Music therapy in the rehabilitation of children - World Federation of ...
Music therapy in the rehabilitation of children - World Federation of ...
Music therapy in the rehabilitation of children - World Federation of ...
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Radbruch, K. (2001) <strong>Music</strong> <strong><strong>the</strong>rapy</strong> <strong>in</strong> <strong>the</strong> <strong>rehabilitation</strong> <strong>of</strong> <strong>children</strong> with<br />
cochlear implant (CI). <strong>Music</strong> Therapy Today (onl<strong>in</strong>e), November, available at<br />
www.music<strong><strong>the</strong>rapy</strong>world.<strong>in</strong>fo<br />
I play <strong>the</strong> piano – like him with high pitch. I try to follow his play<strong>in</strong>g, I try to<br />
imitate it.<br />
A focused listen<strong>in</strong>g to his own <strong>in</strong>strumental activity starts – a focused<br />
listen<strong>in</strong>g to me is one step too far and so <strong>the</strong>re is nearly no place for musical<br />
<strong>in</strong>teraction for <strong>the</strong> moment.<br />
In <strong>the</strong> 10 th session we start sitt<strong>in</strong>g <strong>the</strong>re with <strong>the</strong> congas; an <strong>in</strong>terplay<br />
develops and <strong>the</strong>re are long moments <strong>in</strong> which I have his full attention.<br />
Marv<strong>in</strong> realises my musical <strong>of</strong>fers and he is able to response appropriately. In<br />
addition to that he br<strong>in</strong>gs his own ideas <strong>in</strong>to <strong>the</strong> common play. Such a phase<br />
<strong>of</strong> directed concentration is someth<strong>in</strong>g special for Marv<strong>in</strong> at this time.<br />
Marv<strong>in</strong> is one <strong>of</strong> <strong>the</strong> <strong>children</strong> <strong>in</strong> <strong>the</strong> research whose phases <strong>of</strong> <strong>in</strong>teraction<br />
have become much longer. In a chart this change <strong>of</strong> behaviour looks like this:<br />
Transparency 1<br />
Seconds<br />
200<br />
150<br />
100<br />
50<br />
0<br />
Marv<strong>in</strong>: "Interaction"<br />
Interaktion f<strong>in</strong>det statt Interaktion f<strong>in</strong>det nicht statt<br />
11<br />
172<br />
9<br />
55<br />
166<br />
1 2 3<br />
79 54<br />
Episodes 1 from Session 1, 2 from Session 5, 3<br />
from Session 10.<br />
This result explicitly proves that dur<strong>in</strong>g <strong>the</strong>se musical activities Marv<strong>in</strong> has<br />
discovered and enlarged his way <strong>of</strong> <strong>in</strong>teract<strong>in</strong>g and has made basically<br />
experiences concern<strong>in</strong>g his communicative development: as we f<strong>in</strong>d <strong>the</strong>