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Herrmann Music in Have Gun Will Travel and - Film Score Rundowns

Herrmann Music in Have Gun Will Travel and - Film Score Rundowns

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In this episode, we witness another of Palad<strong>in</strong>’s many acquired talents: w<strong>in</strong>e<br />

connoisseur. It gets a “C” rat<strong>in</strong>g by me, even though it was written by Ken Kolb (who<br />

wrote the excellent “Strange Vendetta”), <strong>and</strong> the pr<strong>in</strong>t is not very good. If your time is<br />

limited <strong>and</strong> you cannot watch every episode, then you can safely skip this one (but it’s<br />

still better than “Helen of Abaj<strong>in</strong>ian”!). Below I may not <strong>in</strong>dicate every t<strong>in</strong>y fragment of<br />

<strong>Herrmann</strong> music used.<br />

-Chapter 1 from 3:16 to 3:25: “The Card” (HGWT)<br />

-Chapter 1 from 6:32 to 6:56: “Lead-In D” Bars 1-6, then 11-13.<br />

-Chapter 2 from 6:49 to 6:57 (end of chapter): “Middle Tag G” (Police Force).<br />

Scene: Donatello h<strong>and</strong>s out guns to his men to fight Gorman.<br />

-Chapter 3 from :01 to :14: “Suspects” (Police Force)<br />

-Chapter 3 from 2:34 to 3:23: “Trouble No. 2” (by Rene Garriguenc). Scene:<br />

Palad<strong>in</strong> forces Gorman to call his men back.<br />

*****************************************<br />

“The Girl From Piccadilly” February 22, 1958 **** A<br />

I like this episode (written by Ken Kolb) a lot, perhaps putt<strong>in</strong>g it <strong>in</strong> my Top Ten<br />

list (certa<strong>in</strong>ly Top Twenty). There’s a certa<strong>in</strong> atmosphere that appeals to me, especially <strong>in</strong><br />

that lonely church scene at night (see Chapter 1 from 8:57 thru Chapter 2 at 1:55). One<br />

scene I like to look at <strong>in</strong> freeze-frame format is <strong>in</strong> the beg<strong>in</strong>n<strong>in</strong>g of Chapter 2 (for<br />

example, go to 0:09). It’s a real nice composition with the w<strong>in</strong>dow <strong>and</strong> shadows, Palad<strong>in</strong><br />

fac<strong>in</strong>g Isabel.<br />

Isabel is played by the beautiful Betsy Von Furstenberg (Broadway star who also<br />

did many television shows). She’s a def<strong>in</strong>ite plus <strong>in</strong> watch<strong>in</strong>g this episode! However,<br />

while I th<strong>in</strong>k she is elegant <strong>and</strong> lovely to watch, I am even more drawn to the beauty of<br />

Paula Raymond <strong>in</strong> the episode titled “Lady With A <strong>Gun</strong> (4-9-60). Perhaps you remember<br />

her best <strong>in</strong> Harryhausen’s Beast From 20,000 Fathoms.<br />

-Chapter 1 from 8:57 to 9:31 (end of the chapter): “Religious Procession No. 1”<br />

(by Rene Garriguenc). If you recall, this music was played <strong>in</strong> its near entirety <strong>in</strong> “The<br />

Hang<strong>in</strong>g Cross.” It is logical for the music editor (I assume Gene Feldman but no name<br />

was <strong>in</strong>dicated <strong>in</strong> the End Credits) to choose this cue for this church scene.<br />

-Chapter 2 from 3:40 to 3:48: “Dramatic II” (aka “<strong>Gun</strong>fight” <strong>in</strong> the Cerberus LP<br />

<strong>and</strong> Prometheus cd) [Western Suite] Bars 1-2. This seques to “Shadows” (Western Suite)<br />

Bars 1-6.<br />

-Chapter 2 from 4:14 to 4:22: “Dramatic II” (Western Suite)<br />

-Chapter 3 from 2:30 to 2:51: “Dramatic II” once aga<strong>in</strong>. Scene: Palad<strong>in</strong> pours<br />

Chablis.<br />

-Chapter 3 from 6:36 to 7:05: “Ra<strong>in</strong> Clouds” (Western Suite) Bars 1-2, 4-5, 7-8.<br />

Then “Shadows” follows once aga<strong>in</strong>.<br />

-Chapter 3 from 9:36 to 10:10: “Emotional Sneak & F<strong>in</strong>ale” (by Rene<br />

Garriguenc). All 12 bars. This is a very nice cue, rather Herrmanesque. It’s a fitt<strong>in</strong>g<br />

end<strong>in</strong>g to this f<strong>in</strong>e episode.<br />

20

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