1 - Commodore Is Awesome

R E V I E W
There's always plenty of old odds and ends left
lying around on studio sets, and those at
Grumbling Pictures are no exception. Scoop up
those carelessly-discarded Academy Awards and
SAFTAs (at least that's what they look like) for
points, and typical movie-going foodstuffs like
burgers and popcorn for extra energy. Most useful,
though, are the clapperboards. Pick one of
these up to activate a restart point there, so you
don't get sent right back to the start of the level
when you lose a life.
THE BAD GUYS
When you finally locate the canister of film at the end of a level, you've
got to complete a special unique sub-game before you can be off with it
and onto the next stage. Let us take a gander at a few of them, shall we?
On the Western level Clutch comes
face to fact with a gunslinging
bulldog in a showdown played
out to a smart rem ix of The
Good, The Bad and the
Ugly's theme musk. Big
Butch's fingers twitch
on his holster for a
few seconds,
when he goes f
gun you've
beat him to the
by hitting th
button before
shoot. Draw too eddy
or too late and you'll
bite the dust. If you can
plug Butch three times in
succession, he goes down to
good and it's onto the next le
All the baddies in
Premiere inflict the
same amount of
damage per hit.
but some take
more to kill than
others. A single hit
with whatever
weapon you've got
will take out most
meanies, but some
need to be to be
hit twice before
they'll roll over
and die. Thankfully
there's plenty of
spare ammo lying
about the place.
• ••• ,IM• -••• ••• •• 00 -•
••• ••••• pm .
• • •
, •
-
min •••• OM •-• •••••• .M1 •-• ••••••
- 0 •• . ME •MP ,
•- • • • .• -• wPM o ••• sio r.
• IM.
ii
.1
11•1•••• . m
, . von 1
•
•,
= • •
-1
-.... •••• ••• ••-• ....de ..•••• ....-••
• •
- - •
-
1110 ...
.•
ll
M • I W o. . w.
O
.
4M. •
1
00 •.• fro ••-• ,..,...,..••• gm ••• pm
o
r
•• INIMP ••• .11 •• En ••• VIM
• 1
'
-.....11
1
• ••••• --• PM 1.• MP..., WM. --• OP •• ••• 17.
••• ..• ••••• ••• •••• M.m
•
n
O
• 1-
OW OW
1
- I. w I. -- •
. M
. p. . m . W ImW I o= p .• IIIII ow "mii n foe 101•10110 • 110
IMMO OEM OM Mb INIME w a n NM
r
o
• INN.* M op...-. ,..• • - OM •• "M.,. ml, -IN. umlb • lim" ••• ...•-• ....-.. .....,...........,-. ,,,,
a.
•• O OM •
0r0
m
.-p
M
•• OM --•- .-- . - ,......-• "en • -• ••• .•• ppm -• •••, •-• FE. ..., ... ,-.• Eon •••• ••• --• Mi •••
1.
0 •••
M
n NM m ••• • • a ••• •M •-• OM • • 61•••
•••,••• •
,
-
O
• • • • • • " • • • • = 7
w o
,
. Ir 0 ,
•
-.
M
• - • -
.
•
I
'
• • . .
1
m
V
M
t,
,
1
,
O
r
.
M
-
-
m
. .
•
.
e
"
.
M
,
1
.
E
•
=
-
W
•
7 ,
•
.
•
- ,
•
1
•
7 ,
g
W
•
-
m
•
•
- -
e
•
*
-
•
•
E
-
•
1
n
L r
1
r
. .
n
-
MEI WO Mb FM • • • illinim
• Pa....vim -..100 •
, M M . I l i m , F o r
• •-• OM OS.. .•••• pm OD .- : 'O.: _. ZI:
• '• PM
• --• im• --IF IM,,• • •
.
W, •••
•-••
•••••••=,
••• am IM• fM woo gm.
• gm
E
•••,g.
P
,..
, M
• PO -•• OP ••• I. ,-
, V
-• PM •• im ••• ... • MO ••• tab I l l i p 0.0
•- - - • 1M •• .., 7 : 7 :
. . . . _ _ _ _ _ .
• i m •
... F EE • O E 4 .= , ••••• le o
MP ,M 11= P O ME I • IMIE • • • • •
• Mg.'. FE -
1 P M g a m
-• v.0 --• IMP... pm, • ••• -0 inn
A r e , •-•• yElb p o p • -• • • • • No •
p w .
4 -
mo., 1 . N• -.• ,. -E
P .. i... .
L ,
• 1 m .
. . b . . - .
1s4 •
"'
--• •
.
••• • .E• mg •-• •••.. -40 Win PO IMO ••• IPM•
. WORD ,OMi
0
1
.
-Fano.=
1 = wog= re Om mg immivm risb on m =me Poolk.10 I
p
. .
M
IP • -7•••---r_; i • - - - •
••••••••
-
-
.
•- • • -• • • - • .1. •••• PImo l•-• M ••• ..,• pm 1.4,...,1. 10.1.0 •••• •••
O a
fi 1.,•••• , ...0 ••• ...11.• •••• tow ••••••• ••• •••••• ,lo .1,• ••• ... ••••••• •ID
.
•
. .
• •
2.
i
•
• m • • • .
1
,
•
0
1.
•
. • 4
• 0 ,
This is a tricky one. Trapped at the end of the horror level,
the only way for Clutch to escape is to jump onto the giant
tradmill and pedal like a hamster on steroids - the wheel
controls the mechanism that slowly winches up the exit
door. Only problem is, the devil himself likes to come along
every few moments to prod Clutch with his pitchfork. To
get rid of him, you have to jump off the treadmill, causing
the door to start sliding back down, and assault him with
— -•••••.- - -—4,.,/lIA
•-•.. d y n a m i t e until he blows up. This process is painstakingly
— • - l
d..I
i.-
1
e0
, l
I
dO
W
eI
l.
e
ls
. c
r i p e a t e d until the door locks open at the top and you can
a
p
e
.
N
o
t
e
a
s
y
.
NCORE
058 00
Emma -1
011111•TI
I IVES. A M
-
1
1
1
1 T h e ending of the Black & White level is suitably
romatic, consisting of a frantic train chase.
Clutch standing on a runaway platform, the
t is to keep the pursuing locomotive at bay
onstantly hitting it with dynamite. As you roll
you've got to jump over broken sections
rack, duck under signal posts and collect
ammo from trackside dumps.