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Production Technology Seminar 2009 - EBU Technical

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3 The future in production<br />

Chairperson: Roberto Cecatto, RAI, Italy<br />

Television, Radio, Web, mobile. Yes indeed we would have enough on our research and development<br />

plates to last us for decades. But should we not also look beyond the scope of strictly broadcasting<br />

developments? 3D-TV for instance, from which the broadcasters have a lot to learn. And what about the<br />

future plans in broadcasting…<br />

3D<br />

3.1 SMPTE Task Force on 3D to the Home<br />

Bill Zou, DTS, Standards & Business Development; Task Force Chairman, USA<br />

The Task Force (TF) was formed primarily under the request of the technology vendors. The driving<br />

force of movies studios produced a lot of 3D content over the last couple of years, and the success at<br />

the box office made them wonder why they just show it in theatres and if they can push this content all<br />

the way to the home. There is also the driving force of consumer electronics. Now, more and more<br />

homes already have HD and what is next? 3D is perhaps the next killer application. If there are driving<br />

forces at both ends, something is missing in the middle. There is no way to move the content from<br />

content owner to home. And without standards you cannot launch a successful business.<br />

Therefore, at the Task Force kick-off meeting, 19 August 2008, 200 people attended at the<br />

Entertainment <strong>Technology</strong> Center in Los Angeles.<br />

The 3D Task Force mission is first to answer the questions "What standards are needed?" for rapid<br />

adoption of stereoscopic content, from mastering to consumption in the home on a fixed home display<br />

via multiple types of distribution channels (broadcast, package media, Internet) – "What standards<br />

should be written by SMPTE?" in liaison with other bodies to ensure other needed standards are written.<br />

In the 3D End-to-End Value Chain [3], the yellow box relates to what the Task Force is focusing on: the<br />

'3D Home Master' format requirements with consideration from content creation, distribution and display.<br />

The corresponding specific tasks [5] are divided between 4 drafting teams in charge of:<br />

� Defining the issues and challenges related to 3D distribution for the home market, by:<br />

o describing end-to-end distribution chain, to precise the demarcation of the Task Force scope;<br />

o creating use cases (with inputs from cable, DTH, Studios, broadcasters) and prioritize;<br />

o creating standard terms/definitions (3D terminology to ensure that discussions and documents<br />

within the SMPTE 3D Task Force remain coherent);<br />

o identifying unique challenges in determining solutions.<br />

� Defining minimum requirements needed to overcome the issues and challenges, by<br />

o defining functional requirements for each distribution channel;<br />

o defining performance requirements;<br />

o consolidating and prioritizing.<br />

� Defining evaluation criteria for content creation, content formatting, distribution channels, display -<br />

including both 3D quality and 2D compatibility/quality.<br />

� Defining and recommending a minimum set of standards that would need to be written to provide<br />

sufficient interoperability.<br />

We are close to completing a task-force report. This is a document to include use cases, end-to-end<br />

system diagram, terminology and minimum requirements for a single 3D Home Master that can be used<br />

for various downstream distribution platforms. The 3D Home Master will be an uncompressed and<br />

unencrypted image format or file package derived from a 3D Source Master and intended to be used in<br />

the creation of 3D distribution data.<br />

The report of the Task Force should be complete by Q1 <strong>2009</strong>.<br />

© <strong>EBU</strong> <strong>2009</strong> / <strong>Production</strong> <strong>Technology</strong> seminar / January 27 - 29, <strong>2009</strong><br />

Reproduction prohibited without written permission of <strong>EBU</strong> TECHNICAL & <strong>EBU</strong> TRAINING<br />

43

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