Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
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horn/2 clar<strong>in</strong>ets/bass clar<strong>in</strong>et/bassoon play the descend<strong>in</strong>g legato <strong>in</strong>itial quarter notes F-<br />
D-A to (Bar 2) G# half note decrescendo.<br />
*****************************************<br />
“Gold & Brimstone” June 20, 1959 ** C-<br />
The Second Season seems to have ended <strong>in</strong> a wimper compared to the good loud<br />
wail of the open<strong>in</strong>g episode. The story is about a rather crazy old man <strong>and</strong> his concerned<br />
son worried about their m<strong>in</strong>e <strong>and</strong> threaten<strong>in</strong>g claim jumpers. What they f<strong>in</strong>d at the end of<br />
the story is worth far more than gold.<br />
-Chapter 2 from 5:18 to 6:29: Collector’s Item cue. Scene: Palad<strong>in</strong> <strong>in</strong>vestigates<br />
the old m<strong>in</strong>e.<br />
-Chapter 3 from 4:52 to 5:49: “The Wait<strong>in</strong>g” (Western Suite) Cue # 460, Bars 3-8,<br />
13-14, 29-33.<br />
-Chapter 4 from :00 to :48: “Lead-In F” (Police Force) Bars 1-10 (not end Bar<br />
11).<br />
*****************************************<br />
SEASON THREE<br />
The best seasons as a whole were the first <strong>and</strong> second seasons. The quality of the<br />
episodes starts slowly to lessen somewhat but not too appreciably. The appearance of<br />
Richard Boone as Palad<strong>in</strong> starts to deteriorate a bit as well: he looks older, heavier, a bit<br />
more tired, <strong>and</strong> dresses a bit sloppily. He no longer wears that characteristic tie that<br />
makes him look streaml<strong>in</strong>ed. He is not ag<strong>in</strong>g well, <strong>and</strong> too fast (<strong>and</strong> he’s only <strong>in</strong> his early<br />
Forties!). I’ve noticed that stunt men are do<strong>in</strong>g more scenes for him—some such wild<br />
stunts as well that it’s laughable! His physical peak appearance matured around the time<br />
he did Beneath the Twelve Mile Reef thru the first season of HGWT.<br />
The Third Season is admirably noted, however, for be<strong>in</strong>g the first HGWT season<br />
to use orig<strong>in</strong>al scores (start<strong>in</strong>g with Wilbur Hatch) <strong>and</strong> <strong>in</strong>clud<strong>in</strong>g <strong>in</strong>terest<strong>in</strong>g scores by<br />
Lyn Murray (such as “Hatchet Man”) <strong>and</strong>, <strong>in</strong> later seasons, Fred Ste<strong>in</strong>er, etc.<br />
Unfortunately, <strong>Herrmann</strong> never did another orig<strong>in</strong>al score for the series. Now if he had<br />
then that would <strong>in</strong>deed have been quite fasc<strong>in</strong>at<strong>in</strong>g! I wonder if he was ever approached<br />
to do another orig<strong>in</strong>al score but decl<strong>in</strong>ed? He did three <strong>Gun</strong>smoke scores, <strong>in</strong>cidentally.<br />
“First, Catch A Tiger” September 12, 1959 *** B-<br />
This is another moody episode directed by Ida Lup<strong>in</strong>o <strong>in</strong> a rather stage style. It’s a<br />
mystery piece with Palad<strong>in</strong> wonder<strong>in</strong>g who Fred Horn is <strong>in</strong> Morda<strong>in</strong>, Wyom<strong>in</strong>g. If you<br />
like an <strong>in</strong>tense, very serious drama, then you should like this episode.<br />
-Chapter 2 from :33 to :59: “The Newspaper” (HGWT). Scene: Palad<strong>in</strong> reads<br />
“Fred Horn Strikes Aga<strong>in</strong>” <strong>in</strong> the newspaper.<br />
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