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<strong>AnnuAl</strong><br />

<strong>REPORT</strong><br />

<strong>2011</strong>-<strong>2012</strong>


COnTEnTs<br />

2 About SBS<br />

5 Letter to the Minister<br />

6 Our Services<br />

8 Highlights <strong>2011</strong>-<strong>2012</strong><br />

20 Organisational Structure<br />

22 SBS Board of Directors<br />

25 Our Strategic Priorities<br />

27 Goal 1: To deepen Australians’ engagement<br />

with content that reflects our Charter<br />

41 Goal 2: To grow audiences<br />

51 Organisation<br />

65 Financial Statements<br />

123 Appendices<br />

185 Index of Annual Report requirements<br />

sbs FEdERAl<br />

budgET bOOsT<br />

sbs CQ:<br />

CulTuRAl<br />

inTElligEnCE<br />

OnCE uPOn A TimE<br />

10<br />

in CAbRAmATTA<br />

12<br />

nEw-lOOk<br />

sTudiO And<br />

AuTOmATEd<br />

COnTROl<br />

ROOm


ExPlORing<br />

ThE wORld<br />

wiTh sbs...<br />

ThROugh<br />

FOOd<br />

uniTing<br />

COmmuniTiEs<br />

ThROugh<br />

inTERnATiOnAl<br />

sPORT<br />

16<br />

TElling<br />

mORE<br />

indigEnOus<br />

sTORiEs<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 1


AbOuT sbs<br />

SBS was established as an<br />

independent statutory authority<br />

on 1 January 1978 under the<br />

Broadcasting Act 1942. In 1991<br />

the Special Broadcasting Service<br />

Act 1991 (SBS Act) came into effect<br />

and SBS became a corporation.<br />

The Minister responsible is<br />

the Minister for Broadband,<br />

Communications and the Digital<br />

economy, Senator the Honourable,<br />

Stephen Conroy.<br />

2 SBS<br />

Charter<br />

The Charter of SBS, which sets our principal function<br />

and duties, is contained in the SBS Act.<br />

(1) The principal function of the SBS is to provide<br />

multilingual and multicultural radio and television<br />

services that inform, educate and entertain all<br />

Australians and, in doing so, reflect Australia’s<br />

multicultural society.<br />

(2) The SBS, in performing its principal function, must:<br />

(a) contribute to meeting the communications needs<br />

of Australia’s multicultural society, including ethnic,<br />

Aboriginal and Torres Strait Islander communities; and<br />

(b) increase awareness of the contribution of a diversity<br />

of cultures to the continuing development of Australian<br />

society; and<br />

(c) promote understanding and acceptance of the<br />

cultural, linguistic and ethnic diversity of the Australian<br />

people; and<br />

(d) contribute to the retention and continuing development<br />

of language and other cultural skills; and<br />

(e) as far as practicable, inform, educate and entertain<br />

Australians in their preferred languages; and<br />

(f) make use of Australia’s diverse creative resources; and<br />

(g) contribute to the overall diversity of Australian<br />

television and radio services, particularly taking<br />

into account the contribution of the Australian<br />

Broadcasting Corporation and the community<br />

broadcasting sector; and<br />

(h) contribute to extending the range of Australian<br />

television and radio services, and reflect the changing<br />

nature of Australian society, by presenting many points<br />

of view and using innovative forms of expression.<br />

A subsidiary function is to carry on, within or outside<br />

Australia, any business or other activity incidental to the<br />

fulfilment of the Charter.


<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 3


12.4<br />

milliOn PEOPlE On<br />

AvERAgE TunEd inTO<br />

sbs EACh mOnTh<br />

4 SBS


ChAiRmAn And mAnAging diRECTOR’s<br />

lETTER TO ThE minisTER<br />

Senator the Hon. Stephen Conroy<br />

Minister for Broadband, Communications and the Digital economy<br />

Deputy Leader of the Government in the Senate<br />

Parliament House<br />

CANBeRRA ACT 2600<br />

1 October <strong>2012</strong><br />

Dear Minister,<br />

On behalf of the Board we have the pleasure in presenting to you this Annual Report of operations of the Special<br />

Broadcasting Service (SBS) Corporation for the year ending 30 June <strong>2012</strong>. The Report was approved by a resolution of<br />

directors of the Corporation on 24 September, <strong>2012</strong> and has been prepared in accordance with the relevant requirements<br />

of the Commonwealth Authorities and Companies Act 1997 and the Special Broadcasting Service Act 1991.<br />

In addition, it assesses the Corporation’s performance against the goals of the SBS Corporate Plan 2010–2013.<br />

In <strong>2011</strong>–12 SBS welcomed an announcement by the Federal Government to increase its core funding. This<br />

announcement was recognition that the services provided by SBS are a vital component of national strategies to<br />

ensure the continued success of Australia as a migrant society. SBS was also honoured to be given the responsibility<br />

for developing a new free-to-air Indigenous television channel. When launched, the new channel will mark a new stage<br />

for Indigenous broadcasting, and significantly increase audience access to news and content produced by and about<br />

Aboriginal and Torres Strait Islander Australians.<br />

SBS’s relevance increases as the nation becomes more and more diverse. The <strong>2011</strong> Census revealed almost a quarter<br />

of the nation’s population was born overseas and 43.1 per cent of people have at least one parent born overseas.<br />

We continued to expand news and content that contributes to an inclusive society by inspiring all Australians to explore<br />

and appreciate our multicultural world, and to invest in distribution of our content via the many new online and mobile<br />

devices available to our audiences.<br />

SBS continued to cement its reputation for thought-provoking content, with landmark history series Once upon a Time<br />

in Cabramatta, which explored the experiences of Vietnamese migrants in the suburb of Cabramatta in western Sydney<br />

after the Vietnam War. Go Back to Where You Came From received national and international acclaim, mostly notably<br />

winning the Golden Rose at the prestigious Rose D’Or Awards in Switzerland, one of the highest international accolades<br />

and the first time it has been awarded to an Australian program.<br />

We would like to pay tribute to Bob Cronin and Christopher Pearson who retired during the year after 10 and eight years<br />

respectively on the Board of Directors of SBS, and who each greatly contributed to the development of SBS, drawing<br />

generously on their respective industry backgrounds.<br />

Yours Sincerely,<br />

Joseph Skrzynski, AO<br />

Chairman<br />

Michael Ebeid<br />

Managing Director<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 5


OuR sERviCEs<br />

language and Culture<br />

SBS Television broadcast programs<br />

in more than 65 languages<br />

on SBS ONe and SBS TWO,<br />

representing more than 170 cultures<br />

from across the world and within<br />

Australia. In <strong>2011</strong>–12 SBS broadcast<br />

1541 hours of subtitled programs on<br />

SBS ONe and 1768 hours on SBS<br />

TWO. SBS Radio broadcast 15,912<br />

unique hours of programming across<br />

more than 60 language programs.<br />

6 SBS<br />

sbs OnE | sbs TwO | sbs hd<br />

■ In <strong>2011</strong>-<strong>2012</strong> an average of 7.6 million people watched<br />

SBS each week, 5.39 million in the five capital cities<br />

and 2.20 million in regional areas.<br />

■ A unique mix of Australian and international programs.<br />

■ Award winning locally produced content that reflects<br />

today’s multicultural Australia.<br />

■ A trusted source of news and current affairs.<br />

■ The home of international sport.<br />

sbs Radio<br />

■ The most linguistically diverse radio network in the<br />

world, broadcasting in more than 60 languages on<br />

analogue and digital radio.<br />

■ A trusted source of information, in-language.<br />

■ Streaming and podcasting online, SBS catch up<br />

and mobile.<br />

■ Four dedicated digital music channels – SBS Chill<br />

and SBS PopAsia; SBS PopDesi and SBS PopAraby<br />

launched in July <strong>2012</strong>.<br />

■ Diverse range of music and Your Language apps.<br />

sbs Online<br />

■ 95% of SBS primetime television and 100% of radio<br />

content is also available online.<br />

■ Around 1.7 million unique browsers per month with an<br />

average of 1.8 million video views, reaching 2 million in<br />

the month of June <strong>2012</strong>.<br />

■ Continuing the conversation about the issues that<br />

matter – sbs.com.au/news;sbs.com.au/dateline;<br />

sbs.com.au/insight; sbs.com.au/livingblack.<br />

■ The most popular football website in the country<br />

– sbs.com.au/theworldgame.


niTv jOinEd sbs On<br />

july 1, <strong>2012</strong> AhEAd<br />

OF ThE lAunCh OF<br />

A nEw FREE-TO-AiR<br />

indigEnOus ChAnnEl<br />

in <strong>2012</strong>-2013<br />

sbs subscription Television ltd<br />

SBS Subscription Television Ltd operates SBS’s<br />

subscription television channels.<br />

STUDIO<br />

■ Australia’s arts and entertainment channel.<br />

■ The best arts content, across a range of genres,<br />

from Australia and across the world.<br />

World Movies<br />

■ Home to the best of international cinema.<br />

■ Films in over 200 languages from more than<br />

40 countries.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 7


highlighTs<br />

<strong>2011</strong>-12<br />

8 SBS


sbs budgET bOOsT<br />

SBS welcomed a $158.1 million funding<br />

boost in the May <strong>2012</strong> Federal Budget,<br />

representing a 27 per cent increase on<br />

its core funding over the next four years.<br />

This funding boost will equip SBS<br />

to continue to play its vital role in<br />

inspiring all Australians to understand<br />

and appreciate our multicultural<br />

world and importantly, will go towards<br />

the development of a dedicated free-toair<br />

Indigenous channel in <strong>2012</strong>–13.<br />

sbs CQ: CulTuRAl inTElligEnCE<br />

In <strong>2011</strong>–12, SBS launched SBS CQ:<br />

Cultural Intelligence, a forum series<br />

and online resource around media<br />

practice, particularly as it relates to<br />

Australian cultural diversity. CQ draws<br />

on research, commentary and a<br />

range of views to take debates further<br />

around the ways media reflects,<br />

shapes and interprets our society.<br />

SBS staff in Sydney welcome the announcement of the funding boost.<br />

Ideas are the currency of any media organisation.<br />

SBS seeks to contribute to the national conversation<br />

with intelligent debate, an accessible approach<br />

to new research and an opportunity to reflect on<br />

media practices.<br />

Hosted by World News Australia’s Anton enus,<br />

CQ broadcasts on SBS TWO and streams on the<br />

CQ website sbs.com.au/cq.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 9


OnCE uPOn A TimE<br />

in CAbRAmATTA<br />

In January <strong>2012</strong>, SBS made broadcasting<br />

history in Australia when landmark series<br />

Once upon a Time in Cabramatta was<br />

simulcast on SBS ONe in english and<br />

with Vietnamese subtitles on SBS TWO.<br />

The series charted the experiences of Vietnamese<br />

migration to Australia following the Vietnam War and<br />

explored how a community which settled in the western<br />

Sydney suburb of Cabramatta overcame adversity and<br />

immense challenges to find their place within Australia’s<br />

multicultural society. It attracted an average national<br />

audience of 637,000 viewers across three episodes<br />

(SBS ONe).<br />

10 SBS


<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 11


12 SBS


nEw-lOOk sTudiO<br />

And AuTOmATEd<br />

COnTROl ROOm<br />

In February this year, SBS launched a<br />

new fully automated studio control room<br />

including a new set and fresh look for<br />

World News Australia. The new studio<br />

features the latest in digital technologies<br />

and a multifunctional set, increasing the<br />

opportunities for SBS News and Current<br />

Affairs to deliver strong and distinctive<br />

news and content to our audiences.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 13


14 SBS<br />

ExPlORing ThE<br />

wORld wiTh sbs…<br />

ThROugh FOOd<br />

In August <strong>2011</strong> SBS launched its first<br />

ever monthly magazine, SBS Feast,<br />

which showcases and celebrates the<br />

richness, diversity and authenticity<br />

of the cross-platform SBS food<br />

experience by giving readers from<br />

across Australia the opportunity to<br />

explore cultures and cuisines from<br />

every corner of the world.


<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 15


16 SBS


uniTing COmmuniTiEs ThROugh<br />

inTERnATiOnAl sPORT<br />

Since its inception, SBS has championed<br />

the sports which contribute to a more<br />

inclusive society. We continue to be<br />

recognised as the home of international<br />

football. The World Game is unrivalled in<br />

the sporting world for its popularity and<br />

global reach.<br />

SBS built on its 30 year football pedigree,<br />

securing the media rights to the 2018<br />

and 2022 FIFA World Cups, on top of<br />

having already secured the media rights<br />

to the 2014 FIFA World Cup.<br />

SBS has been Australia’s official broadcaster of<br />

international cycling’s pinnacle event le Tour de France<br />

for 22 years. In <strong>2011</strong>, 6.4 million viewers nationally tuned<br />

in to SBS’s coverage as Cadel evans became the first<br />

Australian rider to win the event.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 17


TElling mORE<br />

indigEnOus sTORiEs<br />

SBS continued to build on its proud<br />

tradition of telling more stories by and<br />

about Aboriginal and Torres Strait<br />

Islander Australians.<br />

4 18 SBS SBS<br />

In May <strong>2012</strong>, SBS welcomed an announcement<br />

by the Federal Government to give the Corporation<br />

responsibility to develop the nation’s first-ever<br />

dedicated Indigenous channel to be broadcast<br />

on a digital free-to-air spectrum, with NITV joining<br />

SBS from July 1, <strong>2012</strong>. SBS also delivered its third<br />

Reconciliation Action Plan.


<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 19


OuR bOARd And mAnAgEmEnT<br />

Organisational<br />

Structure<br />

Community Advisory<br />

Committee<br />

Director<br />

Online and<br />

emerging<br />

Platforms<br />

Marshall Heald<br />

General<br />

Counsel<br />

Lesley Power<br />

Director<br />

Content<br />

(Television<br />

and Online)<br />

Tony Iffland<br />

Director<br />

Audio and<br />

Language<br />

Content<br />

Mandi Wicks<br />

SBS Board<br />

Chairman<br />

Joseph Skrzynski AO<br />

Directors<br />

Dr Bulent Hass Dellal OAM (Deputy Chairman)<br />

Michael ebeid (Managing Director)<br />

Patricia Azarias<br />

elleni Bereded-Samuel<br />

Bob Cronin AM (retired 13 June <strong>2012</strong>)<br />

Jacqueline Hey<br />

Daryl Karp<br />

Christopher Pearson (retired 21 October <strong>2011</strong>)<br />

Director<br />

news and<br />

Current<br />

Affairs<br />

Paul Cutler<br />

* Wholly owned subsidiary. STV Ltd operated as a division of SBS from 1 July <strong>2012</strong>.<br />

20 SBS<br />

SBS<br />

Ombudsman<br />

Sally Begbie<br />

Minister for Broadband, Communications<br />

and the Digital economy<br />

Senator the Hon. Stephen Conroy<br />

Managing Director<br />

Michael ebeid<br />

Director<br />

Technology<br />

and Distribution<br />

John Paul<br />

Chief<br />

Financial<br />

Officer<br />

Jon Torpy<br />

Director<br />

Media Sales<br />

Andrew Cook<br />

Director<br />

Marketing<br />

Katherine<br />

Raskob<br />

(Acting)<br />

SBS Subscription TV Ltd<br />

(STV Ltd)*<br />

World Movies Channel<br />

STuDIO<br />

Director<br />

Strategy and<br />

Communication<br />

Peter Khalil<br />

General Manager<br />

Subscription<br />

Television<br />

Chris Keely<br />

Chief<br />

Operating<br />

Officer<br />

Richard<br />

Finlayson<br />

Director Human<br />

Resources<br />

Kenneth Anderson<br />

(Acting)


OARd OF diRECTORs<br />

The SBS Board of Directors,<br />

consisting of the Managing Director<br />

and non-executive Directors,<br />

is responsible for deciding the<br />

objectives, strategies and policies<br />

to be followed by SBS in performing<br />

its functions and ensuring that SBS<br />

performs in a proper, efficient and<br />

economical manner, and with the<br />

maximum benefit to the people<br />

of Australia.<br />

The duties of the Board, as set out in the SBS Act,<br />

are to:<br />

■ maintain the independence and integrity of SBS;<br />

■ develop and publicise SBS’s programming<br />

policies;<br />

■ ensure, by means of SBS’s programming policies,<br />

that the gathering and presentation by SBS<br />

of news and information is accurate and is<br />

balanced over time and across the schedule<br />

of programs broadcast;<br />

■ ensure that SBS does not contravene: this Act<br />

or any other Act; or any directions given to, or<br />

requirements made in relation to, SBS under this<br />

Act or another Act;<br />

■ ensure the efficient and cost effective functioning<br />

of SBS;<br />

■ ensure that SBS seeks to co-operate closely<br />

with the Australian Broadcasting Corporation to<br />

maximise the efficiency of the publicly funded<br />

sectors of Australian broadcasting;<br />

■ be aware of, and responsive to, community needs<br />

and opinions on matters relevant to the Charter;<br />

■ develop and publicise SBS’s policies on the<br />

handling of complaints;<br />

■ ensure that the pursuit by SBS of its subsidiary<br />

functions does not detract from SBS fulfilling its<br />

Charter responsibilities;<br />

■ develop codes of practice relating to:<br />

programming matters; and, if SBS has the<br />

function of providing a datacasting service, that<br />

service; and to notify those codes to the Australian<br />

Communications and Media Authority.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 21


diRECTORs<br />

1 4<br />

2<br />

3<br />

1 Joseph Skrzynski AO<br />

2 Dr Bulent Hass Dellal OAM<br />

3 Michael ebeid<br />

4 Patricia Azarias<br />

5 elleni Bereded-Samuel<br />

6 Jacqueline Hey<br />

7 Daryl Karp<br />

22 SBS<br />

5<br />

6<br />

7<br />

Joseph Skrzynski AO – Chairman<br />

Appointed 27 March 2009 for five years, Mr Skrzynski<br />

was appointed Chairman of SBS on 6 November 2009.<br />

Mr Skrzynski has made a significant contribution to the<br />

community, arts and the media since 1969. He served<br />

as the Chairman of the Sydney Opera House Trust; the<br />

Australian Film Television and Radio School; and The<br />

Broadcast Council of Australia. He has been the Chief<br />

executive of The Australian Film Commission, and a<br />

director of the National Investment Council, and The<br />

Major Organizations Board of the Australia Council, and<br />

is currently a director of The united States Studies Centre<br />

at the university of Sydney. He has extensive experience<br />

in managing private and public companies and strong<br />

expertise in financial matters, including his position as<br />

Founding Partner, CHAMP Private equity.<br />

Dr Bulent Hass Dellal OAM – non-executive Director<br />

(Deputy Chairman)<br />

Appointed 3 June 2010 for five years, Dr Dellal has been<br />

the executive Director of the Australian Multicultural<br />

Foundation since 1989. He is also Chairman of the Centre<br />

for Multicultural Youth; Chairman of the National Centre<br />

of excellence for Islamic Studies Consultative Committee<br />

(Melbourne university); Member, the Multicultural Arts<br />

Advisory Council Victoria; and an Advisory Board<br />

Member on the Global Terrorism Research Centre,<br />

School of Political and Social Inquiry, Monash university.<br />

Dr Dellal has also served as a Member, Multicultural<br />

Advisory Committee of the Family Court of Australia;<br />

Board Member, Adult Multicultural education Services;<br />

Co-Chairperson, Police and Community Multicultural<br />

Advisory Committee; and Sitting Member, Victoria Police<br />

ethical Standards Consultative Committee; and on the<br />

Commonwealth Government’s Australian Multicultural<br />

Advisory Council. Dr Dellal was awarded the Medal of<br />

the Order of Australia in 1997 for service to multicultural<br />

organisations, the arts and the community.


Michael ebeid – Managing Director<br />

Mr ebeid commenced as Managing Director of SBS<br />

in June <strong>2011</strong>. He has more than 24 years’ experience<br />

in senior management and executive roles across the<br />

technology, telecommunications and media industries.<br />

Prior to SBS, Michael was the executive Director of<br />

Corporate Strategy and Marketing at the ABC. In 2005,<br />

Mr ebeid joined Two Way Limited, an interactive TV,<br />

mobile and online entertainment media business as<br />

Chief Operating Officer and then as Chief executive<br />

Officer, where he took the company into Asia. From<br />

1995– 2005, Michael was with Optus Communications,<br />

where he was Director of Commercial Operations for<br />

Consumer and Multimedia, and he was also a Board<br />

member of subscription TV’s industry body, ASTRA, from<br />

2001– 05. Prior to Optus, Michael was at IBM for nine<br />

years in various roles across finance, sales and marketing,<br />

and worked in Tokyo and other Asian countries. Mr<br />

ebeid completed a Bachelor of Business (Charles Sturt<br />

university), International executive Development Program<br />

(INSeAD Business College, France), and Media Strategies<br />

Program (Harvard Business School, Boston).<br />

Patricia Azarias – non-executive Director<br />

Appointed 14 June 2006 for five years, and reappointed<br />

for a further five years on 30 June <strong>2011</strong>. Ms Azarias is<br />

an economist and former Director of the Internal Audit<br />

Division of the united Nations, the highest ranking<br />

Australian staff member in the uN. Her previous positions<br />

include Regional General Manager, Business and Private<br />

Banking, National Australia Bank; Director, Infrastructure<br />

Funding, NSW Department of Transport (2003); Chief<br />

executive, Ministry of urban Infrastructure Management<br />

and Director, Infrastructure Coordination unit in the NSW<br />

Premier’s Department (2002– 03); and Director, Public<br />

Accounts Committee, Parliament of NSW (1991–2001).<br />

elleni Bereded-Samuel – non-executive Director<br />

Appointed 27 March 2009 for five years. Ms Bereded-<br />

Samuel is currently the Community engagement Advisor<br />

and Coordinator with Victoria university, and past Chair<br />

of the SBS Community Advisory Committee. These<br />

positions build on her previous work as a journalist and<br />

a television presenter on ethiopian Television. She has<br />

served on the Inaugural Australian Social Inclusion Board,<br />

the Victorian Multicultural Commission, the Women’s<br />

Hospital Board, and chaired the Community Advisory and<br />

Diversity Committee. In 2008 Ms Bereded-Samuel was<br />

selected as one of twelve significant women in Victoria<br />

as part of 100 years of women’s suffrage reflection and<br />

celebration. Ms Bereded-Samuel was a participant at<br />

the 2020 summit. In 2008, Ms. Bereded-Samuel won<br />

the 2008 Diversity@Work Individual Champion National<br />

Award for Diversity and Inclusion. Recently Ms Bereded-<br />

Samuel has been appointed to the Western Health Board<br />

and chairs the Cultural Diversity and Community Advisory<br />

Committee.<br />

Jacqueline Hey – non-executive Director<br />

Appointed 30 June <strong>2011</strong>, Ms Hey has extensive<br />

experience in the areas of telecommunications, marketing<br />

and sales, including previous roles as CeO of ericsson in<br />

the uK/Ireland, Australia/New Zealand and Saudi Arabia.<br />

She worked with ericsson for more than 20 years in<br />

finance, marketing, sales and leadership roles in Australia,<br />

Sweden, the uK and the Middle east. In her current<br />

roles, Ms Hey is a director on the Board of Bendigo and<br />

Adelaide Bank. Ms Hey is also the Honorary Consul for<br />

Sweden in Victoria. B.Com (Melb); Assoc Dip Marketing<br />

(Southern Cross), GAICD.<br />

Daryl Karp – non-executive Director<br />

Appointed 30 June <strong>2011</strong>, Ms Karp is a senior consultant<br />

with RPR Consulting, specialising in industry analysis,<br />

growth and innovation in the creative industries and<br />

Managing Director of Tattooed Media Pty Ltd. She is<br />

also a director of the Australian Children’s Television<br />

Foundation. Her previous positions include CeO and<br />

Managing Director, Film Australia, Head of Factual<br />

Programs (Television), Australian Broadcasting<br />

Corporation (ABC), and Head of Science and<br />

Documentaries/Science and Features at the ABC.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 23


RETiREd<br />

diRECTORs<br />

1 2<br />

Bob Cronin AM – non-executive Director<br />

(retired 13 June <strong>2012</strong>)<br />

Appointed 16 May 2002 for four years and re-appointed<br />

for a further four years on 14 June 2006 and a further two<br />

years on 14 June 2010. Mr Cronin is Group editor-in-Chief<br />

of West Australian Newspapers. He was previously<br />

editor-in-Chief of West Australian Newspapers (1987-96),<br />

editor of The Sun in Melbourne (1985-86), Deputy editor<br />

of The Courier-Mail in Brisbane (1984) and editor of the<br />

Border Mail in Albury (1974-82). He was a member of the<br />

Australian Press Council from 1987-96 and has been a<br />

member again since 2009. He was a founding director of<br />

Information Radio in Perth in 1991. He is a former<br />

Chairman of Oz Concert Inc and a former member of<br />

the council of Celebrate WA. In 1998 he was awarded<br />

the ethnic Communities Council award for outstanding<br />

contribution to multiculturalism in Western Australia and<br />

in June <strong>2011</strong> he was made a Member of the Order<br />

of Australia.<br />

Christopher Pearson – non-executive Director<br />

(retired 21 October <strong>2011</strong>)<br />

Appointed 21 October 2003 for four years and<br />

reappointed for a further four years in October 2007.<br />

Mr Pearson was founding editor of the Adelaide Review<br />

and the Sydney Review. He was also the first publisher<br />

of the privatised Wakefield Press, when it was sold<br />

by the South Australian Government following the<br />

Sesqui-Centenary of Settlement. Mr Pearson also<br />

worked as an ABC Radio broadcaster and as a weekly<br />

columnist in the national press since 1994. He has<br />

served for two terms on the Australia Council and for<br />

three terms on the National Museum of Australia.<br />

24 SBS<br />

1 Bob Cronin AM<br />

2 Christopher Pearson<br />

Board meetings and directors’ attendance<br />

The Board met six times during <strong>2011</strong>-12.<br />

DATe LOCATIOn<br />

Thursday, 25 August <strong>2011</strong> Sydney<br />

Thursday, 20 October <strong>2011</strong> Sydney<br />

Thursday, 8 December <strong>2011</strong> Melbourne<br />

Thursday, 23 February <strong>2012</strong> Sydney<br />

Thursday, 19 April <strong>2012</strong> Melbourne<br />

Wednesday, 6 June <strong>2012</strong> Sydney<br />

BOARD MeMBeR ATTenDeD<br />

Joseph Skrzynski AO – Chairman 6<br />

Bulent Hass Dellal OAM – Deputy Chairman 6<br />

Michael ebeid – Managing Director 6<br />

Patricia Azarias 5<br />

elleni Bereded-Samuel 5<br />

Bob Cronin AM1 6<br />

Jacqueline Hey 6<br />

Daryl Karp 6<br />

Christopher Pearson2 2<br />

1 Mr Cronin’s term finished on 13 June <strong>2012</strong>.<br />

2 Mr Pearson’s term finished on 21 October <strong>2011</strong>.


OuR sTRATEgiC PRiORiTiEs<br />

This Annual Report reviews SBS’s performance against the SBS Corporate Plan, and the Australian Government’s<br />

Portfolio Budget Statement and Portfolio Additional estimates Statement for <strong>2011</strong>–12.<br />

sbs’s purpose<br />

To inspire all Australians to explore and appreciate our multicultural world and contribute to an inclusive society.<br />

Corporate Plan 2010–13<br />

The SBS Board identified the following strategic priorities for the Corporation for the period 2010–13.<br />

Goal 1: To deepen Australians’ engagement with content that reflects our Charter<br />

Objectives<br />

1.1 To be a catalyst for the national discussion about multiculturalism and social inclusion.<br />

1.2 To create more multicultural and multilingual Australian content.<br />

1.3 To increase the range and quality of multilingual services across all platforms.<br />

Goal 2: To grow audiences<br />

Objectives<br />

2.1 For more Australians to use SBS services.<br />

2.2 For Australians who use SBS services to use more of them and more often.<br />

2.3 For more Australians of CALD backgrounds to use and value SBS language services.<br />

Our core strategies for reaching these goals involve developing and growing in five key focus areas:<br />

■ Distinctive Content;<br />

■ expanding Platforms;<br />

■ Capabilities;<br />

■ People; and<br />

■ Resources and Stakeholders.<br />

Portfolio budget and Additional Estimates statements <strong>2011</strong>–12<br />

Outcome 1<br />

Provide multilingual and multicultural services that inform, educate and entertain all Australians and in doing so reflect<br />

Australia’s multicultural society.<br />

Total price of the outcome for the year: $314.881 million.<br />

Program 1.1 – Television<br />

Objective: Delivering multilingual and multicultural television services that reflect Australia’s multicultural society.<br />

Deliverables<br />

■ Programs aligned with Australia’s multicultural society and perspective.<br />

■ Broadcasting in languages other than english.<br />

Key performance indicators<br />

■ Accessibility of programs to all Australians: see pages 39, 45, 48.<br />

■ Population reach analogue/digital terrestrial transmission: Target – 96.65%; Actual – 96.8%.<br />

■ No. hours of subtitled programs broadcast: Target – 1450 hours; Actual: SBS ONe – 1541 hours;<br />

SBS TWO – 1768 hours.<br />

■ No. hours locally commissioned programs broadcast (first run): Target – 150 hours; Actual – 201 hours.<br />

Price of program for the year: $190.750 million.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 25


Program 1.2 – Radio<br />

Objective: Delivering multilingual and multicultural radio services that reflect Australia’s multicultural society.<br />

Deliverables<br />

■ Programs aligned with Australia’s multicultural society and perspective: see pages 28–37.<br />

■ Broadcast in languages other than english: see page 38.<br />

■ unique broadcast hours – analogue services: Target – 15,912; Actual – 15,912.<br />

Key performance indicators<br />

■ Listener and community feedback: see page 64.<br />

■ Audience surveys: see pages 49-50.<br />

■ Percentage of broadcasts in languages other than english: Target – 86%; Actual – 84%<br />

Price of program for the year: $38.258 million.<br />

Program 1.3 – Analogue Transmission and Distribution<br />

Objective: To make SBS analogue television and radio available to all Australians.<br />

Deliverables<br />

■ Maintain availability of analogue signal in line with analogue switch off timetable.<br />

Key performance indicators<br />

■ Measure of fault free transmission time (by fault management system reported daily and monthly, including but not<br />

limited to level of transmitter power): see page 46.<br />

■ Logging and response to viewer calls regarding transmission: see page 46.<br />

■ Aggregate performance measured by availability of analogue signal: Target – 99.50%; Actual – 99.83%.<br />

■ Television population reach for terrestrial services (of remaining analogue service areas): Target – 96.90%; Actual* – 97%.<br />

Price of program for the year: $16.690 million.<br />

Program 1.4 – Digital Television Transmission and Distribution<br />

Objective: To make SBS digital television available to all Australians.<br />

Deliverables<br />

■ Maintaining and improving the availability of SBS’s digital transmissions.<br />

■ extending the reach of SBS’s digital network.<br />

Key performance indicators<br />

■ Measure of fault free transmission time (by fault management system reported daily and monthly, including but not<br />

limited to level of transmitter power): see page 46.<br />

■ Logging and response to viewer calls regarding transmission: see page 46.<br />

■ Aggregate performance measured by availability of digital television signal: Target – 99.86%; Actual – 99.81%.<br />

■ Television population reach for terrestrial services (rest via satellite): Target – 96.7%; Actual – 96.6% (a number of<br />

digital enhanced self-help services are committed to but yet to be rolled out see page 45).<br />

Price of program for the year $67.247 million.<br />

Program 1.5 – Digital Radio Transmission and Distribution<br />

Objective: To make SBS digital radio available to all Australians.<br />

Deliverables<br />

■ To implement Digital Audio Broadcast of SBS radio services (coverage in five mainland capital cities).<br />

Key performance indicators<br />

■ Measure of fault free transmission time (by fault management system reported daily and monthly, including but not<br />

limited to level of transmitter power): see page 46.<br />

■ Logging and response to viewer calls regarding transmission: see page 46.<br />

■ Percentage of Australian population reached by digital radio: Target – 60%; Actual – 63%.<br />

■ Aggregate performance measured by availability of digital radio signal: Target – 99.20%; Actual – 99.97%.<br />

■ Number of services for digital radio: Target – 5; Actual – 5.<br />

Price of program for the year: $1.936 million.<br />

26<br />

SBS<br />

* estimate based on figure as at June 2010, prior to analogue services being switched off.


Goal 1<br />

TO dEEPEn AusTRAliAns’<br />

EngAgEmEnT wiTh COnTEnT<br />

ThAT REFlECTs OuR ChARTER<br />

Objectives<br />

1.1 To be a catalyst for the national discussion about multiculturalism and social inclusion.<br />

1.2 To create more multicultural and multilingual Australian content.<br />

1.3 To increase the range and quality of multilingual services across all platforms.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 27


Goal 1: Objective 1.1<br />

To be a catalyst for the national discussion about<br />

multiculturalism and social inclusion<br />

once Upon a Time in Cabramatta<br />

SbS commissioned Once Upon a time in cabramatta<br />

in 2010–11. it aired in three-parts in january <strong>2012</strong>.<br />

this landmark history series explored the story of<br />

vietnamese migration to Australia following the<br />

vietnam War.<br />

commissioned by SbS and produced by Northern<br />

Pictures and Fredbird entertainment, Once Upon a time<br />

in cabramatta charted the experiences of a vietnamese<br />

community which settled in the western Sydney suburb<br />

of cabramatta.<br />

the series told the story of how the community overcame<br />

adversity and immense challenges to find their place with<br />

Australia’s multicultural society.<br />

in a first for Australian broadcasting, the series was<br />

simulcast in two languages – on SbS ONe in english<br />

and with vietnamese subtitles on SbS tWO.<br />

Once Upon a time in cabramatta was a significant<br />

audience success for SbS, attracting an average national<br />

audience per episode of 637,000 viewers (504,000 metro;<br />

133,000 regional) on SbS ONe and 49,000 national viewers<br />

(32,000 metro; 17,000 regional) on SbS tWO.<br />

the first episode attracted an average audience of 716,000<br />

(674,000 on SbS ONe and 42,000 on SbS tWO), making<br />

it the second highest metro audience for any commissioned<br />

documentary for SbS since OztAM ratings began in 2001.*<br />

On social media site twitter, episode one trended number<br />

two and four globally, the series was referred to by<br />

media commentators and in the Australian Senate as<br />

an important contribution to multicultural social cohesion.<br />

Once Upon a time in cabramatta also featured a major<br />

cross-platform component. the SbS vietnamese Radio<br />

language program hosted talkback discussions before<br />

and after broadcast and SbS Online commissioned<br />

unique content for the website.<br />

in addition, SbS’s Outreach program which seeks to<br />

maximise the public value of SbS series, in partnership<br />

with information + cultural exchange engaged with the<br />

community on the series including through moderated<br />

community screenings and the gathering of community<br />

stories at an SbS street cart.<br />

the SbS DvD for this program featured our first-ever<br />

bilingual DvD sleeve in english and vietnamese.<br />

Who Do You Think You are?<br />

the fourth series of Who Do You think You Are? was<br />

only the second series to be broadcast during the ratings<br />

season, and was a significant success for SbS.<br />

Who Do You think You Are? averaged 732,000 national<br />

viewers. the metro average of 525,000 was above series<br />

two in 2009 (397,000).*<br />

the series featured well-known Australian actors Melissa<br />

George, vince colosimo and john Wood as well as<br />

prominent media identity Kerry O’brien, comedian Shaun<br />

Micallef and Aboriginal footballer Michael O’Loughlin.<br />

Shaun Micallef unravelled his father’s childhood wartime<br />

story in Malta, Kerry O’brien followed his family’s trail<br />

from ireland to Australia, and vince colosimo uncovered<br />

his family’s past in calabria, in the south of italy. Melissa<br />

George uncovered the story of her grandparents’ arrival<br />

in Australian as child migrants. john Wood investigated<br />

his father’s imprisonment in a Prisoner of War camp in<br />

the Second Wold War and traced his great grandfather<br />

back to Sweden. in the final episode, Michael O’Loughlin<br />

traced the bloodlines of his family in South Australia.<br />

the highest rating episode featured Kerry O’brien,<br />

attracting an average national audience of 945,000 viewers.<br />

Who Do You think You Are? series five will be broadcast<br />

in 2013.<br />

SBS CQ: Cultural Intelligence<br />

in <strong>2011</strong>–12, SbS launched SbS cQ: cultural<br />

intelligence,** a forum series and online resource around<br />

media practice, particularly as it relates to Australian<br />

cultural diversity. cQ draws on research, commentary and<br />

a range of views to take debates further around the ways<br />

media reflects, shapes and interprets our society.<br />

ideas are the currency of any media organisation.<br />

SbS seeks to contribute to the national conversation<br />

with intelligent debate, an accessible approach to new<br />

research and an opportunity to reflect on media practices.<br />

* OZtAM – 5 city Metro; RegtAM – Aggregated Regional excl.WA; consolidated.<br />

** cultural intelligence (or cultural Quotient, cQ) describes the capacity to bridge or benefit from cultural complexity.<br />

28 SBS


SbS cQ is an extension of SbS programming, through<br />

which stories are told relating to the many challenges,<br />

advantages and surprising elements of diversity. it creates<br />

a new platform for discussion of the media’s role in these<br />

debates and in reflecting Australian diversity.<br />

cQ debates bring together people who rarely come<br />

face-to-face – media practitioners, community<br />

representatives, advocates, politicians, researchers and<br />

commentators – to explore current trends in media and<br />

their impacts on Australia’s multicultural society.<br />

Hosted by World News Australia’s Anton enus, cQ<br />

broadcasts on SbS tWO and streams on the cQ website<br />

sbs.com.au/cq.<br />

the first SbS cQ forum, in December <strong>2011</strong>, Media and<br />

Diversity Debate explored who influences the debate on<br />

asylum seekers and cultural diversity. the forum asked:<br />

Does the media drive public opinion, or does public<br />

opinion drive the media? Against a backdrop of heated<br />

national debates about refugees and asylum seekers and<br />

the Government’s multiculturalism policy, participants<br />

drawn from politics, the media and academia discussed<br />

whether the media is friend or foe in the nation’s<br />

discussions about diversity.<br />

Participants included former immigration Minister the<br />

Hon. Amanda vanstone, former Network 10 and 9 news<br />

directors, Daily telegraph journalist joe Hildebrand,<br />

Liberal candidate for cabramatta Dai Le, bahati Masudi<br />

from SbS’s Go back to Where You came From and Pino<br />

Migliorino from multicultural peak body the Federation<br />

of ethnic communities council of Australia (FeccA),<br />

as well as commentators and researchers including<br />

julie Posetti, ien Ang, tanveer Ahmed, Ghassan Hage<br />

and Andrew Markus.<br />

the second cQ, in june <strong>2012</strong>, the New Digital Divide<br />

focussed on the ways new communication technologies<br />

have transformed Australia’s media landscape. in a<br />

world of increasingly personalised media use, this SbS<br />

cQ debate questioned whether new technologies are<br />

connecting us to one another, or driving us further<br />

apart. Where there were once five free-to-air television<br />

stations, now viewers can tune in to hundreds of channels<br />

in a range of languages. the rise of the internet and<br />

social media have also given access to an explosion of<br />

information sources from all over the world, available at<br />

any time of the day and at the click of a button. SbS cQ:<br />

the New Digital Divide explored the impacts of these<br />

technologies on our connections to one another, our<br />

society and our democracy.<br />

the New Digital Divide participants included Radio<br />

National broadcaster Waleed Aly, US-based media<br />

academic and author of Media Life Mark Deuze, the<br />

Herald Sun’s Social Media editor isabelle Oderberg, Axel<br />

bruns and terry Flew of the QUt creative industries<br />

Faculty, ipsos Research Director Laura Demasi, founder<br />

of the Australian Arabic council joseph Wakim, Australian<br />

counter terrorism ambassador bill Patterson, Professor<br />

Wanning Sun, of the UtS china Research centre and<br />

Pino Migliorino, chair of FeccA, and ethnic media expert<br />

and Misha Ketchell, editor of the conversation.<br />

the SbS cQ: cultural intelligence forum will continue in<br />

<strong>2012</strong>–13.<br />

outreach<br />

One Day in Cabramatta<br />

to help bring the television series Once Upon a time in<br />

cabramatta to life, SbS partnered with local arts and<br />

cultural organisation information + cultural exchange (ice)<br />

in a creative project designed to generate and facilitate<br />

discussion around the issues raised by the series, in<br />

cabramatta and the surrounding area.<br />

inspired by the documentary, the local community was<br />

asked to share their own experiences of cabramatta<br />

through the ‘One Day in cabramatta’ mobile story<br />

exchange which took the form of a mobile tea cart.<br />

the cart journeyed the streets of cabramatta over<br />

four weeks when the series went to air to facilitate<br />

conversations and accumulate stories.<br />

community ambassadors interacted with people, and at<br />

various events, the Lunar and tet Festivals, community<br />

pre-screenings, live screenings of the series, at visits to<br />

local community groups and cabramatta High School.<br />

the results culminated in a commemorative book that<br />

featured around 500 story cards in a legacy for the<br />

community, created by the community. this collective<br />

voice captured the spirit of cabramatta and will serve as<br />

a time capsule for future generations to read and share<br />

stories from the past, and better understand the journey<br />

that has shaped their community.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 29


Goal 1: Objective 1.1<br />

The Family – Living Between Two Worlds<br />

to coincide with this landmark documentary, SbS<br />

partnered with Relationships Australia, cultural<br />

Perspectives and FeccA to produce a resource for<br />

second generation migrant families.<br />

the booklet, the Family – Living between two Worlds,<br />

draws on the experiences of Melbourne italian family<br />

the cardamones who star in the eight part documentary<br />

series. the resource enabled our audience to look more<br />

deeply into what it means to be a second generation<br />

migrant family in Australia today, how this can affect<br />

relationships and some of the day-to-day challenges<br />

relating to cultural background and heritage.<br />

Relationship Australia and FeccA distributed 20, 000 free<br />

booklets to reach families across Australia. the resource<br />

was also available in libraries across Australia and on the<br />

SbS website.<br />

Harmony Day<br />

in <strong>2012</strong>, SbS partnered with the Department of<br />

immigration and citizenship to support Harmony Day with<br />

the Harmony Game.<br />

each year, Harmony Day is held in March to celebrate the<br />

cohesive and inclusive nature of the Australian community<br />

and to promote a tolerant and culturally diverse society<br />

with community events are held nationally. Once again this<br />

year SbS encouraged primary school students to take<br />

part in the Harmony Game, a 5v5 football game played<br />

on Harmony Day.<br />

the Harmony Game was initiated by SbS’s chief Football<br />

Analyst craig Foster in <strong>2011</strong> because of football’s obvious<br />

synergy with diversity and social inclusion. the global<br />

nature of football and its status as the World Game made<br />

it the ideal vehicle to communicate positive messages<br />

about harmony to school age children.<br />

the Harmony Game again involved a football match on<br />

the lawn of Parliament House in canberra between a<br />

team of ‘pollies’ and professionals, led by Senator the<br />

Hon. Kate Lundy, Minister for Sport, Multicultural Affairs,<br />

Minister Assisting for industry and innovation.<br />

30 SBS<br />

New prime time schedule<br />

in january <strong>2012</strong> SbS ONe launched a new prime time<br />

schedule after the late World News Australia moved<br />

to 10:30pm. this resulted in a number of new slots for<br />

drama and documentary as well as new genres such<br />

as wildlife and adventure.<br />

World News australia<br />

A significant new project to fully automate the SbS studio<br />

control room was successfully completed and launch on<br />

February 6 this year when World News Australia (WNA)<br />

went to air at 6:30pm with a new set and refreshed look,<br />

as well as a fresh energetic approach to the newshour<br />

and strong content to match the new technology for<br />

presentation.<br />

the project combined three separate initiatives – studio<br />

control room automation, a new multi-functional set and<br />

an editorial revamp.<br />

the multi-functional design of the set means it can be<br />

used by other programs in current affairs and sport which<br />

can also utilise the new technology. the new indigenous<br />

channel will also use this new set.<br />

the new WNA format has resulted in a significant increase<br />

in distinctive stories focusing on multicultural Australia.<br />

coverage of indigenous issues was also enhanced with<br />

the incorporation of Nitv and its news team into SbS<br />

from july <strong>2012</strong>.<br />

the late WNA bulletin moved from 9:30pm to 10:30pm<br />

on 2 january, with hourly news updates in prime time to<br />

make audiences aware of the later time slot.<br />

in late February, both insight and Dateline were<br />

rescheduled on tuesday nights as part of SbS campaign<br />

Know Why tuesday.<br />

insight moved back an hour to 8:30pm and Dateline<br />

moved from its Sunday night placement to follow insight<br />

at 9:30pm on tuesdays, featuring a refreshed set.<br />

international coverage has also been expanded by a<br />

new deal with channel 4 in britain and a successful<br />

partnership with Al jazeera english in Qatar.


Significant coverage for the year included:<br />

Afghanistan<br />

Karen Middleton and camera operator jeff Kehl were<br />

embedded with Australian Defence Force troops in tarin<br />

Kowt and filed several stories from the base. WNA also<br />

ran extracts of Dateline journalist Yalda Hakim’s exclusive<br />

interview with Hamid Karzai ahead of its broadcast.<br />

September 11 – Anniversary<br />

brian thomson provided extensive coverage of the<br />

10th anniversary of the September 11 attacks in<br />

the United States.<br />

Burma<br />

WNA made its first visit into burma with Foreign Minister<br />

bob carr. brian thomson travelled with the Minister as he<br />

met Aung San Suu Kyi and President thein Sein.<br />

Carbon Price<br />

there was special coverage of the carbon price<br />

legislation including an interview with Prime Minister<br />

julia Gillard the day it was passed through the Australian<br />

Parliament. WNA also reported on the impact on people<br />

from all communities, and produced an in-depth report<br />

on comparative tax schemes in other major western<br />

countries.<br />

Papua New Guinea<br />

WNA provided extensive coverage of the political<br />

turmoil in Papua New Guinea. brian thomson went there<br />

when Peter O’Neill removed Sir Michael Somare as Prime<br />

Minister and Kathy Novak covered the elections, including<br />

an exclusive interview with O’Neill.<br />

World News Australia Awards<br />

brian thomson won a UN Media Peace Award for his<br />

story about allegations of Rio tinto’s involvement in<br />

suppressing the bougainville independence movement in<br />

Papua New Guinea.<br />

the program continued to receive recognition as a highlyesteemed<br />

contributor to quality Australian journalism.<br />

Dateline<br />

From February <strong>2012</strong>, current affairs program Dateline<br />

aired in its new time-slot of 9:30pm–10:30pm on<br />

tuesdays as part of SbS’s Know Why tuesday initiative,<br />

with both presenters – Yalda Hakim and Mark Davis –<br />

contributing reports to the program while broadcasting<br />

topical news live from overseas locations. examples of<br />

such live broadcasts include a full hour devoted to the<br />

Greek elections and financial crisis, presented by Mark<br />

Davis, and Yalda Hakim’s comprehensive coverage of<br />

Afghanistan, presented from Kabul.<br />

Dateline reporter Yaara bou-Melhem was awarded the<br />

prestigious Walkely Young Australian journalist of the<br />

Year award in <strong>2011</strong> for her report Freedom’s call, an<br />

investigation into the people’s democracy movement in<br />

Syria. Yaara was also awarded a Walkley award in the<br />

international Reporting category for her courageous work<br />

in Syria and bahrain.<br />

Dateline made international headlines this year with a<br />

report by Yalda Hakim which disclosed new allegations in<br />

relation to the massacre of 17 civilians in Afghanistan. Her<br />

report, Anatomy of a Massacre, was broadcast on cNN,<br />

Al jazeera, Nbc, cbS, Abc and was described by a<br />

New York times journalist as an “inspired” report.<br />

the program continues to attract a strong online<br />

presence. One Dateline report, china’s Ghost cities,<br />

attracted more than 1.34 million hits online and other<br />

reports continued to attract large numbers.<br />

Insight<br />

insight is SbS’s unique platform for current affairs, ideas<br />

and debate. this year insight took on some significant<br />

changes, which have broadened and deepened its<br />

editorial offering and resulted in a rise in audiences across<br />

<strong>2011</strong>–12.<br />

For the <strong>2012</strong> season insight moved from the 7:30pm<br />

timeslot to 8:30pm timeslot as part of SbS’s Know Why<br />

tuesday initiative. insight also developed a new set to<br />

accompany its new format.<br />

the new set, with distinctive insight colours provides a<br />

warmer and more intimate forum. Distinctively there are<br />

now key guests who join award winning journalist and<br />

broadcaster jenny brockie in front of the broader audience.<br />

insight’s average national audience rose 28 per cent<br />

to 350,000 in the period january <strong>2012</strong> – june <strong>2012</strong>,<br />

compared to the same period in <strong>2011</strong> which averaged<br />

274,000 viewers nationally.*<br />

insight has continued to tackle thought-provoking topics,<br />

in line with the SbS charter, with programs on polygamy,<br />

parental abductions, arranged marriage, removing kids,<br />

the beauty race and revenge.<br />

* OZtAM – 5 city Metro; RegtAM – Aggregated Regional excl.WA; consolidated.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 31


Goal 1: Objective 1.1<br />

insight has also closely followed how the world economy<br />

has been challenged by circumstances in europe with<br />

two programs on Greece in the last year. Other top<br />

rating programs include class Struggle examining school<br />

funding, Uneasy Riders which looked at bikie laws and<br />

Nineteen, insight’s third program in six years to follow<br />

a group of teenagers’ lives.<br />

Online, insight continues to grow considerably. insight’s<br />

Facebook page community is now at 23,161 people,<br />

more than doubling over the past year.<br />

For <strong>2012</strong> insight has initiated an industry first in Australia<br />

– live tweeting with jenny brockie and guests from the<br />

program. @insightsbs followers increased around 50 per<br />

cent to 12,184 while @jenbrockie has gone from zero<br />

to 3788 since january <strong>2012</strong>.<br />

living Black<br />

the prime focus of the SbS indigenous Media Unit<br />

is the production of Living black, Australia’s only<br />

national indigenous current affairs program primarily<br />

devoted to the coverage of contemporary issues<br />

affecting indigenous Australians.<br />

During <strong>2011</strong>–12, 26 half hour episodes of Living black<br />

aired on Sundays at 4:30pm. the program also has four<br />

repeats – Mondays at 5:30pm, tuesday at 12:10am and<br />

Fridays at 2:30pm on SbS ONe and Monday at 6:00pm<br />

on SbS tWO.<br />

Living black put together a compilation of the best<br />

indigenous musical performances for its annual Living<br />

black Music Project during <strong>2011</strong>–12.<br />

the Music Project profiled up and coming as well as<br />

established indigenous performers from a range of<br />

genres. Some of the high-profile artists featured included<br />

christine Anu, jessica Mauboy and casey Donovan. the<br />

segment featured a vignette of the artist followed by a<br />

performance on the Living black set.<br />

32 SBS<br />

in September <strong>2011</strong>, Living black received the Deadly<br />

Award for tv Show of the Year. in March <strong>2012</strong>, Living<br />

black made the successful transition to a new studio set,<br />

with a new, fresh look with new opening titles and graphics.<br />

The Deadly Awards<br />

in <strong>2011</strong>, SbS continued its association with vibe<br />

Australia and was once again host broadcaster of the<br />

<strong>2011</strong> Deadly Awards. the Deadlys is an annual event<br />

held at the Sydney Opera House recognising indigenous<br />

achievement in the areas of sport, arts, entertainment<br />

and community.<br />

A special 90 minute highlights program was produced<br />

and aired on 2 October at 9:30pm on SbS ONe with<br />

a repeat on 8 October at 7:30pm (on SbS tWO). the<br />

program was also screened on Nitv.<br />

australian In language<br />

Information Network<br />

During <strong>2011</strong>–12, the roll-out of SbS Radio’s Australian<br />

information Network content strategy continued.<br />

SbS Radio’s language programs are focused on<br />

providing more news and information about Australia<br />

than ever before.<br />

the SbS Radio network has transitioned from a<br />

predominantly homeland news service to an Australian<br />

information Network – providing balanced and impartial<br />

Australian and international news and information.<br />

SbS Radio’s language programs are formatted to<br />

provide high-quality audience engagement and the<br />

corporation continues to find new ways to reach<br />

audiences in-language via all relevant platforms,<br />

including online, mobile and on digital tv.


Goal 1: Objective 1.2<br />

To create more multicultural and multilingual<br />

australian content<br />

SBS Television<br />

Distinctive commissioned and<br />

acquired content<br />

SbS broadcasts in a range of genres and languages to<br />

provide Australians with a diverse range of perspectives<br />

and cultures (see Appendices 1-2). the standout<br />

successes for commissioned content on SbS television<br />

<strong>2011</strong>–12 were Once Upon a time in cabramatta and<br />

Who Do You think You Are? (see page 28). Other<br />

highlights for the year are outlined below.<br />

SBS commissioned programming<br />

A total of 201 hours of SbS commissioned programs<br />

were first broadcast on SbS in <strong>2011</strong>–12 (Appendix 3).<br />

SbS commissioned a total of 202 hours of comedy,<br />

entertainment, factual and food programming for<br />

production (Appendix 4). SbS continues to maintain its<br />

creative partnerships with Screen Australia and the state/<br />

territory film funding bodies (Appendix 5).<br />

The Family<br />

the Family was an eight-part series produced for SbS by<br />

Shine Australia and broadcast November <strong>2011</strong>– january<br />

<strong>2012</strong>, which placed a ‘fixed rig’ of 35 remote controlled<br />

cameras in one family’s home for 100 days. this was the<br />

first time a ‘fixed rig’ observational documentary had ever<br />

been done in Australian television.<br />

the Family followed the lives of the italian-Australian<br />

cardomone family, mum josie, dad Angelo and their<br />

three boys David, Stefan and Adrian.<br />

the series attracted a national average audience of<br />

242,000 viewers.*<br />

it was a cross-platform project, with SbS Online<br />

commissioning unique content for the website, SbS<br />

Radio hosting discussions, and SbS’s Outreach program<br />

partnering with FeccA and Relationships Australia to<br />

produce a booklet examining what it means to be a second<br />

generation migrant family in Australia and some of the<br />

challenges relating to cultural background and heritage.<br />

the Family has been subtitled into italian and chinese and<br />

Arabic for online viewing and it was the first time an SbS<br />

DvD release carried subtitles in a language other than<br />

english, released with italian subtitles.<br />

* OZtAM – 5 city Metro; RegtAM – Aggregated Regional excl.WA ; consolidated.<br />

Bollywood Star<br />

Australia’s first ever factual entertainment series<br />

celebrating Australia’s indian community, produced<br />

by WtFN, was a cross between a talent show and<br />

observational documentary.<br />

bollywood Star gave ordinary Australians the chance<br />

to win a role in renowned director Mahesh bhatt’s next<br />

bollywood movie.<br />

it was both a celebration of indian culture and a celebration<br />

of the multicultural appeal of bollywood. the contestants<br />

came from a wide range of ethnic backgrounds.<br />

broadcast over four Saturday evenings in one hour<br />

episodes in june, bollywood Star attracted a national<br />

average audience of 259,000 viewers.*<br />

bollywood Star was another great cross-platform project.<br />

SbS Radio ran a special pop-up radio station, SbS<br />

Online commissioned extensive online-only content, and<br />

bollywood Star Facebook page activity was high with the<br />

series attracting over 9000 Facebook friends, equivalent<br />

to the annual eurovision Song contest.<br />

This year SBS also produced some outstanding single<br />

documentaries, contributing to national discussions<br />

around a number of important issues.<br />

The Tall Man<br />

the tall Man, a feature length documentary, was directed<br />

by tony Krawitz and produced by blackfella Films. based<br />

on the Walkley Award winning book by chloe Hooper, it<br />

told the story of the death in custody of indigenous Palm<br />

island man cameron Doomadgee.<br />

From its premiere at the Adelaide Film Festival in early<br />

<strong>2011</strong>, the tall Man stirred up debate in the Australian<br />

press about the issue of race relations in the country.<br />

the tall Man was selected to screen at the toronto<br />

Film Festival and has won a number of awards: AWGie<br />

Award for best Documentary (<strong>2011</strong>); best Documentary<br />

at the imagineNAtive Film Festival in toronto; Australian<br />

Directors Guild Award for best Documentary; and the<br />

Walkley Award for best Documentary.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 33


Goal 1: Objective 1.2<br />

The Trial<br />

the trial directed by joan Robinson (produced by 360<br />

Degree Films) was first aired nationally by SbS during<br />

the year.<br />

it was previously broadcast in November 2009 but<br />

because certain criminal trials were in progress, could not<br />

be broadcast in victoria until the trials were concluded.<br />

in February 2008, 12 Muslim men went on trial in<br />

Melbourne for terrorism offences. the trial ran for nine<br />

months and presented 66,000 pages of evidence.<br />

With unique access to Greg barns, one of the key<br />

defence barristers, and Omar Merhi, the brother of the<br />

youngest accused, the trial took the viewer inside one<br />

of the biggest terrorism trial’s in Australia’s history.<br />

Ned’s Head<br />

Directed by Rebecca ciallella (produced by Prospero<br />

Productions), Ned’s Head tells the story of the scientific<br />

investigation into what was believed to be Ned Kelly’s<br />

skull, which changed the history books forever when<br />

scientists discovered and identified Ned Kelly’s skeleton.<br />

Ned’s Head won a Gold Award at the Prestige Film<br />

Awards in eureka, california.<br />

The Man Who Jumped<br />

Directed by Russell vines (produced by Prospero<br />

Productions) the Man Who jumped is the story of a<br />

young man detained at Woomera Detention centre, who<br />

10 years ago jumped from the perimeter fence onto the<br />

razor wire in an act which shocked the nation and made<br />

headlines across the world.<br />

the Man Who jumped won a Gold Award at the Prestige<br />

Film Awards in eureka, california.<br />

In <strong>2011</strong>–12 SBS also broadcast three two-part series,<br />

all with international broadcaster partners.<br />

Desperately Seeking Drs: The Kimberley<br />

Directed by Stuart Greig (produced by Artemis<br />

international), Desperately Seeking Drs: the Kimberley<br />

was a sequel to SbS series Desperately Seeking Doctors<br />

from 2008 about the shortage of doctors in the Australian<br />

bush. One character in the series, outspoken Scottish<br />

general practitioner Dr Mary Fortune, now returns to<br />

* OZtAM – 5 city Metro; RegtAM – Aggregated Regional excl.WA ; consolidated.<br />

34 SBS<br />

Australian for a three month stint in an Aboriginal health<br />

service in Kununurra in the remote rugged and scenic<br />

north west of Australia. A version of this series was<br />

screened on bbc Scotland.<br />

Singapore 1942 – End of Empire<br />

bbc Scotland was also a broadcast partner (as<br />

was Discovery Networks Asia-Pacific) for the<br />

history series Singapore 1942 – end of empire<br />

directed by Don Featherstone (produced by electric<br />

Pictures), broadcast on the 70th anniversary of<br />

the fall of Singapore. the series averaged 510,000<br />

national viewers.*<br />

SBS Food Commissions<br />

in <strong>2011</strong>–<strong>2012</strong>, SbS continued its exploration of culture<br />

through food with new commissioned series from<br />

acclaimed chefs Luke Nguyen and Peter Kuruvita.<br />

their culinary journeys told stories not only about the<br />

food from these countries but explored the unique<br />

cultures, traditions and histories of the countries and<br />

regions they visited.<br />

An already established face on the network, Luke<br />

Nguyen returned to SbS with a third series – Luke<br />

Nguyen’s Greater Mekong. Having previously seen Luke<br />

journey through vietnam with his series’ Luke Nguyen’s<br />

vietnam series one and two, this time Luke took viewers<br />

on culinary journey across the Greater Mekong region of<br />

South east Asia. the series explored regions that had<br />

rarely seen television cameras before and showcased<br />

the incredible foods that were on offer. it averaged<br />

361,000 viewers nationally and in total 2.2 million<br />

viewers tuned into the series.*<br />

in November <strong>2011</strong>, Sydney chef Peter Kuruvita took a<br />

break from his Sydney harbour-side restaurant Flying<br />

Fish to take a journey through his ancestral home of Sri<br />

Lanka exploring the unique food, colourful culture and<br />

deep history of Sri Lanka. the series combined breathtaking<br />

locations and scenery with spectacular spicy<br />

fare in a captivating journey that saw Peter showcasing<br />

the wealth of Sri Lanka’s beauty, culture and culinary<br />

diversity along the way. the ten part series averaged<br />

310,400 nationally and in total, 1.78 million viewers<br />

tuned in.*


SBS acquired programming<br />

SbS has acquired some strong programming over the<br />

last 12 months. big ideas documentaries have included:<br />

Russia and the West, empire, civilisation and east to<br />

West, all examining the impact of imperialism and how<br />

our world has been shaped by those ideas.<br />

A new science slot has included the definitive account of<br />

the relationship between scientific theories and science<br />

fiction, Prophets of Science Fiction, as well as returning<br />

series, inside Nature’s Giants.<br />

the new wildlife slot has housed Wildest Africa and<br />

Wildest india as well as Speed of Life, all allowing viewers<br />

a window on the world’s natural environment.<br />

SbS’s adventure slot has seen bruce Parry in Artic, as<br />

well as Simon Reeves in the indian Ocean. SbS has taken<br />

viewers on the Most Dangerous Roads, as well as to<br />

extreme Frontiers.<br />

Food has continued to be an important genre for SbS<br />

with new acquired programs such as Heston at Home,<br />

Sicily Unpacked and jerusalem on a Plate. History of<br />

Ancient briton and the Story of Wales both proved popular.<br />

Many series returned this year including new episodes of<br />

One born every Minute and 24 hours in emergency.<br />

SBS Census Explorer<br />

to coincide with the release of the <strong>2011</strong> census in<br />

june <strong>2012</strong>, SbS launched an interactive online tool<br />

featuring demographic data, enabling Australians to<br />

explore the results of the census data.<br />

the SbS census explorer provides an online destination<br />

for ‘visualising census’, with information progressively<br />

added to the tool as it became available from the<br />

Australian bureau of Statistics.<br />

it is an easy-to-use tool that gives Australians access to<br />

some of the most important census data, bringing it to life<br />

in maps, charts and graphs that are interactive and easy<br />

to read.<br />

Users can compare languages and places and learn<br />

more about the makeup of their communities. One of<br />

the main features is that comparisons can be performed<br />

between different categories of demographic data,<br />

allowing Australians to compare their local suburb to<br />

their neighbours, or the makeup of their community, and<br />

therefore better understand Australia’s diverse society.<br />

the SbS census explorer is great example of how SbS<br />

is developing interactive and innovative online applications<br />

to support our offering and further broaden understanding<br />

of multicultural Australia.<br />

SBS online<br />

in <strong>2011</strong>–12, SbS dramatically increased its presence on<br />

a range of new platforms to meet its goal of ensuring our<br />

content can be consumed wherever audiences are. the<br />

major pillar of this growth was the launch and expansion<br />

of SbS ON DeMAND, SbS’s catch up tv service.<br />

SbS ON DeMAND enables our audiences to watch a<br />

broad selection of content that has screened on SbS<br />

ONe and SbS tWO according to their own convenience.<br />

the content offer includes prime-time programming,<br />

films, news (including many of our foreign language news<br />

programs), current affairs, documentaries and sport.<br />

SbS ON DeMAND also allows audiences to discuss their<br />

favourite programs and to share content with their friends<br />

and families via social media.<br />

the site utilises a recommendation engine to enable<br />

users to better find programs they want to watch. it also<br />

enables audiences to subscribe to programs and films<br />

that will be released in the future and utilises an innovative<br />

`playlist’ functionality that allows users to keep lists of<br />

programs they want to watch.<br />

From an initial launch on desktop computers in August<br />

<strong>2011</strong>, SbS ON DeMAND has now expanded to be<br />

available on game consoles (Sony PS3 and MS Xbox),<br />

on a majority of connected tv devices (including Sony,<br />

Samsung and LG televisions) and also APPLe tablet and<br />

mobile devices. All of these different versions of SbS ON<br />

DeMAND are linked so that a user can start watching<br />

a program on one device and then resume playback<br />

of that program on another device (or devices) whenever<br />

it suits them.<br />

SbS ON DeMAND will continue to expand its reach as new<br />

devices and platforms come into the Australian market.<br />

in <strong>2011</strong>–12, SbS Online also successfully redeveloped<br />

its Documentary and Film websites as well as upgraded<br />

the WNA website.<br />

A new dedicated website to showcase one of SbS’s core<br />

content areas Food was produced in conjunction with<br />

SbS Audio and Language content.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 35


Goal 1: Objective 1.2<br />

the website, Kitchen conversations, brings online<br />

audiences regular food stories featured by a handful of<br />

SbS Radio’s more than 60 language groups, in english<br />

with an accompanying recipe.<br />

Sport<br />

Since its inception, SbS has championed and nurtured niche<br />

sports and grass-roots sports which contribute to a more<br />

inclusive society. SbS has long been regarded in Australia<br />

as the home of football. the World Game is unrivalled in<br />

the sporting world for its popularity and global reach. SbS<br />

successfully secured the media rights to the 2018 and 2022<br />

FiFA World cups, building on the already secured rights to<br />

the 2014 FiFA World cup.<br />

SbS also secured the free-to-air rights (four live matches,<br />

four delayed matches, plus daily highlights) for the <strong>2012</strong><br />

european Football championships (eURO <strong>2012</strong>) in Poland/<br />

Ukraine.<br />

Reporter, Scott Mcintyre travelled to Nepal and china to file<br />

exclusive online reports and content on the FiFA World cup<br />

qualifying matches featuring Nepal and timor-Leste.<br />

Luke Waters won the Australian Sports commission Media<br />

Award for coverage of Women in Sport and Sports Reporter<br />

Mike tomalaris took away best individual coverage for tour<br />

de France reporting.<br />

SbS has acquired the radio rights for all the Socceroo World<br />

cup Qualifiers for brazil 2014. the matches are broadcast<br />

live on the SbS national analogue service and streamed<br />

simultaneously online via the World Game website.<br />

Live coverage of major football events included the <strong>2012</strong><br />

FiFA Women’s World cup from Germany, the <strong>2012</strong> FiFA<br />

U20s World cup from columbia, Africa cup of Nations,<br />

copa America finals, 2014 FiFA World cup South America<br />

qualifiers, the <strong>2012</strong> euro championships and all the<br />

european finals including the FA cup, Spanish Super cup,<br />

German Pokal, coppa italia, the copa del Rey and the UeFA<br />

champions League and europa League.<br />

SbS is the home of cycling and has been the official<br />

Australian broadcaster of international cycling’s pinnacle<br />

event le tour de France for 22 years.<br />

the <strong>2011</strong> tour de France delivered record ratings with cadel<br />

evans becoming the first Australian rider to win the event.<br />

* OZtAM – 5 city Metro; RegtAM – Aggregated Regional excl. WA; consolidated.<br />

** Language other than english.<br />

36 SBS<br />

SbS televised live coverage of cadel evans’ homecoming<br />

parade held in Melbourne on 12 August <strong>2011</strong>. Stages 20<br />

and 21 were the two highest viewed television programs<br />

on SbS in <strong>2011</strong>–12, with Stage 20 attracting a national<br />

average audience of 1.006 million. in total, 6.4 million viewers<br />

tuned in to the coverage on SbS ONe and SbS tWO up<br />

29 per cent on 2010.<br />

in line with SbS’s commitment to providing audiences with<br />

a true cross-platform experience, tour de France content<br />

online recorded a 25 per cent increase in traffic on the 2010<br />

event, with 578,000 unique browsers and 5.4 million page<br />

impressions. the event was live streamed across online and<br />

mobile, including iPhone, iPad and Android apps, another<br />

SbS first.<br />

in addition, on Youtube, the SbS tour de France page<br />

recorded close to 800,000 video views and almost 250,000<br />

unique views. the tour de France Fantasy page continued<br />

to be a popular section, with 255,000 page impressions –<br />

and more than 19,305 active game players.<br />

content was carried across the central Facebook page,<br />

SbS’s tour de France page on Youtube. Other services<br />

included the SbS tour de France Fantasy Page and SbS’s<br />

first podcast featuring Sam Pang, Sophie Smith and David<br />

culbert, which was downloaded around 45,000 times.<br />

the One Sunday in Paris documentary celebrating cadel<br />

evans’ <strong>2011</strong> tDF win produced in-house was broadcast as<br />

a lead in program to the <strong>2012</strong> event, on 30 june <strong>2012</strong>.<br />

For the first time, SbS broadcast live coverage of two major<br />

Australian cycling events in january. the cycling Australian<br />

Open Road championships from ballarat in january <strong>2012</strong><br />

and the Australian track championships from Adelaide,<br />

also in january <strong>2012</strong>. cycling central also covered live from<br />

both events.<br />

SbS broadcast live coverage of the Uci track cycling World<br />

championships from Melbourne in April on SbS tWO and<br />

online. Afternoon sessions were also streamed live online.<br />

SbS increased live coverage of major cycling events including<br />

the Grand tours, Giro d’italia and vuelta a espana, the tour<br />

of california, criterium du Dauphine, the Uci broad World<br />

championship from Denmark and european Spring classics,<br />

tour of Flanders, Paris-Roubaix & Liege-bastogne-Liege.


Studio<br />

StUDiO is an SbS subscription television channel<br />

broadcast on Foxtel, dedicated to entertainment and the<br />

arts, capturing live performances across the country and<br />

bringing the cultures of the world to Australian television,<br />

contributing to social cohesion through the exploration of<br />

national and grass roots community entertainment and<br />

arts through innovative programming.<br />

StUDiO recorded a 15.5 per cent national audience<br />

increase in <strong>2011</strong>–12.<br />

in March <strong>2012</strong>, StvDiO became StUDiO to reflect the<br />

channel’s goal to make the arts more accessible and an<br />

integral part of everyday life to Australians.<br />

Programming highlights for <strong>2011</strong>–12 included the<br />

Season ticket/StUDiO Presents content, which were<br />

performances exclusively captured by StUDiO for world<br />

premiere broadcast on the channel. the broadcasts<br />

spanned many genres of the arts, including dance, opera,<br />

cabaret, live music and more.<br />

Other programming highlights included Australian<br />

premieres of exclusive series and international content<br />

such as: Work of Art, Sarah jessica Parker’s reality tv<br />

show that searches for the next big artist; For the Love<br />

of books, a book review program produced exclusively<br />

by StUDiO; and Live from the Artist’s Den, featuring big<br />

name artists performing in unusual US venues.<br />

StUDiO has continued to partner and engage with<br />

arts organisations across Australia including the<br />

Australian ballet, Sydney Opera House, Opera Australia,<br />

Sydney Dance company, Australia council for the Arts,<br />

Melbourne Festival, brisbane Festival, biennale of<br />

Sydney, Australian chamber Orchestra, Perth institute<br />

of contemporary Arts and centenary of canberra.<br />

World Movies<br />

World Movies is Australia’s international film channel<br />

broadcast on Foxtel, with 15 Australian television<br />

premiere titles each month in 200 languages from more<br />

than 40 countries.<br />

World Movies recorded a 28.7 per cent audience increase<br />

in <strong>2011</strong>–12.<br />

SbS refreshed the World Movies brand in August<br />

<strong>2011</strong>, which won silver Global Promax/bDA awards<br />

for Logo Design and Art Direction and Design. World<br />

Movies also won Global Promax/bDA awards for Adult<br />

Programming Spot (Gold) and Holiday/Seasonal/Special<br />

event Spot (Silver).<br />

World Movies highlights in <strong>2011</strong>–12 included:<br />

• World Movies Secret cinema – A completely secret<br />

event which sold out in 13 minutes, where 300 filmloving<br />

guests bought tickets not knowing where they<br />

were going or what film they’d be watching. On the<br />

day SbS unveiled the Sydney location.<br />

• 25 Films You Must See before You Die – a marathon<br />

weekend of international films whose order was<br />

decided by a viewer-voted online poll. this campaign<br />

received widespread publicity and valuable viewer<br />

interaction with World Movies via social media.<br />

• Sundance – World Movies captured the stories of four<br />

of Australia’s prominent filmmakers, including Gregor<br />

jordan, as they discussed visiting Sundance and<br />

introduced award-winning films screening nightly on<br />

the channel throughout the festival.<br />

• Almodóvar – Spanish maestro Pedro Almodóvar,<br />

one of the world’s most famous international film<br />

directors, curated and introduced a week of his films<br />

on World Movies.<br />

World Movies continued its partnerships with Australian<br />

international film festivals, such as the Alliance Française<br />

French Film Festival, German Film Festival, italian Film<br />

Festival, Hola Mexico Film Festival, Korean Film Festival,<br />

and many more.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 37


Goal 1: Objective 1.3<br />

To increase the range and quality of multilingual<br />

services across all platforms<br />

Multilingual Programming<br />

SBS Television<br />

in <strong>2011</strong>–12 SbS maintained its level of multilingual<br />

programming on television:<br />

• SbS ONe – 48% LOte*<br />

• SbS tWO – 78% LOte<br />

SbS ONe broadcast programs in more than 59 languages<br />

(one hour or more) representing more than 169 cultures<br />

(Appendices 1, 6-7). SbS tWO broadcast programs in<br />

more than 55 languages (one hour or more) representing<br />

more than 135 cultures (refer Appendices 1, 8-9).<br />

The Chinese language Project<br />

in <strong>2011</strong>–12, SbS continued to focus on its chinese<br />

Language Project (cLP) comprising of cross-platform<br />

news, information and entertainment service for<br />

chinese Australians.<br />

the main feature is cantonese and Mandarin radio<br />

services and the SbS PopAsia music service for younger<br />

Australians – all these services are also available via<br />

the SbS My Home virtual community centre, a news,<br />

information and social networking website for chinese<br />

Australians. the cLP also included a pilot of a weekly<br />

television news and current affairs service Mandarin News<br />

Australia (MNA). the MNA pilot began in November 2010<br />

and concluded on june 26, <strong>2012</strong>. Future opportunities for<br />

MNA will be considered in the context of budget priorities.<br />

Other components of cLP will continue, including:<br />

• existing cantonese and Mandarin radio service;<br />

• chinese vcc: a virtual community centre;<br />

hosting news, information and social networking<br />

(www.sbs.com.au/chinese); and<br />

• SbSPop Asia: a mainstream pop music service for<br />

younger chinese Australians delivered on both digital<br />

and analogue radio, as well as streamed online.<br />

SBS audio and language Content<br />

SbS is committed to ensuring its audio and language<br />

services meet the needs of Australia’s diverse language<br />

and cultural communities.<br />

in <strong>2011</strong>–12 SbS maintained its level of multilingual<br />

programming on radio at 84 percent (refer<br />

Appendices 1, 10 -11).<br />

* Language other than english.<br />

38 SBS<br />

Highlights for the year are outlined below.<br />

Portuguese Program<br />

SbS Radio’s Portuguese program obtained an exclusive<br />

series of still images taken from security cameras<br />

inside a convenience store in the city in the early hours<br />

of March 18, when Roberto Laudisio curti, a young<br />

brazilian man studying in Australia died after being<br />

tasered by NSW Police.<br />

the SbS Radio Portuguese team’s unique connection<br />

with the community uncovered new leads in this story.<br />

Portuguese program executive Producer, beatriz Wagner<br />

translated material and made it available to World News<br />

Australia, SbS Online and Radio. SbS Radio was<br />

credited as the source of the story in media across<br />

Australia and in brazil.<br />

9/11 – Marking 10 Years<br />

SbS Audio and Language content (ALc) marked this<br />

event with a series of special content, demonstrating<br />

SbS’s success in taking national and international issues<br />

and delivering news and programs in-language so that all<br />

Australians can participate.<br />

it featured the voices (in language) of SbS radio listeners<br />

reflecting on the 9/11 attacks in the United States, when<br />

they first heard about it and how it touched their lives<br />

which were produced in 46 languages and aired during<br />

the week leading up to the 9/11 anniversary.<br />

Once Upon a Time in Cabramatta<br />

SbS Radio engaged with the vietnamese, Mandarin,<br />

Khmer and cantonese communities through dedicated<br />

talkback programs and related segments around issues<br />

raised by landmark SbS series Once Upon a time in<br />

cabramatta.<br />

Listeners who called the vietnamese and cantonese<br />

program during talkback were keen to relate their own<br />

experience of the period described in the series, but<br />

in subsequent talkbacks, the discussion developed<br />

to include current political and social issues in the<br />

community, including around Australia’s response to<br />

refugee and asylum seeker issues.


The Family<br />

SbS Radio supported the Family with talkback<br />

programming and related segments to enhance audiences’<br />

interaction with the Family by driving dialogue around<br />

the big ideas in the series. talkback was conducted in<br />

14 languages.<br />

SBS Radio Schedule Review<br />

SbS broadcasts in more than 60 languages on its<br />

analogue radio schedule, more than any other network in<br />

the world.<br />

in <strong>2011</strong>–12, SbS began to undertake a review of the<br />

languages broadcast on its analogue radio schedule to<br />

ensure the languages broadcast reflect today’s Australia.<br />

the last major review of the SbS Radio Schedule<br />

was more than 18 years ago in 1994, and since then<br />

Australia’s demographics have changed significantly.<br />

the relative size of some languages spoken has changed<br />

and new languages are being spoken in Australia as a<br />

result of new migration patterns and refugee and asylum<br />

seeker intake. the use of in-language media and the mix<br />

of languages in Australia has also significantly changed<br />

since the last review.<br />

in April <strong>2012</strong>, SbS Radio released for public consultation<br />

the proposed Selection criteria which outlined how<br />

languages would be considered in a future review of the<br />

radio schedule.<br />

More than 1200 submissions were received and feedback<br />

taken into account before final selection criteria to be<br />

applied to a review released in june <strong>2012</strong>.<br />

SbS is using data from the <strong>2011</strong> census to help determine<br />

the shape of its revised Radio Schedule which will be<br />

released towards the end of <strong>2012</strong> and implemented on<br />

air in 2013.<br />

A revised schedule will enable SbS to better deliver on<br />

its charter obligations by better servicing the largest<br />

communities with culturally and linguistically diverse<br />

language (cALD) backgrounds, and offering more<br />

services to emerging high-needs communities.<br />

SbS expects to be able to produce more languages and<br />

distribute its in-language services over more platforms<br />

than ever before including analogue and digital radio,<br />

digital television, mobiles apps and online.<br />

Quarterly Commissioning<br />

Quarterly commissioning is an SbS Radio initiative to<br />

support new, original in-language multicultural content<br />

that shines a light on modern, multicultural Australia.<br />

in <strong>2011</strong>–12 SbS Quarterly commissioning was awarded<br />

to projects such as an exploration into growing up Asian<br />

and gay in Australia, an investigation into whether social<br />

media is bringing us together – or increasing our isolation,<br />

and a series of features looking into the new wave of<br />

italian immigration to Australia in lieu of the economic<br />

circumstances in italy.<br />

the italian project was broadcast in italian, on WNA Radio<br />

and in-language radio programs.<br />

Subtitling<br />

in order to provide multilingual and multicultural<br />

television services that inform, educate and entertain<br />

all Australians, SbS broadcasts english language<br />

programming as well as english-language subtitled<br />

non-english language programming.<br />

Programs in a language other than english (LOte) (other<br />

than SbS’s WorldWatch schedule) are made accessible<br />

to a wider audience through english language subtitles.<br />

Subtitling enables audiences, regardless of their cultural<br />

provenance to access programs in-language, SbS<br />

predominantly uses subtitles rather than voice-over as<br />

subtitling retains the linguistic and cultural integrity of the<br />

original programs and allows for effective cross-cultural<br />

communication.<br />

in <strong>2011</strong>–12 SbS broadcast:<br />

• 1541 hours of subtitled programs on SbS ONe;<br />

• 1768 hours of subtitled programs on SbS tWO<br />

in 117 languages and dialects across SbS ONe<br />

(Appendix 12) and SbS tWO (Appendix 13).<br />

SbS provides a re-narration service for some non-english<br />

programs where the program uses narration to convey<br />

the information. the original narration is re-narrated<br />

into english and other content, such as people being<br />

interviewed, is subtitled. A total of 209 hours was renarrated<br />

across SbS ONe and SbS tWO.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 39


Goal 1: Objective 1.3<br />

Subtitling into languages other<br />

than English<br />

in order to deliver on its objective to increase the range<br />

and quality of multilingual services across all platforms,<br />

SbS embarked on a first in the history of broadcasting in<br />

Australia around Once Upon a time in cabramatta.<br />

SbS simulcast english and vietnamese versions of Once<br />

Upon a time in cabramatta on SbS ONe and SbS tWO.<br />

the english version was broadcast on SbS ONe (with<br />

english subtitles where required); a vietnamese subtitled<br />

version was broadcast at the same time on SbS tWO.<br />

this extended the reach of the program, and catered for<br />

the vietnamese community in Australia, who were the<br />

main focus of the program. the DvD version of the series<br />

carries english and vietnamese subtitled versions. these<br />

versions were made available on SbS Online as well as<br />

chinese and Arabic subtitled versions.<br />

SbS also produced multi-language versions of the Family,<br />

with Arabic, chinese and italian subtitled versions made<br />

available on SbS Online. the DvD of the series was<br />

released with english and italian subtitled versions.<br />

the SbS Online commissioned interactive documentary<br />

the block has been subtitled into Arabic, chinese, French<br />

and Spanish, making it accessible to those language<br />

communities in Australia and worldwide. Audiences can<br />

also listen to the interviews in Dharug, the language group<br />

from which Gadigal derives.<br />

WorldWatch international<br />

news bulletins<br />

SbS broadcasts up to 20 hours of news each day under<br />

the WorldWatch banner. Acquired from 27 broadcasters<br />

around the world in 24 languages other than english,<br />

WorldWatch has for many years led the world in uniting<br />

so many original language news bulletins under one<br />

organisational umbrella (See Appendices 14-15).<br />

40 SBS<br />

WorldWatch is provided to cater for the individual<br />

language and cultural needs of Australia’s diverse multicultural<br />

community. it provides a unique and regular news<br />

service from the homeland of many of our citizens and<br />

visitors in their own language. it also offers all Australians<br />

a perspective on world news events not offered by any<br />

other broadcaster.<br />

the WorldWatch schedule is transmitted on SbS ONe<br />

and SbS tWO. While most of the largest non-english<br />

language communities are served by regular news bulletins<br />

WorldWatch is looking to expand its in-language news<br />

services based on the recently released <strong>2011</strong> census data.<br />

During the year the WorldWatch schedule was enhanced<br />

with the addition of an Al jazeera english news bulletin<br />

broadcast daily Monday to Friday and on Sunday on<br />

SbS ONe. SbS began to make WorldWatch bulletins<br />

available online on both the SbS ON DeMAND and SbS<br />

Radio program language websites. Five news bulletins<br />

are now available online, Mandarin, Hindi, Greek, Dutch<br />

and Macedonian and more will follow as online rights are<br />

cleared with our 27 broadcast partners around the world.<br />

SbS News and current Affairs maintains significant<br />

program and content supply relationships with<br />

overseas broadcasters for the supply of news services<br />

for SbS’s WorldWatch service. in order to maintain such<br />

a network of international news sources, SbS operates<br />

one of the most complex broadcast communication<br />

systems in the world, accessing daily news material via<br />

eleven international satellites and four fibre-optic links<br />

from London and Los Angeles. SbS has also started<br />

using file transfer protocol services to access material<br />

from sources where traditional satellite links prove to be<br />

not viable.


Goal 2<br />

To GRoW aUDIENCES<br />

Objectives<br />

2.1 For more Australians to use SbS services.<br />

2.2 For Australians who use SbS services to use more of them and more often.<br />

2.3 For more Australians of cALD backgrounds to use and value SbS language services.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 41


Goal 2: Objective 2.1<br />

For more australians to use SBS services<br />

audiences<br />

in <strong>2011</strong>-12 SbS’s television audience remained steady<br />

in an increasingly competitive media landscape. SbS’s<br />

primetime (6pm – midnight) share of people 16+ was 5.9<br />

per cent. On average SbS reached 7.6 million viewers<br />

nationally on average each week, with 5.39 million people<br />

in the five capital cities and 2.20 million people in regional<br />

areas. A list of SbS television’s top 50 programs for the<br />

year is included at Appendix 16. A breakdown of SbS’s<br />

metro and regional audience share, key demographics and<br />

year on year comparisons is also included at Appendix 17.<br />

SbS’s online offering experienced significant growth in<br />

<strong>2011</strong>–12. On average 1.7 million Ubs visited SbS Online<br />

each month, a 15 per cent increase from 2010 –11.<br />

the site delivered an average of 1.8 million video views.<br />

A list of the top 10 websites for the year is included at<br />

Appendix 18. by june <strong>2012</strong>, the site was recording two<br />

million unique browsers. Average monthly Ubs, page<br />

impressions and video views and podcasts is available<br />

at Appendix 19.<br />

Cross-platform initiatives<br />

SbS continued to exploit promotional and other<br />

opportunities across its platforms to increase the exposure<br />

of its content. Significant cross-platform projects included<br />

Once Upon a time in cabramatta, the chinese Language<br />

Project, eurovision, tour de France and a strong social<br />

media engagement planned around the second series of<br />

Go back to Where You came From. New online forums<br />

around current affair program insight are also strengthening<br />

SbS’s online offering.<br />

Social media and cross-platform<br />

marketing<br />

SbS continually hones its marketing campaigns as<br />

more is discovered about what are audiences want and<br />

the devices they are choosing to use. in line with our<br />

approach to developing innovative and thought-provoking<br />

content that generates debate and inspires all Australians<br />

to explore and appreciate the multicultural world we live<br />

in, marketing strategies continue to be innovative and<br />

creative risk taking.<br />

42 SBS<br />

SbS has direct communications channels to engage with<br />

audiences and has developed a large audience database<br />

to provide updates to audience members based on<br />

their preferences, including personal preference settings<br />

available on SbS’s catch up service SbS ON DeMAND.<br />

SbS has embraced the use of social networks to engage<br />

with audiences, with its success demonstrated in social<br />

media figures around key content such as Once Upon a<br />

time in cabramatta, episode one trending number two<br />

and four globally on twitter.<br />

SbS provides resources to maintain a strong presence on<br />

Facebook and twitter as well as deepen engagement with<br />

specialist bloggers and commentators.<br />

SBS on mobile devices<br />

SbS continues to be a leader in exploring opportunities<br />

to extend its brand and the reach of its content into<br />

new areas and platforms. in <strong>2011</strong>–12, SbS launched<br />

and updated a number of apps for iPhones, iPads and<br />

Android mobile services.<br />

• WNA app: Apple iPad – july <strong>2011</strong>; Google Android –<br />

February <strong>2012</strong><br />

• SbS ON DeMAND app: Apple iPhone and iPad –<br />

August <strong>2012</strong><br />

• tour de France tracker <strong>2012</strong> app: Apple iPhone and<br />

iPad / Google Android – june <strong>2012</strong><br />

• SbS PopAsia app: Apple iPhone – july <strong>2011</strong><br />

• SbS PopAraby app: Apple iPhone – August <strong>2012</strong><br />

• SbS PopDesi app: Apple iPhone – August <strong>2012</strong><br />

• SbS Your Language app: Apple iPhone – November<br />

<strong>2011</strong>; Google Android – March <strong>2012</strong><br />

SBS Distribution<br />

SbS Distribution is the consumer products and distribution<br />

arm of SbS, making products related to SbS programs<br />

available for sale to consumers and the educational market<br />

via Australian retailers and distribution partners, and<br />

showcasing SbS commissioned programming for export to<br />

broadcast markets across the world.


SBS International Program Sales<br />

SbS international Program Sales continued its expansion<br />

in <strong>2011</strong>–12. Major international sales included the format<br />

for ‘Go back to Where You came From’, which was<br />

optioned to nine territories. Food and documentary titles<br />

continued to drive the rest of the business, with key titles<br />

Luke Nguyen’s vietnam and My Sri Lanka with Peter<br />

Kurivita top sellers.<br />

SBS Consumer Publishing<br />

the SbS consumer Publishing team contributed to SbS’s<br />

significant results in growing audiences, offering distinctive<br />

content and growing resources in <strong>2011</strong>–12.<br />

Among the highlights were:<br />

• achieved 2 million cDs and music DvDs sold with<br />

Universal Music;<br />

• achieved milestone of 1.5 million DvDs sold with<br />

Madman entertainment;<br />

• expanding the SbS presence and program availability<br />

on itunes;<br />

• product innovation with the cadel evans ‘Long Road<br />

to Paris’ e-book which was a lead book title on itunes<br />

internationally; and<br />

• extensive external product marketing and SbS brand<br />

promotion – on SbS platforms and via theatrical and<br />

subscription television advertisements, print and<br />

outdoor.<br />

SbS engagement with cALD communities was supported<br />

with SbS DvD’s first bi-lingual sleeve for Once Upon a<br />

time in cabramatta – english on outer sleeve, vietnamese<br />

on inner; and the cube entertainment compilation cD<br />

(also available digitally) featuring a number of South<br />

Korean artists which was cross-promoted with Pop Asia.<br />

the DvD versions of Once Upon a time in cabramatta<br />

and the Family were released with subtitled versions<br />

available in vietnamese and italian respectively.<br />

SBS DVD<br />

As outlined above, SbS DvD achieved a major milestone<br />

with the sale of 1.5 million DvDs since the 2007<br />

commencement of our distribution partnership with<br />

Madman entertainment.<br />

SbS released 62 titles in <strong>2011</strong>–12 and, illustrating<br />

that our distinctive local content appeals to the SbS<br />

audience, seven out of our 10 top selling DvDs were SbS<br />

commissioned programs (see Appendix 20). Demand was<br />

led by Housos, Swift & Shift couriers (Series 2), Skins<br />

(Series 5), Swift & Shift couriers (Series 1), tour de France<br />

<strong>2011</strong>, Wilfred (Series 1), French Food Safari, the Killing<br />

(Series 2), Wilfred (Series 2) and coast (Series 1).<br />

SbS DvD launched the Stories that Matter umbrella<br />

marketing campaign which showcased the compelling<br />

local and international documentaries and documentary<br />

series broadcast on SbS.<br />

New initiatives included the introduction of pre-order<br />

campaigns for DvDs not available at the time of program<br />

broadcast. these campaigns resulted in significant preorders<br />

for titles such as Go back to Where You came<br />

From and the tour de France <strong>2011</strong> highlights.<br />

the SbS catalogue on itunes continues to expand –<br />

supported by a strong brand presence and many programs<br />

being available for purchase on the day after broadcast.<br />

SbS Music released 125 cDs in <strong>2011</strong>–12, many of which<br />

were also available digitally.<br />

SbS Music has now achieved sales in excess of 2 million<br />

cDs and DvDs with our music distribution partner,<br />

Universal Music – including four Gold, seven Platinum and<br />

five Double Platinum awards.<br />

celtic thunder dominated the SbS Music charts, with<br />

sales lifted by their national tour in early <strong>2012</strong>.<br />

SbS Music expanded its classical catalogue with the<br />

101 series, delivering ‘introductory’ compilations to<br />

musical instruments and the works of popular composers.<br />

SbS Music also collaborated with SbS Radio on the<br />

Pop Asia campaign with artists and music releases.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 43


Goal 2: Objective 2.1<br />

SBS Books<br />

SbS books released 25 new titles in <strong>2011</strong>–12, many<br />

of which were also available as e-books.<br />

cadel evans led the top sellers for SbS books with the<br />

Long Road to Paris and close to Flying, whilst Letters<br />

and Numbers and Food Safari titles retained their strong<br />

popularity.<br />

the Long Road to Paris was released through itunes<br />

in the new fixed format e-book technology which allows<br />

pages of illustrated books to appear exactly as they do<br />

in the printed book.<br />

the Long Road to Paris e-book had 300 stunning<br />

photographs plus 8 video pop-ups scattered throughout<br />

with exclusive footage of cadel talking about his career,<br />

intercut with footage supplied by SbS of the winning<br />

moments of the tour de France. the release of the book<br />

was supported by worldwide marketing on itunes.<br />

SBS Retail<br />

SbS’s retail presence in <strong>2011</strong>–12 included dedicated<br />

SbS Shop sections in all Dymocks and jb Hi-Fi stores,<br />

the SbS Shop online and the World Game and cycling<br />

central online shops.<br />

Other retailers, such as the Abc, also carry a wide<br />

selection of the SbS product range.<br />

the SbS product range is promoted via SbS crossplatform<br />

campaigns, in-store point-of-sale promotions<br />

and via catalogues.<br />

SBS Magazines<br />

the first SbS monthly consumer magazine SbS Feast<br />

was launched in August <strong>2011</strong> – showcasing the SbS<br />

Food experience of cultural discovery through the cuisines<br />

of the world.<br />

Featuring many of SbS’s food personalities and with<br />

substantial reference and cross-promotion to SbS<br />

content, the magazine has been a great platform for<br />

promotion of SbS content and activities, with the focus<br />

being on our food programming.<br />

the response to the magazine has been very positive and<br />

approximately 14,000 people have taken out subscriptions.<br />

44 SBS<br />

Emerging platforms<br />

SbS extended its reach on emerging digital platforms<br />

with several new initiatives to engage with audiences in<br />

different ways. these include:<br />

Launching the SbS ON DeMAND catch-up tv service on:<br />

• Microsoft Xbox<br />

• Microsoft Windows 8<br />

• Sony Playstation<br />

• LG Smart TV<br />

• Samsung ‘Smart Hub’<br />

• Humax Set Top Boxes<br />

this significantly expanded the reach and consumption<br />

of SbS’s online video services, and this will continue to<br />

rise as the penetration of iP-connected devices increases.<br />

in digital distribution, SbS continued to increase it’s<br />

presence, launching SbS content on telstra’s t-box, Foxtel’s<br />

On-Demand and Fairfax’s .tv platforms, and significantly<br />

increasing the volume of content available on itunes.<br />

outreach<br />

established in 2010, the SbS Outreach program creates<br />

innovative partnerships with organisations which have<br />

an affinity with the SbS charter in order to maximise the<br />

public value of its key commissioned programs.<br />

Outreach partnerships enable SbS to provide a more<br />

ambitious and engaging offer to its audience. this is<br />

achieved by building on existing networks and projects,<br />

sharing resources and combining organisational strengths<br />

to deliver a mutual agenda. these partnerships not only<br />

open up creative collaboration with external organisations<br />

but also extend the impact of SbS programs by<br />

developing new and innovative ways to reach and grow<br />

audiences.<br />

in <strong>2011</strong>–12, the most significant Outreach programs<br />

were around Once Upon a time in cabramatta and<br />

the Family – Living between two Worlds (see page<br />

29-30).


Transmission<br />

SBS television services<br />

SbS’s television services are transmitted throughout<br />

Australia using analogue and digital terrestrial and satellite<br />

services (Appendices 21-22). SbS is also retransmitted on<br />

the cable subscription services of Optusvision and Foxtel,<br />

and the satellite subscription services of Foxtel.<br />

in line with the Australian Government’s digital switchover<br />

timetable, SbS’s analogue television services to regional<br />

Queensland were concluded on 6 December <strong>2011</strong> and<br />

to southern New South Wales on 5 june <strong>2012</strong>.<br />

enhanced digital self-help services (digital) have been rolled<br />

out to: cardwell and Glenden in Queensland; and batlow,<br />

tumbarumba, talbingo, captain’s Flat, and Adelong in New<br />

South Wales. An additional 40 enhanced self-help services<br />

are being planned for Queensland, tasmania, Western<br />

Australia, South Australia and the Northern territory.<br />

Analogue<br />

• 115 terrestrial transmitters provided by: broadcast<br />

Australia (103), imparja (10) and Watsons technical<br />

Services (2).<br />

• 329 retransmission services.<br />

• Four Optus Aurora satellite services accessed by more<br />

than 100,000 direct to home receivers.<br />

Digital<br />

• 247 digital terrestrial transmitters provided by<br />

broadcast Australia, which cover all capital cities and<br />

major regional centres.<br />

• 115 retransmission services.<br />

• Six digital multiplexes via the Optus D1 satellite,<br />

reaching all of Australia.<br />

• Seven vASt direct-to-home satellite services via Optus<br />

c1 satellite reaching all of Australia.<br />

the first SbS digital tv service to be restacked, in<br />

accordance with the Government’s decision to release<br />

broadcasting spectrum that will become available as a<br />

result of the digital switchover (the digital dividend), changed<br />

channel on 21 March. Planning for the rest of the restack is<br />

well under way. SbS is working closely with the Australian<br />

communications and Media Authority to ensure any<br />

potential impact on SbS’s audiences is minimised.<br />

NITV<br />

in readiness for the formal launch of Nitv as an SbS<br />

service on 1 july <strong>2012</strong>, the Nitv signal was added to<br />

SbS’s suite of services on the vASt platform. Nitv’s<br />

analogue tv service on the Aurora satellite platform and the<br />

transmission services at Alice Springs, Mt isa and bourke<br />

have been extended to at least December <strong>2012</strong>, when<br />

Nitv will become available as part of SbS’s digital terrestrial<br />

tv services broadcast on the free-to-air platform.<br />

SBS radio services<br />

SbS radio transmits throughout Australia using analogue<br />

and digital services.<br />

Analogue<br />

SbS Radio broadcasts two analogue services each<br />

in Sydney, Melbourne, Wollongong and canberra and<br />

one service to other capital cities and Newcastle (see<br />

Appendix 11, 23).<br />

• 15 terrestrial radio transmitters provided by broadcast<br />

Australia.<br />

• 163 self-help transmitters.<br />

Digital radio<br />

SbS provides a simulcast of SbS Radio’s analogue<br />

services and two digital only music channels SbS chill,<br />

SbS PopAsia and from july <strong>2012</strong>, SbS Pop Desi and<br />

SbS PopAraby. SbS Radio’s current digital services are<br />

listed at Appendix 11. two SbS Radio services are also<br />

available on the Foxtel digital satellite subscription service<br />

and through SbS digital television transmissions.<br />

SbS is taking part in a digital radio trial in canberra using<br />

the DAb+ technology. the trial has been operating since<br />

2010 under a scientific licence issued by the AcMA. the<br />

trial was extended in <strong>2011</strong> and again in july <strong>2012</strong> for a<br />

further 12 months. the trial enables SbS to transmit its<br />

digital radio services to canberra audiences. SbS is also<br />

taking part in trials of an on channel repeater to improve<br />

the coverage of digital radio in the Melbourne central<br />

business district.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 45


Goal 2: Objective 2.1<br />

Reach<br />

TELEvISION RADIO<br />

ANALOGUe DiGitAL ANALOGUe DiGitAL<br />

june <strong>2011</strong> 97.0% 96.6% 63.0% 52.0%<br />

june <strong>2012</strong> 97.0% 96.6% 63.0% 63.0%<br />

Service availability<br />

the service availability of SbS’s television and radio<br />

services – proportion of time each transmitter is on air<br />

during the year – was maintained during <strong>2011</strong>–12.<br />

TELEvISION RADIO<br />

ANALOGUe DiGitAL ANALOGUe DiGitAL<br />

june <strong>2011</strong> 99.81% 99.85% 99.66% 99.98%<br />

june <strong>2012</strong> 99.83% 99.81% 99.87% 99.97%<br />

Fault management system<br />

the real time fault management system operated by SbS<br />

and broadcast Australia continues to be used to monitor<br />

faults with SbS’s signals. this ensures that transmission<br />

problems are quickly resolved. Any necessary breaks to<br />

transmission for repair or upgrades are planned at a time<br />

of least impact for viewers.<br />

46 SBS<br />

SbS monitors all of its metropolitan services (analogue<br />

and digital) off air at its Sydney headquarters. SbS is also<br />

able to monitor all the regional signals from the Optus D1<br />

and c1 satellites.<br />

SbS’s disaster recovery facility enables SbS to continue<br />

running its services in the event of a disaster, including<br />

SbS television and two radio services to all time zones.<br />

Transmission feedback<br />

SbS logs and responds to all viewer calls regarding<br />

transmission issues, and receives on average over<br />

400 calls each month. the majority of calls usually relate<br />

to issues with viewer equipment including antennas,<br />

cabling and set top boxes, as opposed to problems with<br />

SbS’s transmission services. SbS provides this valuable<br />

service to assist audience members to resolve issues<br />

they may be having with their equipment so that they can<br />

continue to engage with SbS content.


Goal 2: Objective 2.2<br />

For australians who use SBS services to use<br />

more of them and more often<br />

SbS endeavours to utilise its television, radio and online<br />

platforms to engage audiences and encourage them<br />

to use more of SbS’s services, more often. the unique<br />

nature of SbS’s services, particularly its in-language radio<br />

services, can be a barrier to cross-platform take-up. in<br />

<strong>2011</strong>, SbS continued its chinese Language Project (see<br />

page 38) which SbS implemented as an innovative way<br />

to collate and curate in-language content and engage<br />

audiences across platforms. SbS led a strategy to<br />

find new ways to connect with audiences on available<br />

platforms and devices by making as much of our content<br />

available as possible on the platforms and devices our<br />

audiences are using.<br />

Engaging audiences online<br />

SbS Online led a range of cross-platform projects,<br />

delivering on SbS’s objective to deepen audience<br />

engagement with content by making it available on a<br />

range of available platforms and devices.<br />

Key cross-platform projects included eurovision <strong>2012</strong>,<br />

Once Upon a time in cabramatta, Danger 5, the Family<br />

and bollywood Star also featured a strong cross-platform<br />

component, demonstrating how SbS is leading the way in<br />

Australia with developing innovative engaging content to<br />

support SbS programming.<br />

SbS Online produced a number of dedicated Online<br />

only projects to connect with audiences including Goa<br />

Hippy tribe which won best Film & tv Site at the SXSW<br />

Awards <strong>2012</strong>, Dragon children, a finalist at the AiMiA<br />

Awards <strong>2012</strong> which included multilingual content and the<br />

block, launched in july <strong>2012</strong>, which provides an insightful<br />

and historical account of residents in the Sydney suburb<br />

of Redfern.<br />

the News and current Affairs (NAcA) Online team creates<br />

and produces multiplatform content for WNA, insight,<br />

Dateline and Living black.<br />

NAcA Online’s websites experienced sustained traffic<br />

growth in the last quarter of <strong>2011</strong>–12, recording an<br />

average of 337,177 monthly unique browsers (Ub).<br />

this was driven by technical and editorial changes to<br />

the WNA site. the overall monthly average for <strong>2011</strong>–12<br />

was 255,000 unique browsers.<br />

the service expanded onto new platforms, with SbS<br />

Online launching the WNA Android app and a mobile site<br />

designed for smartphone browsers. the WNA iPhone app<br />

has been downloaded a total of 228,000 times, the iPad<br />

app 112,000 times, and the newer Android app 19,000.<br />

NAcA Online’s social media channels also experienced<br />

growth, with WNA rising to 30,000 twitter followers, and<br />

insight 23,000 Facebook ‘likes’.<br />

SbS Sport’s the World Game app was upgraded to<br />

include all of the World Game content. News, video<br />

highlights and blogs were added to the existing live<br />

scores and results content. A eURO<strong>2012</strong> mobile site was<br />

created to capitalise on mobile search requests. total<br />

downloads to date are: 24,453 (iOS) and 2689 (Android).<br />

the World Game engages with audiences on social media<br />

sites and to date has over 56,000 Facebook likes and<br />

14,000 twitter followers.<br />

the tour de France app was updated for the <strong>2012</strong> tour.<br />

total downloads to date: 209,000 (iOS) and 59559<br />

(Android). On social media platforms, cycling central has<br />

more than 26,000 likes on Facebook and over 16,000<br />

twitter followers.<br />

Tour de France<br />

SbS’s commitment to providing audiences with a true<br />

cross-platform experience, strengthening and growing<br />

our online platform and increasing our reach by using<br />

multiple distribution platforms is demonstrated in our<br />

coverage of the tour de France. tour de France content<br />

online recorded a 25 per cent increase in traffic on the<br />

2010 event, with 578,000 unique browsers and 5.4 million<br />

page impressions. the event was live streamed across<br />

online and mobile, including iPhone, iPad and Android<br />

applications, another SbS first. the cycling central<br />

Facebook page acquired more than 10,000 new ‘likes’<br />

as a result of the tour de France.<br />

in addition, on Youtube, the SbS tour de France page<br />

recorded close to 800,000 video views and almost<br />

250,000 unique views. the tour de France Fantasy page<br />

continued to be a popular section, with 255,000 page<br />

impressions – and more than 19,305 active game players.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 47


Goal 2: Objective 2.2<br />

SBS Eurovision<br />

SbS’s eurovision coverage gives the network a unique<br />

opportunity to build on this cult program. this year, in<br />

addition to the usual audience voting and simultaneous<br />

webchat, SbS worked with the television producers and<br />

SbS Radio to facilitate daily web content direct from the<br />

event to even better integrate the eurovision pop-up radio<br />

player. the website received 75,000 Ubs, 1.65 million<br />

page impressions and 50,000 live chat comments in a<br />

weekend – which equates to 110 comments per minute.<br />

archiving<br />

SbS made a renewed commitment to preserving its rich<br />

archive of broadcast content in <strong>2011</strong>, with development<br />

of a strategy to effectively manage and release the<br />

potential of more than 35 years of diverse multicultural<br />

content.<br />

the strategy will include an increased focus on the<br />

selection and retention of unique SbS content, and is<br />

supported by a formal agreement between the National<br />

Archives of Australia and SbS culminating in the signing of<br />

sentencing guidelines. these will allow SbS to commence<br />

the formal process of transferring broadcast records<br />

into National Archives custody. SbS is now well placed<br />

to launch into greater initiatives in the coming years and<br />

has commenced planning for the migration of its aging<br />

analogue tape based collections to digital file.<br />

Closed captioning services<br />

Under the broadcasting Services Act 1992, in order to<br />

increase the accessibility of SbS’s television content for<br />

people who are deaf or hearing impaired, SbS is required<br />

to provide a captioning service for programs broadcast on<br />

SbS ONe between 6:00pm–10.30pm and for any english<br />

language news and current affairs programs broadcast<br />

outside those hours. SbS must also provide a captioning<br />

service for programs broadcast on SbS tWO that were<br />

previously transmitted on SbS ONe with captions.<br />

48 SBS<br />

For the period july–December <strong>2011</strong> SbS was also<br />

subject to the requirements of the temporary exemption<br />

from liability under the Disability Discrimination Act 1992<br />

granted by the Australian Human Rights commission<br />

in respect of its captioning service, which included a<br />

captioning quota for programs broadcast between 6am<br />

to midnight.<br />

SbS met these obligations through subtitles (see above)<br />

and closed captions. in <strong>2011</strong>–12, SbS broadcast<br />

3063 hours of closed captioned content on SbS ONe<br />

and 473 hours on SbS tWO.<br />

SbS extends the value of its closed captioning service<br />

by making captions available, where possible, on its DvD<br />

releases. A total of 28 of the 58 DvDs released by SbS<br />

during <strong>2011</strong>–12 were released with closed captions.<br />

advanced Rights Database<br />

in june <strong>2012</strong>, SbS’s integrated broadcast management<br />

system (ibMS) was upgraded to include an Advanced<br />

Rights Database. this rights management functionality<br />

better positions SbS in the 21st century media landscape<br />

to exploit and license out our rights.<br />

the new Advance Rights Database will capture:<br />

• rights and rights usage in a centralised repository for<br />

the organisation, including SbS, Stv and Nitv;<br />

• contracted entitlements and obligations in SbS<br />

content;<br />

• enhanced asset information and management;<br />

• project finance and recoupment for commissioned<br />

titles; and<br />

• project tracking information in a dedicated module.


Goal 2: Objective 2.3<br />

For more australians of CalD backgrounds to<br />

use and value SBS language services<br />

Television viewing by ethnicity<br />

each week SbS television reaches around 45 per cent<br />

of Australians who were born overseas in a non-english<br />

speaking country compared to 32 per cent of english<br />

speakers born in Australia or overseas in english-speaking<br />

country (see Appendix 17).<br />

SBS Radio<br />

SbS’s in-language radio services are available to the<br />

nearly four million Australians who speak a language<br />

other than english at home. SbS Radio broadcasts news<br />

and programs in language in more than 60 languages.<br />

SbS Radio also hosts a range of english programs and<br />

in-language music programs.<br />

Research<br />

in <strong>2011</strong>–12, SbS once again partnered with ipsos<br />

Mackay and commissioned research into current issues<br />

and media use trends in Australia.<br />

the research comprised a Mind and Mood study looking<br />

into the concerns and issues of new migrants to Australia,<br />

and included discussion about media uses and preferences.<br />

the study included affinity groups of chinese,<br />

vietnamese, indian and Somali ‘new Australians’ – who<br />

have been in Australia for between two and 10 years.<br />

the key findings were:<br />

• Local media and native language media play different<br />

roles in the media diets of new migrants;<br />

• the availability of online news and entertainment<br />

content coupled with satellite tv has meant that new<br />

migrants can access boundless media in their native<br />

language, however SbS fills a gap in coverage of local<br />

issues relevant to diverse communities;<br />

• New migrants were enthusiastic about SbS’s ability to<br />

give them a voice in Australian society, however they<br />

were reluctant to interact with the media for fear of<br />

sanction; and<br />

• SbS is seen as the ‘great translator’. SbS Radio in<br />

particular is crucial as a ‘reinforcer and clarifier’ of local<br />

news content.<br />

Engaging with CalD audiences<br />

in <strong>2011</strong>-12 SbS has maintained its position as a<br />

distinctive and original broadcaster that reflects Australia’s<br />

cultural diversity according to Newspoll data collected<br />

on behalf of SbS. the research shows that people<br />

from cALD communities are more likely to engage with<br />

SbS. Results of the <strong>2012</strong> survey indicate that SbS is<br />

consistently seen as a distinctive and original broadcaster<br />

that reflects Australia’s cultural diversity.<br />

• 77 per cent of the population find value in SbS. that<br />

figure rises to 87 per cent of LOte speakers.<br />

• 88 per cent of the population agree that SbS plays an<br />

important role in Australia’s culturally diverse society.<br />

Agreement increased amongst LOte speakers from<br />

87 per cent in <strong>2011</strong> to 92 per cent in <strong>2012</strong>.<br />

• LOte speakers are more likely to engage with SbS,<br />

particularly in respect of SbS’s radio services: 61 per<br />

cent of LOte speakers and 58 per cent of people who<br />

were born overseas used SbS services in the previous<br />

seven days. However engagement with SbS has<br />

declined, particularly amongst people born overseas.<br />

• SbS is positioned as a distinctive broadcaster that best<br />

reflects Australia’s cultural diversity – compared to the<br />

Abc and the commercial networks. SbS is considered<br />

by the majority of respondents (56 per cent of the<br />

population) to best reflect Australia’s diverse cultures.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 49


• 92 per cent of the population agree that it is important<br />

that SbS provides an alternative to the commercial<br />

free-to-air networks and 87 per cent agree SbS is an<br />

important alternative to the Abc.<br />

• 93 per cent of respondents believe that SbS has the<br />

types of programs not shown elsewhere on Australian<br />

television, 88 per cent believe SbS provides a diversity<br />

of viewpoints and 91 per cent of LOte respondents<br />

believe SbS reflects Australia’s diverse cultures.<br />

• 85 per cent of respondents considered that SbS has<br />

believable and trustworthy reporting and 84 per cent<br />

thought that SbS had fair and balanced news coverage.<br />

Marketing to CalD audiences<br />

SbS utilises the cALD media sector in Australia as part of<br />

its marketing campaigns to engage cALD audiences with<br />

content. campaigns also include in-language elements to<br />

reach SbS Radio audiences about television and online<br />

content. Significant campaigns for <strong>2011</strong>–12 included<br />

Once Upon a time in cabramatta, bollywood Star, the<br />

chinese Language Project SbS PopAsia and in july <strong>2012</strong><br />

SbS PopAraby and SbS PopDesi.<br />

50 SBS<br />

SBS Radio Schedule Review<br />

As outlined in Objective 1.3, SbS broadcasts in more than<br />

60 languages on its analogue radio schedule, more than<br />

any other network in the world.<br />

in <strong>2011</strong>–12, SbS began to undertake a review of the<br />

languages broadcast on its analogue radio schedule to<br />

ensure the languages broadcast reflect today’s Australia<br />

(see page 59).


Organisation<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 51


oRGaNISaTIoN<br />

PEoPlE aND CUlTURE<br />

SBS Culture Project<br />

SbS made a significant investment in strengthening its<br />

culture in the last 12 months. A project team comprising<br />

of 12 executive and next level leaders completed an<br />

analysis of current culture and identified elements that<br />

needed improvement. Following on from this, the SbS<br />

culture Roadmap was created and launched with SbS’s<br />

top 90 leaders and management team in june <strong>2012</strong>.<br />

the Roadmap identifies six initiatives which encourage<br />

everyone within the organisation to build a more<br />

robust ‘One team’ culture, with a related focus on<br />

‘Achievement’. Over the next six months these initiatives<br />

will continue to be rolled out with the next planned<br />

employee Survey at the end of <strong>2012</strong> used to measure<br />

the impact of the Roadmap.<br />

Enterprise agreement <strong>2011</strong><br />

A new enterprise Agreement was negotiated in <strong>2011</strong><br />

to replace the SbS certified Agreement which expired<br />

in November <strong>2011</strong>.<br />

MyCareer@SBS<br />

in keeping with the terms of the <strong>2011</strong> enterprise<br />

Agreement our performance management system,<br />

Mycareer, is now fully operational and all employees have<br />

completed their first full year cycle. the system affords<br />

opportunities for feedback and recognition of good<br />

performance throughout the year and provides a solid<br />

link into the rewards system. the changes achieved in<br />

the <strong>2011</strong> enterprise Agreement to the Mycareer process<br />

support the goal of achieving a high performance team<br />

based culture by rewarding such achievements and<br />

behaviours and not rewarding underperformance.<br />

A job evaluation methodology is being introduced into<br />

SbS in order to help managers assess work value more<br />

effectively. this methodology provides a supporting<br />

structure and contributes to a better understanding of the<br />

dimensions from which jobs are comprised. it will also<br />

assist in recognising good performance and identifying<br />

potential for greater responsibility.<br />

52 SBS<br />

learning@SBS<br />

SbS has launched its first Leadership Development<br />

Program with a pilot group of 15 experienced first<br />

line leaders undertaking a six month learning journey,<br />

focussed on improving people leadership. the program<br />

has been developed to complement existing skills,<br />

as identified by the online assessment process,<br />

‘Manager Ready’.<br />

Learning opportunities for employees are being enriched<br />

through online training modules, delivered from a learning<br />

library. this system allows employees to access training<br />

whenever they wish and this flexibility should, in turn,<br />

increase learning opportunities for shift-workers, who do<br />

not work standard hours. An initial trial has indicated both<br />

interest and positive comment.<br />

Human Resources<br />

SbS has started undertaking a program to bring a greater<br />

focus to people and culture and move to a business<br />

partner model with outsourced payroll and new technology<br />

platform. the project aligns to two SbS core strategies:<br />

capabilities and people.<br />

the program of work improves the focus of the HR<br />

function to a strategically aligned specialist advisory focus<br />

within the organisation. the new model will aim to develop<br />

leadership capability at all levels with further progress<br />

expected in <strong>2012</strong>–13.<br />

SBS Ignite<br />

Processes for assisting new employees joining SbS<br />

remained a priority this year. A total of 170 employees took<br />

part in the ‘Day One New Starter Workshop’, with more<br />

than 90 per cent of participants surveyed indicating their<br />

experience in the induction either excellent or very good.<br />

A ‘New Manager’ process was introduced during the<br />

year, along with a ‘New Manager Pack’, providing support<br />

materials. Our ‘eeO, Harassment and bullying Workshop’<br />

was made available as an online module, making it more<br />

accessible to new starters.


Contractor management system<br />

SbS has purchased the use of a software system to<br />

improve contractor management. the system assists<br />

SbS to ensure that contractors performing work on the<br />

SbS site have the necessary insurances, qualifications,<br />

safety documentation and have been briefed on the site<br />

safety requirements.<br />

Wellbeing Initiatives<br />

Skin Checks<br />

SbS employees were offered the opportunity to have<br />

a skin cancer screening consultation on site in Sydney<br />

and in Melbourne. A total of 333 SbS employees –<br />

266 in Sydney and 67 in Melbourne – were screened.<br />

Participants were provided with recommendations for<br />

treatment and education regarding their risk levels and<br />

prevention strategies during the consultation.<br />

Global Corporate Challenge<br />

SbS is taking part in this year’s Global corporate<br />

challenge (Gcc), with 41 teams (287 people) registered.<br />

the Gcc improves staff health and wellness, promotes<br />

teamwork, reduces absenteeism, and creates a culture<br />

of resilience across entire organisations.<br />

SBS in-house Physiocise Foundations Program<br />

After a successful pilot course in February <strong>2011</strong>, the<br />

SbS in-house Physiocise Foundations Program ran on<br />

a quarterly basis, with over 60 employees participating<br />

to date. the program was part of the injury prevention<br />

strategy for muscular stress – low load/repetitive<br />

movement injuries – which is one of the highest three<br />

mechanisms of injury for workers compensation claims.<br />

Workforce overview<br />

SbS recruits employees and trainees from diverse<br />

language and cultural backgrounds. employees are<br />

encouraged to provide diversity statistical information<br />

upon commencement of employment. Statistical reports<br />

reveal that, as at 30 june <strong>2012</strong>: at least 32.4 per cent<br />

come from a non-english speaking background; at least<br />

47.7 per cent were born overseas; 48.3 per cent of staff<br />

are female; 1.66 per cent of non-language specific staff<br />

are Aboriginal or torres Strait islander; and 2 per cent of<br />

recruited staff have a permanent disability.<br />

2010–11 <strong>2011</strong>–12<br />

Language Spoken at Home<br />

english 424 435<br />

Language other than english 281 289<br />

Not Stated 185 167<br />

Total<br />

Place of Birth<br />

890 891<br />

Overseas 426 425<br />

Australia 438 443<br />

Not Stated 26 23<br />

Total<br />

Sex<br />

890 891<br />

Female 438 430<br />

Male 452 461<br />

Total<br />

Aboriginal or<br />

890 891<br />

Torres Strait Islander 11 12<br />

Permanent Disability 18 18<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 53


oRGaNISaTIoN<br />

PHYSICal WoRk<br />

ENvIRoNMENT<br />

accommodation standards<br />

SbS continued to implement the accommodation<br />

standards it developed in 2010 –11. the standards<br />

provide for a more equitable, open plan office<br />

environment that increases natural light and provides<br />

more meeting and collaborative works spaces, and<br />

ensuring a safe work environment.<br />

the following refurbishment projects were carried out<br />

during the year:<br />

• SbS Audio and Language content area completed;<br />

• new Studio One control Room in line with the SbS<br />

technology and Distribution Studio Automation Project;<br />

• reception area and car park entrance; and<br />

• new accommodation was created for Nitv and SbS<br />

tv Operations employees by refurbishing the SbS tv<br />

Operations area and redundant technical areas.<br />

Building management system<br />

During <strong>2011</strong>–12, SbS installed a new building<br />

management system (bMS) to replace the previous<br />

system which had been in place for 20 years. the bMS<br />

controls the building’s heating and ventilation system,<br />

which supports both office and broadcast critical<br />

environments. SbS aims to reduce power costs and<br />

improve general office working conditions through the<br />

new system.<br />

54 SBS<br />

RESoURCES<br />

Government revenue<br />

in <strong>2011</strong>–12 SbS received a total appropriation of<br />

$222.472 million from the Australian Government. in<br />

<strong>2012</strong>–13 SbS will receive a total of $247.545 million<br />

from the Australian Government.<br />

in May <strong>2012</strong>, SbS welcomed a Federal Government<br />

funding boost of $158.1 million which represents a<br />

27 per cent increase on base government funding over<br />

the next four years. the funding will equip SbS to address<br />

challenges arising from a changing media landscape and<br />

is recognition that we are an important part of national<br />

strategies to ensure the continued success of Australia<br />

as a migrant society.<br />

importantly, it will allow for development of a new national<br />

free-to-air indigenous channel to broadcast content<br />

produced by and about Aboriginal and torres Strait<br />

islander Australians to a broader Australian audience.<br />

Commercial revenue<br />

in <strong>2011</strong>–12, SbS’s commercial activities (including<br />

advertising sales and distribution) generated gross<br />

revenues of $61.5 million. this is a decrease of six per cent<br />

on 2010 –11 due to the continuing strong competition for<br />

audiences as a result of digital free-to-air multichannels.<br />

Television advertising<br />

television advertising delivered gross revenue of<br />

$47.642 million. Revenue improved in the second half of<br />

the financial year, with SbS ONe Regional revenue growing<br />

15 per cent over this period.<br />

SbS tWO revenue increased significantly year-on-year as<br />

a result of the implementation of the 12 markets splits in<br />

April <strong>2012</strong>.<br />

See Appendix 24 for details of SbS television advertisers.<br />

SbS television sponsors, and programs sponsored, are<br />

set out in Appendix 25.


Online advertising<br />

Online advertising delivered gross revenue of $2.03 million.<br />

SbS developed additional advertising formats on key<br />

websites during the year. enhancements to the video<br />

player were also implemented. in addition, the Advertising<br />

Sales team continue to provide multi-platform solutions<br />

to clients to maximise SbS’s key programming across<br />

television and online.<br />

See Appendix 26 for details of SbS Online advertisers.<br />

SBS In Language<br />

Gross revenue for SbS in Language in <strong>2011</strong>–12 was<br />

$4.976 million. SbS in Language provides a unique service<br />

in the multicultural communications market. in addition to<br />

being an in language production house, SbS in Language<br />

also offers advertising solutions to reach Australia’s cALD<br />

communities through SbS Radio and in combination with<br />

aligned offerings across television and online.<br />

See Appendix 27 for details of SbS Radio advertisers.<br />

SBS Distribution<br />

SbS Distribution makes DvDs, books and music<br />

products related to SbS programs available for sale to<br />

consumers via Australian retailers and the SbS Shop<br />

online (sbs.com.au/shop). the international Program<br />

Sales team also markets SbS commissioned content for<br />

sale to international broadcasters and other providers.<br />

SbS Distribution earned total revenue of $6.8 million,<br />

a 5.5 per cent year on year growth in <strong>2011</strong>–12 on<br />

2010 –11. the key growth drivers were a strong result<br />

for DvD sales – defying market trends and largely due to<br />

sales for SbS commissioned programs such as Housos,<br />

and growth in digital sales with our first full year on itunes.<br />

cadel evans’ <strong>2011</strong> tour de France win resulted in solid<br />

sales for tour de France-related products in all categories.<br />

level of overhead<br />

SbS regularly conducts benchmarking exercises<br />

to ensure that it is meeting industry standards. in<br />

<strong>2011</strong>–12 the percentage of SbS’s total budget spent<br />

on administrative overheads was 8.4 per cent. this<br />

is a reduction on the previous year and reflects the<br />

concerted effort by SbS to improve efficiencies and<br />

contain expenditure.<br />

CoRPoRaTE aCTIvITIES<br />

key changes<br />

there were no major structural changes to SbS during<br />

<strong>2011</strong>–12. A decision was taken by the board for SbS<br />

Subscription tv Ltd (Stv) to operate its pay tv activities<br />

in-house, as a division of SbS, from 1 july <strong>2012</strong>.<br />

From 1 july <strong>2012</strong>, the Government has funded SbS<br />

to establish a free-to-air national indigenous television<br />

service, to provide a similar service to the service<br />

previously provided by Nitv, but with national coverage<br />

as part of the SbS suite of channels. Preparation for the<br />

transition of Nitv staff to the SbS offices occurred in<br />

<strong>2011</strong>–12 and Nitv began operating as an SbS digital<br />

multichannel service on 1 july <strong>2012</strong>. During the period<br />

1 july to the end of <strong>2012</strong> Nitv will be available as a<br />

digital satellite service. SbS will launch Nitv as a digital<br />

terrestrial service on the free-to-air platform at the<br />

end of <strong>2012</strong>.<br />

Major investing and financing<br />

activities<br />

SbS actively manages its finances. this involves<br />

preparation of estimates for appropriation and equity<br />

injection funding taking into account movements in the<br />

inflation parameter applicable to SbS. cash holdings are<br />

monitored throughout the year and where funds are not<br />

immediately required for operational activities, investments<br />

are made. All investments have been made in accordance<br />

with the investing requirements of the SbS Act and the<br />

commonwealth Authorities and companies Act 1997.<br />

On 1 july 2002, SbS entered into a fully amortising loan<br />

with the commonwealth. the amount of $24 million has a<br />

loan period of 10 years and SbS paid the final instalment<br />

in <strong>2011</strong>–12.<br />

On 1 june 2009, SbS entered into a fully amortising loan<br />

with the commonwealth. the amount of $15 million has<br />

a loan period of five years and in <strong>2011</strong>–12 SbS repaid<br />

$3.3 million, leaving a balance of $6 million.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 55


oRGaNISaTIoN<br />

Financial Results<br />

the corporation and its controlled entities ended the<br />

<strong>2011</strong>–12 financial year with a deficit of $4.736 million.<br />

the corporation’s total assets decreased during the<br />

financial year from $252.978 million to $250.606 million.<br />

investments amounting to $22.004 million at 30 june<br />

<strong>2012</strong> primarily relate to funds provided previously by the<br />

Government through the part sale of telstra which have<br />

been progressively used for the analogue transmission<br />

extension program.<br />

the level of contributed equity by Government increased<br />

from $5.581 million to $13.013 million. the major<br />

contributor to this increase was a funding boost from<br />

the Australian Government received by SbS during the<br />

<strong>2011</strong>–12 financial year of $158.1 million.<br />

SBS businesses<br />

SbS’s subscription television activities are managed by<br />

Stv, a wholly owned subsidiary of SbS formed for the<br />

purpose of establishing and participating in the provision<br />

of subscription television services. Stv operates two<br />

subscription channels, the World Movies channel and<br />

an arts channel (StUDiO), both broadcast on Foxtel.<br />

A decision was taken by the board for Stv to operate<br />

its pay tv activities in-house, as a division of SbS, from<br />

1 july <strong>2012</strong>.<br />

in October 2009, SbS formed, with the Abc, the National<br />

DAb Licence company Ltd. the company was formed<br />

in order to obtain a category 3 digital radio multiplex<br />

transmitter licence as provided for by section 102e of<br />

the Radiocommunications Act 1992. SbS and the Abc<br />

are the only shareholders in the company.<br />

Related entity transactions<br />

SbS has procedures in place to identify and report on any<br />

related party transactions. these are set out in note 15 to<br />

the SbS Financial Statements that follow.<br />

56 SBS<br />

Operating Revenue<br />

80%<br />

60%<br />

Operating Revenue<br />

40%<br />

80%<br />

Operating Revenue<br />

20%<br />

60%<br />

25.3%<br />

80%<br />

0%<br />

40%<br />

1.5%<br />

60%<br />

20%<br />

40%<br />

Interest Goods &<br />

25.3% Services<br />

0% 1.5%<br />

25.3%<br />

20%<br />

Interest Goods &<br />

Services<br />

Expenditure by Classification<br />

0% 1.5%<br />

80%<br />

Interest<br />

Goods &<br />

Services<br />

66%<br />

60%<br />

Expenditure by Classification<br />

40%<br />

80%<br />

31%<br />

Expenditure by Classification<br />

20%<br />

66%<br />

60%<br />

80%<br />

0%<br />

40%<br />

60% Employees 31%<br />

66%<br />

Suppliers<br />

20%<br />

40%<br />

0%<br />

20%<br />

31%<br />

71.7%<br />

Government<br />

Appropriation<br />

Government<br />

Appropriation<br />

0%<br />

Expenditure by Classification (millions)<br />

250<br />

88.236<br />

Employees<br />

95.803<br />

Suppliers<br />

250<br />

Expenditure<br />

100<br />

by Classification (millions)<br />

250<br />

150<br />

0<br />

200<br />

100<br />

150<br />

50<br />

100<br />

0<br />

50<br />

0<br />

88.236<br />

Employees<br />

95.803<br />

Employees<br />

204.809 204.809<br />

207.424 207.424<br />

Suppliers<br />

Suppliers<br />

71.7%<br />

Government<br />

Appropriation<br />

200<br />

Expenditure by Classification (millions)<br />

150<br />

200<br />

50<br />

88.236<br />

95.803<br />

Employees<br />

Employees<br />

204.809<br />

207.424<br />

Suppliers<br />

Suppliers<br />

71.7%<br />

9.964<br />

9.964<br />

9.964<br />

10.608<br />

Depreciation<br />

10.608<br />

10.608<br />

Depreciation<br />

Depreciation<br />

1.5%<br />

Other<br />

3%<br />

Depreciation<br />

10 Interest -11<br />

11-12<br />

0.959<br />

1.5%<br />

Other<br />

3%<br />

Depreciation<br />

10 -11<br />

11-12<br />

0.959<br />

1.5%<br />

Other<br />

3%<br />

Depreciation<br />

10 -11<br />

11-12<br />

0.959<br />

0.6<br />

0.6<br />

Interest<br />

0.6<br />

Interest


GovERNaNCE<br />

Statement on governance<br />

elements of good corporate governance in place at<br />

SbS include: corporate planning; business planning; an<br />

Audit and Risk committee; clear delegations of authority;<br />

project (program) management; policies for statutory<br />

compliance; codes of conduct and ethics; review<br />

processes; budget information linked to all planning<br />

processes; and regular monitoring and reporting to the<br />

SbS board.<br />

Good corporate governance at SbS is also based on<br />

an acceptance by all staff that the highest standards of<br />

integrity and ethical behaviour are expected of them, as<br />

well as transparency and consistency in all their actions.<br />

SBS accounting Manual<br />

SbS’s financial policies and procedures are contained in<br />

the SbS Accounting Manual which is widely distributed<br />

throughout SbS. the Manual is updated frequently<br />

throughout the year.<br />

SBS Risk Management Plan<br />

the SbS Risk Management Plan is regularly updated.<br />

it identifies and addresses the management of the<br />

major risks and opportunities facing SbS. the SbS Risk<br />

Management Plan and risk assessment processes are<br />

regularly revised. the goals behind risk management<br />

in SbS are:<br />

• to provide an assurance that SbS has identified its<br />

highest-risk exposures and has taken steps to properly<br />

manage these;<br />

• to ensure that SbS’s business planning processes<br />

include a focus on areas where risk management<br />

is needed;<br />

• to ensure the integration of the various and many risk<br />

control measures that SbS already has in place; and<br />

• to be comprehensive and effective.<br />

the identification of risks will allow for the redirection and<br />

focus of resources on high risks.<br />

the SbS board Audit and Risk Sub-committee receives<br />

a report twice a year on the management of the identified<br />

‘highest risks’ facing SbS.<br />

SBS Disaster Recovery Plan and<br />

Business Continuity Plan<br />

SbS has an operative Disaster Recovery Plan and a<br />

business continuity Plan (bcP). the bcP was updated in<br />

<strong>2012</strong> to ensure that it reflected SbS’s current technology<br />

and resources capability. A bcP maintenance plan is in<br />

place to ensure that it is tested and updated periodically<br />

to ensure full business recovery in the event of a full or<br />

partial loss to the SbS premises.<br />

SBS Fraud Control Plan<br />

the SbS Fraud control Plan is based on a fraud risk<br />

assessment (conducted using the methodology outlined<br />

in the international Standard for Risk Management,<br />

AS/NZS/iSO 31000). the Managing Director is satisfied<br />

that SbS has in place appropriate fraud prevention,<br />

detection, investigation, reporting and data collection<br />

procedures and processes and that these comply with<br />

the commonwealth Fraud control Guidelines.<br />

External and internal audit<br />

the audit of SbS’s financial statements is carried out by<br />

the Australian National Audit Office (ANAO). the ANAO<br />

gave an unqualified opinion on the <strong>2011</strong>–12 financial<br />

statements of SbS. During the year, SbS participated in a<br />

benchmarking study conducted by comcover (an agency<br />

of the Department of Finance and Deregulation) on Risk<br />

Management Practices and achieved an excellent overall<br />

performance rating.<br />

the internal audit program was conducted in part by<br />

Deloitte touche tohmatsu and ernst & Young on a<br />

contract basis. the companies performed audits in<br />

accordance with the audit plan approved by the SbS<br />

Audit and Risk committee. in all cases, the results were<br />

satisfactory and, where applicable, recommendations for<br />

improvements to the control environment were brought<br />

to management’s attention. the audits conducted in<br />

<strong>2011</strong>–12 were: Special and Production Fund management<br />

– content Management; transmission Services –<br />

broadcast continuity; Royalty Management and Auditing;<br />

Stv; Management Reporting; Security Management;<br />

and contractor engagement and Management.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 57


oRGaNISaTIoN<br />

Indemnities and insurance premiums<br />

for officers<br />

As part of its general insurance protection, SbS has a<br />

Directors and Officers Liability insurance Policy in place. the<br />

cost of this policy for <strong>2011</strong>–12 was $28,438 (GSt excluded).<br />

Ministerial directions/notifications<br />

SbS has been notified that the following general policies<br />

of the Australian Government apply to SbS: competitive<br />

Neutrality Arrangements; cost Recovery by Government<br />

Agencies; Guidelines for the Management of Foreign<br />

exchange Risk; and commonwealth Fraud control<br />

Guidelines. these are all notifications continuing from<br />

previous financial years. Also in 2006 –07, the Finance<br />

Minister issued a Ministerial Direction under section<br />

16(1) (c) of the commonwealth Authorities and companies<br />

Act requiring SbS (and all other authorities in the general<br />

government sector) to provide a compliance report on<br />

legislative compliance and financial sustainability.<br />

No ministerial directions were issued under the SbS Act<br />

amendments to the SBS act<br />

the SbS Act was amendment by the National<br />

broadcasting Legislation Amendment Act <strong>2012</strong>, which<br />

received Royal Assent on 24 july <strong>2012</strong>. the changes will<br />

come into effect on a date to be fixed by Proclamation<br />

(or otherwise at the end of six months from Royal Assent).<br />

the main changes made by the Act are: establishing in<br />

law a merit-based process for the appointment of SbS<br />

non-executive Directors; and specifying the office of the<br />

chairperson in the constitution of the SbS board..<br />

SBS Board Sub-committees<br />

Audit and Risk Sub-committee (previously Audit<br />

and Finance Sub-committee)<br />

the SbS Audit and Risk Sub-committee met five times<br />

during the year and considered audits by the both<br />

the ANAO and the internal auditors, Deloitte touche<br />

tohmatsu and ernst & Young.<br />

in addition to reviewing the findings and<br />

recommendations of the audits conducted, the Audit<br />

and Risk Sub-committee considered and gave direction<br />

on a wide range of issues during the year including the<br />

approval of the annual internal audit program, investment<br />

and financing activities, risk management and strategy for<br />

the financial statements audit.<br />

58 SBS<br />

the following is a list of Audit and Risk Sub-committee<br />

attendees and the number of meetings they attended:<br />

MEMBER POSITION<br />

MEETINGS<br />

ATTENDED<br />

Patricia Azarias chair 5<br />

jacqueline Hey* Director 4<br />

christopher Pearson1 Director 1<br />

Codes Review Sub-committee<br />

the codes Review Sub-committee considers proposed<br />

amendments and other issues relating to the SbS codes<br />

of Practice and SbS’s internal editorial Guidelines. During<br />

the year the Sub-committee considered the interim codes<br />

of practice for Nitv to apply during the period 1 july<br />

to end <strong>2012</strong> when Nitv will operate as an SbS digital<br />

satellite service.<br />

MEMBER POSITION<br />

MEETINGS<br />

ATTENDED<br />

bob cronin2 Director 0<br />

Daryl Karp Director 1<br />

christopher Pearson1 Director 0<br />

Michael ebeid Managing Director 1<br />

Community Engagement Sub-committee<br />

the community engagement Sub-committee reviews the<br />

operation of the SbS community Advisory committee,<br />

including recruitment processes. two meetings were held<br />

during the year.<br />

MEMBER POSITION<br />

MEETINGS<br />

ATTENDED<br />

bulent Hass Dellal chair 3<br />

Patricia Azarias Director 3<br />

elleni bereded-Samuel Director 3<br />

bob cronin Director 3<br />

Remuneration Sub-committee<br />

the primary objective of the Remuneration Subcommittee<br />

is to decide the SbS policies for remuneration<br />

of the Managing Director and the Division Directors. the<br />

Sub-committee met once during the year.<br />

* Ms Hey was appointed to the Sub-commitee after its<br />

August <strong>2012</strong> meeting and attended all following meetings.<br />

1 Mr Pearson’s term finished on 21 October <strong>2011</strong>.<br />

2 Mr cronin’s term finished on 13 june <strong>2012</strong>.


Expenditure by Classification<br />

80%<br />

60%<br />

40%<br />

31%<br />

66%<br />

20%<br />

MEMBER<br />

0%<br />

POSITION<br />

MEETINGS<br />

ATTENDED 3%<br />

joseph Skrzynski Employees chairman Suppliers Depreciation 1<br />

jacqueline Hey Director 1<br />

Michael ebeid Managing Director 1<br />

SBS ombudsman<br />

the SbS Ombudsman received 194 formal complaints<br />

during <strong>2011</strong>–12, an increase of seven on the previous<br />

year. Expenditure All the complaints by Classification alleged (millions) a breach of the SbS<br />

codes of Practice in relation to content broadcast by<br />

SbS. the complaints were investigated by the SbS<br />

250<br />

Ombudsman, who is independent of the SbS content<br />

producing 200 divisions.<br />

10 -11<br />

complainants who are dissatisfied with the outcome 11-12of<br />

150<br />

the Ombudsman’s investigation may refer their complaint<br />

to the Australian communications and Media Authority<br />

100<br />

(AcMA) for external review.<br />

During<br />

50<br />

<strong>2011</strong>–12 formal complaints were received from<br />

all states and territories of Australia with the exception<br />

0<br />

of the Northern territory. Six complaints were made by<br />

community Employees groups or organisations Suppliers Depreciation and 188 complaints Interest<br />

were made by individuals.<br />

88.236<br />

95.803<br />

204.809<br />

207.424<br />

9.964<br />

10.608<br />

0.959<br />

0.6<br />

Most formal complaints (171) concerned television content<br />

broadcast on SbS ONe, however 16 complaints were<br />

received about content broadcast on SbS tWO. there were<br />

Codes of Practice Issues – Formal Complaints<br />

Prejudice, Racism & Discrimination<br />

Accuracy, Impartiality & Balance<br />

Closed Captions<br />

Classification<br />

Diversity of Views & Perspectives<br />

Religion<br />

Advertising & Sponsorship<br />

Violence & Distressing Events NACA<br />

Distasteful/Offensive<br />

Suicide<br />

Political Broadcasts & Election Coverage<br />

Privacy<br />

six complaints about material broadcast on SbS Radio<br />

and one complaint was received about online content.<br />

Types of Complaints<br />

the following graph shows the codes of Practice issues<br />

raised by formal complaints during <strong>2011</strong>–12.<br />

the most commonly raised complaint issue was<br />

prejudice, racism and discrimination, with a total of<br />

83 complaints received about this issue. A total of<br />

63 complaints concerned the series the Promise. the<br />

Promise was a four part drama series directed by Peter<br />

Kosminsky and set in the Middle east.<br />

thirty-six complaints were about news and current<br />

affairs content. thirty-two of these involved the accuracy,<br />

impartiality and balance provisions of the news and current<br />

affairs code, and a further three complaints related to the<br />

coverage of distressing events in news and current affairs<br />

programs. One complaint concerned the exemption of<br />

news and current affairs programs from classification.<br />

there were 28 complaints about closed captioning,<br />

27 complaints about the classification of programs,<br />

six complaints about diversity of views and perspectives<br />

in general programs, and five complaints about religion.<br />

Several other code issues were raised occasionally<br />

in formal complaints: advertising and sponsorship (3),<br />

suicide (2), distasteful programming (2), privacy (1) and<br />

political broadcasts (1).<br />

0% 10% 20% 30% 40% 50%<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 59


oRGaNISaTIoN<br />

Findings<br />

During <strong>2011</strong>–12 investigations into 219 formal<br />

complaints were completed. the SbS Ombudsman<br />

upheld 27 complaints and dismissed 127 complaints.<br />

eighteen of these upholds related to complaints about<br />

closed captioning. One complaint investigation was<br />

suspended at the request of the complainant.<br />

Sixty-four complaints were referred to the complaints<br />

committee which is chaired by the Managing Director,<br />

Michael ebeid, and comprises the Director of television<br />

and Online content, the Director of Audio and Language<br />

Services, the Director of News and current Affairs, the<br />

Director of Strategy and communication and the SbS<br />

Ombudsman.<br />

the 63 complaints about the Promise were of a<br />

similar nature and principally alleged a breach of SbS’s<br />

prejudice, racism and discrimination code. the matter<br />

was referred to the SbS complaints committee which did<br />

not uphold the complaints. the complaints committee<br />

found that the characterisations in the Promise did not<br />

cross the threshold into racism, and in particular did not<br />

promote, endorse, or reinforce inaccurate, demeaning or<br />

discriminatory stereotypes. the committee was satisfied<br />

that the ordinary reasonable viewer would appreciate that<br />

the Promise was a fictional drama.<br />

the complaints committee also met to consider the<br />

classification of the film chiko. the film is a drama<br />

about the drug underworld set in Hamburg and was<br />

broadcast as an MAv classified film. MAv is the highest<br />

classification level on free-to-air television. SbS had<br />

also provided additional consumer advice of ‘strong<br />

violence, drug use, very coarse language and a sex<br />

scene’. the complaints committee dismissed a<br />

complaint that the film was incorrectly classified. the<br />

complainant subsequently appealed the decision to<br />

the AcMA who also found there was no breach of the<br />

SbS codes of Practice.<br />

Overall the SbS Ombudsman upheld approximately<br />

17 per cent of formal complaints which was consistent<br />

with the previous year. the majority of these upheld<br />

complaints related to a range of technical issues with<br />

closed captioning which occurred during the transition<br />

phase to a digital service.<br />

60 SBS<br />

Australian Communications and Media Authority<br />

in <strong>2011</strong>–12 the AcMA completed two investigations<br />

which had continued from the previous two financial<br />

years. in july <strong>2011</strong> the AcMA found that SbS had not<br />

breached its complaints handling code by not exercising<br />

its discretion to investigate a complaint which was<br />

lodged out of time. in September <strong>2011</strong>, the AcMA<br />

found that SbS had breached code 4.5 (classification<br />

categories) by placing an M level promotion in a PG<br />

program that was broadcast in an M timeslot. the<br />

AcMA found that SbS had breached the code because<br />

effectively the PG program contained material that was<br />

greater than mild in impact.<br />

During <strong>2011</strong>–12 the AcMA commenced seven new<br />

investigations of SbS content. Six of these investigations<br />

were completed during <strong>2011</strong>–12 and five of the<br />

complaints were dismissed. One complaint relating to the<br />

classification of the film 13 tzameti was upheld by the<br />

AcMA. this complaint had previously also been upheld<br />

by the SbS Ombudsman. One AcMA investigation about<br />

closed captioning of SbS programs is still in progress.<br />

Matters required to be reported under<br />

other legislation<br />

Work Health and Safety Act <strong>2011</strong> (WHS Act)<br />

Transition from the Occupational Health and Safety Act<br />

1991 to WHS Act<br />

SbS has transitioned from the Occupational Health and<br />

Safety Act 1991 (OH&S Act) to the Work Health and<br />

Safety Act <strong>2011</strong> (WHS Act) which came into effect on<br />

1 january <strong>2012</strong>.<br />

SbS is committed to fostering a positive safety and<br />

wellbeing culture, and to ensuring the health and safety<br />

of all employees, freelancers, contractors at work, and<br />

members of the public who may be affected by our work.<br />

SbS engaged ernst & Young to conduct a WHS internal<br />

audit. the audit concluded that SbS is in a strong<br />

position in respect of its adherence to the WHS Act.<br />

the audit noted that SbS had prepared for the changes<br />

to the legislation by updating its WHS documentation<br />

and providing training on the WHS Act to Health and<br />

Safety committee Members, senior managers and the<br />

executive committee.


Health and Safety Committees (HSC)<br />

SbS’s HScs provide a forum for co-operative engagement<br />

between employees and management to effectively address<br />

health and safety matters. the Sydney and Melbourne<br />

Occupational Health and Safety (OH&S) committees meet<br />

on a quarterly basis. the committees contributed towards<br />

the development of new and revised WHS policies during<br />

the year and reviewed a range of health and safety issues<br />

including reported accidents and incidents.<br />

Work Groups / Health and Safety Representatives<br />

SbS has seven Work Groups. each Work Group has an<br />

elected/selected Health and Safety Representative (HSR)<br />

and Deputy HSR in accordance with the requirements of<br />

Part 5 of the WHS Act.<br />

Incident Notification to Comcare<br />

For the period 1 july <strong>2011</strong> to 31 December <strong>2011</strong> there<br />

was one dangerous occurrence and two serious personal<br />

injuries that required the giving of notice to comcare under<br />

section 68 of the OH&S Act. For the period 1 january <strong>2012</strong><br />

to 30 june <strong>2012</strong> there were no incidents that required<br />

notification under Part 3 of the WHS Act.<br />

Investigations<br />

SbS has not been investigated under the OH&S Act or<br />

WHS Act, nor received any notices given under sections<br />

29, 46 and 47 of the OH&S Act or Part 10 of the WHS Act.<br />

Environmental Protection and Biodiversity<br />

Conservation Act 1999<br />

SbS acknowledges that its business activities, through<br />

the consumption of energy, the use of raw materials<br />

and the generation of waste, have an impact on the<br />

environment. SbS seeks to minimise these impacts<br />

where possible by adopting sustainable practices<br />

to minimise the use of resources. SbS achieves this<br />

through purchasing products made from recycled<br />

materials, recycling material wherever possible and<br />

re-using equipment, furniture and fittings where practical.<br />

SbS purchases recycled paper for printing, photocopying,<br />

toilet paper and hand towels. SbS has had long standing<br />

programs in place to recycle paper, cardboard, glass,<br />

metal of all kinds, aluminium beverage containers, building<br />

waste, printer cartridges, redundant electrical and data<br />

cabling, fluorescent lighting tubes, old mobile phones and<br />

phone batteries.<br />

in <strong>2011</strong>–12 SbS recycled 3510 kg of metal, 1817 kg of<br />

e-waste and approximately 600 fluorescent tubes, a total<br />

of 5927 tonnes of e-waste. SbS’s recovery rates from<br />

general waste declined from 60 per cent to 40 per cent.<br />

As a result of this decline, SbS will re-launch its general<br />

recycling programs in <strong>2011</strong>–13 with the aim of increasing<br />

staff participation in order to boost recovery rates to a<br />

target of 70 per cent.<br />

SbS refurbished approximately 2500 square metres<br />

of office space during <strong>2011</strong>–12 and installed building<br />

code of Australia compliant lighting systems designed<br />

to reduce overall energy consumption by 70 per cent<br />

when compared to the 20 year old lighting systems they<br />

replaced. there refurbishment projects also used recycled<br />

material in pin boards and acoustic panelling as well as<br />

furniture that was made from recycled waste. All carpet<br />

used in these areas will be capable of being recycled<br />

when it reaches the end of its useful life.<br />

in SbS’s premises in Federation Square, Melbourne over<br />

700 halogen light fittings were replaced with LeD light<br />

fittings to reduce energy consumption.<br />

Freedom of Information Act 1982<br />

Information Publication Scheme<br />

SbS is subject to the Freedom of information Act 1982<br />

(FOi Act) and is required to publish information to the<br />

public as part of the information Publication Scheme<br />

(iPS). this requirement is in Part ii of the FOi Act and<br />

has replaced the former requirement to publish a section<br />

8 statement in the annual report. SbS is required to<br />

display on its website a plan showing what information<br />

it publishes in accordance with the iPS requirements.<br />

the SbS iPS Agency Plan is available on the SbS<br />

corporate website.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 61


oRGaNISaTIoN<br />

CoMMUNITY<br />

SBS Community advisory Committee<br />

the SbS community Advisory committee assists the<br />

board to be aware of, and responsive to, community needs<br />

and opinions on matters relevant to the SbS charter.<br />

in determining appointments to the committee and its<br />

overall membership, the board takes into account the<br />

diversity of backgrounds of the members, geographical<br />

representation and specialised skills and knowledge<br />

including their ability to reflect the needs and interests<br />

of women, youth, the aged, and people with disabilities.<br />

Members are selected on the basis that they have<br />

an understanding of Australia’s multicultural society<br />

and, in particular, have interests relevant to, and an<br />

understanding of ethnic and Aboriginal and torres Strait<br />

islander communities.<br />

in <strong>2011</strong>–12, the SbS community Advisory committee<br />

had input into the SbS community engagement Plan,<br />

the Radio Schedule Review, and potential strategies for<br />

engaging with sensitive material – including forum debate<br />

programs enabling the exchange of a range of opinion.<br />

the committee discussed the funding outcomes<br />

for SbS and new project ideas and were involved in<br />

considerations relating to the establishment of a new<br />

indigenous advisory committee in the context of Nitv.<br />

committee members participated in the SbS thought<br />

leadership initiative SbS cQ on issues of media and<br />

cultural diversity and presented on issues facing<br />

multicultural youth in Australia.<br />

Members also contributed to a review of the role of the<br />

community Advisory committee and made submissions<br />

to the board on a new set of terms of reference for the<br />

committee, which were adopted by the SbS board in<br />

early <strong>2012</strong>.<br />

62 SBS<br />

SBS Community Advisory Committee members<br />

Outgoing Chair: Ms Joanne Jousif (NSW)<br />

New Chair (from April <strong>2012</strong>): Mrs Evelyn Pereira e<br />

Robertson (VIC)<br />

Ms Angela Flynn (SA)<br />

Mr Nick Hatzoglou (VIC)<br />

Mr Alan Huynh (QLD)<br />

Mr Alex Lew (VIC)<br />

Ms Maria Saraceni (WA)<br />

Dr Krishna K. Shrestha (NSW)<br />

Mr Biko Syong’oh (NSW)<br />

Mr Abderraouf Adel Ziani (VIC)<br />

Reconciliation action Plan<br />

SbS launched its third Reconciliation Action Plan (RAP)<br />

in February <strong>2012</strong>. the RAP is the responsibility of a<br />

volunteer staff committee consisting of 18 staff members<br />

including Aboriginal and torres Strait islander employees,<br />

representatives from across the organisation and senior<br />

management. the committee meets on a quarterly basis<br />

with sub-committees co-ordinating specific RAP actions<br />

committed to in the SbS RAP.<br />

in developing these actions, the RAP committee<br />

determined that SbS could better realise its potential<br />

by taking a long-term approach and embedding our<br />

actions under the following over-arching objectives which<br />

encapsulate what SbS is uniquely positioned to offer to<br />

the reconciliation process.<br />

in its third RAP, SbS continued with its focus on three<br />

overarching objectives, Lead, build and Output.<br />

Lead: be a reconciliation leader in the media,<br />

entertainment and advertising industries. SbS created a<br />

new plan for priority relationships to be developed, with<br />

three partnerships established including funding and<br />

support for a QUt AiAtSiS funded research project the<br />

First Nations’ voices for the Future Pilot Study examining<br />

career paths for indigenous journalists. SbS continued<br />

to develop its relationship with Reconciliation Australian,<br />

identifying events and activities it could support such as<br />

National Sorry Day, Reconciliation Week and NAiDOc<br />

Week. internally in September <strong>2011</strong>, SbS hosted an<br />

all-staff information session featuring the expert Panel<br />

for constitutional Recognition.


SbS continued to play an active role in the Media<br />

Reconciliation industry Network Group (Media RiNG),<br />

taking the role of chair and working on the development<br />

of an industry wide indigenous employment Strategy. SbS<br />

is proposing to lead discussion on the implementation<br />

of protocols for media organisations working with<br />

indigenous communities, and conducted a survey<br />

of industry stakeholders to inform this initiative.<br />

Build: build our capacity to learn from and serve<br />

Aboriginal and Torres Strait Islander peoples and<br />

ensure reconciliation is in our corporate culture. SbS<br />

completed a pilot cultural awareness information<br />

session which it will integrate into staff Wellbeing and<br />

induction sessions. in order to expand recruitment<br />

channels for indigenous employees, SbS actively<br />

promoted indigenous employment in its SbS recruitment<br />

advertising. SbS’s current indigenous content protocols<br />

are being reviewed. in order to encourage and facilitate<br />

best practice for procurement of goods and services<br />

from Aboriginal and torres Strait islander suppliers and<br />

businesses, indigenous supplier lists have been notified to<br />

all divisions. the SbS RAP committee played a key role in<br />

the planning and activities to welcome Nitv staff to SbS<br />

from 1 july <strong>2012</strong>.<br />

Output: provide consistent volume and quality of<br />

content on our platforms. SbS is committed to telling<br />

more Aboriginal and torres Strait islander stories. SbS<br />

continues to broadcast exceptional indigenous content.<br />

Highlights for <strong>2011</strong>–12 include the prize-winning<br />

documentary the tall Man, and the <strong>2011</strong> Deadly Award<br />

for tv Show of the Year for Living black. the formal<br />

plan for indigenous content was superseded by the<br />

Government’s announcement that Nitv would become<br />

a part of SbS from 1 july <strong>2012</strong>. to further promote and<br />

show respect for Aboriginal and torres Strait islander<br />

culture and heritage, Acknowledgement of country is now<br />

performed at all SbS Radio outside broadcasts.<br />

SBS Legal Indigenous Internship<br />

Since 2001, SbS Legal has run a highly successful<br />

mentoring program for indigenous law undergraduates. in<br />

<strong>2011</strong>, a fifth indigenous law student was appointed under<br />

the program enabling the student to gain experience in<br />

media and entertainment law while working part-time with<br />

SbS Legal.<br />

SBS Foundation<br />

the SbS Foundation was established in 2009 to be the<br />

custodian of more than $2 million worth of television<br />

airtime to promote the work of a number of charities<br />

which have an alignment with the SbS charter.<br />

in its third year, <strong>2011</strong>–12, the SbS Foundation supported<br />

18 national and regional charities, and continued its<br />

support for three long term partners. the charities work<br />

with a diverse range of causes from cancer to mental<br />

illness as well as organisations that work with indigenous<br />

communities and refugees. the arts sector and<br />

environmental charities are also represented.<br />

in <strong>2011</strong>–12 the organisations were:<br />

• Alzheimer’s Australia<br />

• Australian Koala Foundation<br />

• Australian Men’s Shed Association / beyond blue<br />

• cancer council NSW<br />

• crisis Support Services<br />

• Hello Sunday Morning<br />

• indigenous community volunteers (icv)<br />

• the johnny Warren Foundation<br />

• National breast cancer Foundation<br />

• National ethnic Disability Alliance (NeDA)<br />

• Relationships Australia inc<br />

• the Social Studio<br />

• Surf Lifesaving Australia<br />

• Young People in Nursing Homes National Alliance<br />

(YPiNH)<br />

SbS also supported regional partners throughout the year:<br />

• Mental Health NSW<br />

• OnSide victoria inc<br />

• Queensland Association for Healthy communities inc<br />

(QAcH)<br />

• Regional Public Galleries of NSW<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 63


oRGaNISaTIoN<br />

Partnerships with a number of long-term partners also<br />

continued with:<br />

• Amy Gillett Foundation<br />

• Australia for UNHcR<br />

• Reconciliation Australia<br />

in june <strong>2012</strong>, SbS committed to support the following<br />

organisations in <strong>2012</strong>–13:<br />

• Australian Library and information Association<br />

• the Australian Lung Foundation<br />

• Deafness Forum of Australia<br />

• FADiSS Ltd – Family Drug Support<br />

• Humane Society international<br />

• institute for Aboriginal Development<br />

• RANZcO eye Foundation Limited<br />

• Relationships Australia incorporated<br />

• Sports without borders<br />

• Support Act<br />

• tasmanian Land conservancy<br />

• YMcA Australia<br />

in <strong>2012</strong>-13 SbS will provide support for the following<br />

regional partners:<br />

• Lifetec Queensland<br />

• Moving Forward Association inc. (NSW)<br />

• Out Doors inc. (vic)<br />

• telethon Speech & Hearing centre for children WA (inc.)<br />

SbS’s long-term partnerships with the Amy Gillett<br />

Foundation, Australia for UNHcR and Reconciliation<br />

Australia will continue in <strong>2012</strong>-13, and a new long-term<br />

partnership with the johnny Warren Football Foundation<br />

will begin.<br />

64 SBS<br />

SBS sponsorships and partnerships<br />

SbS supports industry and community events<br />

and initiatives that are relevant to its programs and<br />

services through a number of sponsorships and media<br />

partnerships (see Appendix 28).<br />

SbS Radio engages with local communities at community<br />

events and festivals through outside radio broadcasts<br />

(Obs) using our Ob units, promotional trailer and<br />

marquees (see Appendix 29).<br />

audience Feedback<br />

the SbS Audience Relations team coordinates audience<br />

feedback and provides members of the public with<br />

information about SbS programs and services.<br />

in <strong>2011</strong>–12 the SbS Audience Relations team handled<br />

an average of 210 telephone calls per day, 60 email<br />

communications per day and about 15 letters each week.<br />

the team also responded to an average of 25 comments<br />

requiring feedback via social media channels per week.<br />

the volume of enquiries tends to increase significantly<br />

during busy programming periods – especially when<br />

SbS screens popular sporting events such as the tour<br />

de France or football qualifiers or during programming<br />

with heightened public interest such as eurovision. SbS<br />

received a significant volume of correspondence around<br />

the change of time slots for World News Australia in<br />

january <strong>2012</strong> and in relation to the announcement of<br />

the decision to rest the locally produced Letters and<br />

Numbers.<br />

the type of queries range from requests for information<br />

about SbS programs on television, radio and online,<br />

transmission faults and enquiries, schedule information<br />

or product availability, to informal complaints about SbS<br />

content or programming. the SbS Audience Relations<br />

team handles all general queries and informal complaints.<br />

Feedback may also be received as a formal complaint.<br />

these are complaints that allege that SbS has breached<br />

its codes of Practice and are forwarded to and processed<br />

by the SbS Ombudsman (see p. 59).


Financial<br />

Statements<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 65


INDEPENDENT AUDITOR’S <strong>REPORT</strong><br />

To the Minister for Broadband, Communications and the Digital Economy<br />

I have audited the accompanying financial statements<br />

of the Special Broadcasting Service Corporation and the<br />

consolidated entity for the year ended 30 June <strong>2012</strong>,<br />

which comprise: the Statement by the Directors, Chief<br />

Executive and Chief Financial Officer; the Statements of<br />

Comprehensive Income; Balance Sheets; Statements of<br />

Changes in Equity; Cash Flow Statements; Schedules of<br />

Commitments; Schedules of Contingencies; and Notes<br />

comprising a Summary of significant accounting policies<br />

and other explanatory information. The consolidated entity<br />

comprises the Special Broadcasting Service Corporation<br />

and the entities it controlled at the year’s end or from time<br />

to time during the financial year.<br />

Directors’ Responsibility for the Financial Statements<br />

The directors of the Special Broadcasting Service<br />

Corporation are responsible for the preparation of the<br />

financial statements that give a true and fair view in<br />

accordance with the Finance Minister’s Orders made<br />

under the Commonwealth Authorities and Companies<br />

Act 1997, including the Australian Accounting Standards,<br />

and for such internal control as is necessary to enable the<br />

preparation of the financial statements that give a true and<br />

fair view and are free of material misstatement, whether<br />

due to fraud or error.<br />

Auditor’s Responsibility<br />

My responsibility is to express an opinion on the financial<br />

statements based on my audit. I have conducted my<br />

audit in accordance with the Australian National Audit<br />

Office Auditing Standards, which incorporate Australian<br />

Auditing Standards. These auditing standards require<br />

that I comply with relevant ethical requirements relating<br />

to audit engagements and plan and perform the audit to<br />

obtain reasonable assurance about whether the financial<br />

statements are free from material misstatement.<br />

An audit involves performing procedures to obtain audit<br />

evidence about the amounts and disclosures in the<br />

financial statements. The procedures selected depend<br />

on the auditor’s judgement, including the assessment<br />

of the risks of material misstatement of the financial<br />

statements, whether due to fraud or error. In making<br />

those risk assessments, the auditor considers internal<br />

control relevant to the Special Broadcasting Service<br />

Corporation’s preparation of the financial statements<br />

that give a true and fair view in order to design audit<br />

procedures that are appropriate in the circumstances,<br />

66 SBS<br />

but not for the purpose of expressing an opinion on<br />

the effectiveness of the Special Broadcasting Service<br />

Corporation’s internal control. An audit also includes<br />

evaluating the appropriateness of the accounting policies<br />

used and the reasonableness of accounting estimates<br />

made by the directors, as well as evaluating the overall<br />

presentation of the financial statements.<br />

I believe that the audit evidence I have obtained is sufficient<br />

and appropriate to provide a basis for my audit opinion.<br />

Independence<br />

In conducting the audit, I have followed the<br />

independence requirements of the Australian National<br />

Audit Office, which incorporate the requirements of the<br />

Australian accounting profession.<br />

Opinion<br />

In my opinion, the financial statements of the Special<br />

Broadcasting Service Corporation and the consolidated entity:<br />

(a) have been prepared in accordance with the Finance<br />

Minister’s Orders made under the Commonwealth<br />

Authorities and Companies Act 1997, including the<br />

Australian Accounting Standards; and<br />

(b) give a true and fair view of the matters required<br />

by the Finance Minister’s Orders including the<br />

Special Broadcasting Service Corporation’s and the<br />

consolidated entity’s financial positions as at 30 June<br />

<strong>2012</strong> and of their financial performance and cash flows<br />

for the year then ended.<br />

Australian National Audit Office<br />

Warren J. Cochrane<br />

Group Executive Director<br />

Delegate of the Auditor-General<br />

Canberra<br />

23 August <strong>2012</strong>


STATEMENT BY THE DIRECTORS, CHIEF<br />

EXECUTIVE AND CHIEF FINANCIAL OFFICER<br />

In our opinion, the attached financial statements for the year ended 30 June <strong>2012</strong> are based on properly maintained<br />

financial records and give a true and fair view of the matters required by the Finance Minister’s Orders made under the<br />

Commonwealth Authorities and Companies Act 1997, as amended.<br />

In our opinion, at the date of this statement, there are reasonable grounds to believe that the Corporation will be able<br />

to pay its debts as and when they become due and payable.<br />

This statement is made in accordance with a resolution of the directors.<br />

Joseph Skrzynski AO<br />

Chairman<br />

Michael Ebeid<br />

Managing Director<br />

Jonathan Torpy<br />

Chief Financial Officer<br />

23 August <strong>2012</strong><br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 67


STATEMENTS OF COMPREHENSIVE INCOME<br />

for the year ended 30 June <strong>2012</strong><br />

eXPeNses<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Employee benefits 3(a) 95,803 88,236 92,880 85,904<br />

Suppliers 3(b) 207,424 204,809 200,090 199,528<br />

Depreciation and amortisation 3(c) 10,608 9,964 10,467 9,820<br />

Finance costs 3(d) 600 959 600 903<br />

Write-down and impairment of assets 3(e) 422 526 247 526<br />

Foreign exchange losses (non-speculative) – 2 – 2<br />

Losses from asset sales 3(f) 24 – 24 –<br />

total expenses 314,881 304,496 304,308 296,683<br />

Less:<br />

oWN-soURCe INCoMe<br />

own-source revenue<br />

Sale of goods and rendering of services 4(a) 71,587 76,404 61,188 67,051<br />

Interest 4(b) 4,590 4,541 4,468 4,380<br />

Rental income 1,171 828 1,171 828<br />

Royalties 5,637 5,060 5,637 5,060<br />

Other 4(c) 4,667 5,987 4,667 5,987<br />

total own-source revenue<br />

Gains<br />

87,652 92,820 77,131 83,306<br />

Net gains from sale of assets<br />

Reversals of previous asset write-downs and<br />

3(f) – 5 – 5<br />

impairments 4(d) 4 – 4 –<br />

Foreign exchange gains (non-speculative) 15 – 14 –<br />

total gains 19 5 18 5<br />

total own-source income 87,671 92,825 77,149 83,311<br />

Net cost of services 227,210 211,671 227,159 213,372<br />

Revenue from Government<br />

surplus (Deficit) before income tax on<br />

5 222,472 209,013 222,472 209,013<br />

continuing operations (4,738) (2,658) (4,687) (4,359)<br />

Income tax benefit (expense)<br />

surplus (Deficit) after income tax on continuing<br />

6(a) 2 (320) – –<br />

operations (4,736) (2,978) 4,687 (4,359)<br />

surplus (Deficit) after income tax (4,736) (2,978) 4,687 (4,359)<br />

The above statements should be read in conjunction with the accompanying notes.<br />

68 SBS


Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

otHeR CoMPReHeNsIVe INCoMe<br />

Changes in asset revaluation reserves (before tax)<br />

total other comprehensive income before<br />

1,601 7,293 1,589 7,293<br />

income tax<br />

Income tax expense – other comprehensive<br />

1,601 7,293 1,589 7,293<br />

income<br />

total other comprehensive income after<br />

6(a)(iii) (4) – – –<br />

income tax 1,597 7,293 1,589 7,293<br />

total comprehensive income (3,139) 4,315 (3,098) 2,934<br />

The above statements should be read in conjunction with the accompanying notes.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 69


BALANCE SHEETS<br />

as at 30 June <strong>2012</strong><br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Assets<br />

Financial assets<br />

Cash and cash equivalents 7(a) 18,722 18,140 17,843 15,061<br />

Trade and other receivables 7(b) 16,898 15,668 15,937 15,474<br />

Investments 7(c) 22,004 35,129 22,004 34,329<br />

Total financial assets<br />

Non-financial assets<br />

57,624 68,937 55,784 64,864<br />

Land and buildings 8(a) 67,148 69,582 67,148 69,582<br />

Plant and equipment 8(b) 34,170 26,701 33,909 26,179<br />

Intangibles 8(c) 15,418 15,764 12,897 13,206<br />

Inventories 8(e) 57,743 63,206 55,504 62,128<br />

Other non-financial assets 8(f) 18,503 8,788 18,175 8,554<br />

Total non-financial assets 192,982 184,041 187,633 179,649<br />

totAL Assets 250,606 252,978 243,417 244,513<br />

LIABILItIes<br />

Payables<br />

Suppliers 9(a) 16,814 20,838 16,244 19,676<br />

Current tax payable 6(b) – 79 – –<br />

Deferred tax liability 6(c) 339 280 – –<br />

Other payables 9(b) 19,960 24,424 19,202 23,037<br />

Total payables<br />

Interest bearing liabilities<br />

37,113 45,621 35,446 42,713<br />

Loans 10(a) 6,021 12,126 6,021 12,126<br />

Total interest bearing liabilities<br />

Provisions<br />

6,021 12,126 6,021 12,126<br />

Employee provisions 11(a) 22,584 19,930 22,408 19,760<br />

Other provisions 11(b) 1,110 1,397 1,110 1,397<br />

Total provisions 23,694 21,327 23,518 21,157<br />

totAL LIABILItIes 66,828 79,074 64,985 75,996<br />

Net Assets 183,778 173,904 178,432 168,517<br />

eQUItY<br />

Contributed equity 108,122 95,109 108,122 95,109<br />

Reserves 48,876 47,279 48,868 47,279<br />

Retained surplus 26,780 31,516 21,442 26,129<br />

Total parent entity interest 183,778 173,904 178,432 168,517<br />

totAL eQUItY 183,778 173,904 178,432 168,517<br />

The above statements should be read in conjunction with the accompanying notes.<br />

70 SBS


STATEMENTS OF CHANGES IN EQUITY<br />

for the year ended 30 June <strong>2012</strong><br />

CoNsoLIDAteD Notes<br />

opening Balance<br />

RetAIneD<br />

eARnIngS<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

ASSet<br />

RevAluAtIOn<br />

ReSeRve<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

COntRIbuteD<br />

equIty/CApItAl tOtAl equIty<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Balance carried forward<br />

from previous period 31,516 34,494 47,279 39,986 95,109 90,046 173,904 164,526<br />

Comprehensive<br />

income<br />

Surplus (Deficit) for the<br />

period (4,736) (2,978) – – – – (4,736) (2,978)<br />

Other comprehensive<br />

income<br />

– Asset Revaluation<br />

total comprehensive<br />

(i) – – 1,597 7,293 – – 1,597 7,293<br />

income<br />

of which:<br />

Attributable to<br />

the Australian<br />

(4,736) (2,978) 1,597 7,293 – – (3,139) 4,315<br />

Government (4,736) (2,978) 1,597 7,293 – – (3,139) 4,315<br />

transactions with<br />

owners<br />

Distributions to owners<br />

Returns of Capital (ii) – – – – – (518) – (518)<br />

Contributions by<br />

owners<br />

Equity injection<br />

sub-total transactions<br />

– – – – 13,013 5,581 13,013 5,581<br />

with owners<br />

Closing balance at<br />

– – – – 13,013 5,063 13,013 5,063<br />

30 June <strong>2012</strong><br />

Closing balance<br />

attributable to<br />

the Australian<br />

26,780 31,516 48,876 47,279 108,122 95,109 183,778 173,904<br />

Government 26,780 31,516 48,876 47,279 108,122 95,109 183,778 173,904<br />

(i) In <strong>2012</strong>, the Corporation and its controlled entity’s property and equipment, land and buidlings were revalued<br />

by independent valuers – see note 8(d), resulting in a total asset revaluation increment of $1.597m. In <strong>2011</strong> the<br />

Corporation’s land and buildings were revalued by independent valuers as at 1 July 2010 resulting in an asset<br />

revaluation reserve increment of $7.293m.<br />

(ii) The amount of $0.518m in <strong>2011</strong> related to a provision to return unutilised Government revenues (recognised in<br />

the previous financial year) for the conversion to digital transmission, and was therefore recognised as a Return of<br />

Capital. This provision was made in line with Government policy to fund only amounts required for the conversion<br />

to digital transmission. No provision was required in <strong>2012</strong> for a Return of Capital to the Government.<br />

The above statements should be read in conjunction with the accompanying notes.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 71


STATEMENTS OF CHANGES IN EQUITY (CONT.)<br />

for the year ended 30 June <strong>2012</strong><br />

CoRPoRAtIoN<br />

opening Balance<br />

RetAIneD<br />

eARnIngS<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

ASSet<br />

RevAluAtIOn<br />

ReSeRve<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

COntRIbuteD<br />

equIty/CApItAl tOtAl equIty<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Balance carried forward<br />

from previous period 26,129 30,487 47,279 39,986 95,109 90,046 168,517 160,520<br />

Comprehensive<br />

income<br />

Surplus (Deficit) for the<br />

period (4,687) (4,359) – – – – (4,687) (4,359)<br />

Other comprehensive<br />

income<br />

– Asset Revaluation<br />

total comprehensive<br />

– – 1,589 7,293 – – 1,589 7,293<br />

income<br />

of which:<br />

Attributable to<br />

the Australian<br />

(4,687) (4,359) 1,589 7,293 – – (3,098) 2,934<br />

Government (4,687) (4,359) 1,589 7,293 – – (3,098) 2,934<br />

transactions with<br />

owners<br />

Distributions to owners<br />

Returns of Capital – – – – – (518) – (518)<br />

Contributions by<br />

owners<br />

Equity injection<br />

sub-total transactions<br />

– – – – 13,013 5,581 13,013 5,581<br />

with owners<br />

Closing balance at<br />

– – – – 13,013 5,063 13,013 5,063<br />

30 June <strong>2012</strong><br />

Closing balance<br />

attributable to<br />

the Australian<br />

21,442 26,129 48,868 47,279 108,122 95,109 178,432 168,517<br />

Government 21,442 26,129 48,868 47,279 108,122 95,109 178,432 168,517<br />

The above statements should be read in conjunction with the accompanying notes.<br />

72 SBS


CASH FLOW STATEMENTS<br />

for the year ended 30 June <strong>2012</strong><br />

oPeRAtING ACtIVItIes<br />

Cash received<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Receipts from Government 5 223,011 211,690 223,011 211,690<br />

Sale of goods and rendering of services 79,979 97,953 70,805 87,608<br />

Interest 5,604 5,669 5,471 5,566<br />

Net GST received 10,584 9,649 10,498 9,485<br />

Total cash received 319,178 324,961 309,785 314,349<br />

Cash used<br />

Employees (92,461) (90,229) (89,557) (87,792)<br />

Suppliers (224,907) (221,428) (216,066) (215,814)<br />

Borrowing costs (505) (770) (505) (770)<br />

Return of appropriation (2,671) (364) (2,671) (364)<br />

Net GST paid (542) (487) – –<br />

Income taxes paid (101) (153) – –<br />

Total cash used (321,187) (313,431) (308,799) (304,740)<br />

Net cash from (used in) operating activities 12 (2,009) 11,530 986 9,609<br />

INVestING ACtIVItIes<br />

Cash received<br />

Proceeds from sales of property, plant and<br />

equipment 3 5 3 5<br />

Investments 122,159 94,083 118,914 93,134<br />

Total cash received 122,162 94,088 118,917 93,139<br />

Cash used<br />

Purchase of property, plant and equipment (17,401) (9,643) (17,394) (9,614)<br />

Purchase of business unit (goodwill) – (1,700) – (1,700)<br />

Investments (109,089) (93,682) (106,646) (92,882)<br />

Contingent consideration paid (in escrow) – (94) – –<br />

Total cash used (126,490) (105,119) (124,040) (104,196)<br />

Net cash used in investing activities (4,328) (11,031) (5,123) (11,057)<br />

The above statements should be read in conjunction with the accompanying notes.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 73


CASH FLOW STATEMENTS (CONT.)<br />

for the year ended 30 June <strong>2012</strong><br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

FINANCING ACtIVItIes<br />

Cash received<br />

Contributed equity 13,013 5,581 13,013 5,581<br />

Total cash received<br />

Cash used<br />

13,013 5,581 13,013 5,581<br />

Repayment of borrowings (6,094) (5,958) (6,094) (5,958)<br />

Total cash used (6,094) (5,958) (6,094) (5,958)<br />

Net cash from (used in) financing activities 6,919 (377) 6,919 (377)<br />

Net increase (decrease) in cash held<br />

Cash and cash equivalents at the beginning of the<br />

582 122 2,782 (1,825)<br />

reporting period 18,140 18,018 15,061 16,886<br />

Cash and cash equivalents at the end of the<br />

reporting period 7(a) 18,722 18,140 17,843 15,061<br />

The above statements should be read in conjunction with the accompanying notes.<br />

74 SBS


SCHEDULES OF COMMITMENTS<br />

as at 30 June <strong>2012</strong><br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

BY tYPe<br />

Commitments receivable<br />

Transmission facilities (i) 489,649 431,317 489,649 431,317<br />

Operating leases (ii) 4,079 1,285 4,079 1,285<br />

Advertising and sponsorship 11,526 9,591 11,526 9,591<br />

Services to related corporations – 80 – 80<br />

Other commitments (iii) 51,576 52,123 51,576 52,123<br />

Total commitments receivable<br />

Commitments payable<br />

Capital commitments payable<br />

556,830 494,396 556,830 494,396<br />

Land and buildings (64) (319) (64) (319)<br />

Infrastructure, plant and equipment (1,050) (1,339) (1,050) (1,339)<br />

Total capital commitments payable (1,114) (1,658) (1,114) (1,658)<br />

other commitments payable<br />

Transmission facilities (i) (539,357) (544,695) (539,357) (544,695)<br />

Operating leases (ii) (9,305) (13,243) (9,305) (13,243)<br />

Other commitments (iii) (113,776) (62,914) (113,086) (62,914)<br />

Total other commitments payable (662,438) (620,852) (661,748) (620,852)<br />

Net commitments by type (106,722) (128,114) (106,032) (128,114)<br />

NB: Commitments are GST inclusive where relevant.<br />

(i) Transmission facilities commitments include future expenditure and amounts receivable for digital transmission<br />

services.<br />

(ii) Nature of lease General description of leasing arrangement:<br />

– Leases for office accommodation: Lease payments are subject to annual increases in line with the<br />

Consumer Price Index or Market Value. The leases are renewable.<br />

– Leases of computer equipment: The leases for computer equipment are for a period of three or four years.<br />

Options to extend leased terms are available at discounted prices.<br />

– Leases of motor vehicles: No contingent rentals exist, and no renewal or purchase options are<br />

available.<br />

(iii) Other commitments consist of amounts in respect of program, production, operational costs, and net GST<br />

recoverable from the taxation authority, which relate to these commitments.<br />

The above schedules should be read in conjunction with the accompanying notes.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 75


SCHEDULES OF COMMITMENTS (CONT.)<br />

as at 30 June <strong>2012</strong><br />

BY MAtURItY<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Commitments receivable<br />

operating leases receivable<br />

One year or less 1,145 778 1,145 778<br />

From one to five years 2,934 507 2,934 507<br />

Over five years – – – –<br />

Total operating leases receivable<br />

other commitments receivable<br />

4,079 1,285 4,079 1,285<br />

One year or less 98,969 82,166 98,969 82,166<br />

From one to five years 283,660 277,304 283,660 277,304<br />

Over five years 170,122 133,641 170,122 133,641<br />

Total other commitments receivable 552,751 493,111 552,751 493,111<br />

Total commitments receivable 556,830 494,396 556,830 494,396<br />

Capital commitments payable<br />

One year or less (1,114) (1,658) (1,114) (1,658)<br />

From one to five years – – – –<br />

Over five years – – – –<br />

Total capital commitments payable (1,114) (1,658) (1,114) (1,658)<br />

operating leases payable<br />

One year or less (2,435) (2,309) (2,435) (2,309)<br />

From one to five years (6,345) (7,601) (6,345) (7,601)<br />

Over five years (525) (3,333) (525) (3,333)<br />

Total operating leases payable (9,305) (13,243) (9,305) (13,243)<br />

other commitments payable<br />

One year or less (121,994) (125,425) (121,304) (125,425)<br />

From one to five years (321,463) (335,238) (321,463) (335,238)<br />

Over five years (209,676) (146,946) (209,676) (146,946)<br />

Total other commitments payable (653,133) (607,609) (652,443) (607,609)<br />

Net commitments by maturity (106,722) (128,114) (106,032) (128,114)<br />

The above schedules should be read in conjunction with the accompanying notes.<br />

76 SBS


SCHEDULES OF CONTINGENCIES<br />

as at 30 June <strong>2012</strong><br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Contingent assets<br />

Claims for damages or costs – – – –<br />

total contingent assets<br />

Contingent liabilities<br />

– – – –<br />

Claims for damages or costs 83 – 83 –<br />

total contingent liabilities 83 – 83 –<br />

Net contingent liabilities 83 – 83 –<br />

quantifiable Contingencies<br />

The Corporation and its controlled entity’s quantifiable contingent liabilities were $0.083m at 30 June <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

They relate to claims for damages/costs which the Corporation is actively defending. The amounts represent an estimate<br />

of the Corporation’s liability if it is unsuccessful.<br />

unquantifiable and remote contingencies<br />

The Corporation and its controlled entity have no unquantiable or significant remote contingencies at 30 June <strong>2012</strong><br />

(<strong>2011</strong>: Nil).<br />

Details of each class of contingent liabilities and contingent assets are disclosed in Note 13.<br />

The above schedules should be read in conjunction with the accompanying notes.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 77


NOTES TO THE FINANCIAL STATEMENTS<br />

TABLE OF CONTENTS<br />

1. summary of significant accounting policies 79<br />

2. events after the reporting period 87<br />

3. operating expenses 87<br />

3(a) Employee benefits and average<br />

staffing level 87<br />

3(b) Suppliers 88<br />

3(c) Depreciation and amortisation 89<br />

3(d) Finance costs 89<br />

3(e) Write-down and impairment of assets 90<br />

3(f) Losses/(Gains) from asset sales 90<br />

4. own-source income 91<br />

4(a) Sale of goods and rendering of services 91<br />

4(b) Interest 92<br />

4(c) Other revenue<br />

4(d) Reversals of previous asset<br />

92<br />

write-downs and impairments 92<br />

5 Revenue from Government 92<br />

6. Income tax 93<br />

6(a) Income tax expense 93<br />

6(b) Current tax payable 94<br />

6(c) Deferred tax liabilities/(assets)<br />

6(d) Balance of franking account after<br />

94<br />

taxes and dividends paid during the year<br />

6(e) Movement in temporary differences<br />

94<br />

during the year 95<br />

7. Financial assets 95<br />

7(a) Cash and cash equivalents 95<br />

7(b) Trade and other receivables 95<br />

7(c) Investments 97<br />

7(d) Other investments 97<br />

8. Non-financial assets 99<br />

8(a) Land and buildings 99<br />

8(b) Plant and equipment 99<br />

8(c) Intangible assets<br />

8(d) Analysis of property, plant and<br />

100<br />

equipment, and intangibles 100<br />

8(e) Inventories 105<br />

8(f) Other non-financial assets 105<br />

78 SBS<br />

9. Payables 106<br />

9(a) Suppliers 106<br />

9(b) Other payables 106<br />

10. Interest bearing liabilities 107<br />

10(a) Loans 107<br />

11. Provisions 107<br />

11(a) Employee provisions 107<br />

11(b) Other provisions 108<br />

12. Cash flow reconciliation 109<br />

13. Contingent liabilities and assets 110<br />

14. Directors remuneration 111<br />

15. Related party disclosures 111<br />

16. senior executive remuneration 112<br />

16(a) Senior executive remuneration for the<br />

reporting period 112<br />

16(b) Average annual reportable remuneration<br />

paid to substantive senior executives<br />

during the reporting period 113<br />

16(c) Other employees whose salary (including<br />

performance bonus) was more than<br />

$150,000 114<br />

17. Remuneration of auditors 115<br />

18. Financial instruments 116<br />

18(a) Categories of financial instruments<br />

18(b) Net income and expense from<br />

116<br />

financial assets<br />

18(c) Net income and expense from<br />

116<br />

financial liabilities 117<br />

18(d) Fair values of financial instruments 117<br />

18(e) Credit risk 118<br />

18(f) Market risk 119<br />

18(g) Liquidity risk 120<br />

19. Reporting of outcomes 122


1. Summary of significant<br />

accounting policies<br />

The principal accounting policies adopted in preparing<br />

the financial statements of the Special Broadcasting<br />

Service Corporation ( the “Corporation”) are stated in<br />

this note to assist in a general understanding of these<br />

financial statements.<br />

(a) Objectives of the Special broadcasting Service<br />

Corporation<br />

The Corporation is an Australian Government controlled<br />

entity established under the Special Broadcasting Service<br />

Act 1991. It is structured to meet the following outcome:<br />

“Provide multilingual and multicultural services that inform,<br />

educate and entertain all Australians and, in doing so,<br />

reflect Australia’s multicultural society”.<br />

The continued existence of the Corporation is<br />

dependent on Government policy, and on continued<br />

funding by Parliament for the Corporation’s administration<br />

and programs.<br />

(b) basis of preparation of the financial statements<br />

The financial statements and notes are required by clause<br />

1(b) of Schedule 1 to the Commonwealth Authorities and<br />

Companies Act 1997 (CAC Act) and are general purpose<br />

financial statements.<br />

The financial statements have been prepared in<br />

accordance with the Finance Minister’s Orders (FMOs)<br />

for the reporting periods ending on or after 1 July <strong>2011</strong>,<br />

and Australian Accounting Standards and Interpretations<br />

issued by the Australian Accounting Standards Board<br />

(AASB), that apply for the reporting period.<br />

The financial statements have been prepared on an accrual<br />

basis, and are in accordance with historical cost convention,<br />

except for certain assets at fair value (see Note 8). Except<br />

where stated, no allowance is made for the effect of changing<br />

prices on the results or the financial position.<br />

The financial statements are presented with values rounded<br />

to the nearest thousand dollars unless otherwise specified.<br />

The financial statements are presented in Australian<br />

dollars, which is the Corporation’s functional currency.<br />

Unless an alternative treatment is specifically required by<br />

an accounting standard or the FMOs, assets and liabilities<br />

are recognised in the balance sheet when and only when<br />

it is probable that future economic benefits will flow to the<br />

entity and the amounts of the assets or liabilities can be<br />

reliably measured. However, assets and liabilities arising<br />

under agreements equally proportionately unperformed<br />

are not recognised unless required by an Accounting<br />

Standard. Liabilities and assets that are unrealised<br />

are reported in the schedule of commitments and the<br />

schedule of contingencies.<br />

Unless an alternative treatment is specifically required by an<br />

accounting standard, income and expenses are recognised<br />

in the statement of comprehensive income when, and only<br />

when, the flow, consumption or loss of economic benefits<br />

has occurred and can be reliably measured.<br />

(c) principles of consolidation<br />

The consolidated financial statements are those of the<br />

economic entity, comprising the Special Broadcasting<br />

Service Corporation (the Corporation), its wholly owned<br />

subsidiary SBS Subscription TV Ltd (“STV Ltd”) –<br />

previously named “Multilingual Subscriber Television Ltd”<br />

(“MST Ltd”). STV Ltd’s wholly owned subsidiary, PAN TV<br />

Ltd, is in voluntary liquidation – see further below.<br />

Business combinations<br />

Acquisitions of businesses are accounted for in line with<br />

AASB 3 “Business Combinations”, and consolidated in<br />

line with AASB 127 “Consolidated and Separate Financial<br />

Statements” from the date of acquisition. The effect of all<br />

transactions within the economic entities and inter-entity<br />

balances are eliminated in full. The excess of purchase<br />

consideration for the acquisition of controlled entities or<br />

business over the fair value of their net identifiable assets<br />

on acquisition is recognised as goodwill – see Note 8(d).<br />

Acquisitions involving entities under common control<br />

A business combination which involves entities or<br />

businesses which are ultimately controlled by the same<br />

party are considered “common control” transactions<br />

which are accounted for at book value. This is done on<br />

the basis that the assets and liabilities are being moved<br />

from one part of the Group to another.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 79


NOTES TO THE FINANCIAL STATEMENTS<br />

(d) Significant accounting judgements and<br />

estimates<br />

The Corporation has made the following judgements<br />

that have the most significant impact on the amounts<br />

recorded in the financial statements:<br />

• The fair value of land and buildings, and property and<br />

equipment have been taken to be the market value<br />

or depreciated replacement cost as determined by<br />

independent valuers. Some of the Corporation’s assets<br />

are specialised or purpose-built and may in fact realise<br />

more or less in the market.<br />

• Program amortisation, as detailed in Note 1(u). An<br />

amount of $8.838m was written down in <strong>2012</strong>, following<br />

the annual review of all programs (<strong>2011</strong>: $2.560m).<br />

• Long service leave, as detailed in Notes 1(j) and 11(a):<br />

Employee benefits.<br />

• In <strong>2012</strong>, an amount of $0.539m (<strong>2011</strong>: $2.671m) was<br />

provided for (to return to the Government) in line with<br />

Government policy to fund only the amounts required<br />

for the conversion to digital transmission – see Notes<br />

9(b)(i) and 9(b)(ii).<br />

• In <strong>2012</strong>, a provision of $3.288m (<strong>2011</strong>: $1.692m) was<br />

made for separation and redundancy payments to<br />

employees.<br />

No accounting assumptions or estimates have been<br />

identified that have a significant risk of causing a material<br />

adjustment to carrying amounts of assets and liabilities<br />

within the next reporting period.<br />

(e) new Australian Accounting Standards<br />

Adoption of new Australian Accounting Standard<br />

requirements<br />

No accounting standard has been adopted earlier than<br />

the application date as stated in the standard. Of the new<br />

standards, amendments to standards and interpretations<br />

issued by the Australian Accounting Standards Board<br />

that are applicable in <strong>2012</strong>, none has been assessed as<br />

having a material financial impact on the Corporation and<br />

its controlled entities.<br />

Future Australian Accounting Standard requirements<br />

New standards, amendments to standards or interpretations<br />

have been issued by the AASB which are effective for future<br />

reporting periods. AASB 13 Fair Value Measurement could<br />

impact on the measurement of some specialised assets.<br />

However it is estimated that the impact of adopting these<br />

pronouncements, when effective, will not have a material<br />

financial impact on the Corporation’s financial statements.<br />

80 SBS<br />

(f) Revenues<br />

Revenue from the sale of goods is recognised when:<br />

– the risks and rewards of ownership have been<br />

transferred to the buyer;<br />

– the entity retains no managerial involvement or<br />

effective control over the goods;<br />

– the revenue and transaction costs incurred can be<br />

reliably measured; and<br />

– it is probable that the economic benefits associated<br />

with the transaction will flow to the entity.<br />

Revenue from rendering of services is recognised by<br />

reference to the stage of completion of contracts at the<br />

reporting date. The revenue is recognised when:<br />

– the amount of revenue, stage of completion and<br />

transaction costs incurred can be reliably measured;<br />

and<br />

– the probable economic benefits associated with the<br />

transaction will flow to the entity.<br />

The stage of completion of contracts at the reporting<br />

date is determined by reference to the proportion that<br />

costs incurred to date bear to the estimated total costs<br />

of the transaction.<br />

Receivables for goods and services, which generally<br />

have 30 or 45 day terms – see note (o) – are recognised<br />

at the nominal amounts due less any impairment<br />

allowance account.<br />

All other operating revenues arise from non-core operating<br />

activities, except funds received for analogue extensions<br />

which are also included in other operating revenue – see<br />

Note 1(i).<br />

Interest revenue is recognised using the effective interest<br />

method in line with AASB 139 “Financial Instruments:<br />

Recognition and Measurement”.<br />

Revenues from Government<br />

Funding received or receivable from the Department of<br />

Finance and Deregulation (appropriated as a CAC Act<br />

body payment item for payment to the Corporation) is<br />

recognised as Revenue from Government unless it is<br />

in the nature of an equity injection or a loan, or relate<br />

to amounts returned or payable to the Consolidated<br />

Revenue Fund in accordance with FMOs. The full amount<br />

received in respect of departmental outcomes in <strong>2012</strong> is<br />

disclosed in Note 5 and Note 19.


In <strong>2012</strong>, in line with Government policy to fund only amounts<br />

required for the conversion to digital transmission, an amount<br />

of $0.539m (<strong>2011</strong>: $2.153m) was recognised as unearned<br />

revenue from Government – see Notes 5 and 9(b)(i).<br />

Amounts received as equity injections are recognised<br />

as increases in “Contributed Equity”. All equity injections<br />

have been fully drawn down. Loans received from<br />

Government are recognised as increases in borrowings<br />

when received – see Note 10(a).<br />

Resources received free of charge<br />

Services received free of charge are recognised as<br />

revenues where their fair value can be reliably measured.<br />

Use of the resources is recognised as an expense. In <strong>2012</strong><br />

no resources were provided free of charge (<strong>2011</strong>: Nil).<br />

Parental Leave Payments Scheme<br />

Amounts received under the Parent Leave Payments<br />

Scheme by the Corporation, but not yet paid to<br />

employees, are presented as cash and a liability (payable).<br />

The Scheme came into effect on 1 January <strong>2011</strong>. In <strong>2012</strong><br />

an amount of $0.072m was received under the Scheme<br />

by the Corporation (<strong>2011</strong>: Nil).<br />

(g) gains<br />

Gains from the disposal of assets are recognised when<br />

control of the asset has passed to the buyer.<br />

(h) transactions with the government as owner<br />

Equity Injections<br />

Amounts appropriated by Parliament as equity injections<br />

are recognised directly as contributed equity in that year.<br />

Other Distributions to Owners<br />

The FMOs require that distributions to owners be debited<br />

to contributed equity unless it is in the nature of a dividend.<br />

(i) Other transactions with government<br />

Some special purpose funding from Government is<br />

recognised as revenue only when the related expenditure is<br />

incurred. In 2000, the Corporation received $70.000 million<br />

from the TV Fund and $3.400 million (from Government<br />

appropriation) to provide analogue extensions to regional<br />

Australia in future years. In 2005, the Corporation received<br />

a further $4.606 million to extend analogue services to<br />

regions with a population of 3,000 to 5,000, and also<br />

received $0.125 million under the Commonwealth’s<br />

Television Black Spots – Alternative Technical Solutions<br />

Program. An additional amount of $0.125 million was<br />

received in 2008 under the Commonwealth’s Television<br />

Black Spots – Alternative Technical Solutions Program.<br />

The amounts received, including interest accrued on<br />

these amounts, are recognised as revenue when related<br />

expenditure is incurred. Refer to Note 4(c).<br />

(j) employee benefits<br />

Liabilities for services rendered by employees are<br />

recognised at the reporting date to the extent that they<br />

have not been settled. Liabilities for short-term employee<br />

benefits (as defined in AASB 119 “Employee Benefits”)<br />

and termination benefits expected to be settled within<br />

twelve months are measured at their nominal amounts.<br />

The nominal amount is calculated with regard to the rates<br />

expected to be paid on settlement of the liability.<br />

All other employee benefits are measured as the present<br />

value of the estimated future cash outflows to be made<br />

in respect of services provided by employees up to the<br />

reporting date.<br />

(i) Provision for long service leave<br />

The liability for long service leave has been determined<br />

by reference to the work of the Australian Government<br />

Actuary. The estimate of the present value of the liability<br />

takes into account attrition rates and pay increases<br />

through promotion and inflation. Amounts for which the<br />

Corporation expects to have no unconditional right to<br />

defer settlement within twelve months are shown as a<br />

current liability.<br />

(ii) Provision for annual leave<br />

Provision is made for the value of benefits accrued as<br />

at reporting date and includes the annual leave bonus<br />

component payable in accordance with the SBS Award.<br />

The amounts expected to be payable within twelve<br />

months are shown as a current liability, and measured at<br />

their nominal amounts. No annual leave benefit has been<br />

assessed as payable after twelve months.<br />

(iii) Provision for separation and redundancy<br />

Provision is made for separation and redundancy<br />

payments, in line with formal plans for the terminations,<br />

which can be reliably measured. At 30 June <strong>2012</strong>, the<br />

Corporation recognised a provision of $3.027m (<strong>2011</strong>:<br />

$1.692m). When applicable, the Corporation formally<br />

identifies the terminations and informed those employees<br />

affected that it will carry out the terminations. The<br />

provision does not include long service leave or annual<br />

leave paid on termination. These are included in the<br />

respective provision.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 81


NOTES TO THE FINANCIAL STATEMENTS<br />

(iv) Sick leave<br />

No provision is made for sick leave in the financial<br />

statements as sick leave taken by employees is expected<br />

to be less than future benefits. This assessment is made<br />

for all employees on a group basis.<br />

(v) Provision for superannuation on accrued annual and<br />

long service leave<br />

Provision is made for recognition of employer<br />

superannuation contributions (see Note 1(k)) payable<br />

in respect of accrued leave liabilities. The provision<br />

is calculated using a percentage of employer<br />

superannuation contributions on accrued leave estimated<br />

to be taken during the employees’ period of service, and<br />

is applied to accrued leave liabilities – refer to Note 1(k).<br />

(k) Superannuation<br />

(i) Employees of the Corporation contribute directly<br />

to either (a) the Commonwealth Superannuation<br />

Scheme (CSS), (b) the Public Sector Superannuation<br />

Scheme (PSS), or (c) from 1 July 2005 new employees<br />

may elect to contribute to the Public Sector<br />

Superannuation Accumulation Plan (PSSap), by way<br />

of fortnightly salary deductions.<br />

(ii) Employees of the Corporation are employed under<br />

Section 54 of the Special Broadcasting Service Act<br />

1991. The Corporation is required to contribute the<br />

employer component of the Superannuation Schemes.<br />

In <strong>2012</strong>, employer contribution rates were 16.2% of<br />

salary (CSS), 11.8% of salary (PSS), and 15.4% for<br />

the Public Sector Superannuation Accumulation Plan<br />

(PSSap). From 1 July <strong>2012</strong> this will change to 15.2%<br />

for CSS and 14.4% for PSS (PSSap will remain the<br />

same at 15.4%).<br />

(iii) The CSS and PSS schemes are defined benefit<br />

plans, which are accounted for as such at the wholeof-Government<br />

level. The Corporation, however,<br />

accounts for payments to these schemes as defined<br />

contributions plans as per the FMOs. The actuarial<br />

risk (shortfall risk) does not fall on the Corporation.<br />

Entities participating in the PSS and CSS Schemes<br />

are included in the Department of Finance and<br />

Deregulation’s financial statements.<br />

(iv) The Corporation also contributes superannuation in<br />

respect of contract staff engaged under Section 44 of the<br />

Special Broadcasting Service Act 1991, in accordance<br />

with the superannuation guarantee legislation. The<br />

contributions are included in the cost of contract.<br />

82 SBS<br />

(l) leases<br />

A distinction is made between finance leases and<br />

operating leases. Finance leases effectively transfer from<br />

the lessor to the lessee substantially all the risks and<br />

benefits incidental to ownership of leased non-current<br />

assets. An operating lease is a lease that is not a finance<br />

lease. In operating leases, the lessor effectively retains<br />

substantially all such risks and benefits. Operating lease<br />

payments are expensed on a straight line basis which is<br />

representative of the pattern of benefits derived from the<br />

leased assets.<br />

The Corporation has no finance leases as at<br />

30 June <strong>2012</strong>.<br />

Provision for makegood<br />

A provision for “makegood” is made when the<br />

Corporation has an obligation to make good leased<br />

properties at the end of the lease term. This obligation is<br />

recognised as part of the capitalised cost of the leasehold<br />

improvements to be amortised.<br />

(m) Finance costs<br />

All finance (borrowing) costs are expensed as incurred.<br />

The Corporation, under its lease agreement at<br />

Federation Square, has an obligation to restore<br />

(“makegood”) leasehold improvements at the end of<br />

the lease term.This obligation is recognised as a liability<br />

for the cost of restoration at the end of the term, and<br />

is discounted to its net present value. The increase in<br />

the net present value through the passage of time, or<br />

“unwinding of the discounted value”, is recognised as<br />

a finance cost – see Note 3(d).<br />

(n) Cash and cash equivalents<br />

Cash and cash equivalents comprise cash at bank and on<br />

hand and short-term deposits that are readily convertible<br />

to known amounts of cash and subject to insignificant<br />

risk of changes in value. It excludes amounts on longterm<br />

deposits not immediately required for operational<br />

expenditure – see note 1(o). Cash and cash equivalents<br />

are recognised at their nominal amounts.<br />

(o) Financial assets<br />

In line with AASB 139 “Financial Instruments: Recognition<br />

and Measurement”, the Corporation classifies its financial<br />

assets in the following categories: a) financial assets<br />

at fair value through profit or loss; b) held-to-maturity<br />

investments; c) available-for-sale financial assets; and<br />

d) loans and receivables.


The classification depends on the nature and purpose<br />

of the financial assets and is determined at the time of<br />

initial recognition. Financial assets are recognised and<br />

derecognised upon trade date.<br />

Financial Assets at Fair Value Through Profit or Loss<br />

Financial assets are classified as financial assets at fair<br />

value through profit or loss where the financial assets:<br />

a) have been acquired principally for the purpose of<br />

selling in the near future; b) are derivatives that are<br />

not designated and effective as a hedging instrument;<br />

or c) are a part of an identified portfolio of financial<br />

instruments that the entity manages together and has<br />

a recent actual pattern of short-term profit-taking.<br />

The Corporation has no financial assets at fair value<br />

through profit and loss as at 30 June <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

Held-to-Maturity Investments<br />

Non-derivative financial assets with fixed or determinable<br />

payments and fixed maturity dates that the group has the<br />

positive intent and ability to hold to maturity are classified<br />

as held-to-maturity investments. Held-to-maturity<br />

investments are recorded at amortised cost using the<br />

effective interest method (see below) less impairment,<br />

with revenue recognised on an effective yield basis.<br />

The economic entity has a series of investments with<br />

banks and other financial institutions for funds not<br />

immediately required for operational expenditure (for<br />

example, analogue extension moneys received from the<br />

TV Fund to meet expenditure in future years up to <strong>2012</strong>).<br />

They are held-to-maturity investments (term deposits)<br />

which are measured at amortised cost using the effective<br />

interest method – see Note 18.<br />

Effective Interest Method<br />

The effective interest method is a method of calculating<br />

the amortised cost of a financial asset and of allocating<br />

interest income over the relevant period. The effective<br />

interest rate is the rate that exactly discounts estimated<br />

future cash receipts through the expected life of the<br />

financial asset, or, where appropriate, a shorter period.<br />

Income is recognised on an effective interest rate basis<br />

except for financial assets that are recognised at fair value<br />

through profit or loss (if any).<br />

Available-for-Sale Financial Assets<br />

Available-for-sale financial assets are non-derivatives that<br />

are either designated in this category or not classified in<br />

any of the other categories.<br />

The Corporation has no Available-for-Sale Financial<br />

Assets as at 30 June <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

Loans and Receivables<br />

Trade receivables, loans and other receivables that have<br />

fixed or determinable payments that are not quoted in an<br />

active market are classified as ‘loans and receivables’.<br />

Loans and receivables are measured at amortised cost<br />

using the effective interest method less impairment. Interest<br />

is recognised by applying the effective interest rate.<br />

Trade debtors are normally settled within 45 days for<br />

television advertising debtors and 30 days for other<br />

debtors unless otherwise agreed, and are carried at<br />

amounts due, less an allowance for doubtful debt.<br />

Collectability of debts is reviewed at end of the reporting<br />

period. Allowances are made when collectability of the<br />

debt is no longer probable.<br />

Impairment of Financial Assets<br />

Financial assets are assessed for impairment at the end of<br />

each reporting period. If there is objective evidence that an<br />

impairment loss has been incurred for loans and receivables<br />

or held to maturity investments held at amortised cost,<br />

the amount of the loss is measured as the difference<br />

between the asset’s carrying amount and the present<br />

value of estimated future cash flows discounted at the<br />

asset’s original effective interest rate. The carrying amount<br />

is reduced by way of an allowance account. The loss is<br />

recognised in the statement of comprehensive income.<br />

Held-to-maturity investments<br />

The Corporation’s held-to-maturity investments have<br />

Standard and Poors credit ratings of A+ or better and are<br />

deemed not to be impaired.<br />

Receivables<br />

The Corporation makes a specific provision (impairment<br />

allowance) for debts considered doubtful by conducting<br />

a detailed review of material debtors, making an<br />

assessment of the likelihood of recovery of those debts.<br />

Bad debts are written off when identified.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 83


NOTES TO THE FINANCIAL STATEMENTS<br />

(p) Acquisition of assets<br />

Assets are recorded at cost on acquisition except as<br />

stated below. The cost of acquisition includes the fair<br />

value of assets transferred in exchange and liabilities<br />

undertaken. Financial assets are initially measured at<br />

their fair value plus transaction costs where appropriate.<br />

Assets acquired at no cost, or for nominal consideration,<br />

are initially recognised as assets and income at their fair<br />

value at the date of acquisition.<br />

(q) property, plant and equipment<br />

Asset recognition threshold<br />

Purchases of property, infrastructure, plant and equipment<br />

are recognised initially at cost in the balance sheet.<br />

Purchases costing less than $2,000 are expensed in the<br />

year of acquisition except where they form part of a project<br />

or group of similar items, which are significant in total.<br />

Following initial recognition at cost, property, plant and<br />

equipment are carried at fair value less subsequent<br />

accumulated depreciation and accumulated impairment<br />

losses. Valuations are conducted with sufficient frequency<br />

to ensure that the carrying amounts of assets do not differ<br />

materially from the assets’ fair values as at the reporting<br />

date. The regularity of independent valuations depends<br />

upon the volatility of movements in market values for the<br />

relevant assets.<br />

Revaluations<br />

Revaluation adjustments are made on a class basis.<br />

Any revaluation increment is credited to equity under<br />

the heading of asset revaluation reserve except to the<br />

extent that it reverses a previous revaluation decrement<br />

of the same asset class that was previously recognised<br />

in the surplus/deficit. Revaluation decrements for a class<br />

of assets are recognised directly in the surplus/deficit<br />

except to the extent that they reverse previous revaluation<br />

increment for that class.<br />

Makegood under revaluation model<br />

Changes in makegood provisions under the revaluation<br />

model are the reverse of revaluations of the related asset,<br />

the only difference being the account affected (asset or<br />

provision). A decrease in the provision for makegood<br />

(similar to a revaluation increase of the related asset) is<br />

credited to asset revaluation reserve unless it reverses a<br />

previous increase which was recognised in profit and loss.<br />

84 SBS<br />

Fair values for each class of asset are determined as<br />

shown below:<br />

FAIR VALUe<br />

Asset CLAss<br />

MeAsUReD At<br />

Land Market selling price<br />

Buildings excl. leasehold Market selling price<br />

improvements<br />

Leasehold improvements Depreciated replacement<br />

cost<br />

Plant and equipment Market selling price or<br />

Depreciated replacement<br />

cost<br />

(r) Intangibles<br />

The economic entity’s intangibles comprise of goodwill,<br />

contract rights and trademark (recognised on acquisition<br />

of PAN TV Ltd), and software for internal use.<br />

Goodwill<br />

Goodwill is recognised on purchase of a business unit in<br />

accordance with AASB 3 “Business Combinations” – see<br />

Notes 1(t) and 8(c).<br />

Contract rights and trademark<br />

Contract rights are amortised over their anticipated useful<br />

lives (6 years). Trademark is not amortised as it has an<br />

indefinite useful life, but is tested for impairment – see<br />

Note 1(t).<br />

Software<br />

Software is initially recognised at cost and amortised on<br />

a straight-line basis over anticipated useful lives. These<br />

assets are assessed for indications of impairment – see<br />

Note 1(t).<br />

(s) Depreciation and amortisation<br />

Property, plant and equipment, other than freehold land,<br />

is depreciated up to their estimated residual values, over<br />

their estimated useful lives to the economic entity using<br />

the straight line method of depreciation.<br />

Depreciation/amortisation rates (useful lives) and methods<br />

are reviewed each financial year.


Depreciation and amortisation rates applying to each class of depreciable asset are based on the following useful lives:<br />

CLAss oF NoN FINANCIAL Asset <strong>2011</strong>-<strong>2012</strong> AVG 2010-<strong>2011</strong> AVG<br />

Buildings 40 years 40 40 years 40<br />

Leasehold improvements Lease term 15 Lease term 15<br />

Plant and equipment 3 to 20 years 7 3 to 20 years 7<br />

Intangibles (excluding goodwill and trademark) 5 to 7 years 6 5 to 7 years 6<br />

The aggregate amount of depreciation allocated for each<br />

class of asset during the reporting period is disclosed in<br />

Note 3(c).<br />

Leasehold improvements are amortised on a straight line<br />

basis over the shorter of either the unexpired period of the<br />

lease or the estimated useful life of the improvements.<br />

Intangible assets (computer software and contract rights)<br />

are amortised on a straight line basis over their estimated<br />

useful lives. Goodwill and trademark are not amortised,<br />

but tested for impairment.<br />

(t) Impairment of non-current assets<br />

All assets are reviewed for impairment as at 30 June <strong>2012</strong>.<br />

Where impairment testing is required (e.g. goodwill) or<br />

indications of impairment exist, the asset’s recoverable<br />

amount is estimated, and an impairment adjustment<br />

made if the asset’s recoverable amount is less than its<br />

carrying amount. The recoverable amount is the higher of<br />

its fair value less costs to sell and its “value in use”. “Value<br />

in use” is assessed as the “depreciated replacement cost”<br />

if the future economic benefit of the asset is not primarily<br />

dependent on the asset’s ability to generate cash flows,<br />

and the asset would be replaced by the Corporation<br />

if deprived of the asset. For the purposes of goodwill<br />

impairment testing, a “cash-generating unit” (CGU),<br />

comprising the smallest group of assets to which goodwill<br />

can be allocated, is identified and tested for impairment<br />

as a group – see Note 8(c).<br />

In <strong>2012</strong>, after writing off a number of assets identified as<br />

obsolete and/or disposed, no indicators of impairment<br />

were found for the remaining Corporation’s assets (at fair<br />

value or at cost) – see Note 3(e).<br />

(u) program inventory<br />

Program costs are capitalised as inventory and amortised<br />

over time to reflect their expected usage:<br />

Program acquisitions<br />

Program acquisitions are generally amortised on a straight<br />

line basis over the shorter of three years or licence period<br />

(for movies), or over the shorter period of two years or<br />

licence period (for documentaries and other overseas<br />

purchased programs).<br />

Commissioned programs<br />

Commissioned programs are valued at cost, and generally<br />

amortised on a straight line basis over the shorter of four<br />

years or licence period.<br />

Some programs are fully amortised in the current period.<br />

All internally produced news and current affairs programs,<br />

as well as sports events, are expensed immediately at the<br />

time of broadcast.<br />

(v) Investment in associates<br />

The Corporation’s investments in its associates are<br />

accounted for using the equity method.<br />

Under the equity method, investments in the associates<br />

are carried in the Corporation’s balance sheet at cost as<br />

adjusted for post-acquisition charges in the Corporation’s<br />

share of net assets of the associates. Goodwill relating<br />

to an associate is included in the carrying amount of the<br />

investment. After the application of the equity method,<br />

the Corporation determines whether it is necessary to<br />

recognise any impairment loss with respect to the net<br />

investment in associates.<br />

Further details relating to its associate company, Freeview<br />

Australia Ltd, are provided in Note 7(d)(ii).<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 85


NOTES TO THE FINANCIAL STATEMENTS<br />

(w) Jointly controlled entities<br />

Joint ventures are accounted for using the equity method<br />

in accordance with AASB 131 “Interests in Joint Ventures”<br />

and the FMOs.<br />

Further details relating to its joint venture with the<br />

Australian Broadcasting Corporation (National DAB<br />

Licence Company Ltd) are provided in Note 7(d)(ii).<br />

(x) Financial liabilities<br />

Financial liabilities are classified as ‘other financial<br />

liabilities’ in accordance with AASB 139 “Financial<br />

Instruments: Recognition and Measurement”. The<br />

classification depends on the nature and purpose of<br />

the financial assets and is determined at the time of<br />

initial recognition. Financial assets are recognised and<br />

derecognised upon trade date.<br />

Other financial liabilities<br />

Other financial liabilities, including borrowings, are initially<br />

measured at fair value, net of transaction costs. The fair<br />

value of loans from Government is deemed to be the initial<br />

principal amount. The Corporation does not have any<br />

commercial bank loans.<br />

Other financial liabilities are subsequently measured at<br />

amortised cost using the effective interest method, with<br />

interest expense recognised on an effective yield basis.<br />

The effective interest method is a method of calculating<br />

the amortised cost of a financial liability and of allocating<br />

interest expense over the relevant period. The effective<br />

interest rate is the rate that exactly discounts estimated<br />

future cash payments through the expected life of the<br />

financial liability, or, where appropriate, a shorter period.<br />

Loans are classified as current liabilities unless the<br />

Corporation has the unconditional right to defer settlement<br />

for at least 12 months after the balance sheet date.<br />

Supplier and other payables are recognised at amortised<br />

cost. Liabilities are recognised to the extent that the<br />

goods or services have been received (and irrespective<br />

of having been invoiced). Standard settlement terms are<br />

30 days commercial.<br />

(y) taxation<br />

The Corporation is not subject to income tax. Its controlled<br />

entity, STV Ltd, is subject to payroll and income tax – see<br />

Note 6.<br />

86 SBS<br />

The Corporation, as well as its controlled entity, STV Ltd,<br />

are subject to fringe benefits tax (FBT) and goods and<br />

services tax (GST).<br />

Tax expense comprises current and deferred tax. Current<br />

and deferred tax are recognised in profit or loss except<br />

to the extent that it relates to a business combination,<br />

or items recognised directly in equity or in other<br />

comprehensive income.<br />

Current tax is the expected tax payable or receivable on<br />

the taxable income or loss for the year, using tax rates<br />

enacted or substantively enacted at the reporting date,<br />

and any adjustment to tax payable in respect of previous<br />

years. Current tax payable also includes any tax liability<br />

arising from the declaration of dividends.<br />

The current and deferred tax amounts are measured<br />

by reference to the carrying amounts of the assets and<br />

liabilities in its balance sheet. Deferred tax assets arising<br />

from unused tax losses are recognised to the extent that it<br />

is probable that future taxable profits of the taxable entity<br />

will be available against which the asset can be utilised.<br />

Goods and Services Tax<br />

Revenues, expenses and assets are recognised net of the<br />

amount of goods and services tax (GST), except:<br />

(i) where the amount of GST incurred is not recoverable<br />

from the taxation authority, it is recognised as part of<br />

the cost of acquisition of an asset or as part of an item<br />

of expense; or<br />

(ii) for receivables and payables which are recognised<br />

inclusive of GST.<br />

The net amount of GST receivable from the ATO is<br />

included as a financial asset in the balance sheet<br />

while any net amount of GST payable to the ATO is<br />

included as a liability in the balance sheet.<br />

In the cash flow statement, the GST components<br />

arising from investing and financing activities which are<br />

recoverable from or payable to the ATO are classified as<br />

operating cash flows.<br />

(z) Foreign currency<br />

The financial statements are presented in Australian<br />

dollars, and transactions denominated in a foreign<br />

currency are converted at the effective exchange rate<br />

on the date of the transaction. Exchange gains and<br />

losses are reported in profit or loss. As the Corporation<br />

does not hedge account, movements do not go through<br />

Other Comprehensive Income.


(aa) Contingent liabilities and Contingent Assets<br />

Contingent assets and contingent liabilities are not recognised in the balance sheet but are disclosed in the relevant<br />

schedule and Note 19: Contingent Liabilities and Assets. They may arise from uncertainty as to the existence of an asset<br />

or liability, or represent an asset or liability in respect of which the amount cannot be reliably measured.<br />

Contingent assets are disclosed when settlement is probable but not virtually certain and contingent liabilities are<br />

disclosed when settlement is greater than remote.<br />

(ab) Comparative figures<br />

Comparative figures are, where applicable, restated to reflect the current year presentation of the financial statements.<br />

2. Events after the reporting period<br />

On 1 July <strong>2012</strong>, the Corporation purchased all assets and liabilities of its controlled entity, STV Ltd. This was done for<br />

administrative efficiency only, with a view to STV Ltd being wound up in due course. The effect of all transactions within<br />

the economic entities are eliminated in full, and have no financial impact on the economic entity’s consolidated result.<br />

3. Operating expenses<br />

3(a) employee benefits and average<br />

staffing level<br />

Average staffing level<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong> <strong>2011</strong> <strong>2012</strong> <strong>2011</strong><br />

The average staffing levels for the Corporation and<br />

the consolidated entity during the year were: 862 848 833 824<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

employee benefits<br />

Wages and salaries 71,953 68,989 69,700 66,749<br />

Superannuation (Defined Contribution Plans) 1(k) 9,953 9,174 9,735 9,174<br />

Leave and other entitlements 1(j) 10,527 9,160 10,337 9,160<br />

total basic remuneration for services provided 92,433 87,323 89,772 85,083<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 87


NOTES TO THE FINANCIAL STATEMENTS<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

other employee benefits<br />

Separations and redundancies 3,370 913 3,108 821<br />

total employee benefits 95,803 88,236 92,880 85,904<br />

3(b) Suppliers<br />

Goods<br />

Amortisation of program acquisitions 1(u) 17,339 13,684 14,957 12,532<br />

Amortisation of commissioned programs 1(u) 28,569 25,237 28,494 25,237<br />

Other program purchases 13,515 14,173 13,032 14,016<br />

Materials and minor items 5,228 4,707 5,140 4,643<br />

Office supplies 1,096 1,340 1,096 1,340<br />

sub-total goods<br />

services<br />

65,747 59,141 62,719 57,768<br />

Broadcasting facilities 83,542 84,186 83,542 84,186<br />

Administrative expenses 34,155 34,634 31,666 31,798<br />

Operating lease rentals (i) 2,446 2,386 2,446 2,386<br />

Workers’ compensation premiums 341 326 329 316<br />

Analogue extensions 1(i) 3,879 5,854 3,879 5,854<br />

Contract staff 1(k) 14,665 15,231 13,005 14,513<br />

Production services 2,525 2,927 2,410 2,611<br />

Audit fees 17 124 124 94 96<br />

sub-total services 141,677 145,668 137,371 141,760<br />

total goods and services 207,424 204,809 200,090 199,528<br />

Goods and services are made up of:<br />

Provision of goods – related entities – – – –<br />

Provision of goods – external entities 65,747 59,141 62,719 57,768<br />

Rendering of services – controlled company – – – –<br />

Rendering of services – ultimate holding company – – – –<br />

Rendering of services – other related entities 2,611 1,527 2,581 1,497<br />

Rendering of services – external entities 136,279 141,439 132,015 137,561<br />

total goods and services<br />

other supplier expenses<br />

204,637 202,107 197,315 196,826<br />

Operating lease rentals (i) 2,446 2,386 2,446 2,386<br />

Workers’ compensation premiums 341 316 329 316<br />

total other supplier expenses 2,787 2,702 2,775 2,702<br />

total supplier expenses 207,424 204,809 200,090 199,528<br />

(i) Operating lease rentals comprise minimum lease payments only.<br />

88 SBS


3(c) Depreciation and amortisation<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Depreciation<br />

Infrastructure, plant and equipment 6,710 6,342 6,611 6,240<br />

Buildings 2,509 2,399 2,509 2,399<br />

total depreciation<br />

Amortisation<br />

9,219 8,741 9,120 8,639<br />

Intangibles – contract rights (controlled company) 8(c) 39 39 – –<br />

Intangibles – computer software 1,350 1,184 1,347 1,181<br />

total amortisation 1,389 1,223 1,347 1,181<br />

total depreciation and amortisation 10,608 9,964 10,467 9,820<br />

The aggregate amounts of depreciation and<br />

amortisation expensed for each class of<br />

depreciable asset are as follows:<br />

Buildings on freehold land 1,728 1,677 1,728 1,677<br />

Leasehold improvements 781 722 781 722<br />

Plant and equipment 6,710 6,342 6,611 6,240<br />

Intangibles – computer software 1,350 1,184 1,347 1,181<br />

Intangibles – contract rights (controlled<br />

company) 39 39 – –<br />

total depreciation and amortisation 10,608 9,964 10,467 9,820<br />

3(d) Finance costs<br />

Loans from Government 10(a) 523 827 523 827<br />

Unwinding of discount (i) 77 76 77 76<br />

Other interest payments (ii) – 56 – –<br />

total finance costs expense 600 959 600 903<br />

(i) The “unwinding of discount” relates to the increase in provision for restoration costs (“makegood” leasehold<br />

improvements at Federation Square, at the end of the lease term), as the discounted net present value increases,<br />

through the passage of time.<br />

(ii) Other interest payments relate to finance costs relating to advances received by the Corporation’s subsidiary to start<br />

up a new arts channel.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 89


NOTES TO THE FINANCIAL STATEMENTS<br />

3(e) Write-down and impairment of assets<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Financial assets<br />

Receivables<br />

Goods and services – adjustment to allowance<br />

for doubtful debts – 34 – 34<br />

Goods and services – bad debts written off 18 46 18 46<br />

sub-total write-down of financial assets<br />

Non-financial assets<br />

18 80 18 80<br />

Plant and equipment – write-offs 1(t) 404 443 229 443<br />

Intangibles – write offs – 3 – 3<br />

sub-total write-down of non-financial assets 404 446 229 446<br />

total write-down and impairment of assets 422 526 247 526<br />

Impairment testing of cash-generating units containing goodwill<br />

For the purpose of impairment testing, goodwill is allocated to a separate cash-generating unit (CGU) for each goodwill<br />

recognised on two separate business acquisitions (in 2009 and 2010). No impairment has been recognised in respect of<br />

goodwill in <strong>2012</strong> (<strong>2011</strong>: Nil) – see Note 8(c)(i).<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

3(f) losses / (gains) from asset sales<br />

Plant and equipment<br />

Proceeds from assets sold (3) (5) (3) (5)<br />

Carrying value of assets sold 27 – 27 –<br />

total net loss (gain) from asset sales 24 (5) 24 (5)<br />

90 SBS


4. Own-source income<br />

4(a) Sale of goods and rendering of services<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Sale of programs and merchandise 2,169 2,658 2,169 2,658<br />

Rendering of services 69,418 73,746 59,019 64,393<br />

total sales of goods and services 71,587 76,404 61,188 67,051<br />

Rendering of services:<br />

Advertising and sponsorship 51,864 57,248 51,584 56,618<br />

Pay TV subscription revenue 13,615 12,677 – –<br />

Production services 3,939 3,821 3,939 3,821<br />

Controlled company (i) – – 3,497 3,954<br />

total rendering of services<br />

Provision of goods to:<br />

69,418 73,746 59,020 64,393<br />

Related entities – – – –<br />

External entities 2,169 2,658 2,169 2,658<br />

total sales of goods<br />

Rendering of services to:<br />

2,169 2,658 2,169 2,658<br />

Related entities 4,559 804 4,559 4,758<br />

External entities 64,859 72,942 54,460 59,635<br />

total rendering of services 69,418 73,746 59,019 64,393<br />

total sales of goods and services 71,587 76,404 61,188 67,051<br />

(i) In <strong>2012</strong> $3.498m (<strong>2011</strong>: $3.954m) was paid to the Corporation by its controlled entity, STV Ltd. This includes<br />

$0.710m (<strong>2011</strong>: $0.780m) in management fees.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 91


NOTES TO THE FINANCIAL STATEMENTS<br />

4(b) Interest<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Interest income on term deposits 4,590 4,541 4,468 4,380<br />

total interest 4,590 4,541 4,468 4,380<br />

4(c) Other revenue<br />

Revenue from TV Fund (analogue extensions)<br />

and Television Black Spots – Alternative Technical<br />

Solutions Program 1(i) 3,879 5,854 3,879 5,854<br />

Miscellaneous revenue 788 133 788 133<br />

total other revenue 4,667 5,987 4,667 5,987<br />

4(d) Reversals of previous asset write-downs<br />

and impairments<br />

Financial assets<br />

Receivables<br />

Goods and services – adjustment to allowance<br />

for doubtful debts 4 – 4 –<br />

total reversals of previous asset write-downs<br />

and impairments 4 – 4 –<br />

5. Revenue from Government<br />

Department of Broadband, Communications and<br />

the Digital Economy CAC Act body payment item 222,472 209,013 222,472 209,013<br />

total revenue from Government 222,472 209,013 222,472 209,013<br />

Reconciliation of actual receipts from<br />

Government with reported revenue<br />

from Government in the statement of<br />

comprehensive income<br />

Receipts from Government<br />

Less: Reversal of accrual of amounts appropriated<br />

in 2010 received in <strong>2011</strong> (relating to the digital<br />

223,011 211,690 223,011 211,690<br />

television switchover) – (524) – (524)<br />

Less: Unearned revenue from Government 9(b)(i) (539) (2,153) (539) (2,153)<br />

total revenue from Government 222,472 209,013 222,472 209,013<br />

92 SBS


6. Income tax<br />

Notes<br />

6(a) Income tax expense (i)<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Numerical reconciliation between tax expense<br />

and pre-tax net profit<br />

Prima facie income tax expense calculated at<br />

30% of profit (16) 511 – –<br />

Increase in income tax expense due to nondeductible<br />

expenses 13 18 – –<br />

Net adjustments to tax base on tax consolidation – (241) – –<br />

Under/(over) provision of income tax in prior year 4 32 – –<br />

Deferred tax liability charged to Asset Revaluation<br />

Reserves (3) – – –<br />

total income tax expense (ii) (2) 320 – –<br />

(i) Income tax expenses relate only to the Corporation’s controlled entities, STV Ltd and PAN TV Ltd, which are both<br />

subject to income tax – see note 1(y).<br />

(ii) Income tax expense recognised in the statement of comprehensive income.<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Current tax expense:<br />

Current year – 195 – –<br />

Under/(over) provision in prior year (57) 32 – –<br />

Deferred tax expense/(income): (57) 227 – –<br />

Under/(over) provision of deferred tax in prior year 61 – –<br />

Origination and reversal of temporary differences 376 93 – –<br />

Current year tax loss<br />

Deferred tax liability charged to asset revaluation<br />

(378) – – –<br />

reserve (iii) (4) – – –<br />

total deferred tax expense/(income) 55 93 – –<br />

total tax expense in the statement of<br />

comprehensive income (2) 320 – –<br />

(iii) Tax recognised in other comprehensive income – see next page.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 93


NOTES TO THE FINANCIAL STATEMENTS<br />

6(a) Income tax expense (cont.)<br />

tax recognised in other comprehensive income<br />

COnSOlIDAteD<br />

FoR tHe YeAR eNDeD 30 JUNe <strong>2012</strong><br />

BeFoRe<br />

tAX<br />

tAX<br />

eXPeNse<br />

Net oF<br />

tAX<br />

Revaluation of property, plant and equipment 12 (4) 8<br />

For the year ended 30 June <strong>2011</strong> – Nil – – –<br />

There were no balances within the Corporation.<br />

6(b) Current tax payable<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Movements during the year:<br />

Balance at beginning of year 79 6 – –<br />

Acquired in business combination – – – –<br />

Current year – 195 – –<br />

Income tax payments (101) (154) – –<br />

Under/(over) provision in prior year (57) 32 – –<br />

Balance of current tax payable/(receivable) at<br />

end of year 7(b) (79) 79 – –<br />

6(c) Deferred tax liabilities/(assets)<br />

Deferred tax liabilities/(assets) are attributable<br />

to the following:<br />

Employee entitlements (11) (53) – –<br />

Accruals and other items (22) (14) – –<br />

Plant and equipment (40) 17 – –<br />

Prepayments 2 3 – –<br />

Interest receivable 1 4 – –<br />

Program rights 787 323 – –<br />

Current year tax loss (378) – – –<br />

total net deferred tax liabilities 339 280 – –<br />

6(d) balance of franking account after taxes<br />

and dividends paid during the year: 2,461 2,360 – –<br />

94 SBS


6(e) Movement in temporary differences during<br />

the year:<br />

BALANCe<br />

1 JULY <strong>2011</strong><br />

ReCoGNIseD<br />

IN INCoMe<br />

ReCoGNIseD<br />

IN Asset<br />

ReVALUAtIoN<br />

ReseRVe<br />

BALANCe<br />

30 JUNe <strong>2012</strong><br />

(Consolidated)<br />

Employee entitlements (53) 42 – (11)<br />

Accruals and other items (14) (8) – (22)<br />

Plant and equipment 17 (61) 4 (40)<br />

Prepayments 3 (2) – 1<br />

Interest receivable 4 (2) – 2<br />

Program rights 323 464 – 787<br />

Current year tax loss – (378) – (378)<br />

Net deferred tax assets/(liabilities) 280 55 4 339<br />

7 Financial assets<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

7(a) Cash and cash equivalents<br />

Cash on hand or on deposit 18,722 18,140 17,843 15,061<br />

total cash and cash equivalents 18,722 18,140 17,843 15,061<br />

7(b) trade and other receivables<br />

Goods and services<br />

Goods and services – controlled companies – – 1,641 2,146<br />

Goods and services – other related entities 290 104 290 104<br />

Goods and services – external parties (i) 14,565 14,172 12,046 11,834<br />

total goods and services receivables<br />

other receivables<br />

14,855 14,276 13,977 14,084<br />

Interest receivable 18 16 14 14<br />

Tax refund receivable<br />

Net GST receivable from the Australian<br />

79 – – –<br />

Taxation Office 1,976 1,410 1,976 1,410<br />

total trade and other receivables (gross) 16,928 15,702 15,967 15,508<br />

Less impairment allowance account (goods and<br />

services) (30) (34) (30) (34)<br />

total trade and other receivables (net) 16,898 15,668 15,937 15,474<br />

(i) The majority of goods and services receivables relate to advertising agencies and to pay TV subscription fees.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 95


NOTES TO THE FINANCIAL STATEMENTS<br />

7(b) trade and other receivables (cont.)<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Receivables are expected to be recovered in:<br />

No more than 12 months 16,898 15,668 15,937 14,274<br />

More than 12 months – – – 1,200<br />

total trade and other receivables (net) 16,898 15,668 15,937 15,474<br />

Receivables are aged as follows:<br />

Current (not overdue)<br />

Overdue by:<br />

15,614 14,326 14,863 14,132<br />

– 0 to 30 days 362 477 362 477<br />

– 30 to 60 days 118 241 118 241<br />

– 61 to 90 days 332 71 332 71<br />

– more than 90 days 502 587 292 587<br />

1,314 1,376 1,104 1,376<br />

total receivables (gross) 16,928 15,702 15,967 15,508<br />

The impairment allowance account is aged<br />

as follows:<br />

Overdue by:<br />

– more than 90 days 30 34 30 34<br />

total impairment allowance account 30 34 30 34<br />

Reconciliation of the impairment allowance<br />

account<br />

Movements in relation to the financial period<br />

(goods and services)<br />

Opening Balance 34 – 34 –<br />

Amounts written off (17) (46) (17) (46)<br />

New 13 80 13 80<br />

Closing Balance 30 34 30 34<br />

96 SBS


7(c) Investments<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Term deposits (i) 22,004 35,129 22,004 34,329<br />

total investments 22,004 35,129 22,004 34,329<br />

(i) The economic entity has a series of investments with banks and other financial institutions. The Corporation’s<br />

investments are made under s18 of the CAC Act.<br />

In 1999-2000, the Corporation received revenue from the TV Fund to provide analogue extensions to regional<br />

Australia to <strong>2012</strong>. In 2005 the Corporation received $4.606m to extend analogue services to regions with a<br />

population of 3,000 to 5,000, and $0.125m under the Commonwealth’s Television Black Spots – Alternative<br />

Technical Solutions Program. In 2008 the Corporation received an additional $0.125m under the Commonwealth’s<br />

Television Black Spots – Alternative Technical Solutions Program. The amounts received, including interests accrued<br />

on these amounts, have been invested in term deposits. Refer also to note 1(i).<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Investments are expected to be recovered in:<br />

No more than 12 months 1,888 5,755 1,888 4,955<br />

More than 12 months 20,116 29,374 20,116 29,374<br />

total investments 22,004 35,129 22,004 34,329<br />

7(d) Other investments<br />

(i) The Corporation subscribed for 5 shares ($1 each) in STV Ltd (previously named MST Ltd) in 1994-95. STV Ltd is a<br />

wholly owned subsidiary of SBS Corporation. It was incorporated for the purpose of the Corporation’s involvement in<br />

Pay TV. No dividend was distributed by STV Ltd in <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

In 2009-10 (on 4 November 2009) STV Ltd fully acquired PAN TV Ltd. The acquisition has been accounted for in line<br />

with AASB 3 “Business Combinations”, and consolidated in line with that standard. Prior to 4 November 2009, PAN<br />

TV Ltd was accounted for using the equity method. No dividend was distributed by PAN TV Ltd in <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

On 1 April <strong>2011</strong>, STV Ltd purchased all assets and liabilities of PAN TV Ltd for a notional amount of $1. This was<br />

done for administrative efficiency only, with a view to PAN TV being wound up in due course. The purchase has been<br />

accounted for as a common control transaction, using book value accounting, on the basis that the investment has<br />

only been moved from one part of the group to another.<br />

STV Ltd continues to provide two channels (“World Movies” and “STUDIO”) to Foxtel and Austar under the<br />

distribution agreements reassigned to it from PAN TV Ltd on 1 April <strong>2011</strong>.<br />

The contributions to surplus from PAN TV Ltd (shown on the next page) in <strong>2011</strong> represents profits earned for the<br />

period ending 31 March <strong>2011</strong>, prior to the purchase of all its assets and liabilities by STV Ltd.<br />

PAN TV Ltd is now in voluntary liquidation.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 97


NOTES TO THE FINANCIAL STATEMENTS<br />

7(d) Other investments (cont.)<br />

nAMe OF entIty<br />

COuntRy OF<br />

InCORpORAtIOn<br />

InteReSt OF<br />

CORpORAtIOn<br />

<strong>2012</strong> <strong>2011</strong><br />

COntRIbutIOnS<br />

tO COnSOlIDAteD<br />

SuRpluS/(DeFICIt)<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Parent entity<br />

SBS Corporation<br />

Directly controlled by sBs Corporation<br />

Australia (4,687) (4,359)<br />

STV Ltd<br />

PAN TV Ltd (nine months to<br />

Australia 100% 100% (49) 295<br />

31 March <strong>2011</strong>) Australia – 100% – 1,086<br />

(ii) Investment in joint venture company and equity information<br />

(4,736) (2,978)<br />

National DAB Licence Company Ltd<br />

In 2009, the Corporation and the Australian Broadcasting Corporation (ABC) formed a joint venture company “National<br />

DAB Licence Company Ltd” (50% interest each) to purchase and manage the “category 3” Digital Radio multiplex<br />

transmitter licence for digital radio broadcasting.<br />

The Corporation’s two nominated Directors (one of whom was Chairman in <strong>2011</strong> and <strong>2012</strong>) receive no benefit or<br />

remuneration from the company.<br />

Contracts for digital radio transmission and distribution are entered into by the Corporation in its own name. These<br />

commitments are included in the schedule of commitments. At 30 June <strong>2012</strong> the joint venture company had not made,<br />

nor is expected to make, any material profit/(loss). The owners make a contribution each year in proportion to their<br />

shareholdings. These costs do not constitute a contribution of capital and have been expensed in the Corporation’s<br />

statement of comprehensive income. A summary of the company’s results as at 30 June is disclosed below:<br />

National DAB Licence Company Ltd<br />

Revenue 5,700 5,479<br />

Profit 52 251<br />

Net Assets 884 832<br />

Equity accounted value of investment 442 416<br />

Freeview Australia Ltd<br />

The Corporation also contributes towards the operational costs of Freeview Australia Ltd in proportion to its<br />

shareholding. The Corporation holds 160 $1 shares (16%) in Freeview Australia Ltd. No material income is expected<br />

from these contributions. These costs do not constitute a contribution of capital and have been expensed in the<br />

Corporation’s statement of comprehensive income.<br />

98 SBS<br />

<strong>2012</strong><br />

$<br />

<strong>2011</strong><br />

$


7(d) Other investments (cont.)<br />

Freeview Australia Ltd (cont.)<br />

The Corporation’s two nominated Directors receive no benefit or remuneration from the company. A summary of the<br />

company’s results as at 30 June is disclosed below:<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Freeview Australia Ltd<br />

Revenue 2,413 3,214<br />

Profit 36 –<br />

Net Assets/(liabilities) 35 (1)<br />

Equity accounted value of investment is $5,589 in <strong>2012</strong> (<strong>2011</strong>: $160) 6 –<br />

8. Non-financial assets<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

8(a) land and buildings<br />

Freehold land<br />

Freehold land (at fair value) 8(d) 27,215 26,600 27,215 26,600<br />

total freehold land<br />

Buildings on freehold land<br />

27,215 26,600 27,215 26,600<br />

Buildings (at fair value) 8(d) 36,000 39,552 36,000 39,552<br />

Less accumulated depreciation – (1,677) – (1,677)<br />

total buildings on freehold land<br />

Leasehold improvements<br />

36,000 37,875 36,000 37,875<br />

Leasehold improvements (at fair value) 8(d) 10,386 7,152 10,386 7,152<br />

Less accumulated amortisation (6,453) (2,045) (6,453) (2,045)<br />

total leasehold improvements 3,933 5,107 3,933 5,107<br />

total land and buildings (non-current) 8(d) 67,148 69,582 67,148 69,582<br />

No indicators of impairment were found for land and buildings. No land and buildings are expected to be sold or<br />

disposed of within the next 12 months.<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

8(b) plant and equipment<br />

Plant and equipment (at fair value) 8(d) 66,290 54,382 65,550 53,562<br />

Less accumulated depreciation (32,120) (27,681) (31,641) (27,383)<br />

total plant and equipment (non-current) 34,170 26,701 33,909 26,179<br />

No indicators of impairment were found for plant and equipment. <strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 99


NOTES TO THE FINANCIAL STATEMENTS<br />

8(c) Intangible assets<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Goodwill 8(d) 11,497 11,497 9,243 9,243<br />

trademark (at fair value) 8(d) 112 112 – –<br />

Contract rights (at fair value) 8(d) 241 241 – –<br />

Less accumulated amortisation (104) (65) – –<br />

total contract rights 137 176 – –<br />

Computer software (at cost) 10,463 9,424 10,426 9,405<br />

Less accumulated amortisation (6,791) (5,445) (6,772) (5,442)<br />

total computer software 3,672 3,979 3,654 3,963<br />

total intangible assets (non-current) 15,418 15,764 12,897 13,206<br />

No indicators of impairment were found for intangible assets.<br />

8(d) Analysis of property, plant and equipment, and intangibles<br />

Reconciliation of the opening and closing balances of property, plant and equipment, and intangibles (<strong>2011</strong>–12)<br />

CoNsoLIDAteD<br />

LAND<br />

$’000<br />

BUILDINGs<br />

$’000<br />

totAL<br />

LAND AND<br />

BUILDINGs<br />

$’000<br />

PLANt AND<br />

eQUIPMeNt<br />

$’000<br />

INtANGIBLes<br />

$’000<br />

totAL<br />

$’000<br />

As at 1 July <strong>2011</strong><br />

Gross Book Value<br />

Accumulated depreciation/<br />

26,600 46,704 73,304 54,382 21,274 148,960<br />

amortisation – (3,722) (3,722) (27,681) (5,510) (36,913)<br />

opening net book value 26,600 42,982 69,582 26,701 15,764 112,047<br />

Additions – by purchase<br />

Revaluations recognised in<br />

other comprehensive income<br />

– 154 154 13,300 1,037 14,491<br />

(equity)<br />

Revaluations recognised in<br />

615 (694) (79) 1,316 – 1,237<br />

the income statement – – – (168) – (168)<br />

Reclassification of assets<br />

Depreciation/amortisation<br />

– – – (18) 18 –<br />

expense<br />

Disposals<br />

– (2,509) (2,509) (6,698) (1,401) (10,608)<br />

From disposal of operations – – – – – –<br />

Other disposals<br />

Net book value as at<br />

– – – (263) – (263)<br />

30 June <strong>2012</strong> 27,215 39,933 67,148 34,170 15,418 116,736<br />

100 SBS


8(d) Analysis of property, plant and equipment, and intangibles (cont.)<br />

Reconciliation of the opening and closing balances of property, plant and equipment,<br />

and intangibles (<strong>2011</strong>–12) (cont.)<br />

CoNsoLIDAteD<br />

LAND<br />

$’000<br />

BUILDINGs<br />

$’000<br />

totAL<br />

LAND AND<br />

BUILDINGs<br />

$’000<br />

PLANt AND<br />

eQUIPMeNt<br />

$’000<br />

INtANGIBLes<br />

$’000<br />

totAL<br />

$’000<br />

Net book value is<br />

represented by:<br />

Gross Book Value<br />

Accumulated depreciation/<br />

27,215 46,386 73,601 66,290 22,313 162,204<br />

amortisation – (6,453) (6,453) (32,120) (6,895) (45,468)<br />

Closing net book value 27,215 39,933 67,148 34,170 15,418 116,736<br />

The above amounts include $0.260m for plant and equipment owned by the Corporation’s controlled entity, STV Ltd, as<br />

at 30 June <strong>2012</strong>. A loss on revaluation of $0.168m was also recognised in STV LTd’s income statement in <strong>2012</strong> (<strong>2011</strong>:<br />

Nil), with a $0.012m increase on revaluation for STV Ltd’s plant and equipment as at 30 June <strong>2012</strong> (<strong>2011</strong>: Nil). The<br />

increase of $0.012m was recognised directly in equity (asset revaluation reserve).<br />

Reconciliation of the opening and closing balances of property, plant and equipment, and intangibles (2010–11)<br />

CoNsoLIDAteD<br />

LAND<br />

$’000<br />

BUILDINGs<br />

$’000<br />

totAL<br />

LAND AND<br />

BUILDINGs<br />

$’000<br />

PLANt AND<br />

eQUIPMeNt<br />

$’000<br />

INtANGIBLes<br />

$’000<br />

totAL<br />

$’000<br />

As at 1 July 2010<br />

Gross Book Value<br />

Accumulated depreciation/<br />

21,250 47,061 68,311 56,886 19,778 144,975<br />

amortisation – (5,905) (5,905) (28,057) (4,491) (38,453)<br />

opening net book value 21,250 41,156 62,406 28,829 15,287 106,522<br />

Additions – by purchase<br />

Revaluations recognised in<br />

other comprehensive income<br />

– 2,282 2,282 4,658 1,703 8,643<br />

(equity)<br />

Depreciation/amortisation<br />

5,350 1,943 7,293 – – 7,293<br />

expense<br />

Disposals<br />

– (2,399) (2,399) (6,343) (1,223) (9,965)<br />

From disposal of operations – – – – – –<br />

Other disposals<br />

Net book value as at<br />

– – – (443) (3) (446)<br />

30 June <strong>2011</strong> 26,600 42,982 69,582 26,701 15,764 112,047<br />

Net book value is<br />

represented by:<br />

Gross Book Value<br />

Accumulated depreciation/<br />

26,600 46,704 73,304 54,382 21,274 148,960<br />

amortisation – (3,722) (3,722) (27,681) (5,510) (36,913)<br />

Closing net book value 26,600 42,982 69,582 26,701 15,764 112,047<br />

The above amounts include $0.522m for plant and equipment owned by the Corporation’s controlled entity, STV Ltd, as<br />

at 30 June <strong>2011</strong>.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 101


NOTES TO THE FINANCIAL STATEMENTS<br />

8(d) Analysis of property, plant and equipment, and intangibles (cont.)<br />

Independent Revaluations<br />

All non-current assets of the Corporation are at independent valuation except for intangible assets. In accordance with<br />

AASB 116 Property, Plant and Equipment, intangibles are carried at cost if no active market exists for the Corporation’s<br />

intangible assets.<br />

In 2010, an independent valuation of PAN TV’s identified intangible assets was undertaken as at the date of acquisition<br />

(4 November 2009). The identified intangible assets (trademark and contract rights) were valued at $0.353m, and<br />

undertaken by:<br />

– S. Ferris, Partner, Deloitte Touche Tohmatsu.<br />

In <strong>2012</strong>, an independent valuation of all plant and equipment (except intangible assets) was undertaken as at 30 June.<br />

This resulted in a revaluation increment of $1.316m which was credited to the asset valuation reserve.<br />

In <strong>2012</strong>, an independent revaluation of leasehold improvements at Federation Square resulted in an asset revaluation<br />

decrement of $0.393m. The asset revaluation reserve was increased by $0.364m for the decrease in the provision for<br />

makegood – see note 1(q).<br />

In <strong>2012</strong> the Corporation’s land and buildings were revalued by independent valuers resulting in an asset revaluation<br />

reserve increment of $0.314m.<br />

The revaluations have been implemented as follows:<br />

– Plant and equipment were revalued at 30 June <strong>2012</strong>;<br />

– Leasehold improvements were revalued as at 30 June <strong>2012</strong>;<br />

– Freehold land was revalued as at 30 June <strong>2012</strong>; and<br />

– Buildings on freehold land were revalued as at 30 June <strong>2012</strong>.<br />

The revaluation for plant and equipment was made at fair value by an independent valuer T. Noble, AAPI, Australian<br />

Valuation Office.<br />

The revaluations for land and buildings were completed by independent valuers at fair value:<br />

– T. Noble, AAPI, Australian Valuation Office – Federation Square, VIC (leasehold improvements).<br />

– C. Fratzia, Certified Practising Valuer, Australian Valuation Office – Artarmon, NSW (land and building).<br />

– E.J Kinch, BSc MRICS AAPI, Certified Practising Valuer, Australian Valuation Office – Craigieburn, Victoria (land).<br />

An annual assessment is also made each year to ensure that the carrying amount of assets is not materially different<br />

from fair valuation as at balance date. In <strong>2012</strong>, there were no indicators of impairment for non-financial assets.<br />

102 SBS


8(d) Analysis of property, plant and equipment, and intangibles (cont.)<br />

Reconciliation of the opening and closing balances of intangibles (<strong>2011</strong>–12)<br />

CoNsoLIDAteD<br />

GooDWILL<br />

$’000<br />

tRADeMARk<br />

$’000<br />

CoNtRACt<br />

RIGHts<br />

$’000<br />

CoMPUteR<br />

soFtWARe<br />

$’000<br />

totAL<br />

$’000<br />

As at 1 July <strong>2011</strong><br />

Gross Book Value 11,497 112 241 9,424 21,274<br />

Accumulated depreciation/amortisation – – (65) (5,445) (5,510)<br />

opening net book value 11,497 112 176 3,979 15,764<br />

Additions – by purchase<br />

Revaluations recognised in other<br />

– – – 1,037 1,037<br />

comprehensive income (equity) – – – – –<br />

Reclassification of assets – – – 18 18<br />

Amortisation expense – – (39) (1,362) (1,401)<br />

Disposals<br />

From disposal of operations – – – – –<br />

Other disposals – – – – –<br />

Net book value as at 30 June <strong>2012</strong><br />

Net book value is represented by:<br />

11,497 112 137 3,672 15,418<br />

Gross Book Value 11,497 112 241 10,463 22,313<br />

Accumulated depreciation/amortisation – – (104) (6,791) (6,895)<br />

Closing net book value 11,497 112 137 3,672 15,418<br />

Trademark and contract rights relate to the Corporation’s controlled entity, STV Ltd, including $ $2.254m for Goodwill.<br />

The above amounts include $0.018m for computer software for STV Ltd (<strong>2011</strong>: $0.016m).<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 103


NOTES TO THE FINANCIAL STATEMENTS<br />

8(d) Analysis of property, plant and equipment, and intangibles (cont.)<br />

Reconciliation of the opening and closing balances of intangibles (2010–11)<br />

CoNsoLIDAteD<br />

GooDWILL<br />

$’000<br />

tRADeMARk<br />

$’000<br />

CoNtRACt<br />

RIGHts<br />

$’000<br />

CoMPUteR<br />

soFtWARe<br />

$’000<br />

totAL<br />

$’000<br />

As at 1 July 2010<br />

Gross Book Value 11,497 112 241 7,928 19,778<br />

Accumulated depreciation/amortisation – – (25) (4,466) (4,491)<br />

opening net book value 11,497 112 216 3,462 15,287<br />

Additions – by purchase<br />

Revaluations recognised in other<br />

– – – 1,703 1,703<br />

comprehensive income (equity) – – – – –<br />

Amortisation expense – – (40) (1,183) (1,223)<br />

Disposals<br />

From disposal of operations – – – – –<br />

Other disposals – – – (3) (3)<br />

Net book value as at 30 June <strong>2011</strong><br />

Net book value is represented by:<br />

11,497 112 176 3,979 15,764<br />

Gross Book Value 11,497 112 241 9,424 21,274<br />

Accumulated depreciation/amortisation – – (65) (5,445) (5,510)<br />

Closing net book value 11,497 112 176 3,979 15,764<br />

Intangibles relating to goodwill, trademark and contract rights.<br />

In 2010, the consolidated entity recognised additional goodwill of $2.254m following the purchase of the remaining 60%<br />

issued capital of PAN TV Ltd by the Corporation’s controlled entity, STV Ltd (which previously owned 40% of PAN TV<br />

Ltd’s issued capital).<br />

An independent valuer also valued the identifiable assets of PAN TV on acquisition as $0.353m ( $0.112m for trademark,<br />

and $0.241m for contract rights for the World Movies channel). Trademark is not amortised as it has an indefinite useful<br />

life, but is assessed annually for impairment.<br />

In 2009, the Corporation recognised goodwill of $9.243m following the restructure of the media representation<br />

function of the Corporation (previously outsourced) and the resulting acquisition of a business unit. In line with AASB 3<br />

“Business Combinations”, goodwill was recognised as the difference between the consideration paid and the fair value<br />

of identifiable net assets which was nil.<br />

Goodwill is not amortised but is assessed annually for impairment (based on its “value in use” calculated as the net<br />

present value of estimated future net cash inflows of the cash-generating unit (CGU) to which it has been allocated). In<br />

<strong>2012</strong>, the amount of goodwill recognised was reviewed, using estimated cash inflows assuming a risk adjusted pre-tax<br />

discount rate of 13% (<strong>2011</strong>: 15%), growth rate of 2% in perpetuity (<strong>2011</strong>: 4% to 2015 and 3% thereafter). On that basis,<br />

goodwill was assessed as not impaired.<br />

104 SBS


8(e) Inventories<br />

All inventories are current assets.<br />

Inventories held for distribution<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Purchased program stocks – at cost 43,360 40,308 40,796 37,779<br />

Less accumulated amortisation 1(u), 3(b) (27,409) (24,950) (26,062) (23,499)<br />

15,951 15,358 14,734 14,280<br />

Commissioned programs (completed) – at cost 74,562 116,621 74,305 116,621<br />

Less accumulated amortisation 1(u), 3(b) (43,482) (77,889) (43,424) (77,889)<br />

31,080 38,732 30,881 38,732<br />

Commissioned programs – in progress 10,712 9,116 9,889 9,116<br />

total inventories (i) 57,743 63,206 55,504 62,128<br />

(i) All programs are amortised and expensed in accordance with the policy outlined in Note 1(u). A review of<br />

amortisation is undertaken annually, which resulted in an additional amount of $8.838m to be written down in <strong>2012</strong><br />

(<strong>2011</strong>: $2.560m).<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

8(f) Other non-financial assets<br />

Prepayments 18,503 8,760 18,175 8,526<br />

Deferred interest rate hedge – 28 – 28<br />

total other non-financial assets 18,503 8,788 18,175 8,554<br />

Other non-financial assets are represented by:<br />

No more than 12 months 11,969 8,772 11,641 8,538<br />

More than 12 months 6,534 16 6,534 16<br />

total other non-financial assets (ii) 18,503 8,788 18,175 8,554<br />

(ii) No indicators of impairment were found for other non-financial assets.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 105


NOTES TO THE FINANCIAL STATEMENTS<br />

9. Payables<br />

9(a) Suppliers<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Trade creditors and accruals 16,814 20,838 16,244 19,676<br />

total suppliers payables 16,814 20,838 16,244 19,676<br />

Supplier payables expected to be settled within<br />

12 months<br />

Related entities 15 30 15 30<br />

External parties 16,799 20,808 16,229 19,646<br />

total suppliers payables 16,814 20,838 16,244 19,676<br />

Settlement was usually made within 30 days.<br />

9(b) Other payables<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Salaries 2,400 1,764 2,340 1,714<br />

Superannuation 360 308 353 303<br />

Prepayments received 1,709 1,792 1,019 460<br />

Unearned revenue from Government (i) 539 2,153 539 2,153<br />

Provision for return of capital to Government (ii) – 518 – 518<br />

Other deferred revenue (iii) 14,952 17,889 14,951 17,889<br />

total other payables 19,960 24,424 19,202 23,037<br />

(i) The unspent portion of revenue from Government received in <strong>2012</strong> to fund the Corporation’s conversion to digital<br />

transmission is $0.539m (<strong>2011</strong>: $2.153m). In line with Government policy (to fund only the amounts required for the<br />

conversion to digital) the unrequired funds have been provided for – to return to the Government.<br />

(ii) A provision was made in <strong>2011</strong> to repay $0.518m to the Government for unspent revenues (appropriation) relating<br />

to the digital transmission switchover. This amount was adjusted against Contributed Equity (Return of Capital) in<br />

accordance with the FMOs. It related to revenues recognised in a previous financial year (in 2010).<br />

(iii) The Corporation received revenue from the TV Fund to provide analogue extensions to regional Australia to <strong>2012</strong> – see<br />

note 7(c)(i). The amounts received, including interest, are recognised as revenue when related expenditure is incurred.<br />

106 SBS


9(b) Other payables (cont.)<br />

Total other payables are represented by:<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

No more than 12 months 6,896 13,136 6,138 11,749<br />

More than 12 months (one to five years) 13,064 11,288 13,064 11,288<br />

total other payables 19,960 24,424 19,202 23,037<br />

10. Interest bearing liabilities<br />

10(a) loans<br />

Loans from Government (i) 6,021 12,126 6,021 12,126<br />

total loan liability 6,021 12,126 6,021 12,126<br />

(i) The Corporation received a loan of $24m from Government on 2 July 2002 to refinance the balance of the<br />

Corporation’s private sector loan for the construction and enhancement of the premises at Artarmon.<br />

In 2009 the Corporation received a loan of $15m to offset the cash flow impact of advance payments required for<br />

sporting events rights and to fund infrastructure works related to digital broadcasting.<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Maturity schedule for loans:<br />

Payable:<br />

No more than 12 months 3,021 6,126 3,021 6,126<br />

More than 12 months (one to five years) 3,000 6,000 3,000 6,000<br />

total loan liability 6,021 12,126 6,021 12,126<br />

11. Provisions<br />

11(a) employee provisions<br />

Annual leave 7,596 7,559 7,594 7,431<br />

Long service leave 10,423 9,557 10,418 9,524<br />

Superannuation on leave 1,277 1,123 1,265 1,114<br />

Separations and redundancies (ii) 3,288 1,691 3,131 1,691<br />

total employee provisions 22,584 19,930 22,408 19,760<br />

(ii) Provision is made for separation and redundancy payments to employees identified at the reporting date – see 1(j)(iii)<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 107


NOTES TO THE FINANCIAL STATEMENTS<br />

11(a) employee provisions (cont.)<br />

Employee provisions are represented by:<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Current (i) 19,323 16,864 19,153 16,727<br />

Non-current 3,261 3,066 3,255 3,033<br />

total employee provisions 22,584 19,930 22,408 19,760<br />

(i) The amount of $19.323m (consolidated) includes $3.112m (<strong>2011</strong>: $2.911m) for long service leave liabilities<br />

for employees who have reached ten years’ service and are entitled to take their leave as at 30 June <strong>2012</strong>.<br />

Of this amount, $1.100m is anticipated to be settled within 12 months (<strong>2011</strong>: $1.000m).<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

11(b) Other provisions<br />

Provision for “makegood” (ii) 1,110 1,397 1,110 1,397<br />

total other provisions 1,110 1,397 1,110 1,397<br />

Movement in other provision<br />

opening carrying amount<br />

Adjustment to provisions on revaluation of<br />

1,397 1,321 1,397 1,321<br />

leasehold improvements (364) – (364) –<br />

Unwinding of discount or change in discount rate 77 76 77 76<br />

Closing Balance 1,110 1,397 1,110 1,397<br />

(ii) The Corporation, under its lease agreement at Federation Square, has an obligation to restore (“makegood”) leasehold<br />

improvements at the end of the lease term. The provision is assessed as the present value of estimated restoration<br />

costs upon expiry of the lease in 2017.<br />

108 SBS


12. Cash flow reconciliation<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Reconciliation of cash and cash equivalents as per balance<br />

sheet to cash flow statement<br />

Reported cash and cash equivalents as per:<br />

Cash flow statement 18,722 18,140 17,843 15,061<br />

Balance sheet<br />

Reconciliation of operating result to net cash from<br />

operating activities<br />

18,722 18,140 17,843 15,061<br />

Net cost of services (227,210) (211,671) (227,159) (213,372)<br />

Add revenue from Government 222,472 209,013 222,472 209,013<br />

Plus/less income tax benefit (expense) 2 (320) – –<br />

operating result (4,736) (2,978) (4,687) (4,359)<br />

Adjustments for non-cash items<br />

Depreciation and amortisation of property, plant and equipment<br />

Decrease / (increase) in payables to suppliers for capital and<br />

10,608 9,964 10,467 9,820<br />

investment 2,910 1,094 2,910 1,000<br />

Decrease / (increase) in payables to suppliers for goodwill – 1,700 – 1,700<br />

Decrease / (increase) in makegood provisions on revaluation<br />

(against equity) 364 – 364 –<br />

Write-down of non-financial assets 404 446 229 446<br />

Loss / (gain) on disposal of property, plant and equipment 24 (5) 24 (5)<br />

Increase / (decrease) in allowance for doubtful debts (4) 34 (4) 34<br />

Increase / (decrease) in interest payable (capitalised against loan) (11) 33 (11) 33<br />

Increase in interest earned (capitalised against investments) 997 1,144 997 1,193<br />

(Increase) in revenue prepaid for analogue extensions (3,879) (5,855) (3,879) (5,855)<br />

Changes in assets and liabilities:<br />

Decrease / (increase) in receivables (1,226) 13,800 (459) 12,943<br />

Decrease / (increase) in inventories 5,463 (1,196) 6,624 (682)<br />

Decrease / (increase) in prepayments paid (9,715) (2,737) (9,621) (2,592)<br />

Increase / (decrease) in employee provisions 2,654 (1,906) 2,648 (1,908)<br />

Increase / (decrease) in other provisions (“makegood”) (287) 76 (287) 76<br />

Increase / (decrease) in supplier payables (4,024) (3,368) (3,432) (3,846)<br />

Increase / (decrease) in tax payable (79) 73 – –<br />

Increase / (decrease) in deferred tax liability<br />

Increase / (decrease) in other payables (salaries and<br />

55 93 – –<br />

superannuation) 688 59 676 20<br />

Increase / (decrease) in other prepayments received (83) (730) 559 (198)<br />

Increase / (decrease) in provision for return of appropriation (2,132) 1,789 (2,132) 1,789<br />

Net cash from (used by) operating activities (2,009) 11,530 986 9,609<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 109


NOTES TO THE FINANCIAL STATEMENTS<br />

13. Contingent liabilities and assets<br />

COnSOlIDAteD<br />

guARAnteeS<br />

<strong>2012</strong><br />

$000<br />

<strong>2011</strong><br />

$000<br />

ClAIMS FOR<br />

DAMAgeS OR<br />

COStS InDeMnItIeS tOtAl<br />

<strong>2012</strong><br />

$000<br />

<strong>2011</strong><br />

$000<br />

<strong>2012</strong><br />

$000<br />

<strong>2011</strong><br />

$000<br />

<strong>2012</strong><br />

$000<br />

<strong>2011</strong><br />

$000<br />

Contingent assets<br />

Balance from<br />

previous period – – – – – – – –<br />

New – – – – – – – –<br />

Re-measurement – – – – – – – –<br />

Assets recognised – – – – – – – –<br />

Expired<br />

total contingent<br />

– – – – – – – –<br />

assets – – – – – – – –<br />

Contingent liabilities<br />

Balance from<br />

previous period – – – – – – – –<br />

New – – 83 – – – 83 –<br />

Re-measurement – – – – – – – –<br />

Liabilities recognised – – – – – – – –<br />

Obligations expired<br />

total contingent<br />

– – – – – – – –<br />

liabilities<br />

Net contingent<br />

– – 83 – – – 83 –<br />

liabilites – – 83 – – – 83 –<br />

quantifiable Contingencies<br />

The Corporation and its controlled entity’s quantifiable contingent liabilities were $0.083m at 30 June <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

They relate to claims for damages/costs which the Corporation is actively defending. The amounts represent an estimate<br />

of the Corporation’s liability if it is unsuccessful.<br />

unquantifiable and remote contingencies<br />

The Corporation and its controlled entity have no unquantiable or significant remote contingencies at 30 June <strong>2012</strong><br />

(<strong>2011</strong>: Nil).<br />

110 SBS


14. Directors remuneration<br />

Directors<br />

Remuneration of directors does not include the remuneration of senior executives who are also directors of the<br />

Corporation or its controlled entities. Their remuneration is reported in Note 16.<br />

COnSOlIDAteD CORpORAtIOn<br />

Total remuneration received or due and receivable by directors<br />

of the entity: $275,226 $255,632 $258,876 $251,544<br />

<strong>2012</strong><br />

$<br />

<strong>2011</strong><br />

$<br />

<strong>2012</strong><br />

$<br />

The directors of the Corporation’s controlled entity, STV Ltd, who are not senior executives of the Corporation, are<br />

included in the consolidated figure.<br />

DIReCtORS<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

NUMBeR<br />

<strong>2011</strong><br />

NUMBER<br />

<strong>2012</strong><br />

NUMBeR<br />

<strong>2011</strong><br />

$<br />

<strong>2011</strong><br />

NUMBER<br />

The number of non-executive directors of the entity included<br />

in the above amounts are shown below in the relevant<br />

remuneration bands:<br />

$0 – $29,999 7 8 6 7<br />

$30,000 – $59,999 1 – 1 –<br />

$60,000 – $89,999 1 1 1 1<br />

total 9 9 8 8<br />

15. Related party disclosures<br />

transactions with entities in the wholly owned group<br />

STV Ltd<br />

The Corporation and its wholly owned company, STV Ltd, have entered into transactions which are fully eliminated on<br />

consolidation. All inter-company transactions were on normal commercial terms and conditions, including the purchase<br />

of assets and liabilities of STV Ltd on 1 July <strong>2012</strong> – see Note 2.<br />

PAN TV Ltd<br />

On 1 April <strong>2011</strong>, STV Ltd purchased all assets and liabilities of PAN TV Ltd for a notional amount of $1. This was<br />

done for administrative efficiency only, with a view to PAN TV being wound up in due course. The purchase has been<br />

accounted for as a “common control” transaction, using book value accounting.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 111


NOTES TO THE FINANCIAL STATEMENTS<br />

15. Related party disclosures (cont.)<br />

transactions with associate companies, joint ventures, and other Commonwealth owned agencies and authorities<br />

Associated and joint venture companies are disclosed in Note 7(d)(ii). Other related party transactions with Commonwealth<br />

owned agencies are disclosed in the relevant notes. Unless otherwise stated, transactions between related parties are on<br />

normal commercial terms and conditions, which are no more favourable than those available to other parties.<br />

Other transactions with directors or director-related entities<br />

The remuneration of directors is disclosed in Note 14. There were no other transactions with directors or director-related entities<br />

in <strong>2012</strong> (<strong>2011</strong>: Nil). All transactions with directors and director-related parties are on normal commercial terms and conditions.<br />

16. Senior executive remuneration<br />

16(a) Senior executive remuneration for the reporting period<br />

“Senior executives” are persons engaged by the economic entity who are concerned in, or take part in, the management<br />

of the Corporation or economic entity.<br />

COnSOlIDAteD CORpORAtIOn<br />

short-term employee benefits:<br />

Salary $2,090,632 $1,887,428 $2,090,632 $1,887,428<br />

Annual leave accrued $162,784 $179,109 $162,784 $179,109<br />

Performance bonus $410,608 $410,782 $410,608 $410,782<br />

Other short-term allowances $130,919 $275,850 $130,919 $275,850<br />

total short-term employee benefits<br />

Post-employment benefits<br />

$2,794,943 $2,753,169 $2,794,943 $2,753,169<br />

Superannuation (post-employment benefits) $300,089 $385,696 $300,089 $385,696<br />

total post-employment benefits<br />

other long-term benefits<br />

$300,089 $385,696 $300,089 $385,696<br />

Long Service Leave $33,442 $44,151 $33,442 $44,151<br />

total other long-term benefits $33,442 $44,151 $33,442 $44,151<br />

Termination benefits – – – –<br />

total $3,128,474 $3,183,016 $3,128,474 $3,183,016<br />

Notes:<br />

1 Note 16(a) is prepared on an accrual basis, unlike Tables 16(b) and 16(c) which are reported on a cash basis. Therefore the<br />

performance bonus expenses disclosed above may differ from the cash ‘Bonus paid’ in Note 16(b).<br />

2 Note 16(a) excludes acting arrangements and part-year service where total remuneration expensed for a senior executive was less<br />

than $150,000.<br />

112 SBS<br />

<strong>2012</strong><br />

$<br />

<strong>2011</strong><br />

$<br />

<strong>2012</strong><br />

$<br />

<strong>2011</strong><br />

$


16(b) Average annual reportable remuneration paid to substantive senior executives during the<br />

reporting period<br />

<strong>2012</strong><br />

COnSOlIDAteD<br />

AVeRAGe ANNUAL<br />

RePoRtABLe<br />

ReMUNeRAtIoN 1<br />

total remuneration<br />

(incl. part-time<br />

arrangements)<br />

seNIoR<br />

eXeCUtIVes<br />

NUMBeR<br />

RePoRtABLe<br />

sALARY 2<br />

$<br />

CoNtRIBUteD<br />

sUPeR-<br />

ANNUAtIoN 3<br />

$<br />

RePoRtABLe<br />

ALLoWANCes 4<br />

$<br />

BoNUs PAID 5<br />

$<br />

totAL<br />

$<br />

$30,000 – $59,999 1 45,891 870 107 – 46,868<br />

$60,000 – $89,999 1 12,733 1,478 – 57,002 71,213<br />

$180,000 – $209,999 1 178,703 16,073 – 11,586 206,362<br />

$300,000 – $329,999 1 234,418 20,635 – 46,410 301,463<br />

$330,000 – $359,999 2 246,416 41,863 – 51,970 340,249<br />

$360,000 – $389,999 1 289,307 21,249 – 50,600 361,156<br />

$390,000 – $419,999 2 293,116 56,493 – 59,853 409,462<br />

$420,000 – $449,999 1 403,853 24,999 318 – 429,170<br />

total 10<br />

<strong>2011</strong><br />

COnSOlIDAteD<br />

AVeRAGe ANNUAL<br />

RePoRtABLe<br />

ReMUNeRAtIoN 1<br />

total remuneration<br />

(incl. part-time<br />

arrangements)<br />

seNIoR<br />

eXeCUtIVes<br />

NUMBeR<br />

RePoRtABLe<br />

sALARY 2<br />

$<br />

CoNtRIBUteD<br />

sUPeR-<br />

ANNUAtIoN 3<br />

$<br />

RePoRtABLe<br />

ALLoWANCes 4<br />

$<br />

BoNUs PAID 5<br />

$<br />

totAL<br />

$<br />

$0 – $29,999 1 10,490 673 – – 11,163<br />

$300,000 – $329,999 4 255,378 31,138 354 32,397 319,267<br />

$330,000 – $359,999 1 278,133 37,731 – 38,454 354,318<br />

$360,000 – $389,999 1 244,707 82,083 450 56,100 383,340<br />

$390,000 – $419,999 1 321,689 24,999 – 57,800 404,488<br />

$450,000 – $479,999 1 358,896 90,576 – 30,240 479,712<br />

total 9<br />

See Notes on next page.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 113


NOTES TO THE FINANCIAL STATEMENTS<br />

16(b) Average annual reportable remuneration paid to substantive senior executives during the reporting<br />

period (cont.)<br />

Notes:<br />

1 This table (on the previous page) reports substantive senior executives who received remuneration during the reporting period, and<br />

is reported on a cash basis. Each row is an averaged figure based on headcount for individuals in the band.<br />

2 ‘Reportable salary’ includes the following: a) gross payments (less any bonuses paid, which are separated out and disclosed in the<br />

‘bonus paid’ column); b) reportable fringe benefits (at the net amount prior to ‘grossing up’ to account for tax benefits); and c) exempt<br />

foreign employment income.<br />

3 The ‘contributed superannuation’ amount is the average actual superannuation contributions paid to senior executives in that<br />

reportable remuneration band during the reporting period, including any salary sacrificed amounts, as per the individuals’ payslips.<br />

4 ‘Reportable allowances’ are the average actual allowances paid as per the ‘total allowances’ line on individuals’ payment summaries.<br />

5 ‘Bonus paid’ represents average actual bonuses paid during the reporting period in that reportable remuneration band. The ‘bonus<br />

paid’ within a particular band may vary between financial years due to various factors such as individuals commencing with or leaving<br />

the entity during the financial year.<br />

6 Various salary sacrifice arrangements were available to senior executives including superannuation, motor vehicle and expense<br />

payment fringe benefits. Salary sacrifice benefits are reported in the ‘reportable salary’ column, excluding salary sacrificed<br />

superannuation, which is reported in the ‘contributed superannuation’ column.<br />

16(c) Other employees whose salary (including performance bonus) was more than $150,000<br />

<strong>2012</strong><br />

COnSOlIDAteD<br />

AVeRAGe ANNUAL<br />

RePoRtABLe<br />

ReMUNeRAtIoN 1<br />

total remuneration<br />

(incl. part-time<br />

arrangements)<br />

stAFF<br />

NUMBeR<br />

RePoRtABLe<br />

sALARY 2<br />

$<br />

CoNtRIBUteD<br />

sUPeR-<br />

ANNUAtIoN 3<br />

$<br />

RePoRtABLe<br />

ALLoWANCes 4<br />

$<br />

BoNUs PAID 5<br />

$<br />

totAL<br />

$<br />

$150,000 – $179,999 31 132,906 25,306 53 5,085 163,350<br />

$180,000 – $209,999 19 166,643 20,139 82 9,280 196,144<br />

$210,000 – $239,999 6 173,737 36,593 4 17,849 228,183<br />

$240,000 – $269,999 6 201,662 29,829 – 25,840 257,331<br />

$270,000 – $299,999 1 219,832 19,785 – 34,500 274,117<br />

$300,000 – $329,999 3 232,711 46,991 – 40,015 319,717<br />

$390,000 – $419,999 1 344,451 71,670 – – 416,121<br />

total 67<br />

The above table includes three employees from the Corporation’s controlled entity, STV Ltd.<br />

114 SBS


16(c) Other employees whose salary (including performance bonus) was more than $150,000 (cont.)<br />

<strong>2011</strong><br />

COnSOlIDAteD<br />

AVeRAGe ANNUAL<br />

RePoRtABLe<br />

ReMUNeRAtIoN 1<br />

total remuneration<br />

(incl. part-time<br />

arrangements)<br />

stAFF<br />

NUMBeR<br />

RePoRtABLe<br />

sALARY 2<br />

$<br />

CoNtRIBUteD<br />

sUPeR-<br />

ANNUAtIoN 3<br />

$<br />

RePoRtABLe<br />

ALLoWANCes 4<br />

$<br />

BoNUs PAID 5<br />

$<br />

totAL<br />

$<br />

$150,000 – $179,999 31 135,213 21,567 897 6,301 163,978<br />

$180,000 – $209,999 16 162,146 24,226 43 7,589 194,004<br />

$210,000 – $239,999 7 176,841 29,152 44 17,841 223,878<br />

$240,000 – $269,999 2 213,910 30,764 – – 244,674<br />

$270,000 – $299,999 1 252,345 34,444 – – 286,789<br />

$300,000 – $329,999 1 203,786 82,556 – 37,125 323,467<br />

$330,000 – $359,999 1 251,268 22,614 – 57,125 331,007<br />

$390,000 – $419,999 1 315,912 91,031 – – 406,943<br />

total 60<br />

The above table includes one employee from the Corporation’s controlled entity, STV Ltd.<br />

Notes:<br />

1 This table reports staff: a) who were employed by the entity during the reporting period; b) whose reportable remuneration was<br />

$150,000 or more for the financial period; and c) were not required to be disclosed in Tables 16(a) or director disclosures. It is<br />

reported on a cash basis. Each row is an averaged figure based on headcount for individuals in the band.<br />

2 ‘Reportable salary’ includes the following: a) gross payments (less any bonuses paid, which are separated out and disclosed in the<br />

‘bonus paid’ column); b) reportable fringe benefits (at the net amount prior to ‘grossing up’ to account for tax benefits); and c) exempt<br />

foreign employment income.<br />

3 The ‘contributed superannuation’ amount is the average actual superannuation contributions paid for employees in that reportable<br />

remuneration band during the reporting period, including any salary sacrificed amounts, as per the individuals’ payslips.<br />

4 ‘Reportable allowances’ are the average actual allowances paid as per the ‘total allowances’ line on individuals’ payment summaries.<br />

5 ‘Bonus paid’ represents average actual bonuses paid during the reporting period in that reportable remuneration band. The ‘bonus<br />

paid’ within a particular band may vary between financial years due to various factors such as individuals commencing with or leaving<br />

the entity during the financial year, or the timing of the determination of the amount.<br />

6 Various salary sacrifice arrangements were available to other highly paid staff including superannuation, motor vehicle and<br />

expense payment fringe benefits. Salary sacrifice benefits are reported in the ‘reportable salary’ column, excluding salary sacrificed<br />

superannuation, which is reported in the ‘contributed superannuation’ column.<br />

17. Remuneration of auditors<br />

Fees for services paid or payable to the Auditor-General for auditing the Corporation and its controlled entities’ financial<br />

statements for the reporting period were $124,300 (<strong>2011</strong>: $124,300). Fees payable to the Auditor-General to audit the<br />

Corporation were $94,000 (<strong>2011</strong>: $96,000). No other services were provided during the reporting period.<br />

KPMG has been contracted by the Auditor-General (Australian National Audit Office) to provide audit services to the<br />

Corporation on their behalf. In <strong>2012</strong> KPMG did not earn any further fees from the Corporation (<strong>2011</strong>: Nil).<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 115


NOTES TO THE FINANCIAL STATEMENTS<br />

18. Financial instruments<br />

18(a) Categories of financial instruments<br />

Financial assets<br />

The Corporation’s investments are held to maturity, and are not held for sale. No change in fair value has been<br />

recognised in profit and loss (statement of comprehensive income). No financial asset was pledged, or held as collateral,<br />

in <strong>2012</strong> (<strong>2011</strong>: Nil).<br />

The Corporation has established financial risk management policies to identify and analyse the risks faced by the<br />

Corporation in maximising its return on investments. There has been no change in the policies from the previous period.<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Loans and receivables<br />

Cash and cash equivalents 7(a) 18,722 18,140 17,843 15,061<br />

Trade and other receivables 7(b) 16,898 15,668 15,937 15,474<br />

Held-to-maturity investments<br />

35,620 33,808 33,780 30,535<br />

Term Deposits 7(c) 22,004 35,129 22,004 34,329<br />

Carrying amount of financial assets 57,624 68,937 55,784 64,864<br />

Financial liabilities<br />

At amortised cost<br />

Loans from Government 10(a) 6,021 12,126 6,021 12,126<br />

Suppliers – trade creditors 9(a) 16,814 20,838 16,244 19,676<br />

Carrying amount of financial liabilities 22,835 32,964 22,265 31,802<br />

18(b) net income and expense from<br />

financial assets<br />

Held-to-maturity investments<br />

Interest revenue 4(b) 4,590 4,541 4,468 4,380<br />

Net gain/(loss) held-to-maturity<br />

Receivables<br />

4,590 4,541 4,468 4,380<br />

Exchange gains/(loss) 29 (35) 29 (35)<br />

Net gain/(loss) from financial assets<br />

(not at fair value through profit and loss) (i) 4,619 4,506 4,497 4,345<br />

(i) There were no other gains or losses arising from financial assets other than interest revenue and exchange rate losses.<br />

116 SBS


18(c) net income and expense from financial<br />

liabilities<br />

Notes<br />

COnSOlIDAteD CORpORAtIOn<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Financial liabilities – at amortised cost<br />

Interest expense<br />

Payables<br />

3(d) (600) (959) (600) (903)<br />

Exchange gains/(loss) (14) 33 (15) 33<br />

Net gain/(loss) financial liabilities (614) (926) (615) (870)<br />

Net gain/(loss) from financial liabilities (not at<br />

fair value through profit and loss) (i) (614) (926) (615) (870)<br />

(i) There were no other gains or losses arising from financial liabilities other than interest paid and exchange rate<br />

gains or losses.<br />

18(d) Fair values of financial instruments<br />

Valuation method used for determining the fair value of financial instruments<br />

From 1 July 2009, amendments to AASB 7 “Financial Instruments: Disclosures” require fair value measurements to be<br />

in accordance with the following fair value measurement hierarchy (for recognition or disclosure of their fair value):<br />

• Level 1 – quoted prices (unadjusted) in active markets for identical assets or liabilities;<br />

• Level 2 – inputs (other than quoted prices included within level 1) that are observable for the asset or liability, either<br />

directly (as prices) or indirectly (derived from prices); and<br />

• Level 3 – inputs for the asset or liability that are not based on observable market data (unobservable inputs).<br />

As at 30 June <strong>2012</strong>, the Corporation held investments (held-to-maturity) and loans payable to the Commonwealth for<br />

which fair values have been calculated, and disclosed in this note (as level 2 financial instruments). The fair values of the<br />

held-to-maturity investments and the Commonwealth loans are calculated on the basis of discounted cash flows using<br />

current interest rates (at 30 June) for investments and liabilities with similar market and credit risk profiles. The fair values<br />

of cash, receivables for goods and services, and trade creditors approximate their carrying amounts.<br />

The Corporation has no level 3 financial instruments where a valuation technique is required to be based on significant<br />

unobservable inputs.<br />

No change in fair value disclosed in this note has been, nor is required to be, recognised in profit and loss. They are held<br />

to maturity, and are not held for sale. There are no unrecognised financial assets or liabilities.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 117


NOTES TO THE FINANCIAL STATEMENTS<br />

18(d) Fair values of financial instruments (cont.)<br />

CoNsoLIDAteD Notes<br />

CARRyIng AMOunt net FAIR vAlue<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Financial assets<br />

Cash and cash equivalents 7(a) 18,722 18,140 18,722 18,140<br />

Receivables for goods and services (net) 7(b) 16,898 15,668 16,898 15,668<br />

Investments 7(c) 22,004 35,129 22,043 35,102<br />

total financial assets 57,624 68,937 57,663 68,910<br />

Financial liabilities<br />

Loans from Government 10(a) 6,021 12,126 6,155 12,136<br />

Suppliers – trade creditors 9(a) 16,814 20,838 16,814 20,838<br />

Other payables (salaries and superannuation) 9(b) 2,760 2,072 2,760 2,072<br />

Tax liabilities 6 339 280 339 280<br />

total financial liabilities 25,934 35,316 26,068 35,326<br />

There are no unrecognised financial assets or liabilities.<br />

CoRPoRAtIoN Notes<br />

CARRyIng AMOunt net FAIR vAlue<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Financial assets<br />

Cash 7(a) 17,843 15,061 17,843 15,061<br />

Receivables for goods and services (net) 7(b) 15,937 15,474 15,937 15,474<br />

Investments 7(c) 22,004 34,329 22,043 35,102<br />

total financial assets 55,784 64,864 55,823 65,637<br />

Financial liabilities<br />

Loans from Government 10(a) 6,021 12,126 6,155 12,136<br />

Suppliers – trade creditors 9(a) 16,244 19,676 16,244 19,676<br />

Other payables (salaries and superannuation) 9(b) 2,693 2,017 2,693 2,017<br />

total financial liabilities 24,958 33,819 25,092 33,829<br />

There are no unrecognised financial assets or liabilities.<br />

18(e) Credit risk<br />

The economic entity’s maximum exposures to credit risk at reporting date is the carrying amount of receivables for<br />

goods and services, as reported in the balance sheet.<br />

Credit terms for receivables for goods and services are net 45 days for television advertising debtors and 30 days for<br />

other debtors. The economic entity has adopted a policy of rating the creditworthiness of entities before transacting with<br />

them, using information supplied by independent rating agencies where available or appropriate.<br />

Trade receivables for the Corporation consist mainly of accredited advertising agencies and clients spread across diverse<br />

industries and geographical areas.<br />

118 SBS


18(e) Credit risk (cont.)<br />

The following consolidated table for the economic entity illustrates the economic entity’s exposure to credit risk. There<br />

is no significant difference between the Corporation’s and the economic entity’s exposure to credit risk. Receivables<br />

(for goods and services) for the Corporation’s subsidiary STV Ltd relate to Pay TV subscription fees ($2.523m in <strong>2012</strong>).<br />

CoNsoLIDAteD Notes<br />

nOt pASt Due nOR<br />

IMpAIReD<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

pASt Due OR<br />

IMpAIReD<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

Receivables for goods and services (net) 7(b) 15,614 14,326 1,314 1,376<br />

Ageing of financial assets that are past due but not impaired are provided in note 7(b). An impairment allowance for<br />

doubtful debts is made for receivables assessed individually as impaired.<br />

18(f) Market risk<br />

Market risks of the Corporation comprise mainly of interest and foreign currency risk.<br />

The Corporation’s foreign currency risk is limited to some major sports events where contracts are entered into in foreign<br />

currencies. The majority of contracts, however, including overseas program purchases, are entered into in Australian dollars.<br />

Under current Government regulations, the Corporation cannot enter into any specific foreign exchange hedge contracts.<br />

Interest rate risks are managed by maintaining an appropriate mix between fixed and floating rates for both the<br />

economic entity’s investments and loans from Government. The two loans from Government are fixed, the first at the<br />

prevailing 10 year Government bond rate (6.02%) at the time of raising the loan in 2002, and the second (a loan of<br />

$15.000m received in 2009 – see Note 10) is fixed at 4.29%. The first loan was fully repaid by 30 June <strong>2012</strong>.<br />

The economic entity’s consolidated exposure to interest rates on financial assets and financial liabilities are detailed<br />

in the liquidity risk management section of this note (see note 18(g)).<br />

Interest rate and foreign currency sensitivity analysis is provided in the following table:<br />

seNsItIVItY ANALYsIs<br />

As At 30 JUNe <strong>2012</strong> Notes<br />

Consolidated<br />

Interest rate risk – analogue extensions<br />

investments (i)<br />

RIsk<br />

VARIABLe<br />

CHANGe<br />

IN<br />

VARIABLe<br />

%<br />

PRoFIt<br />

AND Loss<br />

$’000<br />

eFFeCt On<br />

eQUItY<br />

$’000<br />

Increase Interest +1.40% 192 –<br />

Decrease Interest – 1.40% (192) –<br />

Interest rate risk – operational investments<br />

Increase Interest +1.40% 346 –<br />

Decrease<br />

Currency risk (mainly in Swiss CHF and<br />

Interest – 1.40% (346) –<br />

American USD) (ii)<br />

Increase<br />

Decrease<br />

(i) and (ii) – see next page.<br />

Exposed<br />

Currency +15% 10,476 –<br />

Exposed<br />

Currency – 15% (10,476) –<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 119


NOTES TO THE FINANCIAL STATEMENTS<br />

18(f) Market risk (cont.)<br />

seNsItIVItY ANALYsIs<br />

As At 30 JUNe <strong>2011</strong> Notes<br />

Consolidated<br />

Interest rate risk – analogue extensions<br />

investments (i)<br />

RIsk<br />

VARIABLe<br />

CHANGe<br />

IN<br />

VARIABLe<br />

%<br />

PRoFIt<br />

AND Loss<br />

$’000<br />

eFFeCt On<br />

eQUItY<br />

$’000<br />

Increase Interest +1.75% 111 –<br />

Decrease Interest – 1.75% (111) –<br />

Interest rate risk – operational investments<br />

Increase Interest +1.75% 612 –<br />

Decrease<br />

Currency risk (mainly in Swiss CHF and<br />

Interest – 1.75% (612) –<br />

American USD) (ii)<br />

Increase<br />

Decrease<br />

Exposed<br />

Currency +15% 3,461 –<br />

Exposed<br />

Currency – 15% (3,461) –<br />

(i) The Corporation received revenue from the Government (the TV Fund) to provide analogue extensions to regional<br />

Australia to <strong>2012</strong> – see Note 9(b)(iii). The amounts received, including interest, are recognised as revenue only<br />

when related expenditure is incurred in future periods, and does not immediately impact on the statement of<br />

comprehensive income.<br />

(ii) Foreign currency gains and losses are recognised in profit or loss at the time the transaction is paid. The increase in<br />

foreign currency risk exposure in <strong>2012</strong> is due to international sports events which the Corporation acquired in <strong>2012</strong>.<br />

18(g) liquidity risk<br />

Liquidity risk is the risk that the economic entity will encounter difficulty in meeting obligations associated with<br />

financial liabilities.<br />

The Corporation is an appropriated entity, which also relies on the sale of goods and services (mainly advertising) to fund<br />

its operations. It has received, and continues to receive, moneys from Government to fund its medium-term commitment<br />

for analogue extensions to regional areas, and for the long-term transition to digital transmission.<br />

The Corporation has also established unsecured loans from Government. In 2009 the Corporation received a loan<br />

of $15.000m to offset the cashflow impact of advance payments required for sporting events rights and to fund<br />

infrastructure works related to digital broadcasting. In 2002 the Corporation received a loan at the prevailing 10 year<br />

Government bond rate (6.02%) for its premises at Artarmon.<br />

To manage its liquidity risk, the Corporation and its controlled entities continuously monitor actual cash flows against<br />

forecast, reviewing and matching the maturity profiles of financial assets and liabilities, and reforecasting revenues from<br />

independent sources (mainly advertising and Pay TV subscription fees).<br />

The following consolidated table for the economic entity illustrates the economic entity’s exposure to credit risk.<br />

120 SBS


WeIghteD<br />

AveRAge<br />

eFFeCtIve<br />

RAte<br />

FIxeD InteReSt RAte MAtuRIng In<br />

18(g) liquidity risk (cont.)<br />

nOn-InteReSt<br />

beARIng tOtAl<br />

1 yeAR OR<br />

leSS 1 tO 5 yeARS > 5 yeARS<br />

FlOAtIng<br />

InteReSt<br />

RAte<br />

<strong>2011</strong><br />

%<br />

<strong>2012</strong><br />

%<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

<strong>2012</strong><br />

$’000<br />

FINANCIAL INstRUMeNt Notes<br />

Financial Assets<br />

Cash and cash equivalents 7(a) 18,722 18,140 – – – – – – – – 18,722 18,140 4.5% 4.2%<br />

Receivables for goods<br />

and services 7(b) – – – – – – – – 16,898 15,668 16,898 15,668 n/a n/a<br />

Term deposits (investments) 7(c) – – 20,524 30,158 1,480 4,971 – – – – 22,004 35,129 5.2% 5.8%<br />

total Financial Assets 18,722 18,140 20,524 30,158 1,480 4,971 – – 16,898 15,668 57,624 68,937<br />

total Assets 250,606 252,978<br />

Financial Liabilities<br />

Loans from Government 10(a), (i) – – 3,021 6,126 3,000 6,000 – – – – 6,021 12,126 4.9% 4.9%<br />

Suppliers (trade creditors) 9(a) – – – – – – – – 16,814 20,838 16,814 20,838 n/a n/a<br />

Other payables (salaries<br />

and super) 9(b) – – 2,760 2,072 – – – – – – 2,760 2,072 n/a n/a<br />

total Financial Liabilities – – 5,781 8,198 3,000 6,000 – – 16,814 20,838 25,595 35,036<br />

total Liabilities 66,828 79,074<br />

(i) SBS entered into an interest rate hedge on 4 June 2002 to minimise the risk of interest rate movements on a loan from Government which was to be provided after<br />

balance date (2 July 2002) – at the prevailing 10 year Government bond rate (6.02%). The Commonwealth loan of $24.000m was to repay the balance owing on a<br />

loan raised in 1992 for its Artarmon premises. The specific hedge entered into by the Corporation (on 4 June 2002) effectively locked the interest rate on the loan at<br />

6.23%. This loan was fully repaid by 30 June <strong>2012</strong>.<br />

In 2009 the Corporation received a loan of $15.000m to meet prepayments of licences (as required by the contracts) for the broadcast of some major sports events<br />

and to upgrade its premises at Artarmon. The interest rate on this 5-year loan is fixed at 4.29%.<br />

ANNUAL <strong>REPORT</strong> <strong>2011</strong> – <strong>2012</strong><br />

121


NOTES TO THE FINANCIAL STATEMENTS<br />

19. Reporting of outcomes<br />

The Corporation is structured to meet one outcome: Provide multilingual and multicultural services that inform, educate<br />

and entertain all Australians and, in doing so, reflect Australia’s multicultural society.<br />

net cost of outcome delivery<br />

OutCOMe 1<br />

<strong>2012</strong><br />

$’000<br />

<strong>2011</strong><br />

$’000<br />

expenses<br />

Income from non-government sector<br />

314,881 304,496<br />

Activities subject to cost recovery – –<br />

Other – –<br />

total – –<br />

other own-source income 87,671 92,825<br />

Net cost / (contribution) of outcome delivery 227,210 211,671<br />

122 SBS


APPENDICES<br />

Appendix 1 Multilingual programming<br />

Appendix 2 Programming tables – SBS ONE & SBS TWO<br />

Appendix 3 SBS commissioned programs – first run<br />

Appendix 4 Programs commissioned for production<br />

Appendix 5 SBS’s creative alliances<br />

Appendix 6 SBS ONE: Languages broadcast<br />

Appendix 7 SBS ONE: Cultures represented<br />

Appendix 8 SBS TWO: Languages broadcast<br />

Appendix 9 SBS TWO: Cultures represented<br />

Appendix 10 SBS Radio: Language programs broadcast<br />

Appendix 11 SBS Radio: Schedules<br />

Appendix 12 SBS ONE: Languages subtitled<br />

Appendix 13 SBS TWO: Languages subtitled<br />

Appendix 14 WorldWatch services: languages broadcast<br />

Appendix 15 WorldWatch suppliers<br />

Appendix 16 SBS ONE: Top 50 programs<br />

Appendix 17 SBS TV: Audience share, reach and demographics<br />

Appendix 18 SBS Online: Top 10 SBS websites<br />

Appendix 19 SBS Online: Metrics<br />

Appendix 20 SBS DVD titles: Top selling<br />

Appendix 21 SBS analogue television services – areas served<br />

Appendix 22 SBS digital television services – areas served<br />

Appendix 23 SBS analogue radio services – areas served<br />

Appendix 24 SBS TV: Advertisers<br />

Appendix 25 SBS TV: Program sponsors<br />

Appendix 26 SBS Online: Advertisers<br />

Appendix 27 In Language (Radio): Advertisers<br />

Appendix 28 SBS Sponsorships<br />

Appendix 29 SBS outside broadcasts<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 123


APPENDIX 1<br />

Multilingual programming<br />

124 SBS<br />

SBS TeleviSion 1 SBS Radio 2<br />

SBS ONE SBS TWO ANALOguE DIgITAL<br />

Languages 3 59 55 63 63<br />

LOTE 4 (hrs) 3777 (48%) 5820 (78%) 524 (84%) 422 (84%)<br />

English (hrs) 3923 (50%) 1345 (18%) 59 (9%) 44 (9%)<br />

No Dialogue (hrs) 161 (2%) 299 (4%) 43 (7%) 34 (7%)<br />

1 24 hour schedule.<br />

2 Analogue: total hours SBS-produced programming (6am-midnight; excluding overnight schedule) across SBS Radio’s five analogue<br />

networks. Digital: total hours SBS-produced programming (6am-midnight; excluding overnight schedule) across SBS One and SBS<br />

Two (which simulcast SBS’s analogue AM and FM services); SBS PopAsia and SBS Chill (music channels), SBS Radio 6 and special<br />

event radio (content varies) are not included.<br />

3 Number of languages: SBS Television, languages of one hour or more (Appendices 6 and 8); SBS Radio – language programs –<br />

Estonian, Lithuanian, Malay, Maori and Norwegian programs currently in recess (Appendix 10).<br />

4 Languages other than English.<br />

SBS Television<br />

SBS one (24 hours)<br />

2010-11 <strong>2011</strong>-12<br />

HRS % HRS %<br />

LOTE 3820 49% 3777 48%<br />

English 3818 48% 3923 50%<br />

No Dialogue 249 3% 161 2%<br />

Total 7877 100% 7861 100%<br />

SBS TWo (24 hours)<br />

2010-11 <strong>2011</strong>-12<br />

HRS % HRS %<br />

LOTE 5761 77% 5820 78%<br />

English 1228 17% 1345 18%<br />

No Dialogue 473 6% 299 4%<br />

Total 7462 100% 7464 100%


SBS Radio<br />

analogue networks – weekly broadcast hours 1<br />

MelBouRne Sydney 2 naTional<br />

2010-11 <strong>2011</strong>-12 2010-11 <strong>2011</strong>-12 2010-11 <strong>2011</strong>-12<br />

HRS % HRS % HRS % HRS % HRS % HRS %<br />

LOTE 214 86% 211 84% 214 86% 211 84% 104 83% 102 81%<br />

English 19 8% 22 9% 19 8% 22 9% 13 10% 15 12%<br />

No Dialogue 3 17 6% 17 7% 17 6% 17 7% 9 7% 9 7%<br />

Total 250 100% 250 100% 250 100% 250 100% 126 100% 126 100%<br />

1 6am-midnight; excluding non-SBS produced programs (overnight schedule); two networks in Melbourne and Sydney (AM; FM).<br />

2 Sydney, Canberra and Wollongong services.<br />

3 PopAsia; Estonian, Lithuanian, Malay, Maori and Norwegian programs currently in recess.<br />

digital radio 1 – weekly broadcast hours 2<br />

SBS one SBS TWo<br />

BRiSBane / Sydney adelaide / MelBouRne / PeRTh<br />

2010-11 <strong>2011</strong>-12 2010-11 <strong>2011</strong>-12<br />

HRS % HRS % HRS % HRS %<br />

LOTE 211 84% 211 84% 211 84% 211 84%<br />

English 19 8% 22 9% 19 8% 22 9%<br />

No Dialogue 20 8% 17 7% 20 8% 17 7%<br />

Total 250 100% 250 100% 250 100% 250 100%<br />

1 SBS One and SBS Two are simulcasts of SBS’s Sydney and Melbourne analogue AM/FM services. SBS Digital Radio also broadcasts<br />

two digital music channels – SBS PopAsia and SBS Chill (world music) – and SBS Radio 6, which broadcasts the BBC World Service.<br />

In <strong>2011</strong>-12 SBS also broadcast SBS Eurovision Radio as an additional special event channel that ran non-stop Eurovision hits for the<br />

period 12-30 June to coincide with the Eurovision Song Contest.<br />

2 6am-midnight; excluding non-SBS produced programs (overnight schedule).<br />

3 PopAsia; Estonian, Lithuanian, Malay, Maori and Norwegian programs currently in recess.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 125


APPENDIX 2<br />

Programming tables – broadcast hours (hrs:mins) by genre, run and source<br />

SBS one – 24 hours<br />

126 SBS<br />

local iMPoRTed<br />

gENRE FIRST RuN REPEAT TOTAL % first run REPEAT TOTAL % TOTAL %<br />

Comedy 13:00 8:00 21:00 0.9% 19:55 35:10 55:05 1.0% 76:05 1.0%<br />

Drama 0:00 8:00 8:00 0.4% 76:50 76:30 153:20 2.7% 161:20 2.1%<br />

Entertainment 231:25 193:55 425:20 18.7% 46:00 48:30 94:30 1.7% 519:50 6.6%<br />

Factual 43:15 123:55 167:10 7.3% 600:45 427:25 1028:10 18.4% 1195:20 15.2%<br />

Film 5:15 11:20 16:35 0.7% 452:55 565:35 1018:30 18.2% 1035:05 13.2%<br />

Food 22:55 60:45 83:40 3.7% 24:00 36:05 60:05 1.1% 143:45 1.8%<br />

News / Current Affairs 610:36 141:25 752:01 33.0% 2999:02 0:00 2999:02 53.7% 3751:03 47.7%<br />

Short Films / Fillers 11:56 4:33 16:30 0.7% 42:10 25:25 67:35 1.2% 84:05 1.1%<br />

Sport 583:29 68:35 652:04 28.6% 95:30 10:00 105:30 1.9% 757:34 9.6%<br />

Other 137:33 0:00 137:33 6.0% 0:00 0:00 0:00 0.0% 137:33 1.7%<br />

Total 1659:24 620:28 2279:53 100% 4357:08 1224:40 5581:48 100% 7861:41 100%<br />

SBS one – 6pm–midnight<br />

local iMPoRTed<br />

gENRE first run REPEAT TOTAL % first run REPEAT TOTAL % TOTAL %<br />

Comedy 13:00 8:00 21:00 2.1% 15:45 1:50 17:35 1.5% 38:35 1.8%<br />

Drama 0:00 0:00 0:00 0.0% 66:35 17:20 83:55 7.2% 83:55 3.8%<br />

Entertainment 131:10 42:25 173:35 17.0% 2:35 2:00 4:35 0.4% 178:10 8.2%<br />

Factual 42:15 37:00 79:15 7.8% 433:00 239:50 672:50 57.9% 752:05 34.5%<br />

Film 5:00 3:25 8:25 0.8% 229:50 90:05 319:55 27.5% 328:20 15.0%<br />

Food 22:55 20:15 43:10 4.2% 24:00 36:05 60:05 5.2% 103:15 4.7%<br />

News / Current Affairs 572:41 0:00 572:41 56.1% 0:00 0:00 0:00 0.0% 572:41 26.2%<br />

Short Films / Fillers 1:00 1:25 2:25 0.2% 2:10 0:35 2:45 0.2% 5:10 0.2%<br />

Sport 85:29 34:25 119:54 11.8% 0:00 0:00 0:00 0.0% 119:54 5.5%<br />

Other 0:00 0:00 0:00 0.0% 0:00 0:00 0:00 0.0% 0:00 0.0%<br />

Total 873:30 146:55 1020:25 100% 773:55 387:45 1161:40 100% 2182:05 100%


SBS TWo – 24 hours<br />

local iMPoRTed<br />

gENRE first run REPEAT TOTAL % first run REPEAT TOTAL % TOTAL %<br />

Comedy 0:00 0:00 0:00 0.0% 0:00 0:00 0:00 0.0% 0:00 0.0%<br />

Drama 0:00 0:00 0:00 0.0% 69:35 39:30 109:05 1.7% 109:05 1.5%<br />

Entertainment 5:05 0:00 5:05 0.5% 37:50 11:30 49:20 0.8% 54:25 0.7%<br />

Factual 11:30 23:50 35:20 3.7% 329:05 201:35 530:40 8.2% 566:00 7.6%<br />

Film 0:00 0:00 0:00 0.0% 328:00 855:20 1183:20 18.2% 1183:20 15.9%<br />

Food 0:00 0:00 0:00 0.0% 206:20 132:20 338:40 5.2% 338:40 4.5%<br />

News / Current Affairs 27:00 70:00 97:00 10.0% 4230:29 0:00 4230:29 65.1% 4327:29 58.0%<br />

Short Films / Fillers 3:50 14:10 18:00 1.9% 2:20 24:38 26:58 0.4% 44:58 0.6%<br />

Sport 292:25 0:00 292:25 30.2% 28:20 0:00 28:20 0.4% 320:45 4.3%<br />

Other 519:14 0:00 519:14 53.7% 0:00 0:00 0:00 0.0% 519:14 7.0%<br />

Total 859:04 108:00 967:04 100% 5231:59 1264:53 6496:52 100% 7463:56 100%<br />

SBS TWo – 6pm–midnight<br />

local iMPoRTed<br />

gENRE first run REPEAT TOTAL % first run REPEAT TOTAL % TOTAL %<br />

Comedy 0:00 0:00 0:00 0.0% 0:00 0:00 0:00 0.0% 0:00 0.0%<br />

Drama 0:00 0:00 0:00 0.0% 69:35 39:30 109:05 6.0% 109:05 5.0%<br />

Entertainment 5:05 0:00 5:05 1.4% 37:50 11:30 49:20 2.7% 54:25 2.5%<br />

Factual 11:30 23:50 35:20 9.7% 329:05 201:35 530:40 29.3% 566:00 26.0%<br />

Film 0:00 0:00 0:00 0.0% 300:00 446:10 746:10 41.1% 746:10 34.3%<br />

Food 0:00 0:00 0:00 0.0% 206:20 132:20 338:40 18.7% 338:40 15.6%<br />

News / Current Affairs 2:00 70:00 72:00 19.9% 0:00 0:00 0:00 0.0% 72:00 3.3%<br />

Short Films / Fillers 3:50 14:10 18:00 5.0% 2:20 9:00 11:20 0.6% 29:20 1.3%<br />

Sport 232:10 0:00 232:10 64.0% 28:20 0:00 28:20 1.6% 260:30 12.0%<br />

Other 0:00 0:00 0:00 0.0% 0:00 0:00 0:00 0.0% 0:00 0.0%<br />

Total 254:35 108:00 362:35 100% 973:30 840:05 1813:35 100% 2176:10 100%<br />

Notes<br />

‘Entertainment’ includes entertainment series, arts, and performance and variety.<br />

‘Factual’ includes factual entertainment.<br />

‘Local’ sport includes all sport produced by SBS covering Australian and international events where a significant proportion of the event<br />

is produced by SBS (analysis, commentary team, journalists) and the program is tailored for an Australian audience.<br />

‘Other’ includes WeatherWatch and Music (from 5am) and WeatherWatch filler used in the event a program (usually WorldWatch news<br />

bulletins) cannot be broadcast as scheduled. WeatherWatch overnight is not included.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 127


APPENDIX 3<br />

SBS commissioned programs – first run<br />

gENRE/TITLE EPISODES HOuRS<br />

Comedy<br />

Danger 5 6 3½<br />

Housos 9 4½<br />

Swift and Shift Couriers (Series 2)<br />

Entertainment<br />

10 5<br />

Eurovision Song Contest <strong>2012</strong> (Hostings) 3 4½<br />

Letters and Numbers (Series 3) (11/50) 11 5½<br />

Letters and Numbers (Series 4) 100 50<br />

Letters and Numbers (Series 5) 100 50<br />

Rockwiz (Series 9)<br />

Factual / Factual Entertainment<br />

13 11½<br />

Behind the Front Door 5 2½<br />

Big Fella – Loved up (Series 2) 1 ½<br />

Bollywood Star 4 4<br />

Desperately Seeking Drs: The Kimberley 2 2<br />

The Family 8 8<br />

The Hungry Tide 1 1<br />

The Man Who Jumped 1 1<br />

Ned’s Head 1 1<br />

Nin’s Brother – Loved up (Series 2) 1 ½<br />

Once upon a Time in Cabramatta 3 3<br />

Road to Eurovision with Julia Zemiro 2 2<br />

Scarlet Road – A Sex Worker’s Journey 1 1<br />

Seduction In The City – The Birth of Shopping 2 2<br />

Sex: An unnatural History 6 3<br />

Singapore 1942 – End Of Empire 2 2<br />

The Tall Man 1 1½<br />

Trafficked, The Reckoning 1 1<br />

Who Do You Think You Are? (Series 4)<br />

Food<br />

6 6<br />

French Food Safari 7 3½<br />

gourmet Farmer (Series 2) 10 5<br />

My Sri Lanka with Peter Kuruvita 10 5<br />

Luke Nguyen’s greater Mekong 10 5<br />

Lyndey and Blair’s Taste Of greece 1 ½<br />

Island Feast with Peter Kuruvita<br />

Film<br />

7 3½<br />

Stone Bros. 1 1½<br />

Total 201<br />

128 SBS


APPENDIX 4<br />

Programs commissioned for production<br />

gENRE/TITLE EPISODES HOuRS<br />

Comedy<br />

The Cradle of Comedy 1 1<br />

Housos (Series 2)<br />

Entertainment<br />

9 4½<br />

Eurovision Song Contest <strong>2012</strong> (Hostings) 3 4½<br />

Letters and Numbers (Series 4) 100 50<br />

Letters and Numbers (Series 5) 100 50<br />

Rockwiz (Series 10) 12 12<br />

Rockwiz (Series 9) 13 13<br />

Spontaneous Saturday 2 2<br />

The Very Trevor Ashley Show 1 1<br />

Vive Cool City<br />

Factual / Factual Entertainment<br />

1 ½<br />

Behind the Front Door 11 5½<br />

Black Panther Woman 1 1<br />

Bollywood Star 4 4<br />

Dirty Business: How Mining Made Australia 3 3<br />

go Back To Where You Came From (Series 2) 3 3<br />

go Back To Where You Came From: The Response 1 1<br />

Jabbed 1 1½<br />

The Network 1 1<br />

Once upon a Time in Punchbowl 4 4<br />

The Road to Eurovision with Julia Zemiro 2 2<br />

Who Do You Think You Are? (Series 5)<br />

Food<br />

6 6<br />

Destination Flavour 10 5<br />

Food Safari (Series 4) 10 5<br />

gourmet Farmer (Series 3) 10 5<br />

Island Feast with Peter Kuruvita 10 5<br />

Luke Nguyen’s greater Mekong (Series 2) 10 5<br />

Shane Delia’s Middle East 10 5<br />

Taste Le Tour with gabriel gaté (Series 8) 21 1¾<br />

Total 202¼<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 129


APPENDIX 5<br />

SBS’s creative alliances<br />

Screen australia<br />

Black Panther Woman (Factual)<br />

Dirty Business – How Mining Made Australia (Factual – Series)<br />

go Back To Where You Came From (Series 2) (Factual – Series)<br />

Jabbed (Factual)<br />

Murdoch* (Factual – Series)<br />

Once upon a Time in Punchbowl (Factual – Series)<br />

Surgery Ship* (Factual)<br />

The Network (Factual)<br />

Who Do You Think You Are (Series 5) (Factual – Series)<br />

Film victoria<br />

Dirty Business – How Mining Made Australia (Factual – Series)<br />

Screen nSW<br />

go Back To Where You Came From (Series 2) (Factual – Series)<br />

Screen West<br />

Murdoch* (Factual Series)<br />

Who Do You Think You Are (Series 5) (Factual – Series)<br />

* Subject to contract as at 30 June <strong>2012</strong>.<br />

130 SBS


APPENDIX 6<br />

SBS ONE: Languages broadcast<br />

LANguAgE HH:MM % TOTAL % LOTE*<br />

Arabic 164:08 2.09% 4.35%<br />

Bambara 1:31 0.02% 0.04%<br />

Bengali 2:12 0.03% 0.06%<br />

Bosnian 4:43 0.06% 0.13%<br />

Bulgarian 1:20 0.02% 0.04%<br />

Burmese 1:07 0.01% 0.03%<br />

Cantonese 144:51 1.84% 3.83%<br />

Catalan 2:29 0.03% 0.07%<br />

Croatian 1:15 0.02% 0.03%<br />

Czech 12:58 0.17% 0.34%<br />

Danish 32:10 0.41% 0.85%<br />

Dari 2:43 0.03% 0.07%<br />

Dutch 15:50 0.20% 0.42%<br />

Estonian 1:45 0.02% 0.05%<br />

Farsi 14:40 0.19% 0.39%<br />

Filipino 169:03 2.15% 4.48%<br />

Finnish 6:37 0.08% 0.18%<br />

Flemish 1:04 0.01% 0.03%<br />

French 482:38 6.14% 12.78%<br />

French Canadian 10:48 0.14% 0.29%<br />

georgian 1:57 0.02% 0.05%<br />

german 273:49 3.48% 7.25%<br />

greek 228:12 2.90% 6.04%<br />

Hebrew 16:24 0.21% 0.43%<br />

Hindi 183:30 2.33% 4.86%<br />

Hungarian 36:35 0.47% 0.97%<br />

Icelandic 5:40 0.07% 0.15%<br />

Indonesian 6:52 0.09% 0.18%<br />

Italian 252:34 3.21% 6.69%<br />

LANguAgE HH:MM % TOTAL % LOTE*<br />

Japanese 230:36 2.93% 6.11%<br />

Kazakh 1:17 0.02% 0.03%<br />

Korean 232:29 2.96% 6.15%<br />

Kurdish 2:11 0.03% 0.06%<br />

Luganda 1:03 0.01% 0.03%<br />

Maltese 24:45 0.31% 0.66%<br />

Mandarin 249:20 3.17% 6.60%<br />

Marathi 1:59 0.03% 0.05%<br />

Mongolian 2:08 0.03% 0.06%<br />

Norwegian 13:37 0.17% 0.36%<br />

Pashto 2:04 0.03% 0.05%<br />

Polish 27:56 0.36% 0.74%<br />

Portuguese 51:16 0.65% 1.36%<br />

Punjabi 3:25 0.04% 0.09%<br />

Romanian 6:46 0.09% 0.18%<br />

Russian 174:35 2.22% 4.62%<br />

Slovak 2:19 0.03% 0.06%<br />

Slovene 1:30 0.02% 0.04%<br />

Spanish 393:58 5.01% 10.43%<br />

Swedish 52:23 0.67% 1.39%<br />

Swiss german 2:56 0.04% 0.08%<br />

Taiwanese 1:25 0.02% 0.04%<br />

Thai 4:33 0.06% 0.12%<br />

Tibetan 2:00 0.03% 0.05%<br />

Tigrinya 1:32 0.02% 0.04%<br />

Turkish 161:01 2.05% 4.26%<br />

urdu 26:38 0.34% 0.71%<br />

Vietnamese 5:33 0.07% 0.15%<br />

Zulu 1:16 0.02% 0.03%<br />

LOTE < 1 hr (81) 15:01 0.19% 0.40%<br />

Total LOTE 3777:24 48.05% 100%<br />

Total English 3923:16 49.90%<br />

No Dialogue 161:00 2.05%<br />

Total 7861:41 100%<br />

* Languages other than English<br />

ANNuAL <strong>REPORT</strong> <strong>2011</strong> – <strong>2012</strong> 131


APPENDIX 7<br />

SBS ONE: Cultures represented<br />

Afghan<br />

African American<br />

Albanian<br />

Algerian<br />

American<br />

Argentine<br />

Armenian<br />

Australian<br />

Australian Indigenous<br />

Austrian<br />

Azerbaijani<br />

Bahamian<br />

Bahraini<br />

Bangladeshi<br />

Basque<br />

Belgian<br />

Belizean<br />

Bengali<br />

Beninese<br />

Bhutanese<br />

Bolivian<br />

Bosnian<br />

Botswanan<br />

Brazilian<br />

British<br />

Bulgarian<br />

Burkinabe<br />

Burmese<br />

Burundian<br />

Cambodian<br />

Cameroonian<br />

Canadian<br />

Cape Verdean<br />

Catalan<br />

Central African Republic<br />

Chadian<br />

Chechen<br />

Chilean<br />

Chinese<br />

Colombian<br />

Congolese<br />

Corsican<br />

Costa Rican<br />

Croatian<br />

Cuban<br />

Cypriot<br />

Czech<br />

132 SBS<br />

Danish<br />

Djiboutian<br />

Dominican Republican<br />

Dutch<br />

Ecuadorian<br />

Egyptian<br />

Emirati<br />

Eritrean<br />

Estonian<br />

Ethiopian<br />

Fijian<br />

Filipino<br />

Finnish<br />

French<br />

georgian<br />

german<br />

ghanaian<br />

greek<br />

guatemalan<br />

guyanese<br />

Haitian<br />

Hong Kong<br />

Hungarian<br />

Icelandic<br />

Indian<br />

Indonesian<br />

Inuit<br />

Iranian<br />

Iraqi<br />

Irish<br />

Israeli<br />

Italian<br />

Japanese<br />

Jordanian<br />

Kazakhi<br />

Kenyan<br />

Korean<br />

Kurdish<br />

Kuwaiti<br />

Kyrgyz<br />

Laotian<br />

Latvian<br />

Lebanese<br />

Liberian<br />

Libyan<br />

Lithuanian<br />

Malagasy<br />

Malawian<br />

Malaysian<br />

Maldivian<br />

Malian<br />

Maltese<br />

Maori<br />

Mauritanian<br />

Melanesian<br />

Mexican<br />

Micronesian<br />

Mongolian<br />

Montenegrin<br />

Moroccan<br />

Mozambican<br />

Namibian<br />

Nepalese<br />

New Caledonian<br />

New Zealand<br />

Nicaraguan<br />

Nigerian<br />

Norwegian<br />

Omani<br />

Pakistani<br />

Palestinian<br />

Panamanian<br />

Papua New guinean<br />

Paraguayan<br />

Peruvian<br />

Polish<br />

Polynesian<br />

Portuguese<br />

Puerto Rican<br />

Qatari<br />

Romanian<br />

Romany<br />

Russian<br />

Sahrawi<br />

Salvadoran<br />

Samoan<br />

Saudi Arabian<br />

Scottish<br />

Senegalese<br />

Serbian<br />

Seychellois<br />

Sierra Leonean<br />

Singaporean<br />

Slovak<br />

Slovenian<br />

Somali<br />

South African<br />

Spanish<br />

Sri Lankan<br />

Sudanese<br />

Swedish<br />

Swiss<br />

Syrian<br />

Taiwanese<br />

Tajik<br />

Tamil<br />

Tanzanian<br />

Thai<br />

Tibetan<br />

Tongan<br />

Tunisian<br />

Turkish<br />

Turkmen<br />

ugandan<br />

ukrainian<br />

uruguayan<br />

Venezuelan<br />

Vietnamese<br />

Welsh<br />

Yemeni<br />

Zambian<br />

Zimbabwean


APPENDIX 8<br />

SBS TWO: Languages broadcast<br />

LANguAgE HH:MM % LOTE* % TOTAL<br />

Amharic 1:33 0.03% 0.02%<br />

Arabic 203:22 3.49% 2.72%<br />

Bengali 4:10 0.07% 0.06%<br />

Bosnian 2:56 0.05% 0.04%<br />

Bulgarian 3:06 0.05% 0.04%<br />

Cantonese 165:53 2.85% 2.22%<br />

Catalan 3:34 0.06% 0.05%<br />

Croatian 211:35 3.64% 2.83%<br />

Czech 13:13 0.23% 0.18%<br />

Danish 67:16 1.16% 0.90%<br />

Dari 4:38 0.08% 0.06%<br />

Dutch 178:42 3.07% 2.39%<br />

Estonian 1:22 0.02% 0.02%<br />

Farsi 9:40 0.17% 0.13%<br />

Filipino 204:50 3.52% 2.74%<br />

Finnish 8:55 0.15% 0.12%<br />

Flemish 7:18 0.13% 0.10%<br />

French 528:48 9.09% 7.08%<br />

French Canadian 12:21 0.21% 0.17%<br />

galician 1:25 0.02% 0.02%<br />

german 363:55 6.25% 4.88%<br />

greek 368:46 6.34% 4.94%<br />

Hebrew 15:59 0.27% 0.21%<br />

Hindi 181:49 3.12% 2.44%<br />

Hungarian 36:02 0.62% 0.48%<br />

Icelandic 3:41 0.06% 0.05%<br />

Indonesian 148:55 2.56% 2.00%<br />

Italian 294:53 5.07% 3.95%<br />

LANguAgE HH:MM % LOTE* % TOTAL<br />

Japanese 306:18 5.26% 4.10%<br />

Khmer 2:44 0.05% 0.04%<br />

Korean 263:53 4.53% 3.54%<br />

Macedonian 198:33 3.41% 2.66%<br />

Malay 1:03 0.02% 0.01%<br />

Maltese 25:30 0.44% 0.34%<br />

Mandarin 294:58 5.07% 3.95%<br />

Mongolian 1:46 0.03% 0.02%<br />

Norwegian 13:31 0.23% 0.18%<br />

Pashto 2:35 0.04% 0.03%<br />

Polish 295:36 5.08% 3.96%<br />

Portuguese 207:25 3.56% 2.78%<br />

Punjabi 1:35 0.03% 0.02%<br />

Romanian 10:46 0.19% 0.14%<br />

Romany 3:11 0.05% 0.04%<br />

Russian 183:23 3.15% 2.46%<br />

Serbian 186:45 3.21% 2.50%<br />

Spanish 462:08 7.94% 6.19%<br />

Swahili 1:18 0.02% 0.02%<br />

Swedish 60:22 1.04% 0.81%<br />

Taiwanese 2:25 0.04% 0.03%<br />

Thai 20:07 0.35% 0.27%<br />

Tibetan 2:08 0.04% 0.03%<br />

Turkish 186:23 3.20% 2.50%<br />

urdu 21:57 0.38% 0.29%<br />

Vietnamese 3:07 0.05% 0.04%<br />

LOTE < 1 hr (52) 11:52 0.20% 0.16%<br />

Total LOTE 5820:23 100% 77.98%<br />

English 1344:53 18.02%<br />

No Dialogue 298:40 4.00%<br />

Total 7463:56 100%<br />

* Languages other than English<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 133


APPENDIX 9<br />

SBS TWO: Cultures represented<br />

Afghan<br />

Algerian<br />

American<br />

American Indian<br />

Argentine<br />

Armenian<br />

Australian<br />

Australian Indigenous<br />

Austrian<br />

Bahraini<br />

Bangladeshi<br />

Basque<br />

Belgian<br />

Bengali<br />

Bhutanese<br />

Bosnian<br />

Botswanan<br />

Brazilian<br />

British<br />

Bulgarian<br />

Burmese<br />

Cambodian<br />

Cameroonian<br />

Canadian<br />

Catalan<br />

Central African Republic<br />

Chadian<br />

Chilean<br />

Chinese<br />

Colombian<br />

Congolese<br />

Costa Rican<br />

Croatian<br />

Cuban<br />

Cypriot<br />

Czech<br />

134 SBS<br />

Danish<br />

Dominican Republican<br />

Dutch<br />

Egyptian<br />

Emirati<br />

Estonian<br />

Ethiopian<br />

Fijian<br />

Filipino<br />

Finnish<br />

Flemish<br />

French<br />

georgian<br />

german<br />

ghanaian<br />

greek<br />

guatemalan<br />

Hong Kong<br />

Hungarian<br />

Icelandic<br />

Indian<br />

Indonesian<br />

Inuit<br />

Iranian<br />

Iraqi<br />

Irish<br />

Israeli<br />

Italian<br />

Japanese<br />

Jordanian<br />

Kazakh<br />

Kenyan<br />

Korean<br />

Kosovan<br />

Laotian<br />

Latvian<br />

Lebanese<br />

Liberian<br />

Lithuanian<br />

Macedonian<br />

Malagasy<br />

Malawian<br />

Malaysian<br />

Malian<br />

Maltese<br />

Mauritanian<br />

Mayan<br />

Mexican<br />

Micronesian<br />

Moldovan<br />

Mongolian<br />

Montenegrin<br />

Mozambican<br />

Namibian<br />

Nepalese<br />

New Caledonian<br />

New Zealand<br />

Norwegian<br />

Omani<br />

Pakistani<br />

Palestinian<br />

Panamanian<br />

Papua New guinean<br />

Peruvian<br />

Polish<br />

Portuguese<br />

Puerto Rican<br />

Romanian<br />

Romany<br />

Russian<br />

Rwandan<br />

Scottish<br />

Senegalese<br />

Serbian<br />

Seychellois<br />

Singaporean<br />

Slovenian<br />

South African<br />

Spanish<br />

Sri Lankan<br />

Sudanese<br />

Swedish<br />

Swiss<br />

Syrian<br />

Taiwanese<br />

Tanzanian<br />

Thai<br />

Tibetan<br />

Tongan<br />

Tunisian<br />

Turkish<br />

Turkmen<br />

ugandan<br />

ukrainian<br />

uruguayan<br />

Venezuelan<br />

Vietnamese<br />

Welsh<br />

Zimbabwean


APPENDIX 10<br />

SBS Radio – Language programs broadcast (hours per week 1 )<br />

analogue analogue/digiTal<br />

LANguAgE PROgRAM NATIONAL MELBOuRNE 2 SYDNEY 3<br />

Albanian 0 2 1<br />

Amharic 1 1 1<br />

Arabic 4 10 14<br />

Armenian 1 2 3<br />

Assyrian 0 1 1<br />

Bangla 0 1 1<br />

Bosnian 0 1 1<br />

Bulgarian 0 1 0<br />

Burmese 1 1 1<br />

Cantonese 5 9 9<br />

Cook Islands Maori 0 1 1<br />

Croatian 2 5 5<br />

Czech 1 1 2<br />

Danish 1 1 1<br />

Dari 1 1 1<br />

Dutch 3 4 4<br />

Fijian 0 1 1<br />

Filipino 4 6 6<br />

Finnish 1 1 1<br />

French 3 5 5<br />

german 4 9 6<br />

greek 7 14 14<br />

gujarati 0 0 1<br />

Hebrew 1 2 2<br />

Hindi 1 3 3<br />

Hungarian 2 4 3<br />

Indonesian 2 3 3<br />

Italian 7 14 14<br />

Japanese 1 1 1<br />

Kannada 0 0 1<br />

Khmer 1 4 4<br />

Korean 1 2 4<br />

Kurdish 0 1 1<br />

Laotian 1 2 2<br />

Latvian 1 2 2<br />

Macedonian 2 6 5<br />

Maltese 2 8 5<br />

Mandarin 3 7 7<br />

Nepalese 0 0 1<br />

Persian-Farsi 1 1 1<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 135


APPENDIX 10 (CONTINuED)<br />

136 SBS<br />

analogue analogue/digiTal<br />

LANguAgE PROgRAM NATIONAL MELBOuRNE 2 SYDNEY 3<br />

Polish 4 8 7<br />

Portuguese 2 4 4<br />

Punjabi 1 1 1<br />

Romanian 1 2 1<br />

Russian 3 5 5<br />

Samoan 0 1 1<br />

Serbian 2 5 5<br />

Sinhalese 1 1 1<br />

Slovak 1 1 1<br />

Slovenian 1 2 2<br />

Somali 1 1 1<br />

Spanish 4 10 10<br />

Swedish 1 1 1<br />

Tamil 1 1 1<br />

Thai 1 2 2<br />

Tongan 1 1 2<br />

Turkish 2 7 7<br />

ukrainian 1 3 3<br />

urdu 1 1 1<br />

Vietnamese 7 14 14<br />

Yiddish 1 2 2<br />

LOTE 4 102 (81%) 211 (84%) 211 (84%)<br />

Aboriginal – Living Black 2 3 3<br />

African 1 1 1<br />

Estonian 1 1 1<br />

Lithuanian 1 1 1<br />

Norwegian 0 1 1<br />

World News Australia 10 15 15<br />

Total English 5 15 (12%) 22 (9%) 22 (9%)<br />

Malay 1 1 1<br />

Maori 0 1 1<br />

PopAsia 8 15 15<br />

Total No Dialogue 6 9 (7%) 17 (7%) 17 (7%)<br />

Total Hours 126 (100%) 250 (100%) 250 (100%)<br />

1 6am-midnight; excluding non-SBS produced programs (overnight schedule).<br />

2 Analogue: 1224 AM and 93.1 FM. Digital – available in Adelaide, Melbourne and Perth: SBS One – Melbourne AM services;<br />

SBS Two – Melbourne FM services.<br />

3 Analogue: Sydney 1107 AM and 99.7 FM; Canberra 1440 AM and 105.5 FM; Wollongong 1485 AM and 1035 AM. Digital – available<br />

in Sydney and Brisbane (and Canberra – trial): SBS One – Sydney AM services; SBS Two – Sydney FM services.<br />

4 Does not include the Aboriginal (Living Black) and African programs, which are broadcast in English; and the programs currently in<br />

recess – see note 5.<br />

5 Includes: the Aboriginal (Living Black) and African language programs which are broadcast in English; World News Australia (WNA).<br />

Also includes programs in recess broadcasting English language content: Estonian and Lithuanian (WNA on SBS Radio 2 and 4; and<br />

BBC on the National Radio Network); Norwegian (BBC services).<br />

6 Includes: PopAsia; and the Malay and Maori language programs which are currently in recess and broadcasting music only.


APPENDIX 11<br />

SBS Radio: Schedules<br />

analogue services<br />

SBS Radio 1: Sydney 1107 AM; Canberra 1440 AM; Wollongong 1485 AM / 1035 AM<br />

SBS Radio 3: Melbourne 1224 AM<br />

MONDAY TuESDAY WEDNESDAY THuRSDAY FRIDAY SATuRDAY SuNDAY<br />

6am WNA WNA WNA WNA WNA PopAsia PopAsia<br />

7am greek greek greek greek greek greek greek<br />

8am Serbian Slovenian Croatian Croatian Serbian Croatian Slovenian<br />

9am Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese<br />

10am Cantonese Mandarin Cantonese Cantonese Mandarin Mandarin Cantonese<br />

11am Mandarin French Khmer French French Khmer Hebrew<br />

12pm Living Black Albanian Living Black [Maori]* Lao Hungarian Yiddish<br />

1pm Polish Polish Polish Polish Polish Polish Polish<br />

2pm Hungarian Hungarian Hebrew Korean Cantonese Tongan Cook Is. Maori<br />

3pm Croatian Serbian Yiddish Serbian [Norwegian]* Fijian Korean<br />

4pm R1: Tongan<br />

R3: Macedonian<br />

Macedonian Macedonian Macedonian Macedonian Swedish French<br />

5pm WNA WNA WNA WNA WNA Danish R1: Kannada<br />

R3: Albanian<br />

6pm greek greek greek greek greek greek greek<br />

7pm Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese Vietnamese<br />

8pm Cantonese Cantonese Mandarin Mandarin Cantonese Cantonese Mandarin<br />

9pm Khmer Croatian Serbian Khmer Living Black French Samoan<br />

10pm Lao R1: Korean Somali Amharic R1: Korean [Malay]* Macedonian<br />

R3: Polish<br />

R3: Hungarian<br />

11pm PopAsia PopAsia PopAsia PopAsia African PopAsia PopAsia<br />

12-1am PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia<br />

1-6am Overnight Overnight Overnight Overnight Overnight Overnight Overnight<br />

* The Malay, Maori and Norwegian language programs are currently in recess broadcasting music (Malay; Maori) or BBC services<br />

(Norwegian).<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 137


APPENDIX 11 (CONTINuED)<br />

analogue services (continued)<br />

SBS Radio 2 Sydney 99.7 FM; Canberra 105.5 FM<br />

SBS Radio 4 Melbourne 93.1 FM<br />

MONDAY TuESDAY WEDNESDAY THuRSDAY FRIDAY SATuRDAY SuNDAY<br />

6am WNA WNA WNA WNA WNA PopAsia PopAsia<br />

7am Arabic Arabic Arabic Arabic Arabic Arabic R2: Arabic<br />

R4: Maltese<br />

8am Italian Italian Italian Italian Italian Italian Italian<br />

9am german german german R2: Czech german R2: Nepalii Hindi<br />

R4: german<br />

R4: german<br />

10am Dutch Filipino Dutch Filipino Filipino Dutch urdu<br />

11am Russian Russian Filipino Portuguese Portuguese Portuguese Tamil<br />

12pm Maltese Maltese Hindi Maltese Armenian Maltese Sinhalese<br />

1pm Spanish Spanish Spanish Spanish Spanish Spanish Spanish<br />

2pm Bosnian Indonesian Burmese R2: gujarati<br />

R4: Romanian<br />

Indonesian Persian-Farsi ukrainian<br />

3pm Hindi Turkish Turkish Turkish Turkish Turkish Turkish<br />

4pm Bangla ukrainian Latvian ukrainian Dari Russian Russian<br />

5pm Turkish [Lithuanian]* Russian [Estonian]* R2: Maltese<br />

R4: Bulgarian<br />

Latvian Finnish<br />

6pm Italian Italian Italian Italian Italian Italian Italian<br />

7pm R2: Arabic Arabic R2: Arabic Arabic R2: Arabic Arabic Arabic<br />

R4: Maltese<br />

R4: Maltese<br />

R4: Maltese<br />

8pm Romanian R2: Armenian<br />

R4: german<br />

Armenian german Assyrian Thai german<br />

9pm Filipino Thai Portuguese Punjabi Dutch Filipino Czech<br />

10pm Spanish Japanese Spanish Indonesian Spanish Kurdish Slovak<br />

11pm PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia<br />

12-1am PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia<br />

1-6am Overnight Overnight Overnight Overnight Overnight PopAsia PopAsia<br />

* The Lithuanian and Estonian language programs are currently in recess broadcasting WNA.<br />

138 SBS


National Radio Network*<br />

MONDAY TuESDAY WEDNESDAY THuRSDAY FRIDAY SATuRDAY SuNDAY<br />

6am WNA WNA WNA WNA WNA PopAsia PopAsia<br />

7am greek Arabic greek greek greek Arabic Maltese<br />

8am Italian Italian german Croatian Serbian Italian Italian<br />

9am german Slovenian Vietnamese Vietnamese german Vietnamese Hindi<br />

10am Cantonese Filipino Dutch Filipino Mandarin Dutch urdu<br />

11am Russian French Filipino Portuguese French Portuguese Hebrew<br />

12pm Dutch Maltese Living Black Punjabi Armenian Hungarian Yiddish<br />

1pm Polish Spanish Polish Spanish Polish Turkish Polish<br />

2pm Hungarian Indonesian Burmese Korean Cantonese Persian-Farsi Tamil<br />

3pm Tongan [Lithuanian]** Turkish [Estonian]** Indonesian Russian Sinhalese<br />

4pm Macedonian ukrainian Latvian Macedonian Dari Swedish French<br />

5pm WNA WNA WNA WNA WNA Danish Finnish<br />

6pm Lao greek Italian Italian Italian greek greek<br />

7pm Vietnamese Vietnamese Russian Arabic Vietnamese Arabic Vietnamese<br />

8pm Romanian Cantonese Mandarin german Cantonese Cantonese Mandarin<br />

9pm Filipino Croatian Serbian Khmer Living Black Thai Czech<br />

10pm Spanish Japanese Somali Amharic Spanish [Malay]** Slovak<br />

11pm PopAsia PopAsia PopAsia PopAsia African PopAsia PopAsia<br />

12-1am PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia PopAsia<br />

1-6am Overnight Overnight Overnight Overnight Overnight PopAsia PopAsia<br />

* Refer Appendix 23 for frequencies.<br />

** The Estonian, Lithuanian and Malay programs are currently in recess broadcasting music (Malay) or BBC services (Estonian,<br />

Lithuanian).<br />

Notes<br />

Overnight: Mainly BBC programming.<br />

WNA: World News Australia.<br />

digital services<br />

Five channels are available in Adelaide, Brisbane, Melbourne, Perth and Sydney and Canberra (trial).<br />

SBS One – SBS’s AM services 1<br />

SBS Two – SBS’s FM services 2<br />

SBS Chill<br />

SBS PopAsia<br />

SBS Radio 6 – BBC World Service<br />

SBS Eurovision Radio – an additional special event channel ran from 12-30 June.<br />

1 Sydney AM services – available in Sydney, Brisbane and Canberra. Melbourne AM services – available in Melbourne, Adelaide and Perth.<br />

2 Sydney FM services – available in Sydney, Brisbane and Canberra. Melbourne FM services – available in Melbourne, Adelaide and Perth.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 139


APPENDIX 12<br />

SBS ONE: Languages and dialects subtitled<br />

Afar<br />

Afrikaans<br />

Albanian<br />

Amharic<br />

Arabic<br />

Arabic (Algerian)<br />

Arabic (Chadian)<br />

Arabic (Moroccan)<br />

Armenian<br />

Assamese<br />

Baka<br />

Bambara<br />

Bemba<br />

Bengali<br />

Bislama<br />

Bosnian<br />

Bulgarian<br />

Burmese<br />

Cantonese<br />

Catalan<br />

Chechen<br />

Chhattisgarhi<br />

Corsican<br />

Croatian<br />

Czech<br />

Danish<br />

Dari<br />

Dii<br />

Dutch<br />

Dzongkha<br />

Estonian<br />

140 SBS<br />

Farsi<br />

Fijian<br />

Filipino<br />

Finnish<br />

Flemish<br />

French<br />

French Canadian<br />

gaelic<br />

georgian<br />

german<br />

greek<br />

gujarati<br />

Haitian Creole<br />

Hebrew<br />

Herero<br />

Hindi<br />

Hmong<br />

Huli<br />

Hungarian<br />

Icelandic<br />

Indonesian<br />

Ingush<br />

Italian<br />

Japanese<br />

Kazakh<br />

Khmer<br />

Kikuyu<br />

Kinyarwanda<br />

Kirundi<br />

Korean<br />

Kuikuro<br />

Kurdish<br />

Kyrgyz<br />

Latin<br />

Latvian<br />

Lithuanian<br />

Lowa<br />

Luganda<br />

Luvale<br />

Maasai<br />

Malagasy<br />

Malayalam<br />

Mandarin<br />

Maori<br />

Marathi<br />

Matis<br />

Mende<br />

Mnong<br />

Mongolian<br />

Nepali<br />

Norwegian<br />

Nyanja<br />

Nyoro<br />

Pashto<br />

Pijin<br />

Polish<br />

Portuguese<br />

Punjabi<br />

Quechua<br />

Rajasthani<br />

Raji<br />

Romanian<br />

Russian<br />

Serbian<br />

S’gaw Karen<br />

Sinhalese<br />

Slovak<br />

Slovene<br />

Somali<br />

Spanish<br />

Swahili<br />

Swedish<br />

Swiss german<br />

Tagalog<br />

Taiwanese<br />

Tamil<br />

Tajiki<br />

Thai<br />

Tibetan<br />

Tigrinya<br />

Tok Pisin<br />

Turkish<br />

ukrainian<br />

urdu<br />

Venda<br />

Vietnamese<br />

Welsh<br />

Wolof<br />

Yiddish<br />

Yoruba<br />

Zulu


APPENDIX 13<br />

SBS TWO: Languages and dialects subtitled<br />

Afrikaans<br />

Amharic<br />

Albanian<br />

Arabic<br />

Arabic (Algerian)<br />

Arabic (Tunisian)<br />

Azerbaijani<br />

Baka<br />

Bengali<br />

Bosnian<br />

Bulgarian<br />

Burmese<br />

Buryat<br />

Cantonese<br />

Catalan<br />

Chhattisgarhi<br />

Czech<br />

Danish<br />

Dari<br />

Dutch<br />

Dzongkha<br />

Estonian<br />

Farsi<br />

Finnish<br />

Flemish<br />

French<br />

French Canadian<br />

german<br />

greek<br />

Hebrew<br />

Herero<br />

Hindi<br />

Hungarian<br />

Icelandic<br />

Indonesian<br />

Inuktitut<br />

Italian<br />

Japanese<br />

Kabyk<br />

Khmer<br />

Kinyarwanda<br />

Korean<br />

Kurdish<br />

Latin<br />

Luxembourgish<br />

Maasai<br />

Macedonian<br />

Malay<br />

Malayalam<br />

Mandarin<br />

Maya<br />

Moldovan<br />

Mongolian<br />

Nepali<br />

North American<br />

Indigenous<br />

Norwegian<br />

Pashto<br />

Polish<br />

Portuguese<br />

Punjabi<br />

Quechua<br />

Romani<br />

Romanian<br />

Russian<br />

Senufo<br />

Serbian<br />

S’gaw Karen<br />

Spanish<br />

Swahili<br />

Swedish<br />

Swiss german<br />

Tagalog<br />

Taiwanese<br />

Thai<br />

Tibetan<br />

Turkish<br />

ukrainian<br />

urdu<br />

Vietnamese<br />

Wolof<br />

Yiddish<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 141


APPENDIX 14<br />

WorldWatch services – languages broadcast (scheduled hrs:mins)<br />

SBS one<br />

LANguAgE COuNTRY HH:MM % TOTAL % LOTE*<br />

Arabic uAE 156:00 5% 6%<br />

Cantonese Hong Kong 104:00 4% 4%<br />

Filipino Philippines 156:00 5% 6%<br />

French France 208:00 7% 8%<br />

german germany 156:00 5% 6%<br />

greek greece 260:00 9% 10%<br />

Hindi India 156:00 5% 6%<br />

Hungarian Hungary 26:00 1% 1%<br />

Italian Italy 156:00 5% 6%<br />

Japanese Japan 156:00 5% 6%<br />

Korean Korea 156:00 5% 6%<br />

Maltese Malta 26:00 1% 1%<br />

Mandarin China 156:00 5% 6%<br />

Polish Poland 26:00 1% 1%<br />

Portuguese Portugal 26:00 1% 1%<br />

Russian Russia 156:00 5% 6%<br />

Spanish (Chile) Chile 26:00 1% 1%<br />

Spanish (Spain) Spain 208:00 7% 8%<br />

Turkish Turkey 156:00 5% 6%<br />

urdu Pakistan 26:00 1% 1%<br />

Total LOTE* 2496:00 86% 100%<br />

English (Al Jazeera) Qatar 156:00 5%<br />

English (DW) germany 130:00 5%<br />

English (PBS) uSA 260:00 9%<br />

Total English 390:00 14%<br />

Total 2886:00 100%<br />

* Languages other than English<br />

142 SBS


SBS TWo<br />

LANguAgE COuNTRY HH:MM % LOTE*<br />

Arabic uAE 182:00 4.5%<br />

Cantonese Hong Kong 121:20 3.0%<br />

Croatian Croatia 182:00 4.5%<br />

Dutch Netherlands 182:00 4.5%<br />

Filipino Philippines 182:00 4.5%<br />

French France 182:00 4.5%<br />

german germany 182:00 4.5%<br />

greek greece 303:20 7.5%<br />

Hindi India 182:00 4.5%<br />

Hungarian Hungary 26:00 0.6%<br />

Indonesian Indonesia 182:00 4.5%<br />

Italian Italy 182:00 4.5%<br />

Japanese Japan 182:00 4.5%<br />

Korean Korea 182:00 4.5%<br />

Macedonian Macedonia 182:00 4.5%<br />

Maltese Malta 26:00 0.6%<br />

Mandarin China 182:00 4.5%<br />

Polish Poland 156:00 3.9%<br />

Portuguese Portugal 182:00 4.5%<br />

Russian Russia 182:00 4.5%<br />

Serbian Serbia 182:00 4.5%<br />

Spanish (Chile) Chile 26:00 0.6%<br />

Spanish (Spain) Spain 242:40 6.0%<br />

Turkish Turkey 182:00 4.5%<br />

urdu Pakistan 26:00 0.6%<br />

Total LOTE* 4021:20 100%<br />

* Languages other than English<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 143


APPENDIX 15<br />

WorldWatch suppliers<br />

COuNTRY LANguAgE ORIgIN BROADCASTER SIgNAL<br />

Chile Spanish Santiago TVN Televisión Nacional de Chile FTP/Fibre<br />

China Mandarin Beijing CCTV China Central Television Satellite/Fibre<br />

Croatia Croatian Zagreb HRT Hrvatska radiotelevizija Satellite/Fibre<br />

France French Paris FT2 France Télévisions SA Satellite/Fibre<br />

germany german Berlin DW Deutsche Welle Satellite<br />

germany English Berlin DW Deutsche Welle Satellite<br />

greece greek Athens ERT Hellenic Broadcasting Corporation Satellite/Fibre<br />

Hong Kong Cantonese Kowloon TVB Television Broadcasts Limited Satellite<br />

Hungary Hungarian Budapest DTV Duna Televízió Satellite<br />

India Hindi New Delhi NDTV New Delhi Television Limited Satellite/Fibre<br />

Indonesia Indonesian Jakarta TVRI Televisi Republik Indonesia Satellite<br />

Italy Italian Rome RAI RAI International/Raitalia Satellite<br />

Japan Japanese Tokyo NHK Nippon Hōsō Kyōkai Satellite<br />

Korea Korean Seoul YTN Yonhap Television News Satellite<br />

Macedonia Macedonian Skopje MRT Makedonska radio-televizija Satellite/Fibre<br />

Malta Maltese g’mangia PBS Public Broacasting Service of Malta FTP/Courier<br />

Netherlands Dutch Hilversum NOS Nederlandse Omroep Stichting Satellite<br />

Pakistan urdu Islamabad PTV Pakistan Television Corporation Satellite<br />

Philippines Filipino Manila ABS-CBN Alto Broadcasting System – Chronicle<br />

Broadcasting Network<br />

Satellite<br />

Poland Polish Warsaw Polsat Telewizja Polsat S.A. Satellite/Fibre<br />

Portugal Portuguese Lisbon RTP Rádio e Televisão de Portugal, S.A. Satellite<br />

Qatar English Doha ALJ Al Jazeera Satellite Network Satellite<br />

Russia Russian Moscow NTV Телекомпания НТВ Satellite/Fibre<br />

Serbia Serbian Belgrade RTS Radio-televizija Srbije Satellite<br />

Spain Spanish Madrid RTVE Radiotelevisión Española Satellite<br />

Turkey Turkish Ankara TRT Türkiye Radyo Televizyon Kurumu Satellite<br />

uAE Arabic Dubai DTV Dubai Television Satellite/Fibre<br />

uSA English Washington DC PBS Public Broadcasting Service Satellite/Fibre<br />

144 SBS


APPENDIX 16<br />

SBS ONE: Top 50 programs – metro 1<br />

PROgRAM gENRE AuDIENCE (000S)<br />

1 Tour de France <strong>2011</strong> – Live: Stage 20 2 Sport 738<br />

2 Who Do You Think You Are? (Series 4 – Australian) – Kerry O’Brien Factual 681<br />

3 Once upon a Time in Cabramatta Factual 674<br />

4 Eurovision Song Contest – Final Entertainment 562<br />

5 go Back to Where You Came From – Special Event Factual 542<br />

6 9/11: The Day That Changed The World (Part 1) Factual 495<br />

7 Machu Picchu Decoded Factual 486<br />

8 One Born Every Minute Factual 455<br />

9 A History of Ancient Britain Factual 452<br />

10 How To Cook Like Heston Food 433<br />

11 French Food Safari Food 418<br />

12 Man vs. Wild (Rpt) Factual 418<br />

13 gourmet Farmer Food 408<br />

14 Coast Factual 407<br />

15 A History of Celtic Britain Factual 394<br />

16 Indian Ocean with Simon Reeve Factual 391<br />

17 Housos Comedy 386<br />

18 Apocalypse: The Second World War (Rpt) Factual 381<br />

19 unsinkable Titanic (Rpt) Factual 380<br />

20 The Lancaster at War (Rpt) Factual 379<br />

21 Singapore 1942 – End Of Empire Factual 379<br />

22 World’s Most Dangerous Roads Factual 377<br />

23 The Nine Months That Made You Factual 376<br />

24 Bloody Omaha Factual 375<br />

25 Wildest India Factual 366<br />

26 Richard Hammond’s Engineering Connections (Rpt) Factual 366<br />

27 Mythbusters (Rpt) Factual 365<br />

28 Toughest Place to be a... Factual 364<br />

29 Secrets of Stonehenge Factual 361<br />

30 The ghosts of the Mary Rose Factual 360<br />

31 Inside the Saudi Kingdom (Rpt) Factual 359<br />

32 The girl with the Dragon Tattoo Film 354<br />

33 Aliens of the Deep Sea Factual 351<br />

34 Riddles of the Sphinx Factual 349<br />

35 Secrets of Nazca Factual 348<br />

36 The Female Orgasm Explained (Rpt) Factual 347<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 145


APPENDIX 16 (CONTINuED)<br />

146 SBS<br />

PROgRAM gENRE AuDIENCE (000S)<br />

37 The Bible: A History Factual 347<br />

38 Insight – Class Struggle Current Affairs 347<br />

39 Heston’s Feasts (Rpt) Food 340<br />

40 Luke Nguyen’s Vietnam (Rpt) Food 340<br />

41 Amazon with Bruce Parry Factual 339<br />

42 Two greedy Italians Factual 338<br />

43 Easter Island underworld Factual 337<br />

44 The Real M*A*S*H Factual 337<br />

45 Why are Thin People Not Fat? (Rpt) Factual 337<br />

46 Swift & Shift Couriers Comedy 336<br />

47 Public Enemy #1 Factual 336<br />

48 The Spice Trail Food 333<br />

49 Arctic with Bruce Parry Factual 333<br />

50 Wildest Africa Factual 331<br />

1 Titles are only shown once, with the top rating episode from a series/event shown.<br />

2 Top stage.<br />

Source: OzTAM – 5 City Metro, Total Individuals Incl guests, Consolidated.


APPENDIX 17<br />

SBS Television: Audience share, reach and demographics<br />

audience share 1<br />

People 16+<br />

YEAR SHARE SIgNIFICANT EVENTS<br />

2007 6.0%<br />

2008 6.2%<br />

2009 6.4% Ashes<br />

2010 6.1% World Cup<br />

<strong>2011</strong> 5.9%<br />

Source: OzTAM – Free-to-air Share, 5 Capital Cities, People 16+, 6pm-midnight.<br />

Total people<br />

YEAR SHARE SIgNIFICANT EVENTS<br />

2007 5.7%<br />

2008 5.9%<br />

2009 6.1% Ashes<br />

2010 5.8% World Cup<br />

<strong>2011</strong> 5.6%<br />

Source: OzTAM – Free-to-air Share, 5 Capital Cities, 6pm-midnight.<br />

1 SBS ONE and SBS TWO. SBS TWO share included from June 2009.<br />

average weekly reach (000s) 1<br />

YEAR 5 CAPITAL CITIES REgIONAL<br />

2007 5,307 2,646<br />

2008 5,445 2,632<br />

2009 5,431 2,643<br />

2010 5,377 2,361<br />

<strong>2011</strong> 5,386 2,204<br />

1 Total people (000s). SBS ONE and SBS TWO. SBS TWO reach included from June 2009.<br />

Source: OzTAM (5 City Metro) and RegTAM (Aggregated Markets excl. WA) – Total Individuals Incl. guests, 5 Min Consecutive Reach,<br />

Sun-Sat, 24 Hrs.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 147


APPENDIX 17 (CONTINuED)<br />

average weekly reach (000s) by market 1<br />

148 SBS<br />

2007 2008 2009 2010 <strong>2011</strong><br />

Capital cities<br />

Sydney 1,595 1,690 1,628 1,551 1,556<br />

Melbourne 1,637 1,633 1,641 1,631 1,676<br />

Brisbane 929 980 1,006 988 964<br />

Adelaide 536 545 537 540 519<br />

Perth 611 598 619 667 670<br />

Total 5,307 5,445 5,431 5,377 5,386<br />

Regional areas<br />

NSW regional 1,332 1,302 1,306 1,139 1,049<br />

VIC regional 464 460 462 453 462<br />

QLD regional 643 650 658 564 495<br />

Tasmania 208 221 216 204 198<br />

Total 2,646 2,632 2,643 2,361 2,204<br />

1 Total people (000s). SBS ONE and SBS TWO. SBS TWO reach included from June 2009.<br />

Source: OzTAM (5 City Metro) and RegTAM (Aggregated Markets excl. WA) – Total Individuals Incl. guests,<br />

5 Min Consecutive Reach, Sun-Sat, 24 Hrs.


APPENDIX 17 (CONTINuED)<br />

average weekly reach (000s) by key demographics<br />

2007 2008 2009 2010 <strong>2011</strong><br />

Five capital cities<br />

Total people 5,307 5,445 5,431 5,377 5,386<br />

People 0-17 616 669 631 586 567<br />

People 0-39 2,248 2,309 2,221 2,176 2,067<br />

People 40+ 3,062 3,138 3,212 3,203 3,320<br />

Men 18-39 897 880 865 871 792<br />

Men 40-54 670 722 744 735 743<br />

Men 55+ 884 893 947 936 988<br />

Men 18+ 2,450 2,494 2,555 2,540 2,521<br />

Women 18-39 736 761 725 719 708<br />

Women 40-54 611 646 624 616 611<br />

Women 55+ 896 877 897 916 978<br />

Women 18+ 2,242 2,283 2,246 2,251 2,297<br />

Regional areas<br />

Total people 2,646 2,632 2,643 2,361 2,204<br />

People 0-17 350 334 311 278 237<br />

People 0-39 1,028 990 966 821 726<br />

People 40+ 1,620 1,644 1,678 1,541 1,479<br />

Men 18-39 376 344 354 283 257<br />

Men 40-54 335 350 354 315 293<br />

Men 55+ 492 484 503 467 463<br />

Men 18+ 1,181 1,177 1,211 1,064 1,013<br />

Women 18-39 320 312 301 260 233<br />

Women 40-54 301 302 305 280 264<br />

Women 55+ 493 508 516 479 459<br />

Women 18+ 1,114 1,122 1,121 1,019 955<br />

1 Total people (000s). SBS ONE and SBS TWO. SBS TWO reach included from June 2009.<br />

Source: OzTAM (5 City Metro) and RegTAM (Aggregated Markets excl. WA) – Total Individuals Incl. guests,<br />

5 Min Consecutive Reach, Sun-Sat, 24 Hrs.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 149


APPENDIX 17 (CONTINuED)<br />

viewing by ethnicity 1<br />

150 SBS<br />

2007 2008 2009 2010 <strong>2011</strong><br />

Five capital cities<br />

Born overseas (OS) in a non-English speaking country 48% 50% 47% 47% 45%<br />

Born in Australia or in an OS English speaking country 37% 37% 36% 33% 32%<br />

Total people 38% 38% 37% 35% 33%<br />

Regional areas<br />

Born OS in a non-English speaking country 58% 59% 54% 52% 53%<br />

Born in Australia or in an OS English speaking country 40% 39% 38% 35% 34%<br />

Total people 41% 40% 39% 36% 35%<br />

1 Proportion of population reached by SBS ONE and SBS TWO in an average week. SBS TWO reach included from June 2009.<br />

Source: OzTAM (5 City Metro) and RegTAM (Aggregated Markets excl. WA) – Total Individuals Incl. guests,<br />

5 Min Consecutive Reach, Sun-Sat, 24 Hrs.


APPENDIX 18<br />

SBS Online: Top 10 SBS websites<br />

WEBSITE uBs 1<br />

1 The World game 678,120<br />

2 Cycling Central 578,381<br />

3 News and Current Affairs 363,701<br />

4 Food 2 356,509<br />

5 SBS ON DEMAND 350,088<br />

6 SBS Homepage 336,852<br />

7 Food Portal 3 322,697<br />

8 World News Australia 316,751<br />

9 SBS Entertainment 287,738<br />

10 SBS Schedule 227,258<br />

1 Highest monthly unique browsers (uBs).<br />

2 Food Portal (sbs.com.au/food) and Food program sites.<br />

3 sbs.com.au/food (excluding Food program sites).<br />

Source: Nielsen SiteCensus.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 151


APPENDIX 19<br />

SBS Online: Metrics<br />

average monthly unique browsers (uBs), page impressions and video views<br />

152 SBS<br />

uBs PAgE IMPRESSIONS VIDEO VIEWS<br />

2007-08 598,000 8,697,000 752,000<br />

2008-09 751,000 12,097,664 1,642,000<br />

2009-10 1,123,000 16,083,000 1,808,000<br />

2010-11 1,488,000 12,887,000 1,979,000<br />

<strong>2011</strong>-12 1,718,000 13,041,000 1,757,000<br />

Total podcasts (audio and video) and video views<br />

PODCASTS VIDEO VIEWS<br />

2007-08 887,000 9,019,000<br />

2008-09 980,000 19,698,000<br />

2009-10 2,553,000 21,695,000<br />

2010-11 3,009,000 23,748,000<br />

<strong>2011</strong>-12 3,492,000 21,081,000<br />

Source: Nielsen SiteCensus (<strong>2011</strong>-12 MPX for part of stream view data); google Feedburner for podcasts.


APPENDIX 20<br />

SBS DVD titles: Top selling<br />

1 Housos<br />

2 Swift & Shift Couriers (Series 2)<br />

3 Skins (Series 5)<br />

4 Swift & Shift Couriers (Series 1)<br />

5 Tour de France <strong>2011</strong><br />

6 Wilfred<br />

7 French Food Safari<br />

8 The Killing (Series 2)<br />

9 Wilfred (Series 2)<br />

10 Coast (Series 1)<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 153


APPENDIX 21<br />

SBS analogue television services – areas served<br />

AREA SERVED CHANNEL<br />

New South Wales<br />

Armidale 30<br />

Armidale North* 61<br />

Ashford 54<br />

Bolivia* 34<br />

Bonny Hills* 58<br />

Booral* 59<br />

Bouddi 64<br />

Bourke Town* 57<br />

Brewarrina* 69<br />

Byron Bay* 55<br />

Capertee* 64<br />

Coffs Harbour 69<br />

Drake* 56<br />

Dungog 42<br />

Elizabeth Beach* 60<br />

Emmaville 52<br />

Forster* 41<br />

glen Davis* 45<br />

glen Innes 53<br />

glengarry / grawin* 61<br />

gloucester 30<br />

goodooga* 69<br />

gosford 58<br />

grafton / Kempsey 28<br />

Inverell 50<br />

Kings Cross 58<br />

Kotara 55<br />

Laurieton 56<br />

Lismore East* 53<br />

Long Flat* 58<br />

Maclean / Ashby* 55<br />

Manly / Mosman 39<br />

Manning River 59<br />

Mannus* 55<br />

Megalong* 52<br />

Merewether 32<br />

154 SBS<br />

AREA SERVED CHANNEL<br />

Mount george* 60<br />

Mullumbimby Creek* 30<br />

Murwillumbah 57<br />

Newcastle 45<br />

Nundle* 59<br />

Nymagee* 69<br />

Ocean Shores 68<br />

Patonga* 58<br />

Portland Town* 52<br />

Richmond / Tweed 41<br />

Smiths Lake* 58<br />

Stroud* 60<br />

Sydney 28<br />

Tamworth 52<br />

Telegraph Point* 58<br />

Tenterfield 54<br />

Tottenham* 60<br />

Tweed Heads 28<br />

upper Hunter 65<br />

upper Namoi 28<br />

uralla* 50<br />

urbenville* 55<br />

Vacy 28<br />

Warialda* 64<br />

Woronora* 58<br />

Wyong 39<br />

Northern Territory<br />

Adelaide River* 62<br />

Ali Curung* 60<br />

Alice Springs 28<br />

Alice Springs North* 60<br />

Ampilatwatja* 59<br />

Angurugu* 64<br />

Areyonga* 69<br />

Barunga* 57<br />

Batchelor* 54<br />

Bathurst Island* 63


AREA SERVED CHANNEL<br />

Beswick* 63<br />

Bickerton Island* 63<br />

Borroloola* 11<br />

Cooinda* 42<br />

Daly River* 61<br />

Darwin 28<br />

Darwin North 61<br />

Docker River* 57<br />

Douglas Daly* 60<br />

East Alligator* 56<br />

Engawala* 60<br />

galiwinku* 60<br />

gapuwiyak* 63<br />

groote Eylandt* 43<br />

Haasts Bluff* 50<br />

Imangara* 60<br />

Jabiru* 61<br />

Katherine 58<br />

Kintore* 60<br />

Lajamanu* 60<br />

Lake Nash* 60<br />

Laramba* 59<br />

Maningrida* 60<br />

Mataranka* 62<br />

Milingimbi* 62<br />

Minjilang* 57<br />

Mount Liebig* 60<br />

Ngukurr* 60<br />

Nhulunbuy 9A<br />

Palumpa* 63<br />

Papunya* 56<br />

Pine Creek* 69<br />

Santa Teresa* 59<br />

Tennant Creek 10<br />

Tindal* 56<br />

uluru* 60<br />

umbakumba* 62<br />

AREA SERVED CHANNEL<br />

Warruwi* 63<br />

Willowra* 60<br />

Wilora* 60<br />

Wudykapildiya* 60<br />

Yirrkala* 63<br />

Yuelamu* 59<br />

Yuendumu* 58<br />

Yulara* 58<br />

Queensland<br />

Alpha* 57<br />

Aramac* 33<br />

Augathella* 6<br />

Aurukun* 63<br />

Ayton* 59<br />

Ballera* 53<br />

Bamaga* 63<br />

Barcaldine* 60<br />

Bedourie* 69<br />

Birdsville* 69<br />

Blackall* 63<br />

Boonah 54<br />

Boulia* 63<br />

Brisbane 28<br />

Burketown* 60<br />

Camooweal* 63<br />

Canungra* 57<br />

Cape Flattery Mine* 60<br />

Carmila* 56<br />

Chillagoe* 60<br />

Clairview* 60<br />

Cloncurry* 60<br />

Coen* 63<br />

Conondale* 54<br />

Cooktown* 54<br />

Cracow* 59<br />

Croydon* 63<br />

Cunnamulla* 62<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 155


APPENDIX 21 (CONTINuED)<br />

AREA SERVED CHANNEL<br />

Currumbin 48<br />

Dauan Island* 59<br />

Dimbulah 43<br />

Doomadgee* 60<br />

Einasleigh* 60<br />

Eloise Mine* 69<br />

Eromanga* 63<br />

Esk 52<br />

Eulo* 63<br />

Forsayth* 62<br />

georgetown* 63<br />

gold Coast 61<br />

greenvale* 66<br />

gunpowder* 60<br />

gympie 42<br />

gympie Town 50<br />

Hughenden* 69<br />

Hungerford* 60<br />

Ilfracombe* 68<br />

Injune* 62<br />

Isisford* 68<br />

Jackson Oil Field* 63<br />

Jericho* 63<br />

Julia Creek* 59<br />

Jundah* 63<br />

Karumba* 69<br />

Kooralbyn* 59<br />

Lakeland Roadhouse* 60<br />

Longreach* 54<br />

Mabuiag Island* 63<br />

Maroon* 59<br />

Morven* 63<br />

Mount Alford* 67<br />

Mount Isa 29<br />

Mount Surprise* 61<br />

Muttaburra* 56<br />

Nambour 55<br />

Napranum* 66<br />

156 SBS<br />

AREA SERVED CHANNEL<br />

New Mapoon* 55<br />

Noosa / Tewantin 29<br />

Normanton* 52<br />

Osborne Mines* 57<br />

Pentland* 9A<br />

Pormpuraaw* 54<br />

Quilpie* 63<br />

Rathdowney* 37<br />

Richmond* 65<br />

Roma 60<br />

Somerset Dam* 54<br />

St george 61<br />

St Lawrence* 59<br />

Stanage Bay* 59<br />

Sunshine Coast North 34<br />

Tambo* 34<br />

Thallon* 60<br />

Thargomindah* 60<br />

Thursday Island* 57<br />

Toogoolawah* 56<br />

umagico* 62<br />

Willows* 68<br />

Windorah* 63<br />

Winton* 54<br />

Wyandra* 63<br />

Yam Island* 62<br />

Yorke Islands* 63<br />

Yowah* 60<br />

South Australia<br />

Adelaide 28<br />

Adelaide Foothills 43<br />

Angaston* 55<br />

Cape Jervis* 58<br />

Caralue Bluff 62<br />

Carrickalinga* 52<br />

Ceduna / Smoky Bay 12<br />

Coober Pedy* 60<br />

Cudlee Creek* 66


AREA SERVED CHANNEL<br />

Elizabeth South 60<br />

Eudunda* 69<br />

Fowlers Bay* 60<br />

golden grove* 53<br />

gumeracha* 53<br />

Leigh Creek South* 32<br />

Lyndoch* 53<br />

Mannum* 69<br />

Marla* 60<br />

Mintabie* 58<br />

Myponga* 51<br />

Normanville* 54<br />

Penong* 60<br />

Peterhead* 53<br />

Poochera* 63<br />

Roxby Downs 53<br />

Streaky Bay* 69<br />

Swan Reach* 69<br />

Truro grove* 69<br />

umuwa* 57<br />

Victor Harbor 52<br />

Wirrulla* 61<br />

Woomera* 28<br />

Wudinna* 33<br />

Yankalilla* 53<br />

Tasmania<br />

Acton Road 52<br />

Barrington Valley 37<br />

Blackstone* 47<br />

Burnie 55<br />

Cygnet 42<br />

Derby* 54<br />

Dover 53<br />

Dover South 41<br />

Eaglehawk Neck* 53<br />

East Devonport 54<br />

Forth* 34<br />

AREA SERVED CHANNEL<br />

geeveston 54<br />

gunns Plains* 54<br />

Hillwood 37<br />

Hobart 28<br />

Hobart NE Suburbs 54<br />

Launceston 53<br />

Lileah 53<br />

Lilydale 54<br />

Little Swanport / Ravensdale* 53<br />

Maydena* 43<br />

Meander 53<br />

Mole Creek* 54<br />

NE Tasmania 29<br />

Neika / Leslie Vale* 53<br />

New Norfolk 53<br />

Orford 52<br />

Paloona* 61<br />

Penguin 34<br />

Port Arthur* 53<br />

Queenstown / Zeehan 53<br />

Ringarooma* 46<br />

Sisters Beach* 57<br />

Smithton 38<br />

St Helens* 34<br />

Taroona 43<br />

Tullah* 52<br />

ulverstone 53<br />

upper Derwent Valley* 55<br />

Wynyard 30<br />

Victoria<br />

Anglesea / Aireys Inlet* 68<br />

Ferntree gully 68<br />

geelong (Newtown)* 68<br />

gisborne 68<br />

Healesville* 69<br />

Marysville 58<br />

Melbourne 28<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 157


APPENDIX 21 (CONTINuED)<br />

AREA SERVED CHANNEL<br />

Monbulk* 68<br />

Murrayville* 66<br />

Rosebud* 68<br />

Safety Beach 58<br />

Selby 69<br />

South Yarra 58<br />

upwey 51<br />

Warburton 58<br />

Western Australia<br />

Albany 40<br />

Albany West* 60<br />

Badgingarra* 59<br />

Balgo* 60<br />

Beacon* 60<br />

Bencubbin* 59<br />

Blackstone* 60<br />

Boddington* 62<br />

Borden* 59<br />

Bremer Bay* 60<br />

Bremer Bay South* 58<br />

Bridgetown* 53<br />

Broome 29<br />

Bruce Rock* 69<br />

Bunbury 33<br />

Carnamah* 56<br />

Carnarvon 12<br />

Central Agricultural 47<br />

Cervantes* 40<br />

Condingup / Howick* 58<br />

Coolgardie* 60<br />

Coonana* 60<br />

Coorow* 58<br />

Cue* 60<br />

Dalwallinu* 58<br />

Denham* 67<br />

Denmark* 61<br />

Derby 9A<br />

Djarindjin* 59<br />

Dongara* 58<br />

158 SBS<br />

AREA SERVED CHANNEL<br />

Eneabba* 40<br />

Esperance 28<br />

Exmouth 9A<br />

Fitzroy Crossing* 55<br />

gairdner* 59<br />

gascoyne Junction* 63<br />

geraldton 29<br />

gnowangerup* 63<br />

gracetown* 58<br />

green Head* 42<br />

Halls Creek* 58<br />

Hopetoun* 59<br />

Hyden* 38<br />

Jameson (Mantamaru)* 60<br />

Jerramungup* 60<br />

Jigalong* 63<br />

Jurien* 61<br />

Kalgoorlie 28<br />

Kalumburu* 63<br />

Kambalda* 52<br />

Karalundi* 62<br />

Karratha 66<br />

Karratha South* 51<br />

Katanning 59<br />

Kiwirrkurra* 60<br />

Kojonup* 54<br />

Kondinin* 63<br />

Koorda* 61<br />

Kulin* 40<br />

Kununoppin* 58<br />

Kununurra 29<br />

Kununurra East* 59<br />

Lake grace* 36<br />

Lake gregory* 62<br />

Lake King* 60<br />

Lancelin* 65<br />

Laverton* 60<br />

Leeman* 60<br />

Leonora* 66


AREA SERVED CHANNEL<br />

Mandurah 54<br />

Manjimup 54<br />

Marble Bar* 59<br />

Margaret River 54<br />

Marvel Loch* 58<br />

Meekatharra* 60<br />

Menzies* 60<br />

Merredin* 58<br />

Moora Town* 66<br />

Mount Magnet* 69<br />

Mukinbudin* 37<br />

Mullewa* 57<br />

Muradup* 58<br />

Narembeen* 58<br />

Narrogin 54<br />

Newdegate* 57<br />

Newman 12<br />

Norseman* 66<br />

Northam 53<br />

Northampton 59<br />

Northcliffe* 53<br />

Nullagine* 56<br />

Nungarin* 60<br />

Nyabing* 63<br />

Ongerup* 61<br />

Onslow* 63<br />

Paraburdoo* 58<br />

Parnngurr* 60<br />

Peaceful Bay* 61<br />

Pemberton* 28<br />

Perth 28<br />

Perth East* 46<br />

Pingrup* 61<br />

Port Hedland 42<br />

Prevelly* 62<br />

Punmu* 60<br />

Quinninup* 53<br />

Ravensthorpe* 58<br />

Roebourne* 28<br />

AREA SERVED CHANNEL<br />

Roleystone 54<br />

Sandstone* 60<br />

Seabird* 67<br />

Southern Agricultural 28<br />

Southern Cross Town* 29<br />

Tambellup* 61<br />

Telfer* 69<br />

Tjirrkarli* 60<br />

Tjukurla* 60<br />

Tjuntjuntjara* 60<br />

Tom Price 59<br />

Toodyay 34<br />

Trayning* 63<br />

useless Loop* 62<br />

Vlaming Head* 65<br />

Wagin 29<br />

Walpole* 54<br />

Wanarn* 60<br />

Wandering* 61<br />

Warakurna* 60<br />

Warburton* 60<br />

Warmun* 62<br />

Wave Rock* 60<br />

Wellstead* 61<br />

Westonia* 56<br />

Wickham* 67<br />

Wiluna* 60<br />

Wingellina* 60<br />

Wongan Hills Town* 56<br />

Wyndham* 58<br />

Yalgoo* 60<br />

Yungngora* 60<br />

External Territories<br />

Christmas Island Drumsite* 9<br />

Christmas Island Phosphate Hill* 43<br />

Christmas Island Rocky Point* 54<br />

Cocos Islands (West Island)* 8<br />

* Self-help (retransmission) service.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 159


APPENDIX 22<br />

SBS digital television services – areas served<br />

AREA SERVED CHANNEL<br />

Australian Capital Territory<br />

Canberra 30<br />

Conder* 35<br />

Tuggeranong 57<br />

Weston Creek / Woden 57<br />

New South Wales<br />

Adelong* 34<br />

Albury North 29<br />

Armidale 29<br />

Ashford 65<br />

Balranald* 43<br />

Batemans Bay / Moruya 7<br />

Bathurst 9<br />

Batlow* 40<br />

Bega 32<br />

Bouddi 34<br />

Bowral / Mittagong 49<br />

Braidwood 53<br />

Broken Hill 12<br />

Bungendore* 46<br />

Captains Flat* 53<br />

Central Tablelands 42<br />

Central Western Slopes 44<br />

Cobar 11<br />

Coffs Harbour 68<br />

Condobolin 55<br />

Coolah 52<br />

Cooma Town 67<br />

Cootamundra* 56<br />

Cowra 59<br />

Dalmeny* 53<br />

Deniliquin 50<br />

Dubbo 55<br />

Dungog 61<br />

Eastgrove* 28<br />

Eden 68<br />

160 SBS<br />

AREA SERVED CHANNEL<br />

Eugowra* 67<br />

glen Innes 65<br />

gloucester 31<br />

gosford 34<br />

goulburn 59<br />

grafton / Kempsey 39<br />

grenfell* 53<br />

gundagai* 49<br />

gunning* 67<br />

Harden* 55<br />

Hay 61<br />

Hillston* 40<br />

Illawarra 54<br />

Inverell 65<br />

Jerilderie 60<br />

Jindabyne 53<br />

Junee* 34<br />

Kandos* 50<br />

Khancoban* 50<br />

Kings Cross 34<br />

Kotara 38<br />

Laurieton 57<br />

Lithgow 28<br />

Lithgow East 67<br />

Manly / Mosman 34<br />

Manning River 9A<br />

Merewether 38<br />

Merriwa* 41<br />

Mount Kembla* 33<br />

Mudgee 67<br />

Mudgee Town* 51<br />

Murrumbidgee Irrigation Area 33<br />

Murrurundi* 34<br />

Narooma 53<br />

Narooma Town* 39<br />

Narrandera* 34<br />

Newcastle 38


AREA SERVED CHANNEL<br />

Nowra North 63<br />

Oberon* 54<br />

Peak Hill* 51<br />

Port Stephens 31<br />

Portland / Wallerawang 67<br />

Richmond / Tweed 40<br />

Stanwell Park 49<br />

SW Slopes / E Riverina 48<br />

Sydney 34<br />

Talbingo* 40<br />

Tamworth 51<br />

Tenterfield 55<br />

Thredbo 30<br />

Tumbarumba* 40<br />

Tumut 56<br />

ulladulla 31<br />

upper Hunter 64<br />

upper Namoi 36<br />

Vacy 30<br />

Wagga Wagga 54<br />

Walwa / Jingellic* 34<br />

Wellington* 51<br />

West Wyalong* 56<br />

Wollongong 54<br />

Wyong 38<br />

Young 57<br />

Northern Territory<br />

Alice Springs 6<br />

Bayu-undan* 40<br />

Darwin 29<br />

Katherine 6<br />

Tennant Creek 11<br />

Queensland<br />

Agnes Water* 66<br />

Airlie Beach 28<br />

Alpha* 46<br />

Aramac* 47<br />

AREA SERVED CHANNEL<br />

Atherton 55<br />

Augathella* 46<br />

Ayr 56<br />

Babinda 52<br />

Bancroft* 33<br />

Bedourie* 46<br />

Bell 52<br />

Birdsville* 46<br />

Blackwater 42<br />

Boonah 39<br />

Bowen Town 34<br />

Boyne Island 53<br />

Brisbane 36<br />

Cairns 29<br />

Cairns East 52<br />

Cairns North 52<br />

Capella 28<br />

Cardwell* 47<br />

Carmila* 46<br />

Charleville 12<br />

Charters Towers 51<br />

Clairview* 40<br />

Clermont 57<br />

Collinsville 53<br />

Cooloola Cove* 57<br />

Cow Bay* 46<br />

Crows Nest* 56<br />

Currumbin 36<br />

Daintree Village* 40<br />

Darling Downs 49<br />

Dimbulah 44<br />

Dysart 61<br />

Eidsvold* 53<br />

Emerald 57<br />

Eromanga* 46<br />

Esk 51<br />

Eulo* 46<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 161


APPENDIX 22 (CONTINuED)<br />

AREA SERVED CHANNEL<br />

Flametree / Jubilee Pocket* 66<br />

gladstone East 30<br />

gladstone West 46<br />

glenden* 52<br />

gold Coast 36<br />

gold Coast Southern Hinterland* 36<br />

goldsborough Valley* 35<br />

goondiwindi 60<br />

gordonvale 52<br />

gympie 36<br />

gympie Town 36<br />

Herberton 55<br />

Hervey Bay 53<br />

Jericho* 47<br />

Jundah* 47<br />

Longreach 11<br />

Mackay 29<br />

Mareeba 52<br />

Middlemount 49<br />

Mission Beach 50<br />

Monto 50<br />

Moonford* 46<br />

Moranbah 50<br />

Moranbah Town 66<br />

Morven* 47<br />

Mossman 38<br />

Mossman South* 56<br />

Mount Isa 9A<br />

Mount Morgan* 68<br />

Moura* 46<br />

Mundubbera* 57<br />

Murwillumbah 40<br />

Muttaburra* 46<br />

Nambour 36<br />

Nanango* 68<br />

Nebo 66<br />

Noosa / Tewantin 36<br />

162 SBS<br />

AREA SERVED CHANNEL<br />

Port Douglas 66<br />

Proserpine 55<br />

Quilpie* 46<br />

Rainbow Beach* 57<br />

Ravenshoe 52<br />

Redlynch 58<br />

Richmond* 46<br />

Rockhampton 37<br />

Rockhampton East 54<br />

Roma 9A<br />

Sarina Beaches* 45<br />

Shute Harbour 53<br />

Southern Downs 48<br />

Speewah* 58<br />

Springsure* 54<br />

St george 10<br />

St Lawrence* 40<br />

Stonehenge* 46<br />

Stuart 51<br />

Sunshine Coast North 36<br />

Texas 60<br />

Tieri 57<br />

Tin Can Bay* 57<br />

Toowoomba 67<br />

Toowoomba East* 67<br />

Toowoomba South* 67<br />

Townsville 37<br />

Townsville North 51<br />

Tully 50<br />

Warwick 53<br />

Wide Bay 28<br />

Windorah* 46<br />

Wonga Beach* 68<br />

Wyandra* 46<br />

Yarraman* 67<br />

Yeppoon 54<br />

Yowah* 47


AREA SERVED CHANNEL<br />

South Australia<br />

Adelaide 33<br />

Adelaide Foothills 61<br />

Burra* 53<br />

Caralue Bluff 57<br />

Ceduna / Smoky Bay 40<br />

Clare 52<br />

Cowell 61<br />

Craigmore / Hillbank 34<br />

Elizabeth South 61<br />

Kingston SE / Robe 52<br />

Morgan* 41<br />

Naracoorte 47<br />

Orroroo* 47<br />

Port Lincoln 53<br />

Quorn* 53<br />

Renmark / Loxton 40<br />

Roxby Downs 34<br />

South East 40<br />

Spencer gulf North 41<br />

Tumby Bay 43<br />

Victor Harbor 53<br />

Waikerie 52<br />

Tasmania<br />

Acton Road 35<br />

Barrington Valley 31<br />

Burnie 66<br />

Currie* 34<br />

Cygnet 41<br />

Dover 55<br />

Dover South 40<br />

East Devonport 39<br />

geeveston 55<br />

Hobart 9A<br />

Hobart NE Suburbs 64<br />

Launceston 64<br />

Lileah 9A<br />

AREA SERVED CHANNEL<br />

Lilydale 64<br />

Meander 47<br />

NE Tasmania 44<br />

New Norfolk 54<br />

Orford 37<br />

Penguin 60<br />

Queenstown / Zeehan 46<br />

Smithton 37<br />

Taroona 42<br />

ulverstone 39<br />

Wynyard 29<br />

Victoria<br />

Alexandra 67<br />

Alexandra Environs 29<br />

Apollo Bay* 69<br />

Bairnsdale 52<br />

Ballarat 43<br />

Ballarat East* 55<br />

Bendigo 28<br />

Birchip* 69<br />

Bonnie Doon 29<br />

Boolarra* 51<br />

Bright 28<br />

Broadford* 67<br />

Bruthen 28<br />

Charlton* 69<br />

Churchill 51<br />

Cobden 68<br />

Cohuna* 59<br />

Colac 53<br />

Eildon 37<br />

Eildon Town 53<br />

Falls Creek* 65<br />

Ferntree gully 50<br />

Foster 59<br />

goulburn Valley 36<br />

Harrietville* 58<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 163


APPENDIX 22 (CONTINuED)<br />

AREA SERVED CHANNEL<br />

Horsham 49<br />

Howqua* 28<br />

Inverloch* 59<br />

Jeeralang / Yinnar South* 51<br />

Kiewa 36<br />

Koondrook / Barham* 69<br />

Lakes Entrance 58<br />

Latrobe Valley 30<br />

Learmonth* 57<br />

Lorne* 69<br />

Mansfield 67<br />

Marysville 57<br />

Melbourne 29<br />

Mildura / Sunraysia 28<br />

Mt Cowley* 69<br />

Murray Valley 59<br />

Myrtleford 58<br />

Newborough* 55<br />

Nhill 67<br />

Ouyen* 51<br />

Portland 68<br />

Robinvale* 51<br />

Rosebud 57<br />

Safety Beach 57<br />

Selby 50<br />

Seymour 66<br />

South Yarra 57<br />

Tanybryn* 69<br />

Tawonga South* 28<br />

Terang* 43<br />

Timboon* 66<br />

Trafalgar / Yarragon* 55<br />

underbool* 69<br />

upper Murray 7<br />

upwey 50<br />

Warburton 57<br />

Warracknabeal* 67<br />

Warrnambool 53<br />

164 SBS<br />

AREA SERVED CHANNEL<br />

Warrnambool City 68<br />

Waubra* 57<br />

Western Victoria 7<br />

Wycheproof* 69<br />

Yea 37<br />

Western Australia<br />

Albany 41<br />

Broome 9A<br />

Bunbury 34<br />

Carnarvon 11<br />

Central Agricultural 43<br />

Derby 7<br />

Esperance 9<br />

Exmouth 9<br />

geraldton 42<br />

Kalgoorlie 7<br />

Karratha 65<br />

Kununurra 10<br />

Laverton* 46<br />

Leonora* 41<br />

Mandurah 53<br />

Manjimup 55<br />

Margaret River 43<br />

Morawa* 40<br />

Narrogin 55<br />

Newman 11<br />

Northam 54<br />

Northampton 58<br />

Perth 29<br />

Port Hedland 6<br />

Roleystone 53<br />

Southern Agricultural 29<br />

Tom Price 11<br />

Toodyay 53<br />

Wagin 28<br />

Wongan Hills Town* 56<br />

* Self-help (retransmission) service.


APPENDIX 23<br />

SBS analogue radio services – areas served<br />

AREA SERVED CHANNEL<br />

Australian Capital Territory<br />

Canberra 105.5 FM<br />

Canberra 1440 AM<br />

New South Wales<br />

Balranald* 96.3 FM<br />

Bathurst* 88.9 FM<br />

Batlow* 92.5 FM<br />

Berridale* 88.3 FM<br />

Boggabilla* 107.9 FM<br />

Boorowa* 107.3 FM<br />

Bourke* 98.5 FM<br />

Brewarrina* 89.7 FM<br />

Broken Hill* 98.1 FM<br />

Cobar* 105.3 FM<br />

Coolamon* 103.1 FM<br />

Cooma* 106.5 FM<br />

Coonabarabran* 92.5 FM<br />

Coonamble* 90.3 FM<br />

Cootamundra* 102.9 FM<br />

Corowa* 90.9 FM<br />

Cowra* 95.9 FM<br />

Culcairn* 91.1 FM<br />

Deniliquin* 107.3 FM<br />

Dubbo* 100.5 FM<br />

Eugowra* 98.9 FM<br />

gilgandra* 103.7 FM<br />

glen Innes* 89.1 FM<br />

griffith* 92.7 FM<br />

gulargambone* 93.9 FM<br />

gulgong* 104.7 FM<br />

gundagai* 95.1 FM<br />

gunnedah* 103.9 FM<br />

Holbrook* 93.7 FM<br />

Ivanhoe* 102.9 FM<br />

Jerilderie* 91.7 FM<br />

Jindabyne* 104.3 FM<br />

AREA SERVED CHANNEL<br />

Junee* 98.7 FM<br />

Leeton* 94.7 FM<br />

Lightning Ridge* 94.5 FM<br />

Lismore* 98.9 FM<br />

Lithgow* 106.3 FM<br />

Long Flat* 107.9 FM<br />

Menindee* 105.7 FM<br />

Merriwa* 104.3 FM<br />

Moama* 99.7 FM<br />

Mudgee* 89.9 FM<br />

Mungindi* 102.3 FM<br />

Murrin Bridge* 104.7 FM<br />

Murrurundi* 100.1 FM<br />

Muswellbrook* 107.7 FM<br />

Narrabri* 92.1 FM<br />

Narrandera* 93.5 FM<br />

Narromine* 101.5 FM<br />

Newcastle 1413 AM<br />

Nimbin* 106.3 FM<br />

Nyngan* 103.9 FM<br />

Oberon* 107.1 FM<br />

Orange* 100.5 FM<br />

Parkes* 101.3 FM<br />

Peak Hill* 100.9 FM<br />

Port Macquarie* 107.7 FM<br />

Quirindi* 96.3 FM<br />

Sydney 1107 AM<br />

Sydney 97.7 FM<br />

Tumbarumba* 100.5 FM<br />

Tumut* 94.7 FM<br />

Walcha* 107.7 FM<br />

Walgett* 98.7 FM<br />

Warialda* 105.3 FM<br />

Wellington* 100.7 FM<br />

White Cliffs* 105.1 FM<br />

Wilcannia* 106.3 FM<br />

Wollongong 1035 AM<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 165


APPENDIX 23 (CONTINuED)<br />

AREA SERVED CHANNEL<br />

Wollongong 1485 AM<br />

Wyalong* 96.1 FM<br />

Young* 98.7 FM<br />

Northern Territory<br />

Darwin 100.9 FM<br />

Nhulunbuy* 99.7 FM<br />

Queensland<br />

Airlie Beach* 89.1 FM<br />

Alpha* 102.3 FM<br />

Aramac* 99.7 FM<br />

Ayr* 96.1 FM<br />

Badu Island* 96.9 FM<br />

Bedourie* 102.9 FM<br />

Birdsville* 104.5 FM<br />

Blackall* 103.1 FM<br />

Bollon* 96.3 FM<br />

Boonah* 91.1 FM<br />

Boulia* 101.3 FM<br />

Brisbane 93.3 FM<br />

Cairns (Mt Yarrabah)* 90.5 FM<br />

Canungra* 104.9 FM<br />

Carmila* 89.7 FM<br />

Clairview* 90.1 FM<br />

Clermont* 103.7 FM<br />

Cloncurry* 106.1 FM<br />

Cow Bay* 99.1 FM<br />

Cunnamulla* 104.5 FM<br />

Daintree* 90.5 FM<br />

Dajarra* 96.5 FM<br />

Dingo Beach* 94.5 FM<br />

Dirranbandi* 95.3 FM<br />

Eidsvold* 104.3 FM<br />

Emerald* 93.1 FM<br />

Eromanga* 89.3 FM<br />

Eulo* 104.9 FM<br />

glenden* 94.1 FM<br />

166 SBS<br />

AREA SERVED CHANNEL<br />

Hughenden* 104.3 FM<br />

Hungerford* 104.5 FM<br />

Injune* 102.7 FM<br />

Jericho* 101.7 FM<br />

Jundah* 97.7 FM<br />

Kooralbyn* 104.9 FM<br />

Longreach* 101.3 FM<br />

Meandarra* 97.9 FM<br />

Monto* 107.3 FM<br />

Moonford* 90.7 FM<br />

Moranbah* 92.9 FM<br />

Mossman* 95.1 FM<br />

Murray Island group* 97.7 FM<br />

Muttaburra* 100.5 FM<br />

Nebo* 94.7 FM<br />

Port Douglas* 105.5 FM<br />

Proserpine* 90.3 FM<br />

Quilpie* 98.1 FM<br />

Rathdowney* 104.1 FM<br />

Richmond* 106.1 FM<br />

Sapphire* 103.5 FM<br />

Shute Harbour* 106.9 FM<br />

Speewah* 94.3 FM<br />

Springsure* 99.3 FM<br />

St Lawrence* 97.3 FM<br />

Stonehenge* 95.5 FM<br />

Tambo* 103.5 FM<br />

Tara* 90.3 FM<br />

Taroom* 97.3 FM<br />

Thallon* 92.5 FM<br />

Thargomindah* 102.9 FM<br />

Theodore* 102.7 FM<br />

Windorah* 97.9 FM<br />

Winton* 103.1 FM<br />

Wondai* 98.9 FM<br />

Wyandra* 92.3 FM<br />

Yowah* 102.5 FM


AREA SERVED CHANNEL<br />

South Australia<br />

Adelaide 106.3 FM<br />

Adelaide Foothills 95.1 FM<br />

Coober Pedy* 93.3 FM<br />

Mintabie* 105.1 FM<br />

Renmark* 99.1 FM<br />

Woomera* 104.9 FM<br />

Wudinna* 100.5 FM<br />

Tasmania<br />

Hobart 105.7 FM<br />

Queenstown* 93.7 FM<br />

Rosebery* 91.1 FM<br />

Strahan* 94.7 FM<br />

Victoria<br />

Ballarat (Warrenheip)* 95.9 FM<br />

Benalla* 92.9 FM<br />

Bendigo* 95.7 FM<br />

Hamilton* 100.5 FM<br />

Maryborough* 104.5 FM<br />

Melbourne 1224 AM<br />

AREA SERVED CHANNEL<br />

Melbourne 93.1 FM<br />

Mildura* 98.7 FM<br />

Morwell* 90.9 FM<br />

Myrtleford* 97.3 FM<br />

Wodonga* 89.5 FM<br />

Western Australia<br />

Bridgetown* 97.3 FM<br />

Broome* 91.7 FM<br />

Coorow* 107.1 FM<br />

Denmark* 106.9 FM<br />

Exmouth* 98.9 FM<br />

green Head* 100.1 FM<br />

Merredin* 102.7 FM<br />

Moora* 103.5 FM<br />

Morawa* 93.5 FM<br />

Perth 96.9 FM<br />

Pingelly* 93.9 FM<br />

Wandering* 93.7 FM<br />

Westonia* 101.9 FM<br />

Wongan Hills* 106.3 FM<br />

* Self-help (retransmission) service.<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 167


APPENDIX 24<br />

SBS Television: Advertisers<br />

1300 Homeloans<br />

20th Century Fox<br />

20th Century Fox Home<br />

Entertainment<br />

2nds World<br />

ABC Classical<br />

ACE Cycling Events<br />

ACMN<br />

Adelaide BMW<br />

Adelaide Festival Centre<br />

Adult Products at No 96<br />

Advanced Hair Studio<br />

Advertiser, The<br />

Affinity Intercultural Foundation<br />

Air Express Travel<br />

AKA<br />

Al-Ameen Enterprises<br />

Alby Turner & Son Kitchens<br />

Alfredo Malabello<br />

Alist Entertainment<br />

All Fect Distributors<br />

Allhomes<br />

Alliance Francaise de Melbourne<br />

Allianz Australia Services<br />

Allied Forklifts<br />

Amagoa<br />

Amaysim<br />

Ambition Entertainment<br />

American Express<br />

AMP<br />

Amyson<br />

Ancestry.com<br />

Andersens Furniture<br />

Andrew Jones Travel<br />

ANZ Bank<br />

AP Touring<br />

APg<br />

Apple<br />

Apple Computer<br />

Aqua Arc<br />

Arla Foods<br />

Arnotts<br />

Art gallery of NSW<br />

Art Melbourne<br />

Artisan Jewellery<br />

Artist Network Australia<br />

168 SBS<br />

Aust Dept of Broadband,<br />

Communications & the Digital<br />

Economy<br />

Aust Dept of Climate Change<br />

Aust Dept of Defence<br />

Aust Dept of Employment &<br />

Workplace Relations<br />

Aust Dept of Family, Housing,<br />

Community Services & Indigenous<br />

Affairs<br />

Aust Dept of Foreign Affairs & Trade<br />

Aust Dept of Health & Aged Care<br />

Aust Dept of Treasury<br />

Austar<br />

Australia Post<br />

Australian Bureau of Statistics<br />

Australian Cancer Research<br />

Foundation<br />

Australian Centre for the Moving<br />

Image<br />

Australian Education union<br />

Australian Federal Police<br />

Australian Federation of ukranian<br />

Organisations<br />

Australian greens, The<br />

Australian Medical Association of<br />

Queensland<br />

Australian National university<br />

Australian Organ & Tissue Authority<br />

Australian Outback Spectacular<br />

Australian Pensioners Insurance<br />

Australian Piano Fair<br />

Australian Super<br />

Australian unity<br />

Auswest Timbers<br />

Avanti Bicycle Company<br />

B & E<br />

Bank SA<br />

Bank West<br />

Barilla<br />

Barry Plant<br />

Bass & Equitable<br />

Bayer Australia<br />

Beaumont Tiles<br />

Beaurepairs<br />

Beiersdorf<br />

Bell Direct<br />

Bendigo Bank<br />

Betta Home Furnishings<br />

Bicycle Express<br />

Bicycle Superstore<br />

Bike Exchange<br />

Bikeforce<br />

Bing Lee<br />

Birch Carroll & Coyle Limited<br />

Blackmores<br />

Blake Entertainment<br />

Blue Diamond growers<br />

Blue globe Alliance<br />

Blue Sky Brewery<br />

Blue Star Electric<br />

Blueprint Homes<br />

Bluesfest<br />

BMW Australia<br />

Bond university<br />

Bosch<br />

Boutique Homes<br />

Bravo Events<br />

Breville<br />

BT Financial<br />

Budget Direct<br />

Bunbury Tyre & Exhaust<br />

Bunnings Warehouse<br />

Bupa Australia Health<br />

Buyaustralianmade.com<br />

Calypso Mangoes<br />

Campbell Australia<br />

Cancer Council NSW<br />

Cancer Institute of NSW<br />

Canon<br />

Cappo Seafood<br />

Captain Choice Tours<br />

Car City<br />

Caravan & Camping Industries<br />

Association of SA<br />

Care Super<br />

Carers QLD<br />

Carhistory.com.au<br />

Carpet Choice<br />

Carsales.com.au<br />

Cartell Music<br />

Causeforce


Chevron<br />

Choosi<br />

Chorus Line<br />

Chrysler<br />

Chugg Entertainment<br />

Cinestarr Chanel<br />

Citibank<br />

Citroen<br />

City Index<br />

City of Ballarat<br />

City of Perth<br />

Claim to gain<br />

Clubs NSW<br />

Coca Cola<br />

Code Bowen Hills<br />

Collins Food group<br />

Colonial First State<br />

Commonwealth Bank<br />

Community CPS<br />

Complete Comfort<br />

Conci Furniture<br />

Cool gelmat<br />

Coopers<br />

Country Fire Service SA<br />

Crimsafe<br />

Curves<br />

Dale Alcock<br />

Dave Potter Honda<br />

Deakin university<br />

Defcredit<br />

Defence Bank<br />

Dell Computers<br />

Demir Leather<br />

Denmark Tourism<br />

Diageo<br />

Digiflix<br />

Dilmah Tea<br />

Duo glass<br />

Dutch Swing College Band Tour<br />

Dynasty Entertainment<br />

Dyson Appliances<br />

E Luxury<br />

E&E Events<br />

Eaglemoss<br />

Eco Tile Factory<br />

Eftpos<br />

Ekornes<br />

Electoral Commission Queensland<br />

Electrolux<br />

Eli Lilly<br />

Elle Bee Music<br />

EMI<br />

Emirates<br />

Energizer<br />

Energy Australia<br />

Ergon Energy<br />

Ettason Pty Ltd<br />

Events NSW<br />

Everything Exhibitions & Events<br />

Excela Limited<br />

Ezyline Events<br />

Falun Dafa Association of<br />

Victoria Inc.<br />

Fasham Johnson<br />

Fasta Pasta<br />

Federal group<br />

Financial Planners Association<br />

Flight Centre<br />

Flutes<br />

Fonterra<br />

Force 10 International<br />

Ford Dealers<br />

Foxtel Digital<br />

Fred Hollows Foundation<br />

Freedom Insurance<br />

Frontier Touring Company, The<br />

Funtastic<br />

gE<br />

gE Fabbri<br />

gE Money<br />

general Mills<br />

get up<br />

giant<br />

global Ensemble<br />

globe Interiors<br />

gold Buyers<br />

golden Casket<br />

golden Casket Lotteries<br />

(Queensland govt)<br />

golden Chain Motor Inns<br />

goodyear Auto Care<br />

greater Building Society<br />

grey group<br />

griffith university<br />

gumtree<br />

gunns Clotheslines<br />

gurrumul<br />

H&R Block<br />

Hachette Partworks<br />

Hammers Furniture Albany<br />

Harris Farm<br />

Harvey Norman<br />

HBF<br />

Health Care<br />

Health Care Direct<br />

Health World Ltd<br />

Herald-Sun Newspaper<br />

Hi Tech Telecom<br />

High Tec Oils<br />

Hocking Stuart<br />

Holden<br />

Home Show<br />

Honda<br />

HSBC<br />

HTC<br />

Hubb Organisation<br />

Humane Research Australia<br />

Hydralyte<br />

Hyundai<br />

IAg<br />

Icon Films<br />

ICWA<br />

Ig Markets<br />

IgEA<br />

iiNet<br />

Ikea<br />

ILS Services<br />

Industry Funds Management<br />

Industry Super Funds<br />

INg Direct<br />

Instant Response Marketing<br />

Insuranceline<br />

Insure My Ride<br />

Intel<br />

Italia Ceramics<br />

Jacksons Security<br />

Jag Kitchens<br />

Jaguar<br />

Jalna Dairy Foods<br />

James Cook university<br />

Jarvis Subaru<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 169


APPENDIX 24 (CONTINuED)<br />

Jayco<br />

Jemena gas Works<br />

Jetstar<br />

John Fairfax Publications<br />

Just Car Insurance<br />

Kao<br />

Kelloggs<br />

Kelly Country Factory<br />

Kenilworth Arts Council<br />

KFC<br />

Kia Motors Australia<br />

Kia Rural Provincial Dealer group<br />

Kincardine Holdings<br />

King Furniture<br />

Kitchen Warehouse<br />

Kitcraft Kitchens<br />

Knowledge to Action<br />

Korean Tourism<br />

Kosmodisk<br />

Kraft Foods<br />

Laird & Pascoe Trading Co.<br />

Land Rover Australia<br />

Language Links<br />

Lawrence Creative<br />

Lazy Patch<br />

LBC Australia<br />

Legacy<br />

Leimo<br />

Lennard Promotions<br />

Lexus<br />

Life’s Tiles<br />

Lion Nathan<br />

Live Nation global<br />

Llewellyn Motors<br />

LNP<br />

Local government Association<br />

of Queensland<br />

Local government Association<br />

of Tasmania<br />

Lotterywest<br />

Magnetite<br />

Mahmood<br />

Majer Tiles<br />

Manassen Foods<br />

Mario Maiolo Promotions<br />

Mars<br />

Massel<br />

170 SBS<br />

Mastercard<br />

Mazda<br />

McDonald’s<br />

McLernons<br />

Me Bank<br />

Medecins Sans Frontieres<br />

Medibank<br />

Melbourne Hot Rod Show<br />

Melbourne Rebels<br />

Melbourne Symphony Orchestra<br />

Mercedes Benz<br />

Merry’s Furniture<br />

Metro<br />

Michael Hill<br />

Michelin Australia<br />

Miele Australia<br />

Millmaine Entertainment<br />

Minerals Council of Australia<br />

Mirvac<br />

Mitsubishi Motors<br />

MLC<br />

Momentum Energy<br />

Motorola<br />

Murdoch university<br />

Museum of Australian Democracy<br />

Myer Stores<br />

MyState Financial<br />

Nathan Farrell Entertainment Trust<br />

National Australia Bank<br />

National Australia Day Council<br />

National Foods<br />

National gallery Victoria<br />

National Hair Institute<br />

National Prescribing Service<br />

National Preventative Health<br />

Natuzzi<br />

Nestle<br />

New generation College<br />

Newcastle Permanent<br />

News Limited<br />

Niche Wealth & Finance<br />

Nick Scali<br />

Nike<br />

NIM Nat<br />

Nitro Circus<br />

No Odd Socks<br />

Noble House<br />

Northern Territory Tourism Commission<br />

Novartis<br />

Novartis Animal Health<br />

NSW Dept of Health<br />

NSW Lotteries<br />

NSW Multicultural Health<br />

Communication Service<br />

NSW National Disability Service<br />

NSW Nurses Association<br />

NSW RTA<br />

NSW Rural Fire Service<br />

NSW Work Cover Corporation<br />

Nurses Federation Australia<br />

Oasis griffiths Coffee<br />

Officeworks<br />

Open universities<br />

Opera North West<br />

Optical Superstore, The<br />

Optus<br />

Orbis Express Travel<br />

Origin Energy<br />

Own It Homes<br />

P & O<br />

Pacific Harbour<br />

Paddy’s Markets<br />

Palamino Plastic Products<br />

Paramount Home Entertainment<br />

Paramount Pictures<br />

Parmalat<br />

Peregrine Adventures<br />

Persian Palace<br />

Personalised Plates Queensland<br />

Perth Hybrid Centre<br />

Peugeot<br />

Pfitzner Furniture (Nercoba)<br />

Philips<br />

Pivot Store & Heating<br />

Pizza Capers<br />

Pizza Hut<br />

PK Simpson<br />

Plan Australia<br />

Plum grove Commodities<br />

Polish Community Christmas<br />

Picnic Inc<br />

PQ Blackwell<br />

Precious Metals Sydney<br />

Progressive Direct Insurance<br />

Progressive Insurance<br />

QBE


Qld Dept of Justice & Attorney<br />

general<br />

Qld Dept of Health<br />

Qld Dept of Premier & Cabinet<br />

Qld Local government Infrastructure<br />

Service<br />

Qld Transport<br />

Qld Treasury<br />

QM Properties<br />

Queensland Music Festival<br />

Queensland Performing Arts Centre<br />

Quicklock Partitions<br />

Rabobank<br />

RAC (WA)<br />

Racing Onn Promotions<br />

RACQ<br />

RACQ Club Membership<br />

RACQ Insurance<br />

RACT<br />

Railcorp NSW<br />

Rams Home Loans<br />

Raw Pearls<br />

RBA<br />

Real Insurance<br />

Realestate.com.au<br />

Red Cross<br />

Red Hill gigs<br />

Red Rooster<br />

Regency Beach Club<br />

Renniks<br />

RMIT university<br />

Road Safety Advisory Council<br />

Roadshow Films<br />

Robert Clark Creative<br />

Rolex<br />

Roofhandles.com.au<br />

Roses Only<br />

Roxby Media Australia<br />

Royal Auto Club Victoria<br />

RSPCA National<br />

Rugs 4 Less<br />

Rundle Mall Management Authority<br />

SA Clipsal 500<br />

SA Dept of Drug & Alcohol Services<br />

SA Dept of Health<br />

SA Dept of Transport Energy &<br />

Infrastructure<br />

SA Lotteries Commission<br />

SA Motor Accident Commission<br />

SA Quality Home Improvements<br />

SA Workcover Corporation<br />

Saeco<br />

Safe Work SA<br />

Salvation Army<br />

Samsung<br />

Santos<br />

Santos & Vincent<br />

Saxo Capital Markets<br />

Schick<br />

Seconds World<br />

Shannons Insurance<br />

Sharland & Sharland<br />

Shaver Shop<br />

Shell<br />

Shukran Enterprise<br />

Silver Chain<br />

Silver K Art gallery<br />

Skoda<br />

Smales Jewellers<br />

Smiths<br />

Snooze<br />

Sony Australia<br />

Sony BMg<br />

Sony Picture Releases<br />

Sony Playstation<br />

South Australian Tourism<br />

Commission<br />

Southern Phone Company Limited<br />

Specialized Australia<br />

Specsavers<br />

Spirit Australia Cruises<br />

Sports Marine<br />

St george Bank<br />

State Opera South Australia, The<br />

Stratco<br />

Subaru<br />

Sun Direct Solutions<br />

Suncorp<br />

Suncorp Direct Life Insurance<br />

Sunsuper<br />

Super Amart<br />

Supersonic Enterprises<br />

Suresafe<br />

Swisse Vitamins<br />

Sydney Symphony Orchestra<br />

TAB Sportsbet<br />

Tailors of Distinction<br />

Taree Furniture One<br />

Taronga Zoo<br />

Tas gas Retail<br />

Tasmania Enjoy<br />

Tasmanian Symphony Orchestra<br />

Tatts<br />

Teletruck Australia<br />

Thalassa Star<br />

Tilford – Peugeot<br />

Time Life<br />

Titan Sheds<br />

Tobin Brothers<br />

Total Rush<br />

Tote Tasmania<br />

Tourism New South Wales<br />

Tourism Queensland<br />

Tourism Tasmania<br />

Tourism Victoria<br />

Tourism WA<br />

Toyota<br />

TPg<br />

Trek Bikes<br />

Triple Diamond Mitsubishi<br />

True Value Solar<br />

Truenergy<br />

TT Line<br />

ubank<br />

ultd Solar<br />

underground Opera, The<br />

uNHCR<br />

universal Cultural Comms Ltd<br />

universal Music<br />

universal Pictures International<br />

university of New England<br />

university of Queensland<br />

university of Southern Queensland<br />

university of Western Australia<br />

upper West Side<br />

Value World Travel<br />

Vampt Furniture<br />

Vic Dept of Human Services<br />

Vic Dept of Innovation, Industry &<br />

Regional Development<br />

Vic Dept of Justice<br />

Vic Dept of Premier & Cabinet<br />

Vic Dept of Sustainability<br />

Vic Dept of Treasury & Finance<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 171


APPENDIX 24 (CONTINuED)<br />

Victorian Opera<br />

Vietface TV Australia<br />

Village Marketing<br />

Village Roadshow<br />

Virgin Blue Airlines<br />

Virgin Mobile<br />

Virgin Money<br />

Virtual Ad Agency<br />

Visa International<br />

Vision Asia<br />

Visit Britain<br />

Vitaco<br />

Vittoria Coffee<br />

Volvo<br />

Voyages<br />

172 SBS<br />

WA Cancer Council<br />

WA Dept of Training & Workforce<br />

Development<br />

WA Office of Road Safety<br />

WA Water<br />

Walt Disney Motion Pictures<br />

Warner Music<br />

Warner Video<br />

Webjet<br />

West Australian, The<br />

West Coast Blues & Roots Festival<br />

Pty Ltd<br />

Western Power<br />

Western union<br />

Westpac<br />

Woodend Winter Arts Festival<br />

World Vision<br />

Wrigleys<br />

WWF<br />

Wyeth<br />

Xylem<br />

Yakult<br />

Zaccaria Events<br />

Zinmoto<br />

Zuji


APPENDIX 25<br />

SBS Television: Program sponsors<br />

PROgRAM SPONSORS<br />

<strong>2011</strong> Jameson IF Awards Sydney MyState Financial<br />

All Watched Over by Machines of Loving grace Westpac<br />

Anthony Bourdain: No Reservations (Series 5) Nestle<br />

Anton and the Piano Melbourne Symphony Orchestra<br />

At The Table With... (Series 3) Massel<br />

Battle of the Brains Curves<br />

Bible, The: A History Saeco<br />

Big Love (Series 5) Westpac<br />

Bite Me! With Dr Mike Leahy Vic Dept of Treasury & Finance<br />

Boheme, La Melbourne Symphony Orchestra<br />

Bombing of germany, The Defence Bank<br />

Bronzino: Restoring genius Melbourne Symphony Orchestra<br />

Cadel – Le Triomphe Skoda<br />

Carrier Curves<br />

Catherine’s Italian Kitchen Harvey Norman<br />

Catherine’s Roman Holiday Harvey Norman<br />

Coast (Series 2) Western union<br />

Codebreaker Defence Bank<br />

Come Dine with Me Jalna Dairy Foods<br />

Vittoria Coffee<br />

Convoy Walt Disney Motion Pictures<br />

Cooking In The Danger Zone Massel<br />

Cooking In The Danger Zone (Series 2) Massel<br />

Cycling Australia Events <strong>2011</strong> QBE<br />

Subaru<br />

Cycling Australia Events <strong>2011</strong>-<strong>2012</strong> Mars<br />

Cycling Central <strong>2011</strong> Bell Direct<br />

HTC<br />

IAg<br />

Skoda<br />

Cycling Central <strong>2012</strong> QBE<br />

Skoda<br />

Destiny of Rome, The Sony Picture Releases<br />

Westpac<br />

Don giovanni Melbourne Symphony Orchestra<br />

Ethnic Business Awards <strong>2011</strong> National Australia Bank<br />

Euro <strong>2012</strong> TAB Sportsbet<br />

Euro <strong>2012</strong> – Highlight Programs TAB Sportsbet<br />

Eurovision Song Contest <strong>2012</strong> Village Roadshow<br />

Extreme Frontiers: Canada Renault<br />

Feasts Honda<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 173


APPENDIX 25 (CONTINuED)<br />

PROgRAM SPONSORS<br />

Filipino News <strong>2011</strong> LBC Australia<br />

Food Safari (Series 3) Miele Australia<br />

Peregrine Adventures<br />

Pizza Capers<br />

Food Trip With Todd English Massel<br />

FIFA u-17s World Cup HTC<br />

IAg<br />

LBC Australia<br />

Fork in Africa, A (Series 8) Massel<br />

Freddie Flintoff Versus the World KFC<br />

Vic Dept of Treasury & Finance<br />

French Food Safari Harvey Norman<br />

Miele Australia<br />

Renault<br />

giro D’italia <strong>2012</strong> – Daily Highlights QBE<br />

Skoda<br />

giro D’italia <strong>2012</strong> – Live Stages QBE<br />

Skoda<br />

global Village 2010 – Compilation Jalna Dairy Foods<br />

Massel<br />

global Village <strong>2011</strong> – Compilation Massel<br />

goodbye Revolution Melbourne Symphony Orchestra<br />

gourmet Farmer (Series 2) Tourism Tasmania<br />

Hairy Bikers’ Food Tour of Britain, The Jalna Dairy Foods<br />

Massel<br />

Vittoria Coffee<br />

Heston’s Feasts Harvey Norman<br />

Pizza Capers<br />

Saeco<br />

Heston’s Fishy Feast Harvey Norman<br />

Hidden Life of Masterpieces – Leonardo Da Vinci, The Melbourne Symphony Orchestra<br />

Housos Arnotts<br />

How To Cook Like Heston Harvey Norman<br />

Pizza Capers<br />

Hubble’s Amazing Rescue Curves<br />

Hunger Sony Picture Releases<br />

IAAF World Championships <strong>2011</strong> – Highlights Massel<br />

In Search of the Messiah Melbourne Symphony Orchestra<br />

In Their Own Words: British Novelists Melbourne Symphony Orchestra<br />

Indian Ocean with Simon Reeve Renault<br />

Into the Dragon’s Lair Renault<br />

Iron Chef, The (Series 5) Jalna Dairy Foods<br />

Massel<br />

174 SBS


PROgRAM SPONSORS<br />

Iron Chef, The (Series 6) Jalna Dairy Foods<br />

Massel<br />

Vittoria Coffee<br />

Iron Chef, The (Series 7) Massel<br />

Island Feast with Peter Kuruvita Miele Australia<br />

Pizza Capers<br />

James May’s Man Lab Vic Dept of Treasury & Finance<br />

James May’s Man Lab (Series 2) Vic Dept of Treasury & Finance<br />

Kill / Capture Westpac<br />

Kill Arman Arnotts<br />

La Vuelta <strong>2011</strong> – Daily Highlights Bell Direct<br />

Skoda<br />

La Vuelta <strong>2011</strong> – Live Stages Bell Direct<br />

Skoda<br />

Letters and Numbers (Series 4) Cool gelmat<br />

Letters and Numbers (Series 5) Cool gelmat<br />

Listen Melbourne Symphony Orchestra<br />

Look Both Ways INg Direct<br />

L’ost Massel<br />

Novartis Animal Health<br />

L’ost (Series 2) Harvey Norman<br />

Massel<br />

Luke Nguyen’s greater Mekong AP Touring<br />

Honda<br />

Miele Australia<br />

Peregrine Adventures<br />

Luke Nguyen’s Vietnam (Series 2) Honda<br />

Mad Men (Series 3) Mazda<br />

Makay: Discovering The Last Eden Renault<br />

Man Next Door, The Mystate Financial<br />

Man vs. Wild (Series 4) Arnotts<br />

Vic Dept of Treasury & Finance<br />

Man vs. Wild (Series 5) Vic Dept of Treasury & Finance<br />

Mao’s great Famine Defence Bank<br />

Moon for Sale Curves<br />

My greek Kitchen Harvey Norman<br />

My Sri Lanka with Peter Kuruvita Dilmah Tea<br />

Honda<br />

Pizza Capers<br />

My Year Without Sex INg Direct<br />

MyState Financial<br />

Sony Picture Releases<br />

Mythbusters (Series 4) Saeco<br />

Vic Dept of Treasury & Finance<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 175


APPENDIX 25 (CONTINuED)<br />

PROgRAM SPONSORS<br />

Mythbusters (Series 6) Arnotts<br />

Open universities<br />

Vic Dept of Treasury & Finance<br />

Mythbusters green Screen Specials Vic Dept of Treasury & Finance<br />

Nobel Prize in Literature 2010, The Melbourne Symphony Orchestra<br />

One Born Every Minute (Series 2) Bupa Australia Health<br />

Westpac<br />

One Man and His Campervan Pizza Capers<br />

One Sunday in Paris – Cadel Evans Eli Lilly<br />

Oz and Hugh Raise the Bar Honda<br />

Paris-Roubaix <strong>2012</strong> QBE<br />

Skoda<br />

PBS Newshour <strong>2011</strong> Chevron<br />

Pizza (Series 5) Vic Dept of Treasury & Finance<br />

Planet Egypt Westpac<br />

Predators in Your Backyard Renault<br />

Promise of Music, The Melbourne Symphony Orchestra<br />

Promise, The Saeco<br />

Telstra<br />

Race to Bury King Tut, The Sony Picture Releases<br />

Rex: A Cop’s Best Friend (Series 3) (Rpt) Australian Pensioners Insurance<br />

Rex: A Cop’s Best Friend (Series 4) (Rpt) Australian Pensioners Insurance<br />

Novartis Animal Health<br />

Rex: A Cop’s Best Friend (Series 5) Harvey Norman<br />

Rockwiz (Series 4) Coopers<br />

Rockwiz (Series 5) Coopers<br />

Rockwiz (Series 6) Coopers<br />

Rockwiz (Series 9) Coopers<br />

INg Direct<br />

Westpac<br />

Russian Resurrection, A Melbourne Symphony Orchestra<br />

Secret, A Mystate Financial<br />

Seduction in the City – The Birth of Shopping Myer Stores<br />

Singapore Flavours Jalna Dairy Foods<br />

Massel<br />

Vittoria Coffee<br />

Sketches of Frank gehry Melbourne Symphony Orchestra<br />

Skins (Series 5) Arnotts<br />

South Park (Series 1) (Rpt) Arnotts<br />

South Park (Series 15) Arnotts<br />

Vic Dept of Treasury & Finance<br />

Spare Change Melbourne Symphony Orchestra<br />

Speed of Life Renault<br />

176 SBS


PROgRAM SPONSORS<br />

Speedweek <strong>2012</strong> High-Tec Oils<br />

Stone Bros. INg Direct<br />

Mystate Financial<br />

Story of Wales, The Defence Bank<br />

Supersizers go..., The (Series 2) Westpac<br />

Surviving Hitler: A Love Story Defence Bank<br />

Swift & Shift Couriers (Series 2) Arnotts<br />

Vic Dept of Treasury & Finance<br />

Sylvie guillem: On the Edge Melbourne Symphony Orchestra<br />

Tetsuya’s Pursuit of Excellence Miele Australia<br />

The Spin Subaru<br />

This Is England ‘86 Arnotts<br />

Toscanini: In His Own Words Melbourne Symphony Orchestra<br />

Tour De France <strong>2011</strong> – Daily Highlights HTC<br />

IAg<br />

Skoda<br />

Tour De France <strong>2011</strong> – Live Stages HTC<br />

IAg<br />

Ig Markets<br />

Skoda<br />

Tour De France <strong>2012</strong> – Live Stages Eftpos<br />

Eli Lilly<br />

QBE<br />

Skoda<br />

Swisse Vitamins<br />

Tour of Britain <strong>2011</strong> Bell Direct<br />

Tour of California <strong>2012</strong> QBE<br />

Skoda<br />

Tour of Flanders <strong>2012</strong> Skoda<br />

Tropic of Cancer Western union<br />

Trovatore, Il Melbourne Symphony Orchestra<br />

Two greedy Italians Harvey Norman<br />

uEFA Europa League <strong>2011</strong>/<strong>2012</strong> – Delayed Matches Bell Direct<br />

LBC Australia<br />

Van Diemen’s Land INg Direct<br />

Mystate Financial<br />

What Makes a genius? Curves<br />

Who Do You Think You Are? (Series 1 – Australia) (Rpt) Ancestry.com<br />

Who Do You Think You Are? (Series 2 – Australia) (Rpt) Ancestry.com<br />

Who Do You Think You Are? (Series 3 – Australia) (Rpt) Ancestry.com<br />

Who Do You Think You Are? (Series 4 – Australia) Ancestry.com<br />

Bayer Australia<br />

Who Do You Think You Are? (Series 1 – South Africa) Ancestry.com<br />

Who Do You Think You Are? (Series 7 – uK) Ancestry.com<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 177


APPENDIX 25 (CONTINuED)<br />

PROgRAM SPONSORS<br />

William Shatner’s Weird or What (Series 2) Arnotts<br />

Vic Dept of Treasury & Finance<br />

Sony Picture Releases<br />

Wine Lovers guide to Australia (Series 2) Jalna Dairy Foods<br />

Massel<br />

World News Australia <strong>2011</strong> – Weather segment Renault<br />

World’s Biggest Bomb Defence Bank<br />

Zumbo Honda<br />

Pizza Capers<br />

178 SBS


APPENDIX 26<br />

SBS Online: Advertisers<br />

AAT Kings<br />

AC Milan Football Academy<br />

Ace Cycling Events<br />

ACP Magazines Football+<br />

Aegis Digital Centre of Trading and<br />

Investment<br />

Age, The<br />

Air New Zealand<br />

AirAsia<br />

Amy gillett Foundation<br />

Ancestry.com<br />

Apple<br />

Art Centre Melbourne<br />

Athlete’s Foot<br />

Australia Post<br />

Australian Bureau of Statistics<br />

Australian Cancer Research<br />

Foundation<br />

Aust Dept of Families, Housing,<br />

Community Services & Indigenous<br />

Affairs<br />

Aust Dept of Health & Ageing<br />

Aust Dept of Immigration & Ethnic<br />

Affairs<br />

Avanti Bicycle Company<br />

Betfair<br />

Blackberry<br />

Blue Holidays<br />

Bluetone<br />

BT Financial<br />

Burswood<br />

BWS<br />

CF Events<br />

Cancer Council SA<br />

Captain Choice Tours<br />

Causeforce<br />

Chinalion Film Entertainment<br />

Citroen<br />

City Index<br />

Coopers<br />

Diageo<br />

Dilmah Tea<br />

Dynasty Entertainment<br />

Ekornes<br />

Electrolux<br />

Emirates<br />

Engage BDR<br />

Epson<br />

Essential Ingredient<br />

Ettason Pty Ltd<br />

Events New South Wales<br />

Evergreen Star<br />

Excela<br />

Freedom<br />

gE Corporate<br />

giant Bikes<br />

griffith university<br />

Harvey Norman<br />

Holden<br />

HSBC<br />

HTC<br />

Hunter Valley Tourism<br />

Icon Films<br />

Ig Markets<br />

Intel<br />

Jayco<br />

Korean Tourism<br />

Lg Electronics<br />

Lion<br />

Lion Nathan<br />

Lurpak<br />

Margaret River Wine Industry<br />

Association<br />

Masterfoods<br />

Mazda<br />

McDonald’s<br />

Medibank<br />

Melbourne Food & Wine Festival<br />

Merchantwise<br />

Millmaine<br />

Momentum Energy<br />

NSW government<br />

NSW Multicultural Health<br />

Communications Services<br />

NSW RTA<br />

Nestle<br />

News Limited<br />

Nike<br />

Nissan<br />

OPSM<br />

Optus<br />

Paramount Pictures<br />

Pelada<br />

Pepsi<br />

Pernod Ricard<br />

Philips<br />

PQ Blackwell<br />

RSPCA<br />

Realestate.com.au<br />

Recital Centre<br />

Red Bull<br />

Renault<br />

SA Tourism Commission<br />

Samsung<br />

Sanitarium<br />

Seiko<br />

Setanta Sports Australia<br />

Sharp Airlines<br />

Skoda<br />

Sony Australia<br />

Sony Playstation<br />

Specialized Australia<br />

Sporting Bet<br />

Subaru<br />

Suncorp<br />

Swisse Vitamins<br />

Telstra<br />

Tourism Tasmania<br />

Tourism WA<br />

Travel Zoo<br />

uSM Events<br />

uSYD Central<br />

uncle Toby’s<br />

uNHCR<br />

universal Pharmaceutical<br />

upper West Side<br />

Vic government<br />

Victorian Opera<br />

Virgin Australia<br />

Virgin Blue Airlines<br />

Vodafone<br />

Volkswagen<br />

Voyages<br />

Wai Shun Trading<br />

Warner Bros<br />

Warner Music<br />

Western union<br />

Wiggle.co.uk<br />

Wine Selectors<br />

World Vision<br />

Zema Estate<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 179


APPENDIX 27<br />

SBS In Language (SBS Radio): Advertisers<br />

3 Bears Pre School<br />

AIPRA<br />

Air Asia<br />

Alba Productions<br />

Albare Productions<br />

All Fect Distributors<br />

Allied Homes Pty Ltd & Sunny<br />

Constructions Australia<br />

Amitabha Foundation Australia<br />

Amyson<br />

Andrew giang Nguyen<br />

Arabic Welfare Inc<br />

Arts Centre Melbourne<br />

AST Events<br />

Ausnathealth.com<br />

Aussia Australia<br />

Aussia Pharmaceuticals<br />

Australian Building & Construction<br />

Commissioner<br />

Australian Bureau of Statistics<br />

Australian Communications & Media<br />

Authority<br />

Australian Competition & Consumer<br />

Commission<br />

Aust Dept of Broadband,<br />

Communications & the Digital<br />

Economy<br />

Aust Dept of Climate Change &<br />

Energy Efficiency<br />

Aust Dept of Education, Employment<br />

& Workplace Relations<br />

Aust Dept of Families, Housing,<br />

Community Services & Indigenous<br />

Affairs<br />

Aust Dept of Foreign Affairs & Trade<br />

Aust Dept of Health & Aged Care<br />

Aust Dept of Human Services<br />

Aust Dept of Treasury<br />

Australian Electoral Commission<br />

Aust govt – Attorney general’s<br />

Department<br />

Australian Indian Innovations Inc<br />

Australian Multicultural Foundation<br />

Australian National Preventative<br />

Health Agency<br />

Australia Post<br />

Australian Securities & Investment<br />

Commission<br />

Australian Taxation Office<br />

AVIO Travel<br />

180 SBS<br />

Bank of Melbourne<br />

Bank of Valletta<br />

Beauty Link<br />

Benetas the Caring Spirit<br />

Beograd Online<br />

Blooms the Chemist Marrickville<br />

Blue Star Air Conditioning<br />

Blue Star Motors<br />

Bravo Events<br />

Breastscreen Victoria<br />

Cancer Institute<br />

Cardcall<br />

Career Education Consultancy<br />

Australia<br />

Carers QLD<br />

Centre for Culture Ethnicity & Health<br />

Cinestar Chanel<br />

City of Boorondara<br />

City of Sydney<br />

City Recital Hall<br />

Cleopatra Ngyuen Surguy<br />

Concord International Trading<br />

Cong Than Noodles<br />

Council on the Ageing (Vic) Inc<br />

Cricket Australia<br />

Cultural Care Au Pair<br />

Curry Masters<br />

Destination NSW<br />

Digicel Pacific Resources<br />

Dnister ukrainian Credit Cooperative<br />

Dong Ba Seafood Restaurant<br />

Dr Jim Iliopoulos<br />

Dragon Home Loans<br />

Dulhan Exclusives<br />

Duracell<br />

Dynasty Entertainment<br />

E&E Events<br />

East/West Lawyers<br />

Easy Way Franchising<br />

Energy & Water Ombudsman NSW<br />

Ethio Pest Control<br />

Eurosky Media<br />

Eventos Casablanca<br />

Events NSW<br />

Excellent Coaches<br />

F T Tran Solicitor<br />

Far East Consortium<br />

Filebank<br />

Footscray Plaza Redevelopment C/o<br />

West Central Properties<br />

Future Auto Care<br />

gala Real Estate<br />

galaxy Entertainers Pty Ltd<br />

galaxy Import & Export Co<br />

gallop Import & Export<br />

global Ensemble<br />

global Oz Travel<br />

grand Continental Food<br />

green Engineering<br />

Heartland Foundation<br />

Hi Tech Telecom<br />

Hoa Hung Tofu<br />

Hoa Thuan Pty Ltd<br />

Home Ice Cream<br />

Home Plus Finance<br />

HP Food<br />

HSBC<br />

Hua Kien Fat Trading<br />

Human Appeal International<br />

Icontact Optometrist<br />

Inex Touring Company<br />

IVF Australia<br />

Juris Australia Lawyers<br />

Kaah Money Transfer<br />

Kennedy CPA Practice<br />

Khanh Hoa Salanganes Nest<br />

Khiem Thanh Asian grocery & Fruit<br />

Kimy Air Conditioning<br />

Knowledge to Action<br />

Korean Tourism<br />

L&T Trading Pty Ltd<br />

LAF College of Vocational Education<br />

Lashkara Wedding Planners<br />

Lebara<br />

Lee Pharmacy<br />

Liberty Palace Pty Ltd<br />

Lim’s Pharmacy<br />

Logictivity<br />

Lu Stephen Sun Huat<br />

Lucky Asian<br />

Media Asia<br />

Mediapro<br />

Medibank<br />

Melbourne Institute of Nails & Beauty<br />

Melbourne Symphony Orchestra<br />

MN Compensation Lawyers<br />

Moneygram<br />

Moreland Energy Foundation<br />

Ms Ngoc Lan


Musiktrafik<br />

My Wardrobe<br />

NSW Attorney general’s Dept – Law Access NSW<br />

NSW Dept of Education & Training<br />

NSW Dept of Family & Community Services – Ageing<br />

Disability & Home Care<br />

NSW Health<br />

NSW Lotteries<br />

NSW Multicultural Health Communication Service<br />

NSW Office of Environment & Heritage<br />

NSW RTA<br />

NSW Transport Roads & Maritime Services<br />

NSW Trustee & guardian<br />

NSW Workcover<br />

Nam-Quang Tuition<br />

National gallery of Victoria<br />

Natomi<br />

Navman<br />

Nemesis International Travel Agency<br />

Neuenfeld Travel Services<br />

Nhan International Export & Import<br />

Nhu Quynh<br />

Nl glass<br />

Nova Employment & Training Program Inc<br />

Oasis griffiths Coffee<br />

Oceanlink Transport Services<br />

Orbis Express<br />

Oriental Merchant<br />

P.A. Tax & Accounting<br />

Paddy’s Market<br />

PAL College<br />

Parent Line NSW<br />

Pendle Hill Travel<br />

Pfizer<br />

Pots Direct<br />

Priceline Pharmacy – Springvale<br />

Queenie group Home Loans<br />

RACV<br />

Real Estate House<br />

Rescom<br />

RL Productions<br />

Roshan’s Fashions<br />

Sanest<br />

Sanford Legal<br />

Savemore Discount Chemist<br />

Set Education<br />

SgMC International<br />

Sheila Baxter Training Centre<br />

Shinetown Telecom<br />

Smart Care Early Learning Centre<br />

Smash<br />

Solomon Abebe<br />

St george Bank<br />

Stefcin Enterprises Pty Ltd T/as Decibelle Entertainment<br />

Studylink International<br />

Sydney Royal Easter Show<br />

T&D Trading (Buy-Low.com.au)<br />

TAC<br />

Tatts Lotto<br />

Telecommunications Industry Ombudsman<br />

Thalassa Star<br />

Than Duoc Tri Cac Benh<br />

Thao Nguyen Pharmacy<br />

Thao Nguyen Pharmacy Footscray<br />

Thi Hanh Luu<br />

Tommy Transport Training School<br />

Toyota<br />

TVB Australia<br />

TVJ Battery<br />

universal Pharmaceuticals (Wealthy Health Natural<br />

Supplements)<br />

uS Nail Care & Footspa<br />

Vic Dept of Premier & Cabinet<br />

Vic Dept of Education & Early Childhood Development<br />

Vic Dept of Human Services<br />

Vic Dept of Justice<br />

Vic Dept of Planning & Community Development<br />

Vic Dept of Sustainability<br />

Vic Dept of Transport<br />

VicRoads<br />

Vic Transport Accident Commission<br />

Value World Travel<br />

VBN Finance<br />

Veetel<br />

Vietface TV Australia<br />

Vietstars Entertainment<br />

Watergardens Wellness Centre<br />

Welcome Community Center<br />

Well Herb<br />

Western union<br />

Winho Trading Co<br />

Yarra Valley Water<br />

Zaccaria group<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 181


APPENDIX 28<br />

SBS Sponsorships<br />

corporate<br />

Antenna Documentary Festival<br />

Bangarra Dance Theatre<br />

Commonwealth Broadcasting Association<br />

Federal Parliamentary Press gallery Midwinter Ball<br />

Foundation for the Islamic Museum of Australia<br />

Media Federation Awards<br />

Ngen<br />

SBS Youth Orchestra<br />

Sydney Opera House<br />

Sydney Writers Festival<br />

Walkley Awards for Excellence in Journalism<br />

SBS entertainment<br />

RocKwiz Live (National)<br />

SBS Film<br />

Alliance Française French Film Festival (National)<br />

Arab Film Festival (National)<br />

Audi german Festival of Films (National)<br />

Flickerfest (National)<br />

golden Koala Chinese Film Festival (National)<br />

greek Film Festival (National)<br />

Indian Film Festival of Melbourne and Bollywood<br />

& Beyond Indian Film Festivals (NSW/VIC)<br />

Japanese Film Festival (Vic/NSW)<br />

KOFFIA (Vic/NSW)<br />

Melbourne International Film Festival (Vic)<br />

Message Sticks (Vic)<br />

Russian Resurrection Film Festival (National)<br />

Spanish Film Festival (National)<br />

Sydney Film Festival (NSW)<br />

182 SBS<br />

SBS Food<br />

Bairro Portugues Petersham Food & Wine Fair (NSW)<br />

Brisbane good Food & Wine Show (Qld)<br />

Crave (NSW)<br />

good Food and Wine (SA)<br />

Heston Live Show (National)<br />

Taste of Melbourne (Vic)<br />

Taste of Sydney (NSW)<br />

SBS Radio<br />

ACT government Community Services – National<br />

Multicultural Festival (ACT)<br />

Aus2One Entertainment Australia – KRPS Charity<br />

Concert (NSW)<br />

City of Canterbury – Campsie Food Festival (NSW).<br />

Department of Education, Employment & Workplace<br />

Relations – National Youth Week (National)<br />

Federation Square – gift of Light Festival (Vic)<br />

gOCMV – Antipodes Festival (Vic)<br />

Marrickville Council & Petersham urban Centre<br />

Committee – Portuguese Bairro Festival (NSW)<br />

Media-Asia (NSW)<br />

Mizuya Entertainment – ME2Live/Lollipop F<br />

Concert (NSW)<br />

National Australia Day Council – Australian of the<br />

Year (National)<br />

Supanova Pop Culture Industries – Supanova (Sydney/<br />

Perth/Brisbane/Adelaide)<br />

Victorian Multicultural Commission – Cultural<br />

Diversity Week (Vic)


APPENDIX 29<br />

SBS outside broadcasts<br />

Australian Capital Territory<br />

Digital Taskforce Event, Canberra 12 February<br />

Digital Taskforce Event, Canberra 5 June<br />

Sydney / New South Wales<br />

Chand Raat Eid Festival, Homebush 28 August<br />

Indonesian Festival, Darling Harbour 3 September<br />

Haldon Street Festival, Lakemba 10 September<br />

Brazilian Ritmo Festival, Darling Harbour 18 September<br />

Navratri – Indian Dance Festival of Nine Nights, Lidcombe 1 October<br />

Parramasala, Parramatta 5 November<br />

Multicultural Qurban Eid Festival, Fairfield 13 November<br />

Digital Taskforce Event, Wollongong 4 December<br />

Polish Christmas Celebration, Darling Harbour 4 December<br />

Westmead Public School Fun Day, Westmead 9 December<br />

Launch City of Sydney CNY Launch Event, Belmore Park 20 January<br />

Chinese New Year Markets, Belmore Park, Chinatown 20 January<br />

Chinese New Year, Hurstville 21 January<br />

Vietnamese Tet Festival, Fairfield Show grounds, Prairiewood 27-29 January<br />

LNY Twilight Parade, CBD Sydney 29 January<br />

LNY Dragon Boat Races, Darling Harbour 5 February<br />

greek Festival, Hornsby 12 February<br />

greek Festival, Tumbalong Park, Darling Harbour 26 February<br />

Holi Festival, Tumbalong Park, Darling Harbour 4 March<br />

Bairro Portugues, Petersham 11 March<br />

Boishakhi Mela Festival, Sydney Olympic Park 21 April<br />

Sydney Chithirai Thirunaal, Castle Hill 22 April<br />

Campsie Food Festival, Campsie 2 June<br />

Digital Taskforce Event, Lismore 23 June<br />

Melbourne / Victoria<br />

Moon Festival, Box Hill 10 September<br />

Eid Festival, Broadmeadows 10-11 September<br />

Indonesian Festival, Melbourne CBD 10-11 September<br />

South Pacific Rugby Cup, Box Hill 24 September<br />

Tet Festival, Richmond 15 January<br />

Chinese New Year, Box Hill 21 January<br />

Chinese New Year (Chinatown), Melbourne CBD 29 January<br />

Tet Festival, Sandown 4 February<br />

<strong>AnnuAl</strong> RepoRt <strong>2011</strong> – <strong>2012</strong> 183


APPENDIX 29 (CONTINuED)<br />

greek Antipodes Festival, Melbourne CBD 25-26 February<br />

Ventana Chilean Festival, Frankston 17 March<br />

Thai Cultural & Food Festival, Melbourne CBD 18 March<br />

Cultural Diversity Week, Federation Square, Melbourne CBD 25 March<br />

Passar Turkish Festival, Melbourne CBD 25 March<br />

La Plaza del Mercado, Melbourne CBD 15 April<br />

Queensland<br />

Digital Taskforce Event, Childers 31 July<br />

Digital Taskforce Event, Toowoomba 14 August<br />

Digital Taskforce Event, Cairns 21 September<br />

184 SBS


indEx OF <strong>AnnuAl</strong> <strong>REPORT</strong> REQuiREmEnTs<br />

This index is to assist readers locate the information required by the Commonwealth Authorities and Companies Act<br />

1997 (CAC Act), the Special Broadcasting Service Act 1991 and other applicable legislation.<br />

enabling legislation 2<br />

Responsible Minister 2<br />

Directors 21<br />

Organisational structure 20<br />

Key activities: Charter obligations; Corporate Plan 25<br />

Audience research 49<br />

Transmission coverage and quality 45<br />

Key changes affecting SBS 55<br />

Revenue earned from advertising and sponsorship 91<br />

Advertisers and sponsors 168-181<br />

Financial results 65-122<br />

Significant events under s. 15 CAC Act and s. 52 SBS Act 55-56<br />

Related entity transactions 56<br />

Statement on governance 57<br />

Indemnities and insurance premiums for officers 58<br />

Ministerial directions 58<br />

environment Protection and Biodiversity Conservation Act 1999 61<br />

Freedom of Information Act 1982 61<br />

Work Health and Safety Act <strong>2011</strong> 60<br />

Community Advisory Committee 62<br />

Amendments to the SBS Act 58<br />

Particulars of any gift, devise, or bequest accepted by SBS N/A<br />

Judicial decisions and reviews by outside bodies N/A<br />

This report is printed on Revive Laser.<br />

Revive Laser is an Australian made range of 100% recycled uncoated papers. FSC ® Certified and<br />

Certified Carbon Neutral, the Revive family of products also supports Landcare Australia and the<br />

restoration and replanting of landfill sites throughout Australia. Cover stock only 70% recycled content.<br />

{ Group }<br />

CReATeD By DeSIGnATe<br />

ANNuAL RePORT <strong>2011</strong> – <strong>2012</strong><br />

185


www.sbs.com.au<br />

SBS Sydney<br />

Postal Address Locked Bag 028, Crows Nest NSW 1585<br />

Street Address 14 Herbert Street, Artarmon NSW 2064<br />

Telephone 02 9430 2828<br />

Facsimile 02 9430 3700<br />

SBS Melbourne<br />

Postal Address PO Box 294, South Melbourne VIC 3205<br />

Street Address Alfred Deakin Building Federation Square<br />

Cnr Flinders and Swanston Streets,<br />

Melbourne VIC 3000<br />

Telephone 03 9349 2121<br />

Facsimile 03 9349 2120

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