Production Technology Seminar 2009 - EBU Technical
Production Technology Seminar 2009 - EBU Technical
Production Technology Seminar 2009 - EBU Technical
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<strong>Seminar</strong> quick reference guide<br />
Per BOEHLER, NRK, Norway, Chairman of the <strong>Production</strong> Management Committee (PMC)<br />
'<strong>Production</strong> <strong>Technology</strong> <strong>2009</strong>' offers a very comprehensive programme.<br />
The first day dedicated to High Definition presents first users' experiences: launching a HDTV channel<br />
in 8 months with 2 different production and emission formats (§ 1.1), a new audio recording technique to<br />
capture the kicking of the ball in a football match (§ 1.2), the infrastructure and the formatting for<br />
Eurosports HD & SD simulcast (§ 1.3).<br />
The second session is focusing on the tests results of some HD equipment: camera systems for drama<br />
production (§ 1.4), studio and acquisition codecs with concatenation issues (§ 1.5), and distribution<br />
encoder (§ 1.6).<br />
Audio loudness jumps control (§ 1.7), low-bit rate encoding HE-AACv2 test results (§ 1.8) and Dolby E<br />
in a 50p production environment (1.9) are the subjects of the last session.<br />
The second day central topic is IT-based production, starting with the presentation of a new <strong>EBU</strong><br />
working group on Networked <strong>Production</strong> (§ 2.1) and then trying to decrypt the buzz word SOA (Service<br />
Oriented Architecture) through a tutorial and the positioning of the <strong>EBU</strong> work (§ 2.2), two vendors'<br />
presentations of a real SOA framework system and modules (§ 2.3) and of a 'linked' network technology<br />
(§2.4).<br />
The 2 nd session reports on the final work to define a new Synchronisation and Time-related labelling<br />
(§ 2.5 - 2.7) with a zoom on a way to synchronise a digital TV plant using Ethernet and IEEE 1588<br />
(§ 2.8).<br />
The storage, costs and control of loss issues in Digital archives are analysed in the last session (§ 2.9)<br />
as well as the migration strategies through the projects PrestoSpace and PrestoPRIME (§ 2.10). The use<br />
of the <strong>EBU</strong> Core is illustrated for radio archives metadata (§ 2.11) as well as the access to TV archives<br />
at the European level (§ 2.12).<br />
The third day brings us into the future, the “beyond-HD”. 3D is there, SMPTE is defining a 3D Home<br />
Master format for distribution (§ 3.1), the technologies… and the market are ready (§ 3.2). The future<br />
may also be high frame rate television (§ 3.3), computer-assisted search and production (§ 3.4) and<br />
interactive television (§ 3.5).<br />
© <strong>EBU</strong> <strong>2009</strong> / <strong>Production</strong> <strong>Technology</strong> seminar / January 27 - 29, <strong>2009</strong><br />
Reproduction prohibited without written permission of <strong>EBU</strong> TECHNICAL & <strong>EBU</strong> TRAINING<br />
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