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architecture - Sam Fox School - Washington University in St. Louis

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Fall 2010<br />

40<br />

help improv<strong>in</strong>g subjective knowledge by fallibilism. In this case<br />

conduct<strong>in</strong>g research, means mak<strong>in</strong>g a measurement and then<br />

writ<strong>in</strong>g some formulas and then it starts all over aga<strong>in</strong>.<br />

Course Description:<br />

317 graduate design core studio is rooted <strong>in</strong> representational<br />

techniques, concepts, metaphors and those founded on<br />

articulation of material systems and organizations of<br />

architectural formations. Rigorous scientific methodologies<br />

and <strong>in</strong>quiries will be developed to appreciate the heuristics of<br />

research <strong>in</strong> architectural discipl<strong>in</strong>e. However, the difference<br />

between <strong>architecture</strong> and science is its degree to which<br />

functionality can be reduced to matters of material organization.<br />

Architecture organizes social life via the articulation/perception,<br />

and the conception/comprehension of spatial order.<br />

Project Description:<br />

The studio will concentrate on the <strong>in</strong>dividual development of<br />

design process through production of complex architectural<br />

projects. The experimental processes will focus on the procedures<br />

of mak<strong>in</strong>g <strong>architecture</strong> <strong>in</strong> current contemporary culture allow<strong>in</strong>g<br />

each student to develop a strong sense of craft, critical and<br />

theoretical relationship to <strong>architecture</strong>. In this pivotal semester<br />

the students are asked to commit to the discipl<strong>in</strong>e of <strong>architecture</strong><br />

and the importance of understand<strong>in</strong>g the speculative nature of<br />

spatial order.<br />

Course Goals:<br />

• Develop high standards of design techniques through twodimensional<br />

and three-dimensional productions.<br />

• Ability to speculate through a fruitful and critical design<br />

process, and articulate these <strong>in</strong>tentions <strong>in</strong> visual and verbal<br />

forms.<br />

• Develop an understand<strong>in</strong>g of scale and the relationship<br />

between the human body and <strong>architecture</strong>.<br />

• Develop an understand<strong>in</strong>g of material tectonics and the<br />

formation of spatial order.<br />

• Basic understand<strong>in</strong>g of structural implications <strong>in</strong> material<br />

decisions.<br />

• Understand<strong>in</strong>g the importance of landscape and natural<br />

phenomena <strong>in</strong> the design process.<br />

• Basic understand<strong>in</strong>g of program through sequence, user<br />

and functional requirements.<br />

• Ability to engage digital design tools <strong>in</strong> two-dimensional<br />

processes.

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