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Production Technology Seminar 2009 - EBU Technical

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Ethernet, power companies for power grid management…)<br />

� A few broadcast equipment vendors have built proof-of-concept systems.<br />

Using IEEE 1588 is a good path forward to synchronise digital TV plants.<br />

Digital Archives<br />

2.9 What replaces shelves: solutions for long-term storage of broadcast files<br />

Richard Wright, BBC R&D, UK<br />

The PrestoSpace project was about the 'Preservation factory' concept [5]. It had many areas of work:<br />

Digitisation, restoration, metadata, storage… [6]. But first of all, the content on our archives shelves is<br />

very much at risk: about 70% of the material is concerned with obsolescence, or decay, or fragile. 30<br />

million hours of content were specifically identified by PrestoSpace and the European project TAPE 22 .<br />

UNESCO extrapolated and estimated 200 million hours worldwide in audiovisual collections. This is why<br />

digital storage for the preservation of this material 23 (except may be some film) becomes a critical issue.<br />

So, how much digital storage would we need? In the table hereafter are the BBC weekly requirements,<br />

beside its legacy archives (650 khours video + 350 khours audio + 2M stills) [8]-[10].<br />

Summary of Storage – now<br />

(BBC production, archiving, preservation)<br />

Standard Definition Storage<br />

Requirements<br />

Summary of Storage – soon<br />

High Definition<br />

(~ SD x 4)<br />

© <strong>EBU</strong> <strong>2009</strong> / <strong>Production</strong> <strong>Technology</strong> seminar / January 27 - 29, <strong>2009</strong><br />

Reproduction prohibited without written permission of <strong>EBU</strong> TECHNICAL & <strong>EBU</strong> TRAINING<br />

Storage<br />

Requirements<br />

Raw Material, 10 khours<br />

(30 hrs/1hr drama series)<br />

1000 TB/week Raw Material 4000 TB/week<br />

Completed Material 1 khour/week 100 TB/week Completed Material 400 TB/week<br />

Archiving 300 hrs 30 TB/week Archiving 120 TB/week<br />

(Legacy) Digitisation 800 hours 80 TB/week Digitisation<br />

(Digitising old material is still in SD)<br />

80 TB/week<br />

But – only Archiving and<br />

Digitisation require permanent<br />

storage<br />

= 110 TB/week Requirement for permanent storage 200 TB/week<br />

The storage requirements for audiovisual preservation are huge - in Europe: 50 million hours (20M video,<br />

20M audio, 10M film) – worldwide: 200 million hours. Assuming following digitisation parameters: video<br />

at 200 Mbit/sec (“Rec.601”), audio at 1.4 MB/sec (CD quality), film 2k (1.5 Gbit/sec), saving 1/3 of this<br />

material brings to a total of 600 PB + 4.2 PB + 2400 PB!<br />

What is happening to storage systems?<br />

� Storage capacity goes up according to the Moore's law) [12].<br />

� Media/Device cost (e.g. cost per gigabyte) goes down: the cost reduction for storage has been faster<br />

than Moore‟s Law since mid 1990‟s.<br />

� The usage goes up.<br />

� The risk (= number of devices x capacity of the device) goes up by the square! Device reliability has<br />

increased, but the number of devices in use has greatly increased.<br />

What Archives want from storage 24 is not first storage media but they want a functionality: “everything<br />

necessary to maintain access”. We want to keep things (= persistence) and that we can use them<br />

immediately in current formats (= currency).<br />

22<br />

Training for Audiovisual Preservation in Europe<br />

http://www.tape-online.net/<br />

23<br />

http://wiki.prestospace.org/<br />

24<br />

Richard WRIGHT – "What Archives Want – the requirements for digital technology”<br />

http://tech.ebu.ch/docs/techreview/trev_308-archives.pdf<br />

35

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