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Spring 2012 - Worlds Records

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STORYVILLE<br />

6102 VARIOUS ARTISTS SOUNDS OF NEW ORLEANS, VOLUME 2 Dippermouth Blues (1a) • Savoy Blues<br />

(1a) • High Society (1a) • Ballin’ The Jack (1a) • How Come You Do Me Like You Do (1a) • Mahogany Hall Stomp<br />

(1a) • Original Dixieland One-Step (1a) • Oh, Didn’t He Ramble (1b) • Li’l Liza Jane (1b) • High Society (1b) •<br />

When The Saints Go Marching In (1b) • Muskrat Ramble (1c) • Clarinet Marmalade (1c) • Milenberg Joys (1c) • Put<br />

On Your Old Grey Bonnet (1c) • Jazz Me Blues (1c) • Panama (1c) • Dark Town Strutter’s Ball (1c) • Bugle Call Rag<br />

(1d) • Chinatown, My Chinatown (1d) • Stick Out Your Can (1d) • Royal Garden Blues (1d) • Bourbon Street Parade<br />

(1d) • Basin Street Blues (2a) • Dinah (2a) • High Society (2a) • Old Man Mose (2a) • Darktown Strutter’s Ball (2a) •<br />

Mahogany Hall Stomp (2a) • Basin Street Blues (2a) • Change Of Key Boogie (2) • Frankie And Johnny (2b) • Waiting<br />

For The Robert E. Lee (2b) • Bourbon Street Parade (2b) • On A Persian Market (2b) • I’ve Fond A New Baby (2b)<br />

• The World Is Waiting For The Sunrise (2b) • Squeeze Me (2b) • Wolverine Blues (2c) • Blues For Jimmie Noone<br />

(2c) • Shine (2c) • Tailgate Ramble (2d) (Artists: 1a- Kid Ory And His Creole Jazz Band; 1b- Oscar ‘Papa’ Celestin<br />

Tuxedo Jazz Band; 1c- Paul Barbarin And His Band; 1d- Sharkey Bonano Live At The Prez Club; 2a- George Lewis And His New Orleans Jazz Band;<br />

2b- Wilbur De Paris And His New Orleans Jazz; 2c- Albert Burbank With Kid Ory And His Creole Jazz Band; 2d- Jam Session At Joe Mare’s Place)<br />

[1945-1955] 2-CD Set. Bill Russell embraced with particular warmth the avant garde of early 20th Century New Orleans music, the players whose<br />

names invoked the genesis of jazz, and he would have approved of any of the recordings found in the second set of Storyville’s tribute to the New<br />

Orleans Revival. [Item Code: 66981 2-CD: $15.00]<br />

6103 VARIOUS ARTISTS SOUNDS OF NEW ORLEANS, VOLUME 3 Clarinet Marmalade (1a) • Fidgety Feet<br />

(1a) • Panama Rag (1a) • Darktown Strutters Ball (1a) • High Society (1a) • Bourbon Street Parade (1b) • I Wish I<br />

Could Shimmy Like My Sister Kate (1b) • Just A Closer Walk With Thee (1b) • Put On Our Old Grey Bonnet (1b) •<br />

Dardanella (1b) • Louisiana (1b) • Linger Awhile (1b) • Fidgety Feet (1c) • Tin Roof Blues (1c) • I’m Coming Virginia<br />

(1b) • Sweet Sue, Just You (1b) • The World Is Waiting For The Sunrise (1b) • Just A Closer Walk (1b) • Clarinet Marmalade<br />

(2a) • North Rampart Street Parade (2a) • I Ain’t Gonna Give You None Of My Jelly Roll (2a) • The World Is<br />

Waiting For The Sunrise (2a) • With A Pack On My Back (2a) • Wary Blues (2a) • Dippermouth Blues (2a) • Over The<br />

Waves (2b) • Bill Bailey (2b) • Rose Of Picardy (2b) • Ugly Chile (2b) • The Blues (2b) • Dippermouth Blues (2b)•<br />

Tailgate Ramble (2c) • A Good Man Is Hard To Find (2c) • Zero (2c) • Missouri Waltz (2c) (Artists: 1a- Albert Burbank<br />

With Kid Ory And His Creole Jazzband; 1b- Paul Barbarin And His Jazz Band; 1c- Johnny Wiggs’ New Orleans<br />

Boys; 2a- Sharkey Bonano At Lenfant’s Lounge; 2b- New Orleans Jazz Babies; 2c- Dixieland All Stars) [1952-1955]<br />

This CD includes several musicians who were on the scene during both wars. They were entwined in their musical<br />

relationships and understood why their performances that kick off this CD have such cohesiveness. These players developed mutual rapport in<br />

New Orleans when Louis Armstrong was still a teenager with a dream and Buddy Bolden was blowing his bones hard across town. Their musical<br />

interaction continued in California and through the intervening post-war periods, thus reflecting an ongoing association rather than a reunion. It is<br />

an incestuous but positive weave. [Item Code: 67327 2-CD: $15.00]<br />

TAKE TWO<br />

407 VARIOUS ARTISTS THE TORCH SINGERS - VOLUME 1 - THE TWENTIES My Man (a) • I’d Rather Be<br />

Blue Over You (a) • Can’t Help Lovin’ Dat Man (b) • Don’t Ever Leave Me (b) • Love Me Or Leave Me (c) • The Right<br />

Kind Of Man (c) • Why Was I Born (d) • More Than You Know (d) • The Man I Love (e) • Cause I Feel Low-Down (e)<br />

• That’s How I Feel About You (f) • I Still Go On Wanting You (f) • If You Want The Rainbow (g) • If I Can’t Have You<br />

(g) • Maybe Who Knows (h) • That Wonderful Something Is Love (h) • I Must Have That Man (i) • What I Wouldn’t<br />

Do For That Man (i) • Then You’ve Never Been Blue (j) • Moanin’ Low (k) (Artists: a- Fanny Brice; b- Helen Morgan;<br />

c- Ruth Etting; d- Libby Holman; e- Sophie Tucker; f- Belle Baker; g- Lee Morse; h- Kate Smith; i- Annette Hanshaw;<br />

j- Frances Williams; k- Eva Taylor) [1920s] During the 1920s an unusual melancholy type of ballad surfaced in the<br />

midst of the raging jazz age. These would come to be known as torch songs and probably began with My Man; an<br />

English version of the French hit Mon Homme introduced by the chanteuse Mistinguet. Ziegfeld brought Mistinguet to New York to perform this<br />

moving number in his 1921 edition of the Follies, but then turned the song over to Fanny Brice because Mistinguet’s voice displeased him. Brice’s<br />

poignant, heart-wrenching performance of My Man became an enormous success. These songs shared common theme of unfulfilled love for a man<br />

sung in a plaintive style - laments in which the singer was portrayed as a victim of a futile, if not outright abusive romance. Torch songs flourished<br />

following the introduction of electrical recordings; a new process in 1925 that improved sound and provided the intimate style essential to these<br />

passionate songs. This first volume offers torch songs from their inception in the 1920’s. [Item Code: 2518 CD: $16.00]<br />

410 GUS ARNHEIM ECHOES FROM THE COCOANUT GROVE Sweet Georgia Brown • Just One More Chance (a) • Roll On Mississippi,<br />

Roll On (b) • By A Lazy Country Lane (c) • At Your Command (d) • My Sweet Tooth Says I Wanna • You Said It (c) • Lies (e) • Nobody’s Sweetheart<br />

(f) • You’re The Surest Cure For The Blues (g) • You Don’t Know What You’re Doing (c) • There’s Nothing Too Good For My Baby (h) • Any Corner<br />

Is A Cozy Corner (c) • She Went To Havana (b) • It’s Love (c) • Love For Sale • Can’t You Read Between The Lines (b) • Why Dance (d) • Out Of<br />

Nowhere (i) • What Is It (j) (Vocals: a- Jack Smith; b- George Gramlich; c- Loyce Whiteman; d- Don Novis; e- Dave<br />

Marshall & Three Ambassadors; f- Harry Barris & Three Ambassadors; g- Three Ambassadors; h- Harry Barris; i- Bing<br />

Crosby; j- Bing Crosby & Loyce Whiteman) [1931] The Ambassador Hotel in Los Angeles offered posh, resort type<br />

accommodations that attracted dignitaries, socialites and celebrities. It was also the home of the Coconut Grove - a<br />

world famous nightclub that catered to this set. From 1928 to 1931 Gus Arnheim’s orchestra was in residence as<br />

the Grove’s popular house band. He was called ‘the star of entertainers and the entertainer of stars’. Several musicians<br />

and vocalists who performed with Arnheim at this time soon became stars themselves, including Bing Crosby,<br />

Fred MacMurray, Russ Columbo, Jack Smith and Donald Novis. Selections in this collection are transferred from<br />

rare radio transcriptions made in 1931. These numbers are performed in a more relaxed and spontaneous style of<br />

a nightclub rather than in the controlled setting of a recording studio. The two vocals by Bing Crosby for Out Of<br />

Nowhere and What Is It? were actually recorded live from the Grove, making them especially atmospheric. [Item<br />

Code: 10824 CD: $16.00]<br />

40 worldsrecords.com (800) 742-6663 15% Discount On Everything 40

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