Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
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-Chapter 2 from :00 to :13: Scene: Aftermath of the fire.<br />
-Chapter 3 from 4:43 to 5:41: “Ra<strong>in</strong> Clouds” (Western Suite). Scene: Tildy’s<br />
(Jacquel<strong>in</strong>e Scott) father appeals to Palad<strong>in</strong> to help his daughter.<br />
-Chapter 4 from :01 to :19: “Suspense Processional” (Walt Whitman). Scene: The<br />
Mennonites carriage <strong>in</strong>to town. Interest<strong>in</strong>g us<strong>in</strong>g this cue from an old radio show for this<br />
scene. It fits the character of the scene (focus on the Mennonites).<br />
-Chapter 4 from :33 to 1:16: “Badman” (Western Suite)<br />
-Chapter 4 1:38 to 2:03: “Trouble No. 2” (by Rene Garriguenc). Scene: The<br />
henchman uses Tildy as a shield aga<strong>in</strong>st Palad<strong>in</strong>.<br />
-Chapter 4 from 2:04 to 2:27: “Tension & Fight” (by Rene Garriguenc). Cue #<br />
185, Bars 1-4, 7-8. CBS 8-46-D. This is a very nice <strong>Herrmann</strong>esque cue, one you’ll hear<br />
<strong>in</strong> later episodes. Scene: Palad<strong>in</strong> takes off his holster <strong>and</strong> gun; ready to fist fight the guy<br />
<strong>in</strong>stead.<br />
-Chapter 4 from 6:26 to 6:55: “Dramatic F<strong>in</strong>ale” (by Rene Garriguenc). Cue #<br />
187, all 10 bars, :30 duration. Def<strong>in</strong>itely another <strong>Herrmann</strong>esque cue by Rene. Excellent!<br />
*****************************************<br />
“Silver Convoy” May 31, 1958 * D+<br />
Compared to so many f<strong>in</strong>e episodes, this one is somewhat subst<strong>and</strong>ard. In fact this<br />
is the first of the f<strong>in</strong>al three episodes of Season One, <strong>and</strong> they are all rather weak. I<br />
believe the writers <strong>and</strong> stars all desperately needed a vacation because the stories <strong>and</strong><br />
act<strong>in</strong>g appeared rather tired. “Silver Convoy” was written by Ken Kolb but it lacks both<br />
substance <strong>and</strong> a sense of fun. Palad<strong>in</strong> goes to Monterey to <strong>in</strong>vestigate the disappearance<br />
of a man who was rumored to have been a prisoner of a silver m<strong>in</strong>e owned by Don<br />
Francisco. The only <strong>in</strong>terest<strong>in</strong>g segment is the use of “The Chase” cue from Police Force.<br />
-Chapter 1 from 4:48 to 4:51: “Dramatic II” (Western Suite) Bar 1. Scene: Palad<strong>in</strong><br />
shows the Don his signature trademark card.<br />
-Chapter 1 from 9:03 to 9:39: “Dramatic I” (Western Suite) aka “Prelude, Bars 1,<br />
1-8, etc. Scene: The senorita is chased by the Don’s son.<br />
-Chapter 3 from 1:49 to 3:33: “The Chase” (Police Force) cue # 371, slower<br />
version. Scene: Palad<strong>in</strong> <strong>and</strong> the senorita are chased throughout the w<strong>in</strong>d<strong>in</strong>g alleys <strong>and</strong><br />
dark places of the ranch.<br />
*****************************************<br />
“Deliver The Body” June 7, 1958 ** C +<br />
The only dist<strong>in</strong>ction <strong>in</strong> this episode is the primary guest star, James Franciscus as<br />
town lawyer Tom Nelson. R.G. Armstrong also returns as a guest star <strong>in</strong> the role as<br />
Mayor Lovett. I liked the episode better than “Silver Convoy,” however. It has more<br />
energy.<br />
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