Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
Herrmann Music in Have Gun Will Travel and - Film Score Rundowns
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
-Chapter 2 from :00 to 1:06: “Lead-In F” (Police Force) Bar 1 played twice, 1-2,<br />
5-11.<br />
-Chapter 2 from 2:10 to 2:39: “The Card” (HGWT)<br />
-Chapter 2 from 4:52 to 5:18: “Lead-In B” (Police Force) Scene: an actual<br />
lead<strong>in</strong>g <strong>in</strong> from one scene (Judd feel<strong>in</strong>g guilty as Palad<strong>in</strong> escapes) as it fades to a<br />
transition to Nora crippled <strong>in</strong> her wheelchair (due to the spur under the horse saddle<br />
caus<strong>in</strong>g her horse to throw her).<br />
-Chapter 2 from 6:23 to 7:14: “Middle Lead-In” (Climax or Climatic Lead-In)<br />
Bars 3-11.<br />
-Chapter 3 from 6:54 to 7:39: “<strong>Gun</strong>smoke” (Western Saga) Bars 4-6, 21-30.<br />
Scene: Judd is shot <strong>in</strong> the back by Ed. Palad<strong>in</strong> challenges him <strong>and</strong> eventually kills him.<br />
-Chapter 3 from 7:48 to 8:18: “Lead-In B” (Police Force) Bars 3-7. Scene:<br />
Aftermath of confrontation <strong>and</strong> lead<strong>in</strong>g-<strong>in</strong> to Borden’s wife.<br />
*****************************************<br />
“The Bostonian” February 1, 1958 *** B+<br />
This episode stars Harry Townes as a rather displaced Bostonian out <strong>in</strong> the West,<br />
<strong>and</strong> Constance Ford as his wife, Gloria. She is noted for various roles, but I th<strong>in</strong>k one of<br />
the most memorable beyond her many television st<strong>in</strong>ts was as the bossy <strong>and</strong> critical<br />
Helen Jorgenson <strong>in</strong> A Summer Place. This episode has almost no <strong>Herrmann</strong> clips but<br />
there is <strong>in</strong>deed <strong>in</strong>terest<strong>in</strong>g music (primarily Rene Garriguenc) <strong>and</strong> accompany<strong>in</strong>g scenes.<br />
For example, <strong>in</strong> Chapter 1 from 18:14 to 18:47 (end of chapter), we have the scene where<br />
Palad<strong>in</strong> is welcomed by Gloria <strong>in</strong>to her ranch home. It’s a dynamic scene; <strong>in</strong>terest<strong>in</strong>g, not<br />
static. The direction (Andrew McLaglen) is <strong>in</strong>telligent <strong>and</strong> well-conceived. You see<br />
Gloria <strong>in</strong> moderate close up with her eyes look<strong>in</strong>g slowly up at Palad<strong>in</strong> (unseen <strong>in</strong> the<br />
shot) from holstered leg to face, <strong>and</strong> then the scene cuts to Palad<strong>in</strong> with the camera<br />
slowly pann<strong>in</strong>g up Palad<strong>in</strong>’s leg <strong>and</strong> sets on a close up of his face (apparently mimick<strong>in</strong>g<br />
what Gloria was do<strong>in</strong>g!). And the accompany<strong>in</strong>g music by Garriguenc is very <strong>in</strong>terest<strong>in</strong>g<br />
(adapt<strong>in</strong>g <strong>Herrmann</strong>’s HGWT fanfare). I have to seek out the exact title of the cue. I<br />
believe I h<strong>and</strong>-copied it but have to look for it.<br />
Although there is a virtual lack of <strong>Herrmann</strong> quotations, the Garriguenc music<br />
more than makes up for it. Moreover, I liked the po<strong>in</strong>ted dialog between Gloria <strong>and</strong><br />
Palad<strong>in</strong> <strong>in</strong> Chapter 3 start<strong>in</strong>g around 1:24 <strong>in</strong> which he basically tells her off! This short<br />
dialog is worth the time spent on this episode, <strong>and</strong> worth the price of the set perhaps.<br />
Very good dialog l<strong>in</strong>es <strong>and</strong> very good act<strong>in</strong>g. I’d give this episode a B+ but not quite a<br />
slightly upgraded A-) rat<strong>in</strong>g.<br />
-Chapter 1 from :46 to :55: “Lead-In C” (Police Force) Bars 1-2, 11. The CBS<br />
Lob Books describe this cue as “Dark, heavy bridge to descend<strong>in</strong>g background <strong>and</strong> tail.”<br />
-Chapter 1 from 3:33 to 4:09: “The Card” (HGWT)<br />
-Chapter 3 from 7:11 to 7:39: “Lead-In B” (Police Force) Bars 3-7<br />
-Chapter 3 from 7:49 to 7:56: “Sneak & F<strong>in</strong>ale No. 1 (<strong>Have</strong> <strong>Gun</strong> Series)” by Rene<br />
Garriguenc. Cue # 1089 G, Box 12 UCLA, 6 bars, :07 duration. Scene: Palad<strong>in</strong>, Henry<br />
<strong>and</strong> Gloria <strong>in</strong> the end scene dr<strong>in</strong>k<strong>in</strong>g a toast together. In 2/4 time, the bassoon starts off<br />
18