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<strong>@MIDEM</strong> <strong>2011</strong><br />

CANNES, FRANCE | 22 - 26 JANUARY <strong>2011</strong><br />

WWW.SOUNDSAUSTRALIA.COM.AU


My Week @ MIDEM<br />

Saturday 22 - Wednesday 26 January <strong>2011</strong><br />

Sat 22<br />

Sun 23<br />

Mon 24<br />

Tues 25<br />

Wed 26


Contents<br />

5. Supporting <strong>Australia</strong>’s Contemporary<br />

Music Industry<br />

12. <strong>Australia</strong>ns @ MIDEM<br />

14. <strong>Australia</strong>n Delegates @ MIDEM <strong>2011</strong><br />

3


<strong>Australia</strong> is at MIDEM to do business and the companies and individuals<br />

represented provide an exciting mix of veterans and first-timers all looking to<br />

make the most of the networking opportunities and to develop relationships with<br />

potential international partners.<br />

This booklet provides an overview of the <strong>Australia</strong>n delegates at Midem <strong>2011</strong>, their<br />

contact details and more importantly what they are looking to export/import.<br />

Only two years since its inception, SOUNDS AUSTRALIA has established itself as<br />

<strong>Australia</strong>’s recognized national export initiative, devised to deliver a cohesive and<br />

unified platform at international showcase market events, supported through a<br />

financial partnership between both Federal and State governments, along with<br />

peak music industry bodies.<br />

SOUNDS AUSTRALIA is committed to providing the best possible environment<br />

for <strong>Australia</strong>n music businesses to expose their own unique selling points to their<br />

chosen export markets and for the attending delegates to be offered value-add<br />

networking opportunities in order to stimulate negotiations and real business<br />

outcomes, allowing them to meet their respective international objectives and<br />

advance their careers.<br />

SOUNDS AUSTRALIA aims to raise the profile and visibility of the <strong>Australia</strong>n<br />

contemporary music sector within key international music markets, by<br />

centralising efforts through the financial investment from the following partners;<br />

APRA|AMCOS, The <strong>Australia</strong> Council for the Arts, PPCA, AMIN, VicRocks, Trade<br />

Queensland and AMPAL.<br />

SOUNDS AUSTRALIA plans to support <strong>Australia</strong>’s presence at key music markets<br />

whilst simultaneously putting <strong>Australia</strong>’s musical talents on the world map and<br />

promoting the nation as a truly creative cultural hub.<br />

In <strong>2011</strong> we’d like to welcome on board for the first time Nightlife Music, who will be<br />

on hand to display audio and video content from each of the exhibiting <strong>Australia</strong>n<br />

companies through their own unique homegrown technology system. Come and<br />

visit us at Stand R35.08 to see for yourselves!<br />

We hope you have a productive and enjoyable conference and look forward to<br />

meeting as many of you as possible.<br />

4<br />

Kind regards.<br />

Millie Millgate<br />

Export Music Producer, SOUNDS AUSTRALIA


Supporting<br />

<strong>Australia</strong>’s<br />

Contemporary<br />

Music<br />

Industry<br />

5


APRA|AMCOS<br />

APRA|AMCOS work to ensure that composers, songwriters and publishers are<br />

rewarded whenever, and wherever, their musical works are played, performed or<br />

reproduced and we help <strong>Australia</strong>n & New Zealand music consumers get access<br />

to the world’s musical repertoire.<br />

Australasian Performing Right Association Limited (APRA) was established in<br />

1926 and now administers the performing and communication rights of 63,000+<br />

composer, songwriter and music publisher members in <strong>Australia</strong> and New Zealand.<br />

Public performances of music include music used in pubs, clubs, fitness centres,<br />

shops, cinemas, festivals, whether performed live, on CDs or played on the radio or<br />

television. Communication of music covers music used for music on hold, music<br />

accessed over the internet or used by television or radio broadcasters.<br />

Australasian Mechanical Copyright Owners Society Limited (AMCOS) collects<br />

and distributes mechanical royalties for the reproduction of its 7,600+ members’<br />

musical works for many different purposes. These include the manufacture of<br />

CDs, music videos and DVDs, digital downloads and the sale of mobile phone<br />

ringtones, the use of production music and the making of radio and television<br />

programmes. Since 1997, APRA has managed the day-to-day operations of the<br />

AMCOS business.<br />

In 2009, APRA|AMCOS entered into a joint partnership with the <strong>Australia</strong> Council<br />

for the Arts to facilitate the <strong>Australia</strong>n music industry’s collective export objectives.<br />

SOUNDS AUSTRALIA is the public face of this export strategy which represents<br />

a collective of interested parties made up of Government agencies, industry<br />

associations, commercial operators and others with a genuine interest in working<br />

together to support <strong>Australia</strong>n music’s push in key markets.<br />

APRA|AMCOS is proud to support <strong>Australia</strong>n music at MIDEM <strong>2011</strong>.<br />

E: apra@apra.com.au<br />

W: www.apra-amcos.com.au<br />

6<br />

P: +61 (2) 9935 7900<br />

F: +61 (2) 9935 7999<br />

apra.amcos @apra_tweets aprahome<br />

16 Mountain St<br />

Ultimo, NSW, <strong>Australia</strong> 2007


The <strong>Australia</strong>n Music Industry<br />

Network (AMIN)<br />

AMIN is the <strong>Australia</strong>n Music Industry Network. We are a national network made up<br />

of music industry associations from New South Wales (Music NSW), the Northern<br />

Territory (Music NT), Queensland (Q Music) and Western <strong>Australia</strong> (WAM). AMIN<br />

is currently working at establishing or re-establishing similar bodies across the rest<br />

of the country.<br />

AMIN’s strategic intent is to be the national voice for <strong>Australia</strong>n contemporary<br />

music.<br />

AMIN gives the <strong>Australia</strong>n music industry a voice to address issues across the<br />

industry, and a mechanism for delivery of projects which are in the interest of the<br />

industry <strong>Australia</strong>-wide. This leadership in <strong>Australia</strong>n music has been much talked<br />

about but not present for many years.<br />

Our presence at MIDEM is part of an exciting emerging partnership with SOUNDS<br />

AUSTRALIA, which will see that initiative able to deliver even more benefits for<br />

<strong>Australia</strong>n artists and businesses who are exporting or looking to export our great<br />

<strong>Australia</strong>n music. <strong>Australia</strong> has long had a reputation for producing great live acts,<br />

and we continue to produce recording artists who are world class. By providing<br />

strategic support for export activities, SOUNDS AUSTRALIA will help fans and<br />

industry the world over to discover more great music from <strong>Australia</strong>, and AMIN are<br />

proud to be an active partner in making this happen.<br />

AMIN’s member organisations deliver a huge range of services which help to<br />

support pathways into and through music careers for aspiring artists, and through<br />

their memberships connect with a huge cross section of the <strong>Australia</strong>n music<br />

industry. From information and resource services, through to internationally<br />

recognised events such as Big Sound (Queensland) and the WAMi Festival<br />

(Western <strong>Australia</strong>), the contribution of these bodies to <strong>Australia</strong>n music over<br />

many years is massive.<br />

So, if you are an <strong>Australia</strong>n music business at MIDEM and you’d like to know more<br />

about AMIN, or if you’d like to know more about <strong>Australia</strong>n music including the<br />

stories being told by our Indigenous musicians, then please speak with AMIN’s<br />

Chairman Paul Bodlovich at the SOUNDS AUSTRALIA stand.<br />

AMIN Chairman Paul Bodlovich<br />

W: www.musicnsw.com/amin<br />

7


Australasian Music Publishers<br />

Association (AMPAL)<br />

AMPAL represents the <strong>Australia</strong>n and New Zealand music publishing industry<br />

and operates on behalf of its members in promoting and advocating the rights of<br />

music publishers, administrators of music copyright, songwriters and composers<br />

by representing their interest to government, commercial users, the wider music<br />

industry and the public. The AMPAL has now over 70 members and represents<br />

more than 90% of the economic value if the music-publishing sectors in the two<br />

countries.<br />

Over the past 12 months AMPAL together with a number of similar organizations<br />

dealing with copyright matters have formed an association to develop a number<br />

of educational programmes and strategies to combat the abuse of creators<br />

rights in the commercial and educational field. These organizations cover not<br />

only music but also the book, film and the electronic games industry. AMPAL also<br />

works closely with sister organizations around the World and is a member of the<br />

international forum.<br />

At MIDEM it is represented by the General Manager Peter Hebbes AM and as part<br />

of its ongoing commitment and engagement with the global industry AMPAL is<br />

very proud to be a key partner in the SOUNDS AUSTRALIA stand.<br />

Peter Hebbes AM (General Manager)<br />

E: peterhebbes@ampal.com.au<br />

W: www.ampal.com.au<br />

PO Box 708, Crows Nest 1585 <strong>Australia</strong><br />

8


Phonographic Performance<br />

Company of <strong>Australia</strong> Ltd (PPCA)<br />

PPCA (the Phonographic Performance Company of <strong>Australia</strong> Ltd) represents<br />

the interests of <strong>Australia</strong>n recording artists and record labels. We provide nonexclusive<br />

‘blanket’ licences to businesses for the broadcast, public performance<br />

and communication of protected sound recordings and music videos. We<br />

currently license over 50,000 businesses across <strong>Australia</strong> such as bars, cafés,<br />

shopping centres, medical practices, hotels, real estate agencies and hairdressing<br />

salons, as well as radio and TV stations.<br />

At the end of each financial year, after deducting an amount equivalent to 2.5%<br />

for allocation to charitable, educational and like purposes (including the PPCA<br />

Performers’ Trust Foundation, which administers grants for the encouragement<br />

of the performing arts), PPCA distributes the remaining amount available to<br />

<strong>Australia</strong>n recording artists and sound recording copyright owners (usually record<br />

labels).<br />

Record labels that control public performance, broadcast and communication<br />

rights in sound recordings, can choose to have PPCA help administer those rights<br />

by collecting license fees on their behalf.<br />

Artists that have retained the copyright in their sound recordings can register with<br />

PPCA as both an artist and as a record label.<br />

Supporting <strong>Australia</strong>’s musicians and music labels has and will continue to be<br />

an essential part of PPCA’s activities. PPCA is delighted to be able to help local<br />

labels take <strong>Australia</strong>n music to the world through its partnership with SOUNDS<br />

AUSTRALIA for MIDEM in <strong>2011</strong>.<br />

E: ppca.mail@ppca.com.au<br />

W: www.ppca.com.au<br />

P: +61 (2) 8569 1100<br />

F: +61 (2) 8569 1183<br />

PO Box Q20<br />

Queen Victoria Building<br />

NSW, <strong>Australia</strong>, 1230<br />

9


10<br />

<strong>Australia</strong> Council for the Arts<br />

Music is integral to the lives of many <strong>Australia</strong>ns and contributes to a rich, diverse<br />

and vibrant culture. Contemporary music has a long and proud history in <strong>Australia</strong><br />

–consistently producing outstanding international performers, bands and music<br />

creators.<br />

<strong>Australia</strong>n musicians have a major impact on the international music scene<br />

reflecting the richness and diversity of the local music industry , particularly the<br />

thriving Indigenous music scene and the drive and desire to be part of the global<br />

music scene.<br />

The <strong>Australia</strong> Council for the Arts, through its Market Development division,<br />

is committed to supporting the <strong>Australia</strong>n contemporary music industry.<br />

Internationally our support is spearheaded through SOUNDS AUSTRALIA,<br />

the central unified brand representing the <strong>Australia</strong>n music industry in key<br />

international markets.<br />

The <strong>Australia</strong> Council is proud to confirm continued support for SOUNDS<br />

AUSTRALIA in taking <strong>Australia</strong>n contemporary music to the world stage.


12<br />

AUSTRALIANS @ MIDEM<br />

Keen to meet the <strong>Australia</strong>n delegates that are in town<br />

for MIDEM?<br />

Here’s where you’ll find them!<br />

SOUNDS AUSTRALIA STAND<br />

Sunday 23rd – Wednesday 26th January<br />

9.30am – 7.00pm<br />

Palais des Festivals<br />

STAND: R35.08<br />

With the biggest contingent from <strong>Australia</strong> yet, <strong>2011</strong> sees 37 companies/<br />

individuals/organisations represented on the SOUNDS AUSTRALIA stand. Both<br />

pre scheduled and spontaneous meetings will be taking place during the trade<br />

show opening hours.<br />

COUNTRY SPEED NETWORKING<br />

Tuesday 25th January<br />

3.30pm – 4.30pm<br />

Networking Village (Exhibition Floor, Level 1)<br />

An initiative created by MIDEM HQ the goal of the Country Speed Networking is to<br />

offer a precise place and time for affiliates and participants to meet quickly and<br />

efficiently, in an effort to help potential international business partners connect<br />

and do business.<br />

A great networking opportunity which will allow foreign professionals to establish<br />

direct, personalised contacts in a limited and short time frame.


SOUNDS AUSTRALIA RECEPTION<br />

Tuesday 25th January<br />

5.00pm – 6.60pm<br />

Palais des Festivals<br />

STAN D: R35.08<br />

Directly following the Speed Networking, a reception will be held at the SOUNDS<br />

AUSTRALIA stand. In a more informal setting, the invitation only event has been<br />

devised as a way for key delegates to meet with the <strong>Australia</strong>n contingent.<br />

NIGHTLIFE MUSIC<br />

Come and visit Nightlife Music at the SOUNDS AUSTRALIA Stand R35.08,<br />

and experience their unique homegrown technology system, which<br />

for the first time will be showcasing audio and video content from the<br />

exhibiting <strong>Australia</strong>n companies.<br />

13


14<br />

<strong>Australia</strong>n<br />

Delegates @<br />

MIDEM <strong>2011</strong>


Adrenalin <strong>Sounds</strong> P/L<br />

Greg Grant<br />

Adrenalin <strong>Sounds</strong> started in November 2000 by Greg Grant after many<br />

years of playing and composing music and working in most sides of the<br />

music industry it was time to develop a truly independent publisher<br />

specialising in the growing production music market. In that time we have<br />

grown to represent one of the largest arrays of independent high quality<br />

production music libraries.<br />

Adrenalin <strong>Sounds</strong> clients include all the television networks in <strong>Australia</strong><br />

and New Zealand (pay and free to air) along with the major radio networks,<br />

advertising agencies, production companies, post production studios as<br />

well as many small clients who may need music for a one off job.<br />

In 2004 Adrenalin <strong>Sounds</strong> released their own Adrenalin production<br />

music library which has now grown to be represented all over the world.<br />

With over 90 CDs now available and a reputation for high quality writing<br />

and production values the Adrenalin library is increasing being heard<br />

in a diverse range of TV shows and productions around the globe. Not<br />

content to rest on our laurels the Adrenalin library is constantly looking<br />

for new and exciting writers to grow with us.<br />

ÒLooking to Export: Adrenalin Production Music Library<br />

ÒLooking to Import: Production Music Libraries<br />

www.adrenalinsounds.com<br />

15


16<br />

AIR<br />

Nick O’Byrne<br />

AIR is <strong>Australia</strong>’s peak representative body for independent record labels<br />

and independent recording artists. For 15 years AIR has represented<br />

the interests of the <strong>Australia</strong>n independent music sector by way of<br />

collective licensing, advocacy, professional and business development<br />

and publicity. AIR publishes the <strong>Australia</strong>n Independent Music Charts and<br />

holds the annual <strong>Australia</strong>n Independent Music Awards.<br />

AIR’s membership includes approximately 120 labels and distributors<br />

representing more than 4,000 <strong>Australia</strong>n recording artists.<br />

www.air.org.au


Albert Music<br />

David Albert & Phillip Mortlock<br />

Albert Music is one of <strong>Australia</strong>’s oldest and most respected independent<br />

music companies, one that continues to be associated with artists ranging<br />

from AC/DC to Bob Dylan and Irving Berlin. Since it was established<br />

in the 1880s, this family-run business has helped shape <strong>Australia</strong>’s<br />

musical landscape through its involvement in all aspects of musicmaking,<br />

from publishing sheet music, selling musical instruments and<br />

song books to radio, television, film and pop and rock music publishing<br />

and management. Alberts remains a vital part of the music scene today<br />

with the fifth generation of the family focusing on creative music rights<br />

management and a roster ranging from contemporary singer-songwriters<br />

Megan Washington and Ohad Rein to ‘60s and ‘70s pop and rock legends<br />

including the world renowned Harry Vanda and George Young.<br />

www.albertmusic.com<br />

+61 403 069 037<br />

17


18<br />

AMPD<br />

Catherine Gerrard<br />

All Music Publishing and Distribution (AMPD) is at the leading edge of<br />

contemporary popular and classical music in <strong>Australia</strong>, with an active<br />

publishing program and an ever growing stable of writers and catalogues<br />

represented for print licensing.<br />

Sasha Music Publishing, AMPD’s rock and pop label, is a dynamic addition<br />

to print publishing and represents some of <strong>Australia</strong>’s best contemporary<br />

rock and pop talent including Missy Higgins, Silverchair, The Waifs and<br />

Kate Miller-Heidke. Mushroom Music Publishing, Essex/Cromwell (TRO),<br />

Native Tongue and Albert Music are among the important catalogues<br />

Sasha Music Publishing represents in print.<br />

All Music Publishing is AMPD’s Classical and Educational print publishing<br />

label and includes publications from Sonny Chua, Larry Sitsky and Bruce<br />

Rowland. All Music Publishing is known for the high quality publishing<br />

standards which teachers and students have come to expect.<br />

Current writers AMPD represent for print licensing for <strong>Australia</strong> and<br />

New Zealand include Missy Higgins, Silverchair, Paul Grabowsky, Bruce<br />

Rowland, Wolfmother, The Waifs, Kate Miller-Heidke and Evermore.<br />

Publishing catalogues include Albert Music, Mushroom Music Publishing,<br />

Native Tongue Music Publishing, Essex Music, Cromwell Music, The FJH<br />

Music Company, The Lorenz Corporation, Carl Fischer Inc, Sonny Chua,<br />

Larry Sitsky (Century Collection) and Gordon Spearritt (Essential Music<br />

Theory).<br />

ÒLooking to export: Printed Music<br />

ÒLooking to import: Rights Management<br />

www.ampd.com.au


APRA|AMCOS<br />

Sally Howland<br />

Sally has worked with APRA|AMCOS for over 30 years and is currently the<br />

Head of Member Services. Member Services is a key service department<br />

within APRA with responsibility for the distribution of royalties to over<br />

63,000 members and affiliated societies. The department also has<br />

primary responsibility for managing APRA’s relationship with its members<br />

and those of AMCOS.<br />

Responsibilities cover all aspects of the relationship including: member<br />

acquisition, copyright administration, industry advice and strategic<br />

alliances with music business partners. Other responsibilities include<br />

APRA’s cultural grants scheme, APRA Awards events (APRA Music<br />

Awards, Art Music Awards and Screen Awards), Song Summit and many<br />

others.<br />

APRA|AMCOS is the proud managing partner of SOUNDS AUSTRALIA.<br />

Importantly, we have the support of industry partners, AMPAL (<strong>Australia</strong>n<br />

Music Publishers Association Ltd), AMIN (<strong>Australia</strong>n Music Industry<br />

Network), <strong>Australia</strong> Council for the Arts and PPCA (Phonographic<br />

Performance Company of <strong>Australia</strong>). Through this industry collective,<br />

we are hoping to deliver a meaningful support service for all <strong>Australia</strong>n<br />

companies attending MIDEM with the principle aim of connecting<br />

potential international buyers with <strong>Australia</strong>n sellers of music.<br />

APRA|AMCOS will be again hosting Song Summit in June 2012 in Sydney;<br />

a music expo dedicated to the creative and professional development<br />

of our members. There are significant promotional and business<br />

opportunities around this event, and I am keen to pursue partnerships<br />

that can bring mutual value to our delegates and businesses alike.<br />

www.apra-amcos.com.au<br />

19


20<br />

APRA|AMCOS (UK)<br />

Cathi Ogden<br />

Living overseas often presents a special set of challenges for songwriters<br />

and composers. It can leave you feeling isolated without ready access<br />

to the resources, facilities and infrastructure needed to run your career,<br />

and in particular, the complexities around the collection of worldwide<br />

royalties. That’s why APRA has appointed Cathi Ogden - a UK-based<br />

Representative - to look after your APRA and AMCOS business needs.<br />

Cathi has had over 20 years experience as a songwriter and singer in<br />

<strong>Australia</strong> and the UK. Having had record deals with Hed Kandi, PWL (Pete<br />

Waterman LTD), EMI, Debut Records, Edel (Germany) and publishing<br />

deals with First Avenue Music Publishing, BMG Music Publishing and now<br />

Universal Music Publishing, Cathi has a wealth of first-hand experience<br />

and knowledge in the workings of the music industry.<br />

Cathi says “For the past 14 years I’ve been living and working in the UK as<br />

a songwriter and singer. Representing APRA here in the UK gives me the<br />

opportunity to use my experience to be of help to other <strong>Australia</strong>n and<br />

New Zealand songwriters, whether fresh off the plane or long established.<br />

I want to make sure all our members are happy, well informed and getting<br />

the best possible service from their collection society. So please don’t<br />

hesitate to call or email me and I’ll always be happy to help you with your<br />

society questions and requests.”<br />

www.apra-amcos.com.au


<strong>Australia</strong> Council for the<br />

Arts<br />

Paul Mason<br />

The <strong>Australia</strong> Council for the Arts is the <strong>Australia</strong>n Government’s arts<br />

funding and advisory body. Its role is to support <strong>Australia</strong>’s arts through<br />

funding, strengthening and developing the arts sector.<br />

Each year, the <strong>Australia</strong> Council provides more than $158 million in<br />

funding for arts organisations and individual artists across <strong>Australia</strong>.<br />

In addition to grants the <strong>Australia</strong> Council works with partners to build<br />

new audiences for <strong>Australia</strong>n artists, foster philanthropic support and<br />

deepen understanding of the arts through research.<br />

The <strong>Australia</strong> Council is a key funding partner and supporter of the<br />

SOUNDS AUSTRALIA initiative.<br />

www.australiacouncil.gov.au<br />

21


Big Sound<br />

Graeme Ashton<br />

BIGSOUND will approach its 10th Anniversary in <strong>2011</strong> with a reputation<br />

as the best and most relevant music event in <strong>Australia</strong>. Every year<br />

BIGSOUND attracts local, national and international musicians, buyers<br />

and industry representatives to Brisbane’s Fortitude Valley for three days<br />

of networking, inspiring panels, keynote speakers and live showcases of<br />

the hottest talent around.<br />

• 2010 Sold Out!<br />

• 60+ Live Music Showcases<br />

• 90+ World Class Speakers<br />

• 25+ Relevant & Inspiring Panels<br />

• Three Days of Networking Opportunities<br />

“BIGSOUND 2010 was easily the best, most well organized music<br />

conference I’ve been to in a decade. It reminded me of SXSW before it<br />

got so huge.” Peter Jesperson (New West Recordings, USA)<br />

“BIGSOUND 2010 was a triumph on every level. It’s the best music<br />

conference I’ve been to in <strong>Australia</strong> hands-down!” John O’Donnell<br />

(OdFellows Music/Cold Chisel Management, AUS)<br />

www.bigsound.org.au<br />

asho@qmusic.com.au<br />

+61 401844321<br />

22


Boy & Bear<br />

Guy Morrow<br />

Just as the dust settled from their debut sold out national headline tour<br />

of <strong>Australia</strong>, Boy & Bear kicked up some more across the US and the UK.<br />

Having visited the UK with Laura Marling in April 2010, the band returned to<br />

the UK in November and December for their own headline performances.<br />

The band played a showcase gig at the Mercury Lounge in New York City<br />

on their way to launch their debut EP ‘With Emperor Antarctica’ with<br />

Chess Club Records on December 8 at a sold out Luminaire show in<br />

London.<br />

To say the past year has been a whirlwind for Boy & Bear would not only<br />

be a cliché, but also an understatement. Since the band’s dulcet tones<br />

first hypnotised listeners across the radio waves in February 2009, Boy &<br />

Bear have found themselves in the spotlight. Their single ‘Mexican Mavis’<br />

had the industry whispering and music fans clambering. Rumours of their<br />

live show quickly spread and Boy & Bear soon found themselves touring<br />

with the royalty of the folk revival, Angus & Julia Stone, Mumford & Sons<br />

and Laura Marling throughout <strong>Australia</strong> and in the UK.<br />

ÒLooking to Export: Artists<br />

myspace.com/boyandbearmusic<br />

23


24<br />

Brumby Music<br />

Leigh Wood<br />

Brumby Books & Music, part of the PMP / Gordon & Gotch group, is<br />

<strong>Australia</strong>’s leading distributor of Lifestyle, Chill-Out, Lounge, Electronica<br />

and Nu-Jazz CD’s and DVD’s.<br />

Representing international labels including Wagram, Pschent, George V<br />

Records, Music For Dreams, Union Square, Schema, Energy, Wormland,<br />

Just Music, Legere Recordings, New World Music, Oreade Music, Valley<br />

Entertainment, Real Music and Paradise Music (amongst many other<br />

labels) and local labels (One World Music, Elemental Music) and artists<br />

(Amanaska, Tijuana Cartel, Audio Shaman, Favourite Son, Sacred Earth)<br />

we are one of the few <strong>Australia</strong>n labels with continued growth in 2010.<br />

We are looking to expand our businesses in <strong>2011</strong> by seeking suitable labels<br />

to distribute in the following areas. Lounge, Nu-Jazz, Jazz, Electronica,<br />

Chill Out, Dance, World, New Age.<br />

www.brumbymusic.com.au


Central Station<br />

Jamie Raeburn<br />

Central Station Records, <strong>Australia</strong>’s longest running independent record<br />

label (established 1976) pioneers the best in house, electro, trance,<br />

urban, alternative and hard dance music. Giving you the most cutting<br />

edge local and international talent, CSR continues to pump out top<br />

selling compilations, artists albums, EPs, DJ mixes, events and more. Also<br />

representing Sweat It Out! & LNG Music.<br />

www.centralstation.com<br />

25


26<br />

Centrifuge Music<br />

Publishing Pty Ltd<br />

Tim Bradshaw<br />

Centrifuge Music Publishing represents a roster of brilliant writers from<br />

both <strong>Australia</strong> and New Zealand as well as representing a number of<br />

international catalogues as a sub-publisher in this territory. Centrifuge’s<br />

MD, Tim Bradshaw created the company after years of running one<br />

of <strong>Australia</strong> and New Zealand’s leading music supervision companies,<br />

Music Mill. Because of those skills and his great knowledge of licensing and<br />

synchronising music Centrifuge has been appointed to handle the whole<br />

of the Peermusic and Southern Music catalogues and also the Hebbes<br />

Music Group’s entire catalogues in this territory for synchronisation rights.<br />

Bradshaw is at MIDEM seeking new sub-publishing opportunities and also<br />

to meet with international music supervisors to place the local catalogue.<br />

ÒLooking to Export: Catalogue to Music Supervisors and Pluggers<br />

ÒLooking to Import: Catalogues for Sub-Publishing in <strong>Australia</strong><br />

www.centrifugemusic.com<br />

+61 418 235 770


CPC Music Services<br />

Chris Parry<br />

CPC Music Services represents over a dozen independent music<br />

companies with licensing rights to hundreds of hit recordings, which we<br />

make available for compilation CDs in <strong>Australia</strong> and New Zealand. At<br />

MIDEM we are looking out for opportunities to work with independent<br />

music companies who hold the licensing rights to bona fide hit recordings<br />

and who would benefit from representation in <strong>Australia</strong>/New Zealand.<br />

Southern Cross Music was launched in 2009 with our first release, a 3-CD<br />

set entitled Billy Graham International Crusade Choirs: The Definitive<br />

Collection. We are seeking distribution in Africa and South America for<br />

this unique set.<br />

ÒLooking to Import: Finished goods – CD and DVD<br />

+61 417 412 244<br />

27


28<br />

Fable Music Pty Ltd<br />

John McDonald & Lee McDonald<br />

FABLE MUSIC PTY LTD is an independent <strong>Australia</strong>n music publisher<br />

which has been in operation for forty years. The CEO of the company<br />

is John McDonald, the copyright and royalty administration has been<br />

supervised by Lee McDonald for 15 years and our staff are experienced<br />

industry people dedicated to the exploitation of copyrights.<br />

Fable has established its reputation upon the high standard of<br />

individualized service it provides specifically in the recovery of royalties,<br />

the rectification of society registration problems and the active pursuit<br />

of synchronization for advertising, premiums, film, TV, radio and multi<br />

media productions.<br />

The majority of our international associates have come to us after years<br />

of ineffective representation by majors. Several of these clients, like<br />

ourselves, are family owned and operated publishers who are determined<br />

to remain independent.<br />

THE IMAGE MUSIC LIBRARY is a separate important division of Fable’s<br />

operation. The library catalogue of 145 albums is marketed in 30<br />

countries worldwide and is a major source of synchronization income.<br />

Our library music has been used in hundreds of foreign commercials, TV<br />

and film productions. Fable also represents several international libraries<br />

in Australasia.<br />

ÒLooking to Export: Catalogue<br />

ÒLooking to Import: Catalogues<br />

www.fablemusic.com.au<br />

FABLE MUSIC PTY LTD<br />

38/431 St. Kilda Road,<br />

Melbourne Vic. 3004 <strong>Australia</strong>


Fuse Group<br />

Steve Kulak<br />

FUSE TITLE GROUP is a wholesale and retail entertainment group with<br />

a logistics operation based in Melbourne and stores trading under the<br />

TITLE retail brand currently in 8 locations across <strong>Australia</strong> and one in New<br />

Zealand.<br />

FUSE Group has separate Music, Book and Film divisions that service a<br />

national account base across all types of retail.<br />

Music Distribution is the core business of the Group.<br />

FUSE has an active sales and promotion network and is considered one<br />

of the top independents working in the market today.<br />

TITLE, the retail brand, is actively expanding the store group throughout<br />

<strong>2011</strong>.<br />

Highly specialised and curated, the TITLE stores are supported<br />

exclusively by the FUSE Group.<br />

They feature both Music, Film and Books sourced via FUSE and elsewhere.<br />

TITLE store Sydney won the <strong>Australia</strong>n Retail Design Award.<br />

ÒLooking to Export: Music+ Film + Books<br />

ÒLooking to Import: Music+ Film + Books<br />

www.fusemusic.com.au<br />

www.titlespace.com<br />

+61 405 066 607<br />

29


Hebbes Music Group<br />

Peter Hebbes<br />

Established in 2000 Hebbes Music Group (HMG) is one of Australasia’s<br />

leading independent music publishing companies representing many<br />

prestigious international and <strong>Australia</strong>n independent companies and<br />

writers. The main strengths of HMG include detailed administration,<br />

registration, collection and royalty distribution plus regular<br />

communication with clients, music supervisors, producers and the<br />

advertising industry.<br />

HMG is very active in the Syncronisation and Licensing field having<br />

continual success with the placements of copyrights in film, television,<br />

advertising and premium recording projects. In 2003 HMG was voted as<br />

“The independent Music Publisher of the Year”.<br />

HMG representation includes many iconic catalogues such as: Blue<br />

Mountain, Fantasy, Catalyst, Plangent Visions, The Bicycle Music<br />

Company, PEN Music, Anthem Music, Francis Dreyfus, Nanada, Gallo,<br />

Perfect Songs and writers such as Mike Chapman, David Guetta, Bob<br />

Marley, Deep Purple, John Fogerty, Fredrick Hollander, Nick Lowe,<br />

Jennifer Warnes, Ali Campbell, Olivia Newton-John and Sir Cliff Richard<br />

plus many more.<br />

Peter Hebbes is a board member of the mechanical society AMCOS<br />

and General Manger of the publishers industry association AMPAL, he<br />

is also a music consultant to the television, film and theatrical industry<br />

and is closely involved with the directors and producers to formulate<br />

successful <strong>Australia</strong>n musical ventures.<br />

www.hebbesmusicgroup.com<br />

+61 438 809 126<br />

hebbes@bigpond.com<br />

30


Hype 33<br />

Jamie Huber<br />

Hype33 is a one stop consultancy company for artists, producers and<br />

entertainers. Hype33 can help you create your product, create your<br />

brand and market your product on a national and an international scale.<br />

With an extensive network of associates in <strong>Australia</strong> and overseas Hype33<br />

work very closely with all the major labels, indies, publishers, managers,<br />

advertising agencies, media and alike.<br />

ÒLooking to Export: Records<br />

www.hype33.com<br />

31


JL Music Publishing Pty Ltd<br />

Daniel Randell & Helen Page<br />

JL Music Publishing is South <strong>Australia</strong>’s leading independent Music<br />

Publisher, representing a catalogue of award winning and emerging<br />

<strong>Australia</strong>n songwriters and composers. Established in 2008, our<br />

philosophy is based around a hands-on approach to career development<br />

with our artists, to assist them to achieve their goals and help us maximize<br />

their earnings.<br />

JL Music provides services including administration, pro-active licensing<br />

and pitching and music supervision, and we are able to provide 100%<br />

clearance on our entire catalogue which covers styles and genre’s<br />

including indie rock and pop, electro, dance, acoustic, country, drum ‘n<br />

bass, soul, latin and more.<br />

ÒLooking to Export: Full Catalogue<br />

ÒLooking to Import: Full Catalogues<br />

www.jlpublishing.com.au<br />

+61 411 022 516<br />

daniel@JLPublishing.com.au<br />

32


Liberator Music<br />

Nick Dunshea<br />

Liberator Music (part of The Mushroom Group) represents many of<br />

the biggest and best labels from around the world, including [PIAS]<br />

Entertainment Group’s [PIAS] Recordings, Wall Of Sound and Different<br />

Recordings. Infectious Music, Rekords Rekords, Southern Fried Records,<br />

Transmission Recordings and live DVD label <strong>Sounds</strong>tage. Liberator<br />

represents many of the world’s most exciting acts inc : Dizzee Rascal,<br />

Sleigh Bells, Tiësto, Michael Franti & Spearhead, Faithless, Queens Of The<br />

Stone Age, Matt & Kim, The Jim Jones Revue, The Human League, Sway,<br />

Dan Black, Donavon Frankenreiter, We The Kings, Benny Benassi, Local<br />

Natives, Crookers, Kaiser Chiefs, Armand Van Helden, Badly Drawn Boy,<br />

The Futureheads, Teenage Fanclub, Dinosaur Jr. and more.<br />

ÒLooking to Import: Specific Labels<br />

www.liberatormusic.com.au<br />

nick@liberatormusic.com.au<br />

33


34<br />

Mushroom Music<br />

Publishing<br />

Ian James & Zoe White<br />

Mushroom Music is the most successful independent music publisher<br />

in Australasia. Mushroom was established in 1972 by Michael Gudinski<br />

(AO) and is still lead by Michael, and Managing Director Ian James. Our<br />

repertoire is focused on <strong>Australia</strong>n and New Zealand writers and currently<br />

includes Kylie Minogue, Neil Finn, The Temper Trap, Howling Bells, The<br />

Panics, Faker, Kasey Chambers and multi platinum band Eskimo Joe.<br />

The historic catalogue extends from the late 60s, including classics such<br />

as ‘Eagle Rock’ and ‘The Loved One’, through the entire history of the<br />

acts on Mushroom Records over three decades. We are very proud to<br />

consistently sign a new wave of talent such as Bliss n Eso, The Holidays<br />

and Birds Of Tokyo.<br />

Mushroom Music represents many major international catalogues<br />

including Chrysalis and BMG Rights Management. We also have direct<br />

agreements with international artists such as Red Hot Chili Peppers,<br />

Jack Johnson, Passion Pit, Band Of Horses, Lucinda Williams, The White<br />

Stripes and The Shins.<br />

www.mushroommusic.com.au<br />

zoew@mushroommusic.com.au


Native Tongue<br />

Chris Gough & Jaime Gough<br />

Native Tongue is an independent music publisher with offices in <strong>Australia</strong>,<br />

New Zealand and the UK.<br />

Native Tongue has built a respected catalogue of local writers including<br />

Philadelphia Grand Jury, Oh Mercy, Kid Sam, Calling All Cars, The Getaway<br />

Plan, Jess Harlen & The Gin Club to name a few.<br />

The company also has direct agreements with a number of international<br />

artists including Tom Waits, Will Oldham, Spandau Ballet and The Jesus<br />

and Mary Chain.<br />

International catalogues represented include Barton Music, Beggars<br />

Music, Bug Music, Domino Publishing Co, Orbison Publishing S1 Songs,<br />

Westbury, Williamson Music (Rodgers & Hammerstein) & World Circuit.<br />

Native Tongue enjoys a reputation as the most proactive publisher in<br />

Australasia succeeding in placing its copyrights in a wide range of feature<br />

films, television series and television commercials in <strong>Australia</strong> and New<br />

Zealand.<br />

The company has also succeeded in placing numerous of its songs in<br />

international television series including True Blood, Entourage, Grey’s<br />

Anatomy, Desperate Housewives, The Vampire Diaries, Greek, Brothers<br />

& Sisters, Breaking Bad, CSI, and Californication among others.<br />

www.nativetongue.com.au<br />

35


36<br />

Nightlife Music<br />

Trent Allen & Stuart Watters<br />

Nightlife Music - Get your artists heard and get paid!<br />

Providers of managed music solutions to more than 2300 businesses<br />

across <strong>Australia</strong> and New Zealand since 1989.<br />

Core clients include: Pubs, clubs, hotels, gyms, bars, restaurants, retail<br />

& entertainment centres. Our venues have a combined reach of over 2<br />

million patrons each week. Programmed music is distributed fortnightly<br />

and played via Nightlife’s secure Hard Drive Music System (HDMS).<br />

Nightlife’s pay by play tracking software and generous royalty returns<br />

means there has never been a better way to get your artists heard AND<br />

get paid! Nightlife pays over $1.4 million in royalties each financial year.<br />

ÒLooking to Import: Full Catalogues – all genres<br />

www.nightlife.com.au<br />

+61 400 970 340


Odessa Mama Records<br />

David Faiman<br />

Odessa Mama Music Entertainment was established in 1991. In the 90’s,<br />

we have been very active in the international markets, achieving success<br />

in SE Asia, Japan, as well as Europe and USA. Our tracks have been<br />

licensed by many leading independent, and some major labels, around<br />

the world. Many of our tracks appeared on multi-platinum and gold selling<br />

compilations in Japan, SE Asia and Europe.<br />

Recently, our releases reached many top positions on various iTunes<br />

charts, including No.1 albums in Holland and Belgium , as well as no.1<br />

ringtones in Canada, Sweden and Mexico and Top 10 in US.<br />

Our catalogue currently contains over 3000 tracks and 1000 ringtones,<br />

from our <strong>Australia</strong>n and US based artists/producers, as well as licensed<br />

material from various partner labels. We are mainly focusing on Dance/<br />

Pop, Dance Remixes, Electronica, House, Movie/TV/Game Themes and<br />

Jazz.<br />

We control publishing/sync rights to over 300 titles. Many have been<br />

used in Film/TV, including major US and <strong>Australia</strong>n networks.<br />

At MIDEM, we are looking for new partners in Digital/Mobile distribution,<br />

music placement in Film/TV/Games/Multi-media, licensing in/out,<br />

masters from 50-90s hits for remixing.<br />

ÒLooking to Export: Full Catalogue / New Technology<br />

ÒLooking to Import: Dance / Pop<br />

www.odessamama.com<br />

37


38<br />

peermusic<br />

Matthew Donlevy<br />

Matthew is the Managing Director of Peermusic Pty Limited, Southern<br />

Music Publishing Co (Australasia) Pty Limited and Frankdon Music Pty<br />

Limited. He is also a Director of the Australasian Mechanical Copyright<br />

Owners Society (since 1991), Australasian Music Publishers Association<br />

Limited, David Platz Music (<strong>Australia</strong>) Pty Limited and Minder Music<br />

<strong>Australia</strong> Pty Ltd. Matthew’s previous appointments include professional<br />

manager of ATV Northern Songs and Castle Music.<br />

www.peermusic.com


Possum Records &<br />

Distribution<br />

Philip Israël<br />

After a 15 years absence, Possum Records and Distribution is back in<br />

business again. Concentrating on what we know best, we represent the<br />

cream of artists who all had big hits and albums in the 60’s, 70’s and 80’s.<br />

Artists like Melanie, Janis Ian, Small Faces, Showaddywaddy, Ian Dury and<br />

The Blockheads, Marc Bolan and TRex and many more.<br />

We also take care of <strong>Australia</strong>n artists with the latest signing Reg<br />

Livermore’s back catalogue. Reg managed to get a number of platinum<br />

and gold records for his live shows in <strong>Australia</strong>, and Possum is proud to<br />

be releasing all of Reg’s material – the first one being the very successful<br />

Betty Blokk Buster Follies on CD and DVD.<br />

Apart from the original back catalogue material available from the<br />

original artists – and we are always looking for more and more – we are<br />

also involved with new re-releases – the latest being Melanie’s new single<br />

“Working Legend”, Twenty 4 Seven “Slave To The Music” and the hit<br />

record released for Christmas 2010 (and available for licensing outside<br />

UK and USA) “White Christmas” by T.Rextasy.<br />

Possum Records is a truly <strong>Australia</strong>n owned independent record<br />

company with its own distribution facility – we are here to talk to you!<br />

ÒLooking to Export: Possum Records<br />

ÒLooking to Import: Top 40 / Full Catalogues / Back Catalogue<br />

www.possumrecords.com.au<br />

+61 2 4872 2478<br />

39


40<br />

Sandcastle Music<br />

Robert Scott<br />

Sandcastle imports into <strong>Australia</strong> and exports to the world the best<br />

contemporary music we can get our ears on. Sandcastle Publishing<br />

proudly represents the WARP catalogue, the stand out <strong>Australia</strong>n hip hop<br />

catalogue Elefant Traks and most recently the catalogue of <strong>Australia</strong>n<br />

independent distributor Vitamin Records. In addition Sandcastle<br />

Publishing also directly represents a range of local and international artists<br />

including Leroy Lee, Two Hours Traffic, Carmen Townsend and Dead<br />

Letter Chorus. On the label side Sandcastle Music is looking for partners<br />

for sensational rock singer Abbe May, Sydney’s The Paper Scissors and<br />

popular songwriter Jen Cloher to name a few.<br />

Rob has had a long career in radio as a producer, presenter and manager<br />

including Program Director at <strong>Australia</strong>’s national contemporary music<br />

network triple j. Whilst at the network Rob directly had a hand in the<br />

careers of many artists including Silverchair and Missy Higgins. He also set<br />

up triple j unearthed which is now a website containing music from over<br />

20,000 independent artists.<br />

ÒLooking to Export: Sandcastle Music Label Artists<br />

ÒLooking to Import: Catalogue for Publishing<br />

www.sandcastlemusic.com.au<br />

rob@sandcastlemusic.com.au


Seizmic Shift<br />

Susan Aarons<br />

At MIDEM <strong>2011</strong> SEIZMIC SHIFT Proudly Presents <strong>Australia</strong>n Artist - MELLISSA<br />

AMOROSI.<br />

Armed with Mellissa’s demo showcasing her original musical blend of Electro/<br />

Dance/Rap at times laced with Jazz & Hip Hop it includes several R&B tracks<br />

demonstrating her musical diversity. A prolific writer and popular stage<br />

performer Mellissa is ready to rock the world!<br />

Susan Aarons of SEIZMIC SHIFT provides unique innovative Management<br />

& Creative Consultancy to gifted <strong>Australia</strong>n artists. She presents only world<br />

class artists who are capable of and driven to attain the highest levels of<br />

international achievement, recognition and success.<br />

The name SEIZMIC SHIFT reflects and acknowledges the shifts happening<br />

in the Global Music Industry, the real and perceived current “pitfalls” and<br />

unlimited positive potentials for an artist’s growth.<br />

Susan known for her creativity and flair in working with people, her innovative<br />

ideas and insight and her stunning artist photography. Susan is passionate<br />

about music, performance and creative artist career development. She has<br />

long worked behind the scenes engraving an outstanding impression upon<br />

those with whom she meets and works.<br />

ÒLooking to Export: Mellissa Amorosi<br />

www.seizmicshift.com<br />

+61 412 173 944<br />

41


42<br />

Shock Entertainment<br />

Ian Bennett & Tim Janes<br />

Shock Entertainment is <strong>Australia</strong>’s largest independent music & DVD<br />

distributor. Shock exclusively licences/ distributes within <strong>Australia</strong> and<br />

New Zealand, Music & DVD from overseas and local labels and artists.<br />

On the music side, we represent labels such as Ace, Acony, BGO, Burning<br />

Heart, Compass Brothers, Co-Operative, Death Row, Dine Alone, Distort,<br />

Dramatico, Eagle Entertainment/ Eagle Vision, Epitaph/ Anti/ Hellcat, E1,<br />

Fat Wreck Chords, Fat Possum, Fearless, Hopeless, Last Gang, New West,<br />

Resist, Rough Trade, Snapper, Sunday Best, Wrasse and much more. We<br />

also represent numerous one-off acts such as José González, Bring Me<br />

The Horizon, Placebo, Martha Wainwright, Gomez, The Go! Team, Ween,<br />

All That Remains, Junip, Norma Jean, Kaki King and many more.<br />

ÒLooking to Import: Rock/Pop/World/Dance/Roots Music<br />

www.shock.com.au


<strong>Sounds</strong>LikeBrisbane<br />

Craig Spann<br />

If you think you’ve got the city of Brisbane, Queensland straight, then<br />

guess again. Yes, it’s steamy and tropical in summer. Yes it’s a short<br />

hop to beaches, mountains, and the bush. But this city has something<br />

very special going on – one of the world’s most exciting and prolific<br />

independent label scenes.<br />

For a city of less than 2 million people, the number of indie labels that call<br />

Brisbane home is extraordinary. And SOUNDSLIKEBRISBANE is a unique<br />

indie label collective aimed at supporting, promoting, and developing<br />

the city’s labels and their numerous artists. Arguably Brisbane’s most<br />

striking musical asset is its diversity. Rock, indie, hip-hop, experimental<br />

electronica, jazz, pop, garage punk, metal, blues…you name it and there’s<br />

a label from Brisbane that releases it. These are labels that make sure<br />

great music gets heard.<br />

Head to soundslikebrisbane.com and you will find more than 15 different<br />

labels profiled on the site – with more added each month. Collectively<br />

they work with well over 100 bands, promote dozens of releases each<br />

year, and have become the engine room of the city’s world class music<br />

scene. So if you’re looking to find some of the world’s most exciting new<br />

labels and artists – or trying to develop relationships with the <strong>Australia</strong>n<br />

music industry – visit www.soundslikebrisbane.com today.<br />

www.soundslikebrisbane.com<br />

43


44<br />

The Bread and Butter<br />

Group Pty Ltd<br />

Bree Fomenko<br />

Touring | Events | Brand Enterprise<br />

for music and fashion<br />

Touring & Events<br />

We relish everything from festivals and fashion shows to integrated brand<br />

experiences. Tour coordination enables us to maintain our love affair<br />

with life on the road (and Excel spreadsheets).<br />

Brand Enterprise<br />

We work with music artists, indie labels and fashion designers to build<br />

unique brands and profitable enterprises. We bring people together and<br />

create opportunities for others to connect with music and fashion.<br />

Passion. Determination. Fun. Unconventionality. Integrity... These are our<br />

core values, if you share them, we would like to work with you.<br />

www.breadandbuttergroup.com


The Planet Company<br />

Bianca Jang & Graeme Regan<br />

The Planet Company is a division of MGM Distribution, one of <strong>Australia</strong>’s<br />

largest independent music distribution companies with physical retail<br />

accounts from the smallest indies to the largest mass merchants and<br />

as a digital aggregator, offering comprehensive digital exploitation in<br />

<strong>Australia</strong>, New Zealand and internationally.<br />

Planet works with both international and domestic repertoire.<br />

Planet is managed and run by Graeme Regan (co-founder of Hot<br />

Records) and Bianca Jang and positioned as a champion of specialist<br />

music in <strong>Australia</strong>, working with a wide range of local and international<br />

labels and artists. These include The Wantok Musik Foundation who’s<br />

first two releases in October were Frank Yamma “Countryman” and Telek<br />

“Akave” to be followed in <strong>2011</strong> by new material from New Guinea’s Richard<br />

Mogu and Airi Ingram’s Melbourne based collective, Grrilla Step. Planet<br />

also looks after the legacy of the late Eva Cassidy, working closely with US<br />

based Blix Street Records. Other Planet partners we proudly work with<br />

include Proper, Real World, Silva Screen, Compass, World Music Network,<br />

ENJA, ACT, Crammed Discs and artists Mary Gauthier, Tal Wilkenfeld,<br />

Joseph Tawadros, Blind Boys of Alabama, (leading <strong>Australia</strong>n children’s<br />

singer / songwriter) Peter Combe and many more.<br />

ÒLooking to Export: Catalogue & New Domestic Releases<br />

ÒLooking to Import: Catalogue<br />

www.theplanetcompany.com<br />

45


46<br />

The Sunpilots<br />

Raj Siva-Rajah<br />

“I was hooked from the very first listen. There is something in The<br />

Sunpilots’ music that grabs you and makes you sit up and say, “Hey, these<br />

guys have a message and they sure know how to put it forward.” – The<br />

Dwarf, <strong>Australia</strong><br />

Armed with their stunning new concept album “King of the Sugarcoated<br />

Tongues”, Aussie progressive rock band The Sunpilots will be based in<br />

Berlin for <strong>2011</strong>.<br />

Since the release of their debut album in 2008, The Sunpilots have won<br />

Best International Artist at the Toronto Independent Music Awards, Single<br />

of the Year at the LA Independent Music Awards, a MusicOz Producers<br />

Award and Radio <strong>Australia</strong>’s ‘New Artists 2 Radio’ (NA2R).<br />

The Sunpilots have also had a #1 most added song on <strong>Australia</strong>n radio,<br />

music video airplay on Video Hits (VH) and Channel V, been a Myspace<br />

“Featured Artist”, had 2 iTunes “Singles of the Week” and an “Indie Album<br />

of the Year” award from music press.<br />

After 4 national tours, the band completed its first European tour in late<br />

2010 to overwhelming responses. Now based in Europe for another 12<br />

months, The Sunpilots are searching for European booking partners and<br />

for distribution and sub-publishing for the new record.<br />

ÒLooking to Export: The Sunpilots<br />

www.thesunpilots.com<br />

+49 (0)1578 472 6820<br />

raj@honeytraprecords.com


Timeless Music Company<br />

Marko Miletic, Sandy Shi & John<br />

Evans<br />

An <strong>Australia</strong>n record label involved in physical and digital distribution,<br />

publishing and online retail. Direct digital distribution via iTunes,<br />

Thumbplay, Amazon mp3, Bigpond Music, Sony Music’s Bandit.fm and<br />

others. Physical distribution via major record labels Sony Music and<br />

Warner Music in <strong>Australia</strong> and New Zealand. We are looking to license<br />

audio and video product/catalogues as well as acquire sub-publishing<br />

arrangements for <strong>Australia</strong> and New Zealand. Digital distribution in<br />

Russia, Japan, Taiwan, Hong Kong and China also available. All music<br />

genres accepted.<br />

Ò Looking to Export: Classical, Pop, Rock, Children’s, Digital Distribution<br />

Ò Looking to Import: All Genres, Full Catalogues, Anywhere in the world<br />

www.timelessmusiccompany.com.au<br />

47


48<br />

WAM<br />

Paul Bodlovich<br />

WAM, The West <strong>Australia</strong>n Music Industry Association Inc. exists to<br />

develop the Western <strong>Australia</strong>n contemporary music industry. WAM is<br />

a not-for-profit membership based organisation. We are a lobby group<br />

and advocate; we celebrate success through our annual WAMi Awards<br />

and WAM Song Of the Year songwriting competition; we showcase<br />

artists through the annual WAMi Festival, through producing live shows<br />

throughout the city of Perth and the entire state, as well as through<br />

showcase events at CMJ and SxSW; we promote the latest music<br />

through a range of samplers including the famous annual Kiss My WAMi<br />

4 disc set; we promote engagement and career pathway development<br />

for Indigenous <strong>Australia</strong>n musicians; we provide information and referral<br />

assistance to artists, and to buyers; and we tie it all together through our<br />

website and online database at wam.asn.au.<br />

WAM maintains a presence at MIDEM each year to promote the latest in<br />

Western <strong>Australia</strong>n music, to maintain and develop our global networks,<br />

and to meet potential buyers and speakers for our annual WAMi Music<br />

Business Conference.<br />

www.wam.asn.au


Xelon Entertainment Ltd<br />

Ashley Gay & Roger Nairn<br />

Xelon Entertainment Ltd is a dynamic, young, successful unlisted<br />

<strong>Australia</strong>n Public Company. Its focus is mainly in digital content but<br />

also physical content. With over 30,000 digital releases now available<br />

and a CD/DVD catalogue which commenced in January 2009 of over<br />

100 titles Xelon Entertainment has not only filled a much needed gap<br />

in the Australasian music market but has created and provided some<br />

of the most exciting music currently available. In more recent times the<br />

company also has began music publishing in <strong>Australia</strong>, New Zealand<br />

and in the UK as well as establishing itself as the Aus/NZ Partner for The<br />

Orchard (www.theorchard.com).<br />

With a repertoire of some of the elite global dance artists such as Armin<br />

van Buuren, Ferry Corsten, Cosmic Gate, Tiesto, Robbie Rivera, Dash<br />

Berlin, Markus Schulz along with a growing repertoire of global artists and<br />

distributed labels.<br />

The company prides itself on handling all music genres but has a<br />

particular expertise with dance music.<br />

A major priority for Xelon Entertainment is supporting our world labels as<br />

well as our local <strong>Australia</strong>n Labels and Artists. We aim to contract both<br />

<strong>Australia</strong>n and global labels of all musical genres.<br />

The company has also developed the necessary royalty and accounting<br />

systems to handle its global data and payments. This system operates<br />

successfully in <strong>Australia</strong> and will soon be in a beta site with a partner in the<br />

UK, for future global release.<br />

ÒLooking to Export: Royalty Database / Back Office<br />

ÒLooking to Import: Dance Trance<br />

www.xelonentertainment.com<br />

49


50<br />

SOUNDS AUSTRALIA &<br />

STAGE MOTHERS PRESENT<br />

<strong>2011</strong><br />

Made famous over the years in Austin during SXSW, THE AUSSIE BBQ is fast<br />

becoming the place to witness the plethora of talent currently coming out of<br />

<strong>Australia</strong>. In addition to highlighting numerous showcasing artists, THE AUSSIE<br />

BBQ is building a strong reputation as the event to be at for those looking to meet<br />

and network with the <strong>Australia</strong>n industry in attendance at each music market.<br />

CANADIAN MUSIC WEEK<br />

Horseshoe Tavern, 370 Queen Street West, Toronto<br />

Saturday 12th March<br />

SXSW<br />

Maggie Mae’s, 323 East 6th Street, Austin, TX<br />

Saturday 19th March<br />

THE GREAT ESCAPE<br />

Digital, 187-193 Kings Road Arches, Brighton, UK<br />

Saturday 14th May<br />

LIVERPOOL SOUND CITY<br />

Heebie Jeebies, 80 Seel Street Liverpool, UK<br />

Saturday 21st May


Notes:<br />

51


Contact:<br />

Millie Millgate<br />

+44 (0)781 040 0049<br />

mmillgate@soundsaustralia.com.au<br />

www.soundsaustralia.com.au

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