode, one not to be missed! It stars Bob Steele, Robert<br />
Wilke (<strong>in</strong> the first of many HGWT roles), <strong>and</strong> Susan Cabot about a crooked l<strong>and</strong> m<strong>in</strong>e<br />
deal. I particularly enjoyed the “steely” <strong>in</strong>tensity of Bob Steele’s tough performance as<br />
“The Jockey.” I remember him <strong>in</strong> Big Sleep, as Matt Jenn<strong>in</strong>gs <strong>in</strong> the enterta<strong>in</strong><strong>in</strong>g “B”<br />
western, The Lion <strong>and</strong> the Horse, Cheyenne, South of St. Louis, <strong>and</strong> other Warner Bros.<br />
films (all of the ones just mentioned were scored by legendary Max Ste<strong>in</strong>er). Mr. Steele<br />
is of course predom<strong>in</strong>antly associated with the Westerns genre. Of course Robert J. Wilke<br />
was often cast as the “bad man” as well!<br />
-Chapter 1 from 4:05 to 4:21: “The Card” (HGWT)<br />
-Chapter 1 from 5:53 to 6:14: “Lead-In B” (Police Force) Bars 3-7<br />
-Chapter 1 from 9:51 to 9:56: “Middle Tag” (HGWT)<br />
-Chapter 2 from 2:11 to 2:47: “Lead-In A” (Police Force) Bars 1-8, 8. Scene:<br />
Interior m<strong>in</strong>e right after Palad<strong>in</strong> talks with Casey Bryan (Wilke).<br />
-Chapter 2 from 2:48 to 4:20: “Suspects” (Police Force) Bars 1-6, 6, 7-15, 12-20.<br />
Scene: Interior m<strong>in</strong>e as Palad<strong>in</strong> witnesses the m<strong>in</strong>ers “high grad<strong>in</strong>g” (steal<strong>in</strong>g) the high<br />
grade gold ore. This cue was often used <strong>in</strong> Perry Mason. This makes sense s<strong>in</strong>ce the cue<br />
is from <strong>Herrmann</strong>’s Police Force suite, a collection of crime drama genre cues.<br />
-Chapter 3 from :43 to 1:15: “Buildup Chords” (by Lucien Moraweck). This is the<br />
same music that was played <strong>in</strong> the previous episode (“Ella West”) dur<strong>in</strong>g that bar room<br />
confrontation scene between Palad<strong>in</strong> <strong>and</strong> the character played by big Mike Mazurki. This<br />
time it’s an exterior street scene confrontation between Palad<strong>in</strong> <strong>and</strong> The Jockey, but this<br />
time there’s actual bloodshed.<br />
*****************************************<br />
“The Last Laugh” January 25, 1958 *** B-<br />
This episode is okay, middle-of-the-road st<strong>and</strong>ard fare. Its primary dist<strong>in</strong>ction is<br />
the guest star Stuart Whitman (remember him as the lead star <strong>in</strong> Cimarron Strip?) as<br />
ranch owner Gil Borden. Murray Hamilton (very f<strong>in</strong>e actor) also stars as trouble-maker<br />
Ed McKay. Peter Whitney plays the large, obedient buffoon, Judd.<br />
-Chapter 1 from 1:17 to 1:40: “Rural Grotesque” (Ethan Allen) Somewhat<br />
comical-implication scene with Judd <strong>and</strong> a horse. This music is rather appropriate for the<br />
scene, so it’s a good choice by the music editor.<br />
-Chapter 1 from 8:07 to 8:23: “Indian Ambush” (Indian Suite) start<strong>in</strong>g Bar 38.<br />
17