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<strong>THE</strong><br />

<strong>WEDDING</strong><br />

<strong>ISSUE</strong><br />

$5.00 FEBRUARY 2012<br />

AILEEN AND IAN GUMPRECHT<br />

MARRIED IN<br />

OYSTER BAY, NEW YORK<br />

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Unparalleled Riverscape on East 51st<br />

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Exquisitely Renovated Carnegie Hill 2BR<br />

Sunfilled hi flr corner on Park Ave w N, S & W Reservoir<br />

views. Elegant living room, dining area, huge gourmet<br />

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$1.5M. Web #1287602. E.Fishman 212-452-4388<br />

Lower Fifth Classic 7<br />

Stunning, renov, rare prewar full service co-op 3BRs,<br />

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Views, light, triple mint. $4.5M. Web #1286440.<br />

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Perfect Prewar Penthouse Off Park Ave<br />

Ideal for entertaining, full flr 10 rm w wrap terrace.<br />

LR, libr & MBR have WBFPs & French doors. Open<br />

city views. Sep 2BR guest apt also avail. E 67th St.<br />

$9.95M. Web #1269814. J.Bowden 212-585-4551<br />

Classic Luxuriously Renov 9 on East 61st<br />

Mint, sunny 4BR, 4.5 bath in coveted FS building. LR<br />

opens to wrap balcony & study. Chef’s EIK, DR w wet<br />

bar & DW. Balcony off MBR. Den + library. Lndry rm,<br />

CAC. $3.095M. Web #1269225. V.Artzt 585-4525<br />

Best in Class. New to Market.<br />

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2BR, 2 bath, MINT new renov. Incredible Park views.<br />

High ceils. Balcony. Dazzling Light. Special. $3.395M.<br />

$3029 mt. Web #1288709. C.Taub 212-452-4387<br />

1901 Rose Hill Townhouse on Lexington<br />

5 flrs, 3900 sf. 4BRs, 4 bths + guest suite leads to grdn.<br />

Chef’s EIK, open parlor flr w 12’ ceils, perfect for entertaining.<br />

Addit’l FAR avail. $3.95M. Web #1287702.<br />

K.Wallison 646-613-2658/R.McCain 646-613-2654<br />

5th Ave Panoramic CP, Reservoir, Skyline Vus<br />

High floor, corner, renovated 9 room apartment,<br />

4 MBRs, formal dining rm, living rm/library, eat-in<br />

kitchen & maid’s room. 70 foot wall-to-wall windows.<br />

$7.995M. Web #1288303. M.Sigler 212-452-4432<br />

Unobstr Views & Light at 870 UN Plaza<br />

New to market. Mint corner 2BR, 2 bath in a top lux<br />

co-op w best amenities. Large open LR & DR, beaut<br />

architectural details, custom built-ins & great closets.<br />

$2.1M. Web #1286224. C.Eland 212-452-4384<br />

Elegant Large 2BR on West 58th<br />

Entry fyr, lrg LR w WBFP. 2BRs, 2 bths & wndwd kit.<br />

FS landmark bldg, Alwyn Court, built in l907 steps<br />

from CP, Carnegie Hall, Lincoln Center, Theater Dist.<br />

$1.875M. Web #1281119. B.Ducrot 212-452-4381<br />

Design Treasure/Price Drop<br />

This NoHo full-flr 2BR,1 bth light-filled furnished loft<br />

is the home of Roman & Williams, one of the most<br />

significant & era-defining design teams of the 21st C.<br />

$3.3M. Web #1257339. B.Ehrmann 646-613-2602<br />

Dazzling 4BR Carnegie Hill Condo<br />

Panoramic Central Park, George Washington<br />

Bridge & E.River views! Sprawling LR/DR, chef’s<br />

EIK, 3 baths + laundry. Concierge & doorman.<br />

$5.4M. Web #1277303. N.Tela 212-434-7075<br />

5 Rm Condo Treasure at International Plaza<br />

Hi flr, sun-filled 2-3BR. SW corner LR w Chrysler Bldg,<br />

skyline & East River views. Custom closets, renov kit.<br />

FS w 24-hour drmn + lndry & storage rms. $1.599M.<br />

Web #1277091. B.Evans-Butler 212-452-4391<br />

Tribeca Penthse - Hotel Living at Smyth<br />

2 bedroom, 2 bath penthouse w skyline views, glass<br />

staircase, roof terrace. All hotel amenities. 421A tax<br />

abatement. $4.995M. Web #1286222. Sean Turner<br />

646-613-2619/Alexa Lambert 212-452-4408<br />

West Chelsea Live/Work Duplex Loft<br />

Nearly 3000 sf lux space. 13 ft ceilings, 8 ft windows,<br />

open floor plan & beautiful finishes. 1200 sf 2nd level,<br />

perfect for home office. 24-hr drmn, full service bldg.<br />

$2.4M. Web #1278365. S.Sumser 917-733-9244


Duplex Loft in Hotel des Artistes on West 67th<br />

Breathtaking Central Park views, Living room with 22 foot ceilings, 14 foot windows & woodburning<br />

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John Burger<br />

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Joan Goldberg<br />

Curtis Jackson<br />

Lisa Lippman<br />

S. Jean Meisel<br />

Candace Roncone<br />

Kathy Sloane<br />

Sallie Stern<br />

<strong>THE</strong> JOHN M. BOWERS MANSION<br />

East 60s/Madison Avenue. Restore rare historic<br />

28’ wide limestone/brick 6-story neo-Georgian<br />

mansion. Magnif proportions, grand staircase,<br />

original details, elev. $29.75M. WEB# 1546718.<br />

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Paula Del Nunzio 212-906-9207<br />

4BR JEWEL IN HEART OF <strong>THE</strong> UWS<br />

West 73rd Street/Broadway. Coveted ‘D’<br />

line 4BR, 4.5 bath in historic Apple Bank<br />

building. This 3,117SF condo has 10’ ceilings,<br />

eat-kitchen, laundry room and S/E/W open<br />

views. FS building. $6.995M. WEB# 1536255.<br />

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CLASSIC FULL FLOOR PARK AVENUE<br />

East 70s. Gracious proportions, mint cond, renov<br />

2BR, 2 bath. 36’ grand LR w/high ceils & custom<br />

paneling. Flex flr plan offers endless possibilities<br />

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East 79th Street. Beautifully renovated 7 room<br />

apartment in Burrell Hoffman building.<br />

Living rm w/wbfp and French door windows,<br />

library, 3BR, 3 baths and eat-in kitchen. FS<br />

white-glove Co-op. $5.65M. WEB# 1555778.<br />

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VIEWS FOREVER AND MORE<br />

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in Tower of Imperial House. Grand<br />

entertaining space, 2/3BR, 2 baths, windowed<br />

kitchen, plus balcony. Fitness, garage, pets<br />

ok. $2.95M. WEB# 1547024.<br />

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All information is from sources deemed reliable but is subject to errors, omissions, changes in price, prior sale or withdrawal without notice.<br />

All rights to content, photographs and graphics reserved to Broker. Equal Housing Opportunity Broker.<br />

PALACE ON <strong>THE</strong> PARK<br />

CPS. The best views of Central Park through<br />

75’ of windows in approximately 5,200SF,<br />

6BR, 7 bath. Mint condition palace with<br />

separate studio. $16M. WEB# 757276.<br />

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Jacques Foussard 212-452-4475<br />

SOPHISTICATED CONDOMINIUM<br />

CPS. Captivating Central Park views from<br />

this expansive 3BR, 3 bath condo with<br />

amenities that offer luxury and comfort.<br />

Great layout for entertaining. $4.975M.<br />

WEB# 1548950.<br />

Ogden P. Starr 212-452-6213<br />

FEELS LIKE A HOUSE<br />

Lower Manhattan. Spacious 4BR, 4 bath<br />

home combining 2 floors. High ceilings,<br />

super bright. Huge West windows, media<br />

room/den, stainless renovated kitchen. Tons<br />

of storage. $2.2M. WEB# 1539220.<br />

Brahna Yassky 212-906-0506


AGELESS DESIGN, ENDURING VALUE<br />

East 70s/Lexington Avenue. Skillful renovation<br />

of approx 6,400SF townhouse on prime East<br />

71st Street block. 4 outdoor spaces, elevator,<br />

5 wood burning fplcs, 6BR, 6 full baths, 2 half.<br />

Elegant and grand. $12.2M. WEB# 1225490.<br />

Paula Del Nunzio 212-906-9207<br />

1088 PARK AVENUE<br />

East 80s. Stylish 8 into 7 room in excellent<br />

condition. Large eat-in kitchen open to dining<br />

room/library. High floor, 3 exposures, wood<br />

burning fplc, built-ins. Distinguished prewar<br />

building. Pets OK. $4.5M. WEB# 1540792.<br />

Jane Cannon 212-396-5855<br />

3BR TRIPLEX, PRIVATE ROOF GARDEN<br />

Downtown. Pristine Gramercy 3BR, 2 bath<br />

triplex in elevator townhouse, high ceilings,<br />

wood burning fireplace, chef’s kitchen, exposed<br />

brick walls, great storage, closets and 435SF<br />

private roof garden. $1.895M. WEB# 1546578.<br />

Benjamin Morales 212-588-5637<br />

1125 FIFTH AVENUE<br />

East 94th Street. A truly rare offering of<br />

a superb 11 room full floor prewar with<br />

appealing Central Park and 94th Street treelined<br />

views. Expansive entertaining space,<br />

4+BRs, 4 baths. $11.9M. WEB# 1544038.<br />

Mary A. Hall 212-396-5859<br />

FIFTH AVENUE BEST BUY CONDO<br />

Fifth Avenue. Originally 2BR now using<br />

1BR as den. 2.5 marble baths, kitchen with<br />

breakfast area. Beautiful views of the Empire<br />

State Building. Roof garden and plaza.<br />

$4.1M. WEB# 1186335.<br />

Avida Ghaffari 212-317-7712<br />

MAJESTIC DUPLEX<br />

Midtown East. 1BR prewar duplex that has<br />

it all. Wbfp, terrace,1.5 baths, windowed<br />

kitchen, high beam ceilings, closets, stunning<br />

hardwood floors, low maintenance, doorman,<br />

close to transit. $1.35M. WEB# 1549193.<br />

Ross Gadye 212-906-0574<br />

PERFECT PREWAR DUPLEX<br />

Park Avenue. Designed by Delano & Aldrich.<br />

Open views. Sunlight abound. LR, library, DR,<br />

eat-in kit. 4MBR, 3.5 bath. Servant’s wing with<br />

bath. 3 wbfp. W/D. $7.35M. WEB# 1547580.<br />

Ann Jeffery 212-906-9232<br />

Daniel J. Kessler 212-906-9330<br />

NEW-TO-MARKET 3BR 3.5 BATH<br />

East 80s/Fifth Avenue. Spacious 7 room<br />

home in premier, FS Co-op. Spectacular 5th<br />

Avenue and Met views and terraced MBR.<br />

50% financing permitted. $3.4M.<br />

WEB# 1548990.<br />

Young Randolph Young 212-452-6249<br />

2BR PREWAR CONDO<br />

UWS. Real 2BR on top floor of boutique<br />

elevator prewar condo with high ceilings,<br />

huge windows, open views and tons of light.<br />

Renovated kitchen, wall of California closets in<br />

MBR and throughout. $895K. WEB# 1549904.<br />

Dede Minor 212-396-5825<br />

new york city the hamptons palm beach<br />

All information is from sources deemed reliable but is subject to errors, omissions, changes in price, prior sale or withdrawal without notice.<br />

All rights to content, photographs and graphics reserved to Broker. Equal Housing Opportunity Broker.<br />

Kyle W. Blackmon<br />

Paula Del Nunzio<br />

Bill Grant<br />

Julia Hoagland<br />

Ann Jeffery<br />

Jill Mangone<br />

Nada Rizk<br />

Leslie W. Singer<br />

Kathryn Steinberg<br />

John Venekamp


94<br />

108<br />

CONTENTS<br />

<strong>THE</strong> <strong>WEDDING</strong> <strong>ISSUE</strong><br />

94 FROM THIS MOMENT ON Seven weddings worth noting: Tara Thompson and Neil<br />

Rasmus; Caroline Suydam Perkin and José Luis Los Arcos Nagore; Samuel Aldrich Polk<br />

and Phoebe Homer Dick; Starrett Zenko and Petter Ringbom; Helena Khazanova<br />

and Adrien Gautier; Merideth Moore Aslin and Greg James Imber; and<br />

Aileen Weber-Lopez and Ian Gumprecht. PRODUCED BY GEORGINA SCHAEFFER<br />

108 HERE COMES <strong>THE</strong> BRIDE A review of The Wedding Dress, a new book published<br />

by the Victoria and Albert Museum. BY GEORGINA SCHAEFFER<br />

114 A JEWELRY LEGEND REBORN Ever fashionable, fun, and exuberant, the legendary<br />

jewelry line Marina B is back in business. Find out how New York’s Windsor<br />

Group is breathing new life into a celebrated jewelry brand. BY DANIEL CAPPELLO<br />

120 FLIRTY DANCING Weddings are one of the last occasions where formality’s at<br />

play when it comes to dancing. Here’s an even-paced review of the basics for men<br />

looking to impress tbeir partners on the dance floor. BY CHRISTIAN CHENSVOLD<br />

122 THIS SIDE OF PARADISE An inspired tour leads us to some of the most beautiful<br />

corners of the globe: ideal spots for saying “I do” or taking your honeymoon. From<br />

island nuptials to swank city honeymoons, Quest cover all grounds. BY DANIEL CAPPELLO<br />

122<br />

114


CONTENTS<br />

COLUMNS<br />

22 SOCIAL DIARY Champagne-filled chronicles of the social scene.<br />

BY DAVID PATRICK COLUMBIA<br />

60 SOCIAL CALENDAR Our guide to the best benefits and balls,<br />

from New York to Palm Beach.<br />

62 HARRY BENSON A visit to the White House before the wedding of Tricia Nixon and Ed Cox.<br />

64 OBSERVATIONS Thoughts on contributing to The Specatator over the years. BY TAKI <strong>THE</strong>ODORACOPULOS ULOS<br />

68 FRESH FINDS Gifts for the brides, grooms, and Valentines. BY DANIEL CAPPELLO AND ELIZABETH MEIGHER EIGHER<br />

72 QUEST ARCHIVES Dominick Dunne on the inspiration to be found in the New York City skyline.<br />

78 A ROOM TO ROMANCE Jenny Garrigues’s sunporch at the Red Cross Designer’s Showhouse.<br />

136 WHAT <strong>THE</strong> CHAIRS WEAR Get down and dress funky at the Four Arts Contemporaries. BY KAREN KLOPP LOPP<br />

138 APPEARANCES Our society editor makes all the stops of the season to ring in the year. BY HILARY GEARY EARY<br />

140 YOUNG & <strong>THE</strong> GUEST LIST Partying with the junior set this winter. BY ELIZABETH QUINN BROWNN<br />

144 SNAPSHOT The crowds cheer for the famous kiss at two royal weddings. BY GEORGINA SCHAEFFER<br />

62<br />

144<br />

68


L egendary chic<br />

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HOUSTON SAN ANTONIO SAN FRANCISCO PALM BEACH BAL HARBOUR WHITE PLAINS<br />

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®


questmag.com<br />

EDITOR-IN-CHIE F<br />

DAVID PATRICK COLUMBIA<br />

C R E ATIVE DIRECTOR<br />

JAMES STOFFEL<br />

E X ECUTIVE E DITOR<br />

GEORGINA SCHAEFFER<br />

FAS HION E DITOR<br />

DANIEL CAPPELLO<br />

A SSO C IATE ART DIRECTOR<br />

VALERIA FOX<br />

ASSO C IATE E DITOR<br />

ELIZABETH QUINN BROWN<br />

SOC I E TY E DITOR<br />

HILARY GEARY<br />

CONTRIBUTING E DITOR<br />

CHRISTIAN CHENSVOLD<br />

INTE RNS<br />

ROBERT I. BROWN<br />

SAVANNAH SYSKA<br />

CONTRIBUTING WRITE R S<br />

HARRY BENSON<br />

KAREN KLOPP<br />

JAMES MACGUIRE<br />

ELIZABETH MEIGHER<br />

LIZ SMITH<br />

TAKI <strong>THE</strong>ODORACOPULOS<br />

EDWARD ULMANN<br />

CONTRIBUTING PHOTOGRAPHE R S<br />

HARRY BENSON<br />

LUCIEN CAPEHART<br />

BILLY FARRELL<br />

JEFF HIRSCH<br />

MARY HILLIARD<br />

CUTTY MCGILL<br />

PATRICK MCMULLAN<br />

JOE SCHILDHORN<br />

BEN FINK SHAPIRO<br />

ALEXIS <strong>THE</strong>ODORACOPULOS<br />

HANNAH THOMSON<br />

ANN WATT


questmag.com<br />

CHAIRMAN AND C.E.O .<br />

S. CHRISTOPHER MEIGHER III<br />

M ARKE TING SE RVICES<br />

ROXANNE UNRATH EXT. 106<br />

ASSI S TANT TO <strong>THE</strong> C.E.O .<br />

KATHLEEN SHERIDAN<br />

A CCOUNTING MANAGE R<br />

ARLENE LEFKOE<br />

PALM BE A C H<br />

LINDA LANE SOPER 612.308.4159<br />

GREENWIC H<br />

CHRISTIAN CHENSVOLD 646.840.3404<br />

EXT. 110<br />

C HIC AGO<br />

TIMOTHY DERR 847.615.1921<br />

DETROIT<br />

KAREN TEEGARDEN 248.642.1773<br />

H ONG K ONG<br />

BINA GUPTA 852.2868.1555<br />

M ILAN<br />

EMILIO ZERBONI 011.39.031.267.797<br />

B OARD OF A DVIS ORS<br />

BRUCIE BOALT<br />

EDWARD LEE CAVE<br />

JED H. GARFIELD<br />

CLARK HALSTEAD<br />

PAMELA LIEBMAN<br />

HOWARD LORBER<br />

ELIZABETH STRIBLING<br />

ROGER W. TUCKERMAN<br />

PETER TURINO<br />

WILLIAM LIE ZECKENDORF<br />

© QUEST MEDIA, LLC 2012.<br />

All rights reserved. Vol. 26, No. 2.<br />

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I'M A SENTIMENTAL PERSON. A sap. A sucker, even. I<br />

keep every card my two-year-old Godchild sends me. I cry<br />

at the end of movies. I suffer a severe bout of nostalgia at<br />

least once a week. I watch old movies, read old books, and<br />

listen to old songs late into the night. I’ve always been like<br />

this—its just a part of my DNA. Lately, I’ve been bitten by<br />

the “Downton Abbey” bug and I’m prouder than ever when<br />

I can remark upon how my name came from the show’s predecessor<br />

“Upstairs, Downstairs.” There is something about<br />

period films and T.V. shows that seems to soothe away the<br />

stress of our very post-modern existence—imagining a time<br />

and place that was somehow kinder and gentler. (The happy<br />

ending doesn’t hurt either. Why shouldn’t Jane get to marry<br />

her Mr. Darcy? That’s how a story is supposed to end, right?)<br />

Of course that’s not how life has ever been. The atrocities of<br />

World War I would have been devastating to live through<br />

and the class system in Victorian England was abhorrent. But<br />

every once and a while we all need to believe in the glittering<br />

ballroom and rustle of taffeta skirts—even if it’s just for<br />

a little bit; everybody needs a fairy tale. And that’s one of<br />

the best parts of going to a wedding. As our fashion editor,<br />

Daniel Cappello, said to me, weddings are reaffirming. We’re<br />

allowed to shed our cysnicism and doubts and believe in love.<br />

There is music and dancing, cake and champagne, and for<br />

those few hours, it feels like nothing in the world is wrong.<br />

In our cover story we feature seven weddings that took place<br />

this year. The couples very kindly shared with us their photo<br />

albums and details of their wedding day. Each celebration feels<br />

different from the next. It's not just because of the participants<br />

or the location, but it's also because of the smallest of details.<br />

Old-world or free-spirited, each has its own delightful charms.<br />

Elsewhere in the issue you will find stories on dancing,<br />

honeymoons, jewelry, and wedding dresses—all aspects of<br />

any wedding, to be sure. There is plenty of celebrity coverage<br />

beginning with Harry Benson contributing a fantastic picture<br />

of Tricia Nixon and Ed Cox before their wedding and concluding<br />

with the royal balcony kiss of Prince Charles and Princess<br />

20 QUEST<br />

EDITOR’S LETTER<br />

From left: Grace Kelly and<br />

Bing Crosby are<br />

a perfect match in High Society; Cole Porter's romantic lyrics<br />

inspired the title of our cover<br />

story,<br />

"From This Moment On;" George Gurley re-proposing (properly) to Hilary Heard, the great love behind the story of his<br />

book, George and Hilly<br />

Hilly.<br />

Diana matched against their son Prince William and Catherine<br />

Middleton. Yes, there is certainly a lot of romance in this<br />

issue—even for sentimentalist like me.<br />

Recently I went to a party for George Gurley to celebrate his<br />

new book, George and Hilly: The Anatomy of a Relationship. In<br />

the room were a lot of media people: reporters, editors, publishers,<br />

and agents, many of whom would not leap to mind as being<br />

sentimental or nostalgic. By trade, their job is to remain cool,<br />

detached, and focused on the story. This is perhaps why it was<br />

so touching to see Gurley get get down on bended knees to repropose<br />

to his fiancée, Hilary Heard. It was really sweet. And a<br />

little silly. And a lot sentimental. He may have bungled it a bit<br />

by getting down on two knees instead of one (proposing can be<br />

nerve-wracking, after all), but that only made the moment more<br />

lovely and more charming. And I’m sure I wasn’t the only one<br />

who thought so. Maybe there’s more old-fashioned romance<br />

bouncing around this crazy world than I thought—and I hope<br />

you find some of it in the pages of this issue. u<br />

Georgina Schaeffer<br />

ON <strong>THE</strong> COVER:<br />

Aileen Weber-Lopez and Ian<br />

Gumprecht were married<br />

this summer at St. Mary's<br />

Church in Rosyln Harbor<br />

with a reception in Oyster<br />

Bay. The bride wore a dress<br />

by Reem Acra and the<br />

groom wore Paul Stuart.<br />

From the wedding portfolio<br />

"From This Moment On,"<br />

by Georgina Schaeffer.


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A DIARY READER who was<br />

divesting herself of a large<br />

collection of books asked if I’d<br />

be interested in her collection<br />

of George Templeton Strong’s<br />

diaries, as well as Philip Hone’s<br />

diaries. Naturally I jumped. If<br />

you didn’t know, both men<br />

were ardent and committed<br />

diarists in New York in the<br />

middle of the 19th century.<br />

22 QUEST<br />

Marie Trader<br />

and Judy Swanson<br />

D AVI D PATR I C K C O L U M B I A<br />

David Patrick Columbia<br />

NEW YORK SO CIAL DIARY<br />

Hone, who born in 1780<br />

and a generation before<br />

Strong, was once mayor<br />

of the city as well as a<br />

successful businessman and<br />

a prominent member of the<br />

society. Strong was a lawyer,<br />

well-bred in the terms of the<br />

city at the time, and very much<br />

involved in the community<br />

that was New York.<br />

Yuan Yuan Tan, Tom Ehman<br />

and Lucy Jewett<br />

Strong was my “inspiration”<br />

for the Social Diary when<br />

I first launched it here<br />

in Quest, 18 years ago. It<br />

would have been impossible<br />

to do what he or Hone did<br />

because my diary is public<br />

and theirs were private—so<br />

private that Strong’s diaries<br />

remained out of the public<br />

access for more than a half<br />

<strong>THE</strong> SAN FRANCISCO BALLET’S ANNUAL GALA<br />

Randi and Bob<br />

Fisher<br />

century after his death.<br />

The differences between<br />

now and then are noticeably<br />

different in that the way<br />

people think and see things<br />

has changed so dramatically.<br />

It was only 60 or 70 years after<br />

the American Revolution. The<br />

American republic was still a<br />

young and noble experiment.<br />

There were still many living<br />

Marlene and Helgi<br />

Tomasson<br />

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who had known those who<br />

participated, including the<br />

players. The principles of<br />

the Constitution were deeply<br />

embedded in the nation’s<br />

collective psyche. These were<br />

still generations who lived<br />

close to the land.<br />

The society that made up<br />

the elite of New York was<br />

quite different from today’s<br />

also. The city was booming<br />

and bustling, but far from<br />

full development. With a<br />

population still well under<br />

a million, the citizens were<br />

still provincial. The elite was<br />

composed of families who<br />

had known one another for<br />

generations.<br />

Here is George Templeton<br />

Strong’s entry for early<br />

24 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

January 1860. (He was 40<br />

years old, married, a father<br />

and a successful lawyer.) This<br />

is the New York he was used<br />

to. Not one of us today could<br />

relate to their social life (except<br />

in a technological sense of<br />

relating). Caroline Astor was<br />

just establishing herself as the<br />

queen of the society which<br />

she would redefine by the end<br />

of the century. Strong would<br />

have disapproved of her later<br />

customs that drew so much<br />

public attention to her and<br />

the family fortune. However,<br />

her claim to position was her<br />

forebears, who were Dutch<br />

settlers, and that, more than<br />

the Astor fortune, was her<br />

ace. He wrote:<br />

...Monday the second was<br />

kept for New Year’s Day. It was<br />

a fine specimen of crisp frosty<br />

weather, with a serene sky<br />

and a cutting wind from the<br />

northwest. I set forth at eleven<br />

o’clock in my own particular<br />

hack, en grand seigneur; and<br />

effected more than twenty calls,<br />

beginning with Mrs. Samuel<br />

Whitlock in 37th Street. My<br />

lowest south latitude was Dr.<br />

Berrian’s and the Lydigs’...<br />

Bishop Potter’s drawing-room<br />

was perhaps the dullest place<br />

I visited. The Bishop is always<br />

kindly and cordial, but nature<br />

has given him no organ for<br />

the secretion of the small talk<br />

appropriate to a five minutes’<br />

call. He feels the deficiency and<br />

is nervous and uncomfortable.<br />

Very nice at Mrs. George F.<br />

Jones’s, and at Mrs. William<br />

Schermerhorn’s. At Mrs.<br />

Peter A. Schermerhorn’s, in<br />

University Place , I discovered<br />

the mamma and Miss Ellen,<br />

both very gracious. At Mrs.<br />

William Astor’s (ed. note:<br />

Caroline Astor), Miss Ward<br />

(the granddaughter of the<br />

house) talked of her friend<br />

Miss Annie Leavenworth...<br />

Mrs. Edgar was charming in<br />

her little bit of a house, the<br />

“Petit Trianon.” Poor Mrs.<br />

Douglas Cruger seems growing<br />

old, is less vivacious and less<br />

garrulous. At Mrs. Serena<br />

Fearing’s, I was honored with<br />

a revelation of the baby that<br />

was produced last summer.<br />

Pleasant visit to Mrs. Christine<br />

Griffin, née Kean..etc.<br />

MEMORIAL SLOAN-KETTERING CANCER CENTER HOSTED A COCKTAIL PARTY AT GUCCI<br />

Gillian Miniter<br />

Annette Rickel and Alexandra Lind Rose Lisa Airan and Jamie Tisch<br />

Carolyn Zucker and Muffie Potter Aston Yaz Hernandez<br />

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Revealing Big Secrets. In<br />

a recent issue of The New<br />

York Review of Books, Russell<br />

Baker, the distinguished<br />

former New York Times<br />

reporter and op-ed columnist,<br />

reviewed the new Leonardo<br />

DiCaprio film directed by<br />

Clint Eastwood, J. Edgar,<br />

about the longtime legendary<br />

head of the FBI, J. Edgar<br />

Hoover. Baker, in his review,<br />

points out that the film goes<br />

easy on the founding director<br />

who ruled fearsomely like a<br />

dictator from 1935 until his<br />

death in 1972.<br />

Most Americans, including<br />

children of that era, were<br />

aware of his presence on the<br />

national scene, often seeing<br />

him speaking directly to the<br />

camera in movie newsreels.<br />

He was America’s Top Cop<br />

and he had a penchant for<br />

personal publicity. The F.B.I<br />

26 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

VANESSA NOEL CELEBRATED JAMAICA’S UPCOMING SUGAR CANE BALL<br />

Jeanne Chisholm and Ben Ali Haggin Ann Rapp<br />

Anthony Haden-Guest, Christopher Mason and Peter Lyden<br />

Eva Costka Andrew Lauren and Vanessa Noel<br />

Larry Leeds and Elliot Rabin Felicia Taylor and Connie Phillips<br />

was his lair. He was assumed<br />

(by children at least) to be<br />

pure and perfect, and of<br />

course everyone believed<br />

it because that was The<br />

American Way for most of us.<br />

Those who thought otherwise<br />

kept their mouths shut for<br />

obvious reasons.<br />

After Hoover’s death,<br />

it came out that he had an<br />

active homosexual social<br />

life and even had a yen for<br />

crossdressing when in likeminded<br />

company. This was<br />

the kind of secret he kept on<br />

others which could threaten<br />

and even destroy marriages,<br />

careers (both professional and<br />

political), and private lives.<br />

The irony still flattens some<br />

people’s disbelief.<br />

Russell Baker neutralizes the<br />

“shock” with common sense:<br />

“It is a rare life that hasn’t a<br />

few deplorable incidents in<br />

its chronicle. As Willie Stark<br />

observes in Robert Penn<br />

Warren’s All The King’s Men,<br />

‘man is conceived in sin, born<br />

in corruption, and passeth<br />

from the stink of the didie to<br />

the stench of the shroud,’ and<br />

when someone looks deep<br />

enough for dirt, ‘There is<br />

always something.’”<br />

I laughed out loud when<br />

I read that. Coincidentally,<br />

I had only moments before<br />

finished Hal Vaughan’s book<br />

Sleeping With the Enemy: Coco<br />

Chanel’s Secret War (Knopf).<br />

My interest in Chanel—a<br />

name I’ve been familiar with<br />

all my life—came a couple<br />

of years ago when I bought a<br />

small, beautifully published<br />

paperback called The Allure<br />

of Chanel, by Paul Morand.<br />

However, when I opened<br />

it up to have a look, she got<br />

me right away. The book is<br />

an “as told to,” as it were,<br />

and the woman’s dynamic<br />

and recalcitrant personality<br />

is compelling. Reading it,<br />

I could see she was a very<br />

difficult person to be around.<br />

Although she was orphaned<br />

at a very young age and<br />

brought up in a Catholic<br />

orphanage, she grew up to<br />

have a rich life full of highprofile<br />

love affairs with very<br />

wealthy princes, dukes, and<br />

businessmen who showered<br />

her with gifts and affection.<br />

She also had friendships with<br />

many of the creative giants<br />

and luminaries of her age —<br />

including Picasso, Diaghilev,<br />

Stravinsky, Cocteau, and<br />

Misia Sert, who was probably<br />

her closest female friend.<br />

The world knows what<br />

happened: Coco Chanel<br />

became the foremost<br />

designer of women’s clothing<br />

PATRICK MCMULLAN


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of the 20th century, literally<br />

changing the silhouette and<br />

“the uniform” of modern<br />

women by putting them in<br />

pants. She also introduced<br />

a perfume named “Chanel<br />

No. 5” in 1924 which, almost<br />

a century later, still sells<br />

worldwide at the rate of a<br />

bottle every three seconds.<br />

There has been a strong<br />

revival of interest in Chanel<br />

in the past couple of years<br />

with more than 11 books<br />

published about her. The<br />

Vaughan book, one of the<br />

latest, drew my attention<br />

because her memoir gave little<br />

to no hint of her nefarious<br />

political activities in favor of<br />

the Nazis and Adolf Hitler.<br />

In this new book, much of<br />

28 QUEST<br />

Meera and Vikram Gandhi<br />

D AVI D PATR I C K C O L U M B I A<br />

her “own story,” the “allure”<br />

told in the Morand book<br />

evaporates. What remains is<br />

the powerful personality of<br />

drive, ambition, and charm.<br />

We learn that even before<br />

the Germans invaded France<br />

and Hitler capped it with his<br />

“triumphal” visit to Paris,<br />

Chanel had developed a<br />

close, intimate relationship<br />

with a German officer, Hans<br />

Gunther von Dinklage, a<br />

member of German military<br />

intelligence since the early<br />

1920s and a major espionage<br />

Nazi officer.<br />

We learn that her deeply<br />

ingrained anti-Semitism—<br />

rooted in her Catholic<br />

convent upbringing where<br />

such bigotry was common<br />

among the nuns—was<br />

ordinary and unremarkable<br />

to those who shared it. It was<br />

reactivated when the Nazis<br />

took over France.<br />

The book reads like a cloakand-dagger<br />

novel although<br />

it’s not fiction. The woman<br />

emerges as highly sensitive<br />

and empathic to certain<br />

friends and, most of all, to her<br />

family of nieces and nephews<br />

(one of whom might have<br />

been her illegitimate child).<br />

She also exhibited little if<br />

any sympathy or concern for<br />

those who were economically<br />

beneath her, or for the French<br />

people in general.<br />

Chanel was well into her<br />

fifties when Hitler began his<br />

military takeovers and World<br />

MEERA GANDHI CELEBRATED GIVING BACK IN NEW DELHI<br />

Hari Bhartia Ellen Agarwal and Kiran Gandhi<br />

War II got underway. By then<br />

she was famously connected<br />

to the powers and leadership<br />

in England, France, Germany,<br />

and Spain. She would use<br />

those connections (secretly at<br />

the time) to advance the cause<br />

of the Nazis. A motivation was<br />

the freeing of her “nephew”<br />

(the man who might have<br />

been her son), who was in a<br />

German prison camp early<br />

in the war. However, after<br />

his freedom was granted, her<br />

activity increased.<br />

Another motivation<br />

appears to have been to wrest<br />

control and ownership of<br />

the Wertheimer family who<br />

actually financed, created,<br />

and distributed Chanel<br />

perfumes. The Wertheimers,<br />

Kenneth Thompson, Sole Aizpurua and Madelon Vroom<br />

Suhel Seth Monisha Bajaj, Shalini Kochhar, Nauhar Rana, Ayesha Thaper,<br />

Sunita Rana and Himmat Rana<br />

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who were Jewish, had the<br />

foresight to escape France<br />

(and settle in New York)<br />

before the Fall. Many<br />

Jewish-owned businesses<br />

were being “Aryanized” by<br />

the Nazis—in other words,<br />

stolen from their owners,<br />

many of whom were sent to<br />

their deaths in the camps.<br />

Once the Wertheimers had<br />

evacuated, Chanel believed<br />

that she should own the<br />

perfume business rather than<br />

owning 2 percent with 10<br />

percent of royalties (which<br />

made her very rich). She<br />

used her Nazi connections to<br />

accomplish the task although<br />

the Wertheimers had already<br />

anticipated as much and<br />

basically outfoxed her. (Their<br />

relationship with her remained<br />

after the war until her death in<br />

1971 at 88.)<br />

For the woman, such<br />

activity was a mark of her<br />

personal political power. She<br />

30 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

carried it like the monarch<br />

she was not. Faking it came<br />

naturally to her. No doubt she<br />

was aware of this and enjoyed<br />

it. She never demonstrated<br />

sympathy for the fate of her<br />

countrymen in their plight but,<br />

instead, thought everything<br />

would “right” itself after the<br />

war (assuming Hitler was the<br />

conqueror).<br />

As the war was drawing to<br />

a close, Chanel’s high-level<br />

connections provided the<br />

inside knowledge that the<br />

Germans were going down<br />

in defeat. She hightailed it<br />

to Lausanne, Switzerland,<br />

to a villa she had acquired<br />

years before. There, she was<br />

free from the retributions<br />

and executions that spread<br />

throughout France.<br />

When she decided to<br />

move back to France, which<br />

she came to miss and where<br />

she had property and a<br />

business, she had to face<br />

official questioning. However,<br />

much of her most treasonous<br />

activities were secreted or<br />

hidden from the light because<br />

she had friends in high places,<br />

like one of her former lovers,<br />

the Duke of Westminster,<br />

the richest man in England,<br />

and Winston Churchill, the<br />

Prime Minister whom she had<br />

known since he was a young<br />

man. Did they know what<br />

she had done? They knew a<br />

lot. Why did they protect her,<br />

providing a path of “escape”<br />

from any punishment? The<br />

evidence for that answer is<br />

either not available or no<br />

longer extant.<br />

After the war, Chanel<br />

resumed her business in<br />

Paris. To those of us who<br />

came to this life long after<br />

that, and know her only from<br />

the present fame of her name<br />

and the fashion collections to<br />

which it is attached, there is<br />

no awareness that she had to<br />

“struggle” to start up again.<br />

But she did—as she would —<br />

because she was Chanel. And<br />

because she was backed by the<br />

Wertheimers, who eventually<br />

bought her business lock,<br />

stock, and barrel and own it<br />

(and its great prosperity) to<br />

this day.<br />

There are all kinds of lessons<br />

in this book, many of which<br />

are not appetizing. In her way,<br />

her genius was a monster. But<br />

the book is a page-turner. And<br />

certain to be a movie because<br />

you can practically see it as<br />

you read along...<br />

On a Thursday night in<br />

the first month of the New<br />

Year, when the sun was bright<br />

and the temperatures hit the<br />

low the 60s, David and Julia<br />

Koch held a musicale at their<br />

Park Avenue apartment,<br />

with a performance by<br />

violinist virtuoso Joshua Bell<br />

accompanied by Jeremy Denk<br />

on the piano. The duo have a<br />

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new CD, “Joshua Bell Jeremy<br />

Denk French Impressions”<br />

(SONY), and their program<br />

included excerpts from<br />

composers Camille Saint-<br />

Saens, Cesar Franck, and<br />

Maurice Ravel.<br />

Bell’s appearance is so<br />

almost Beach Boys-American<br />

in spirit, that he looks like he<br />

could be up onstage with a<br />

rock group. He is a boy from<br />

Bloomington, Indiana, albeit<br />

now 44, and he looks so boynext-door<br />

when you first see<br />

him that you wonder if he’s all<br />

that great.<br />

Watching him perform in<br />

person with his Stradivarius<br />

is as compelling as watching<br />

Mick Jagger on stage—same<br />

32 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

RALPH LAUREN HOSTED A SIGNING FOR ELLEN GRAHAM’S TALKING PICT URES IN PALM BEACH<br />

Tom Quick with Kate and Hashem Khosrovani Chris and Vicki Kellogg Melinda Hassen and Anita Michaels<br />

Ellen Graham and Gregg Beletsky Candy Hamm with Edward and Susie Elson<br />

Dudley and Peggy Moore<br />

idea, different musical venue,<br />

same dynamic. You can’t take<br />

your eyes off him, and the<br />

sounds he slides and plucks<br />

out of his violin grab you and<br />

the juices are flowing, even<br />

roaring at times. You get the<br />

dual experience of watching<br />

genius mesmerize, and hoping<br />

you can keep it in your head.<br />

The Kochs’ large living<br />

room had been cleared out<br />

for the chairs. There was an<br />

excitement in the air knowing<br />

we were going to hear<br />

something special. Even in<br />

New York, it’s very infrequent<br />

that any of us are invited to<br />

hear a great performer in<br />

concert in someone’s home.<br />

Among the Kochs’ guests<br />

were: Muffie and Sherrell<br />

Aston, Christine Baranski,<br />

Karen LeFrak, Liev Schreiber<br />

and Naomi Watts, Princess<br />

Firyal of Jordan, Boaz Mazor,<br />

Debbie Bancroft, Campion<br />

Platt, Patrick McMullan,<br />

Barbara Walters, David<br />

Evans Shaw and Glenn<br />

Close, Carolina Herrera,<br />

Tory Burch, David Kleinberg,<br />

Brad Comisar, Julie and<br />

Billy Macklowe, Bronson van<br />

Wyck, Emily Smith and Paul<br />

Deleon, Frédéric de Narp,<br />

Whitney Flesher, Paxton<br />

Flesher, Tamara Mellon,<br />

Nicole Miller, David and<br />

Stephanie Winston Wolkoff,<br />

Jeff Fuhrman, and Jacob<br />

Bernstein.<br />

At about 7:30, everyone was<br />

seated. Our host introduced<br />

the musicians and told us<br />

that the violin was his favorite<br />

instrument to listen to. Then<br />

Joshua Bell spoke, telling us<br />

about the first piece on the<br />

program, “Sonata for Violin<br />

and Piano in A Major” by<br />

Cesar Franck.<br />

Growing up in Bloomington,<br />

Indiana, Joshua Bell is very<br />

American Midwestern with his<br />

disingenuous, straightforward<br />

manner and relaxed (but<br />

neat) appearance. Then when<br />

he started to play, he moved<br />

into his material like a great<br />

actor building a story with a<br />

song. The influence of his own<br />

American era is apparent as he<br />

LUCIEN CAPEHART


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proceeded with that relaxed<br />

appearance of a rocker<br />

combined with distinctive<br />

passion of a maestro.<br />

The performance lasted<br />

about a half hour. Bell and<br />

Denk played the Franck, then<br />

Saint-Saens and then Ravel,<br />

introducing each with some<br />

history. The guests gave the<br />

performers a long standing<br />

ovation. David Koch felt<br />

moved to ask Joshua Bell if<br />

they might have an encore—<br />

as we were all hoping. He<br />

responded politely, while<br />

wiping his brow, that they had<br />

really played themselves out<br />

of energy (my words, not his)<br />

and politely said they couldn’t<br />

accommodate. There was<br />

another standing ovation and<br />

our host invited everyone to<br />

stay on for a bit for to mingle<br />

and talk.<br />

Milestones. Every year<br />

in London, the Queen’s list<br />

of New Years and Birthday<br />

34 QUEST<br />

Amanda Armstrong<br />

and Jaclyn Tarica<br />

D AVI D PATR I C K C O L U M B I A<br />

“honours” is published on the<br />

New Year as well as on the<br />

date of the Sovereign’s official<br />

birthday (although she was<br />

born on April 21st, in England<br />

the “official” date is June 2nd<br />

and marked by the Trooping<br />

the Colour).<br />

This year’s “honours” list<br />

is especially noteworthy to<br />

New Yorkers because one of<br />

our long time citiziens, John<br />

Richardson, the eminent<br />

art historian, curator, and<br />

biographer of Picasso, made<br />

the list under the overseas<br />

section of the Knights of the<br />

British Empire.<br />

The honours list is<br />

the ultimate official<br />

acknowledgement of<br />

public commendation and<br />

achievement. It is split into<br />

classes (“orders”), graded to<br />

distinguish different degrees<br />

of achievement or service.<br />

Various committees meet to<br />

discuss the candidates and<br />

which ones deserve which type<br />

of award and at what level.<br />

It is then submitted to the<br />

prime minister or the secretary<br />

of state for foreign and<br />

commonwealth affairs or the<br />

secretary of state for defence<br />

in London. Then, there are<br />

certain honours which are<br />

awarded at the Queen’s sole<br />

discretion—the Order of<br />

the Garter, the Order of the<br />

Thistle, the Royal Victorian<br />

Order, the Order of Merit,<br />

and the Royal Family Order.<br />

The awards are then<br />

presented by the Queen at<br />

investiture ceremonies at<br />

Buckingham Palace. Also<br />

deputized to present the<br />

investitures are her eldest son,<br />

Charles, the Prince of Wales,<br />

and her daughter, Anne, the<br />

Princess Royal.<br />

These honours have been<br />

awarded at the New Year since<br />

before 1890—which was the<br />

year a list of Queen Victoria’s<br />

PATRICK MCMULLAN HELD A DINNER AT FISHTAIL IN NEW YORK<br />

Andrew Black<br />

and Andrea Tesi<br />

Jamie Figg<br />

and Ilana Seid<br />

awards was first published in<br />

the London Gazette on the<br />

2nd of January.<br />

There are several of<br />

these honours including<br />

Commander of the Most<br />

Excellent Order of the British<br />

Empire, Knight Grand Cross<br />

of the Most Excellent Order<br />

of the British Empire, and<br />

Officer of the Most Excellent<br />

Order of the British Empire.<br />

The “honour” most<br />

famous to Americans, for<br />

the obvious reason of title,<br />

is the Knight Commander of<br />

the Most Excellent Order of<br />

the British Empire (or Dame<br />

Commander), in which the<br />

honoree is ordained with the<br />

title of Sir (or Dame).<br />

Sir John Patrick<br />

Richardson, KBE, was born<br />

in London in 1924, the<br />

elder son of Sir Wodehouse<br />

Richardson, DSO, KCB,<br />

Quarter-Master General in<br />

the Boer War, and more.<br />

Genevieve Bahrenburg<br />

Geoffrey Bradfield, Casey Gorman and Patrick McMullan Donna Simonelli and Jeff Hanson<br />

Nikos Kakavoulis and Eyal Arad<br />

PATRICK MCMULLAN


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Sir Wodehouse was knighted<br />

by Queen Victoria more<br />

than a century ago, with the<br />

actual investiture presented<br />

by her son, King Edward VII<br />

(great-grandfather of Queen<br />

Elizabeth II).<br />

Sir Wodehouse was 76 at<br />

the time of his son John’s birth.<br />

John’s mother, who was much<br />

younger than her husband,<br />

obviously, had previously held<br />

a position in her husband’s<br />

firm. Sir John’s grandfather<br />

Richardson was born during<br />

the reign of George III, who<br />

was king at the time of the<br />

American Revolution.<br />

In his teenage years, the<br />

young John had aspired to<br />

become an artist. When he was<br />

36 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> AMERICAN ASSOCIATES OF <strong>THE</strong> OLD V IC AT GOTHAM HALL<br />

Irwin Ackerman, Emily Ackerman<br />

and Mary Ackerman<br />

17, he enrolled at the Slade<br />

School of Fine Art. Shortly<br />

thereafter, however, he was<br />

called up for the service in the<br />

Second World War. He soon<br />

fell ill, ending his military<br />

career, and he spent the rest<br />

of the war in London with his<br />

mother and his siblings.<br />

In his youth he’d met and<br />

befriended Francis Bacon and<br />

Lucian Freud, both of whom<br />

later painted portraits of him.<br />

During daytime, he worked as<br />

an industrial designer before<br />

becoming a reviewer for The<br />

New Observer. In 1950,<br />

then in his mid-twenties,<br />

he met the art historian and<br />

prominent Cubism collector<br />

Douglas Cooper.<br />

Dina Chartouni, Alec Baldwin<br />

and Isabella Chartouni<br />

Two years later, Cooper<br />

acquired a rundown castle,<br />

the Chateau Castille outside<br />

Avignon in Provence,<br />

which Cooper, with young<br />

Richardson’s assistance, began<br />

to transform into a private<br />

museum of his early Cubism<br />

collection.<br />

It was during that time that<br />

Sir John began to cultivate<br />

and acquire his now profound<br />

knowledge of art and its<br />

history. It was then also that<br />

he developed friendships with<br />

artists Fernand Léger and<br />

Nicolas de Staël and a close,<br />

life-long relationship with<br />

Pablo Picasso.<br />

In the early 1960s, now<br />

having forged a career as<br />

Katie Thomson<br />

Trudie Styler and Darren Criss Jeff Goldblum and Kevin Spacey<br />

Kate Pakenham, Frank Converse and Maureen Anderman<br />

an art historian and critic,<br />

he left behind his life with<br />

Cooper and moved to New<br />

York, where he organized a<br />

Picasso retrospective in nine<br />

galleries. Two years later, in<br />

1964, he organized a Braque<br />

retrospective and was working<br />

with Christie’s.<br />

In addition to Sir John’s now<br />

famous erudition and talent as<br />

an art historian and writer, he<br />

had a social personality. He<br />

possesses a certain charm that<br />

combines brilliance, curiosity,<br />

and a natural eye for detail<br />

with a talent to amuse.<br />

Now in his 89th year, the<br />

newly knighted Sir John<br />

Patrick Richardson continues<br />

to possess an intellectual<br />

PATRICK MCMULLAN


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Donate your designer pieces and receive a tax deduction<br />

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Adam and Whitney Jackson<br />

with Elaine Leibsohn and Craig Miller<br />

Llwyd Ecclestone<br />

and Lesly Smith<br />

energy that seems indefatigable<br />

and even more industrious<br />

than ever. Now working on<br />

the fourth and final volume of<br />

his Picasso biography, in the<br />

last couple of years he’s also<br />

curated major exhibitions of<br />

Picasso for Gagosian here and<br />

in London while also writing<br />

articles, giving interviews, and<br />

leading a very active social<br />

schedule with frequent trips<br />

to the opera, theatre, the<br />

symphony, exhibitions and<br />

museum openings as well as<br />

sundry, intimate dinners with<br />

a wide variety of friends of all<br />

ages and interests.<br />

On a Monday night late last<br />

month, there was an official<br />

“premiere” screening by the<br />

Cinema Society of Madonna’s<br />

new film, W.E., about the<br />

Windsors—Wallis and David,<br />

the Duke and Duchess of<br />

Windsor—and their now<br />

immortal romance. I haven’t<br />

38 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> PALM BEACH POLICE FOUNDATION’S BALL AT MAR-A - LAG O<br />

Donald Trump, Penny Lancaster<br />

and Rod Stewart<br />

Bill Koch, Rick Bradshaw, Ho Rosenberg<br />

and Michael McAuliffe<br />

seen it and, at this rate, I may<br />

never see it because having<br />

read as much as I have about<br />

them, and heard as much as<br />

I’ve been told by many who<br />

knew them intimately and<br />

spent a lot of time in their<br />

company, they remain an<br />

enigma whose mystery has<br />

dissolved to myth.<br />

From the many incidents<br />

recounted to me by those who<br />

were part of their social circle,<br />

they were, as a couple, most<br />

interesting in almost every<br />

way because of who they were,<br />

and not because it was some<br />

great love affair. The real-life<br />

eyewitness version of their<br />

love affair actually sounds<br />

kind of vapid and even a<br />

crashing bore. But then that’s<br />

not unusual with people who<br />

have an inordinate amount of<br />

time on their hands with little<br />

to do other than visit their<br />

friends or shop.<br />

Chris and Binkie Orthwein<br />

with Eric Levine<br />

The story that captured<br />

international sentiment in their<br />

heyday in the middle of the<br />

Great Depression was that of<br />

the king giving up the throne<br />

of the very last in the world of<br />

the imperial monarchies of the<br />

18th and 19th centuries. Most<br />

of us find it unimaginable to<br />

want to “give up” the throne<br />

of England with Buckingham<br />

Palace and Windsor Castle<br />

as town and country. But we<br />

feel that way simply because<br />

almost none of us will ever<br />

experience that otherworldly<br />

existence that is beyond even<br />

absolute luxury. In other<br />

words, a fantastic distortion<br />

of material reality.<br />

For poor David, then<br />

Edward VIII, it was obviously<br />

something he was always<br />

dying to get away from. And<br />

“die” he did when it came to<br />

his royal life, ending up as<br />

a sad cipher to this woman<br />

Tim Moran, Kirk and Tasha Blouin,<br />

Eileen Burns and John Scarpa<br />

Howard Bernick<br />

and Nancy Brinker<br />

who at times barely seemed to<br />

tolerate his presence.<br />

In his life leading up to<br />

Wallis as the bachelor Prince<br />

of Wales, then in his forties,<br />

the women were all married<br />

or had been around, so to<br />

speak. His interest in matters<br />

monarchical often didn’t take<br />

priority over a night out on the<br />

town, smoking and drinking<br />

and dancing to American<br />

music. In his day, he had been<br />

as famous a celebrity in the<br />

world as Princess Diana. He<br />

was as famous as Madonna is<br />

today. Maybe even more so.<br />

The good looking, blonde,<br />

blue-eyed heir to the throne<br />

of an imperial empire. The<br />

boy with everything.<br />

Wallis Simpson, also<br />

approaching middle-age (40<br />

was considered middle-age in<br />

those days), had been married<br />

twice. She had enormous<br />

certain charm accompanied<br />

LUCIEN CAPEHART


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by the stylish ability to adapt. The sexual<br />

aspect of at least one of her marriages<br />

was vague, but much speculated upon.<br />

It might have been a mariage blanc, as<br />

the French would say. There were later<br />

rumors that she was not entirely female<br />

or was a hermaphrodite. It has since<br />

been reported that physiologically she<br />

had “androgen insensitivity syndrome,”<br />

which is a rare congenital condition but<br />

not uncommon.<br />

Nevertheless, the Windsors’ sex life<br />

was widely discussed partly because she<br />

always appeared to have decisive power<br />

over him throughout their life together.<br />

Many among their social peers believed<br />

that she had some exotic sexual techniques<br />

(learned in China) that he just had to<br />

have, throne or no throne. Paradoxically,<br />

it has often been said among the set who<br />

knew them that he was homosexual.<br />

Rebecca Jobo<br />

and Boaz Mazor<br />

Anita and Sam<br />

Michaels<br />

John and Ellen<br />

Cunningham<br />

True or false, these stories refer to a<br />

special arrangement, the kind of which are<br />

not uncommon in marriages where power<br />

and money are involved. Sometimes they<br />

make the greatest marriages, lasting and<br />

strong. Other times they make great<br />

divorce cases filled with delicious gossip<br />

of little or no veracity. The lure to this<br />

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well—in other words, kidding oneself.<br />

It’s quite possible and believable that<br />

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about being Queen of England. (Don’t<br />

think he didn’t tell her that one day she<br />

would be because he believed that, after<br />

all, he’d be king.) When the affair took<br />

wing, she probably never gave a thought<br />

LUCIEN CAPEHART


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to what might come of going<br />

along with him. Not in the<br />

beginning, anyway. Who<br />

thinks ahead under these<br />

circumstances? Who even has<br />

those circumsetances?<br />

There was a recent book of<br />

Wallis’s letters to her previous<br />

husband, Ernest Simpson,<br />

written around the time of<br />

the Windsor marriage. In<br />

them, she expresses her wish<br />

that she could be with him<br />

(Simpson) instead of the guy<br />

she was marrying (the king).<br />

The letters also leave the<br />

impression that Simpson was<br />

gay, as was Jimmy Donahue,<br />

the Woolworth heir with<br />

whom the Duchess later had<br />

an “affair.”<br />

It looks as if Wallis’s<br />

42 QUEST<br />

Aaron Carter and Stephen Baldwin<br />

D AVI D PATR I C K C O L U M B I A<br />

relationship with the king was<br />

more of a rut she found herself<br />

stuck in, golden though it may<br />

have appeared to the world<br />

outside, but a rut like any<br />

other. Her letters to Simpson<br />

give the impression that she<br />

felt stuck in a bad situation<br />

and what could she do. After<br />

all, he had given up the throne<br />

of England and everything,<br />

for her...<br />

I somehow have the<br />

feeling that Madonna’s film<br />

will miss some, if not all,<br />

of this. Furthermore, the<br />

manner and style of that<br />

generation and that class of<br />

people, so separated from the<br />

hoi polloi by their privilege,<br />

is lost forever. World War II<br />

finished what World War I<br />

had started.<br />

Reading Sally Bedell Smith’s<br />

Elizabeth the Queen, as I am<br />

right now, I was reminded<br />

that had Wallis not captured<br />

his heart, or whatever it was<br />

that she captured, Elizabeth<br />

might not have been Queen,<br />

or at least not until after 1972,<br />

when the Duke died. Having<br />

been given the opportunity to<br />

see how it “worked out” for<br />

the abdicated king, and the<br />

kind of man he turned out<br />

to be, it was fortuitous that<br />

he left. Although, from the<br />

looks of it, it was also very<br />

sad for him, for their life was<br />

one of glittering international<br />

nomads. No more, no less.<br />

Madonna. I was a<br />

“neighbor” of Madonna’s<br />

<strong>THE</strong> CINEMA SOCIETY HOSTED A SCREENING OF HAYWIRE<br />

Rachel Roy and Andrew Saffir<br />

when I lived in Los Angeles.<br />

Or rather, we both lived<br />

in the same area of what<br />

is known out there as the<br />

“Bird Streets.” For example,<br />

she lived on Oriole Place.<br />

I lived around the corner,<br />

a little farther up the hill,<br />

on Doheny. There were<br />

a lot of celebrities in the<br />

area. Madonna’s immediate<br />

neighbors were Cheryl<br />

Ladd on one side and Dolly<br />

Parton on the other. Ricardo<br />

Montalban lived just around<br />

the corner and either Lieber<br />

or Stoller, the hit songwriters<br />

for Elvis et al., lived two<br />

doors down.<br />

This was in the ’80s.<br />

Madonna was a big, big star<br />

on the music and concert<br />

Louisa Krause and Billy Magnussen<br />

Celine Rattray, Claudia Vick and Dean Winters Quiana Grant<br />

Gina Gershon<br />

Elizabeth Banks<br />

PATRICK MCMULLAN


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ig, big star on the music and<br />

concert scene and, therefore,<br />

in Hollywood. The rage. She<br />

was what the local kids called<br />

“rad.” I didn’t get her but a<br />

lot of others, especially the<br />

younger generation, did.<br />

I did see her once in a live<br />

performance at the Wiltern<br />

Theater, a rendition of her<br />

“Vogue” in costumes that<br />

looked like the court of<br />

Versailles in the 18th century.<br />

She had a big chorus and<br />

they danced and sang. She<br />

was totally sensational. I got<br />

Madonna then and there.<br />

Then I saw her in a movie.<br />

No. Madonna is not an<br />

actress. She’s a phenomenon,<br />

but not a thespian. She was<br />

The Moment and since<br />

44 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

then she has demonstrated<br />

the natural shrewdness or<br />

genius of being able to selfperpetuate<br />

as a performance.<br />

Because that’s what she does.<br />

She’s now a star, our Madge.<br />

Ya gotta love her.<br />

Looking at the pictures of<br />

the Cinema Society Screening<br />

and the after-party, it’s not<br />

about the movie or David<br />

and Wallis Windsor. Who do<br />

we want to look at? Madge,<br />

herself. She’s now about the<br />

age that Wallis was when<br />

she and David began their<br />

nomadic lives as the “must<br />

haves” of international<br />

society. But Madonna’s<br />

much younger-looking. In<br />

those after-party pictures, I<br />

was reminded of Dietrich.<br />

The face has “matured”<br />

into that. She’d be perfect<br />

for a Dietrich role. Maybe<br />

Shanghai Express? Or even<br />

The Blue Angel (or did she<br />

do that already?).<br />

Back when we were<br />

“neighbors,” although I<br />

didn’t know her, I saw her<br />

frequently because she often<br />

jogged. She had a route that<br />

I was told was five miles.<br />

Sometimes she did this daily.<br />

She wore black and she was<br />

tan-less and buffed. Buffed.<br />

She began her jogging<br />

routine at her gate on Oriole<br />

Place, would run down Oriole<br />

Lane, up over Thrasher,<br />

down Rising Glen to Sunset<br />

Plaza, and then west to<br />

Beverly Hills and the Beverly<br />

Hills Hotel. There she would<br />

turn around and run back to<br />

Doheny Drive and Sunset,<br />

at which point she would<br />

turn herself around and run<br />

backwards up Doheny to<br />

Oriole. Backwards up very<br />

steep hills maybe a mile or<br />

so. You can see the route on<br />

a Google map. It remains<br />

awesome in retrospect.<br />

I’ve never met Madonna<br />

(did I say that already?),<br />

nor does the idea interest<br />

me particularly. But I do<br />

admire her as a professional<br />

artist, her natural ambition,<br />

and her claim on her life. It’s<br />

the best story of all and she<br />

keeps telling it and moving<br />

it along. She’s a working girl,<br />

and that’s her nature. u<br />

D A V ID AND J ULIA K OCH LAUNCHED JOSHUA B ELL’S ALBUM AT <strong>THE</strong>IR HOME<br />

Julia Koch and Carolina Herrera<br />

Christine Baranski and Gayle King Liev Schreiber and Naomi Watts<br />

Joshua Bell, David Koch and Jeremy Denki Bronson Van Wyck and Keith Lieberthal<br />

Olga Votis and Brad Comisar<br />

PATRICK MCMULLAN


46 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> OPENING OF “<strong>THE</strong> COMPLETE SPOT PAINTINGS 1986-2011” BY D AMIEN HIRST<br />

AT GAGOSIAN GALLERY<br />

Patricia Weeks<br />

John Good, Linda Silverman and Gerald Fessenden<br />

Carley Weatherley-White<br />

and Katherine Weatherly-Whitet<br />

Louise Masano and Bill Goodhart<br />

Philippe Bigar<br />

and Gigi Tang<br />

Lisa Perry Amanda Taylor and Chrissie Erf<br />

Max Teicher, Alex Teicher and Victor Teicher<br />

Lara Bjôrk, Lexi Bowes-Lyon<br />

and Lisa Yom<br />

PATRICK MCMULLAN


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48 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> OPENING OF “STORIES FROM <strong>THE</strong> EVERGLADES” BY ELIZABETH THOMPSON<br />

AT LEILA HELLER GALLERY<br />

Sheikha Paula Al Sabah, Edgar Batista<br />

and Isabelle Rodriguez<br />

Nancy Feldman, Robert Burke<br />

and Linda Fargo<br />

Kyle DeWoody<br />

and Jonah Fay-Hurvitz<br />

Henry and Leila<br />

Heller<br />

Victoria Thompson<br />

Anastasia Roberts<br />

Rebecca and Loîc<br />

de Kertanguy<br />

Elizabeth Thompson<br />

and Guerrino De Luca<br />

Julia Nasser Sheila and Tom<br />

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PATRICK MCMULLAN


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50 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> EV ERGLADES ACADEMY’S ANNUAL DINNER AT CAFE BOULUD IN PALM BEACH<br />

Gerry Seay and Pauline Pitt<br />

Dixon and Arianna Boardman with Father Pat<br />

Robert and Mary<br />

Simses<br />

Emilia and Pepe Fanjul<br />

Lourdes and Pepe Fanjul, Jr.<br />

Vanessa Mulroney and Mila Mulroney Norberto and Robin Azqueta<br />

James Clark<br />

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Prince Michel de Bourbon Parme<br />

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LUCIEN CAPEHART


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52 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> OLANA PARTNERSHIP PRESENTED <strong>THE</strong> FREDERIC E. CHURCH AWARD<br />

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Stephen Hannock Hugh Hildesley<br />

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PATRICK MCMULLAN


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54 QUEST<br />

Luis and Lillian Fernandez<br />

D AVI D PATR I C K C O L U M B I A<br />

<strong>THE</strong> ANNUAL PALM BEACH ZOO BALL<br />

Kane and Mary Baker Judith Giuliani and Talbott Maxey<br />

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Mark and Mary Freitas Steve Myers and JoAnna Ballerini Carol and Earle Mack<br />

Kooshe and Andrew Aiken<br />

LUCIEN CAPEHART


56 QUEST<br />

Douglas Rae<br />

and Sally Ann Howes<br />

Mark and June<br />

Ackermann<br />

D AVI D PATR I C K C O L U M B I A<br />

S TUART W EITZMAN’S PARTY FOR T HE PHYSIQUE 57 SOLUT ION<br />

Randy Lampert and Elizabeth Ballin Dana Weitzman and Lauren Bush Catherine Kast, Jordan Duffy and Jacqueline Seaman<br />

Alexandra Wilkis Wilson Tanya Becker and Susan Duffy<br />

Jacqueline Lewis and Kristin Henning<br />

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Frances Webster<br />

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Bill and Norma<br />

Tiefel<br />

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and Carla Mann<br />

Nadine Kalachnikoff<br />

and Arlene Dahl<br />

Kate Ford, Marc Rosen<br />

and Grace Meigher<br />

LUCIEN CAPEHART; PATRICK MCMULLAN


58 QUEST<br />

D AVI D PATR I C K C O L U M B I A<br />

Y OUNG COLLECTORS NIGHT AT <strong>THE</strong> WINTER ANTIQUES SHOW AT <strong>THE</strong> PARK AV ENUE ARMORY<br />

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GARRISON<br />

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CALENDAR<br />

60 QUEST<br />

FEBRUARY<br />

On February 28, the New York Rangers will host Casino Night 2012 to support the Garden of Dreams Foundation, a non-profit charity that works with<br />

all areas of the Madison Square Garden Company to make dreams come true for kids facing obstacles. For more information, call 877.MSG.GOAL.<br />

1<br />

STATE OF <strong>THE</strong> UNION<br />

The United States Holocaust<br />

Memorial Museum will hold a<br />

reception at 5 p.m. at the residence<br />

of Alfred and Gilda Slifka. For more<br />

information, call 561.995.6773.<br />

2<br />

PARDON MY FRENCH<br />

The French Heritage Society will<br />

host its thirtieth anniversary gala<br />

at 7 p.m. at Club Colette. For more<br />

information, call 212.759.6846.<br />

3<br />

CONNECT FOUR<br />

The Society of the Four Arts will<br />

hold its patron party. For more<br />

information, call 561.655.7227.<br />

HIGH SOCIETY<br />

The American Cancer Society will<br />

host its gala at 7 p.m. at the<br />

Mar-a-Lago Club. For more<br />

information, call 561.655.3449.<br />

4<br />

HAVE A BAL<br />

The Norton Museum of Art will<br />

hold Bal des Arts at 7 p.m. For more<br />

information, call 561.832.5196.<br />

5<br />

PUTTIN’ ON <strong>THE</strong> RITZ<br />

The Comprehensive Alcoholism<br />

Rehabilitation Programs will host<br />

its spring luncheon at 11 a.m. at the<br />

Ritz-Carlton, Palm Beach. For more<br />

information, call 561.844.6400.<br />

8<br />

<strong>THE</strong> GUILDED AGE<br />

The Palm Beach Opera Guild<br />

will hold a dinner with a cabaret<br />

show at The Colony Hotel.<br />

For more information, call<br />

561.833.7888.<br />

SHE SELLS SEASHELLS<br />

The Historical Society of Palm<br />

Beach County will host a reception<br />

with author John Blades<br />

at 7 p.m. at the Episcopal<br />

Church of Bethesda-by-the-<br />

Sea. For more information, call<br />

561.832.4164.<br />

IT’S A MOD, MOD WORLD<br />

Miami City Ballet will hold Palm<br />

Beach MODness at 7 p.m. at the<br />

Flagler Museum. For more<br />

information, call 561.674.9978.<br />

PAINT <strong>THE</strong> TOWN RED<br />

The Associates Committee of<br />

the Society of Memorial<br />

Sloan-Kettering Cancer Center<br />

will host its associates luncheon<br />

at 12 p.m. at Rouge Tomate.<br />

For more information, call<br />

212.639.2000.<br />

10<br />

SWEETS AND TREATS<br />

The Alliance for Eating Disorder<br />

Awareness will hold its “Sweets<br />

and Treats” event at 3 p.m. at<br />

the residence of Paul and Kathy<br />

Leone. For more information, call<br />

561.841.0900.<br />

11<br />

HOT IN CLEVELAND<br />

The Cleveland Clinic will host its<br />

Winter Palace Ball at the Mar-a-<br />

Lago Club. For more information,<br />

call 561.804.0260.<br />

HAVE A NICE DAY<br />

The Palm Beach Day Academy will<br />

hold a dinner at 6:30 p.m. at the<br />

MSG PHOTOS


Breakers. For more information, call<br />

561.832.3308.<br />

14<br />

BE MY VALENTINE<br />

The Daughters of the American<br />

Revolution will host its “Valentine’s<br />

Day” luncheon at 12:30 p.m.<br />

at the Chesterfield Hotel. For more<br />

information, call 772.460.0223.<br />

16<br />

TUTU MUCH FUN<br />

American Ballet Theatre will hold a<br />

reception at 6 p.m. at Wally Findlay<br />

Galleries in Palm Beach. For more<br />

information, call 212.477.3030.<br />

GREEN WITH ENVY<br />

The Emerald Isle Dinner Dance<br />

will be at at the Breakers at 7<br />

p.m. For more information call,<br />

212.213.1166.<br />

17<br />

HAVE A HEART<br />

The American Heart Association<br />

will host its Palm Beach Heart Ball<br />

at the Mar-a-Lago Club. For more<br />

information, call 561.697.6600.<br />

GIVE ME A BREAK<br />

The Everglades Foundation will<br />

hold its benefit at 7 p.m. at the<br />

Breakers. For more information, call<br />

305.251.0001.<br />

CENTER OF ATTENTION<br />

The Palm Beach Jewelry, Art, and<br />

Antique Show will take place<br />

through the 21st at the Palm Beach<br />

County Convention Center. For more<br />

information, call 561.822.5440.<br />

18<br />

BREAK A LEG<br />

American Ballet Theatre will<br />

host an evening at the Breakers.<br />

For more information, call<br />

212.477.3030.<br />

CELEBRATE GOOD TIMES<br />

The Dana-Farber Cancer Institute<br />

will hold its Discovery Celebration<br />

at the Mar-a-Lago Club. For more<br />

information, call 561.232.8244.<br />

22<br />

POSH SPICE<br />

Lighthouse International will host<br />

a dinner for POSH Palm Beach at<br />

7 p.m. at Club Colette. For more<br />

information, call 561.833.9730.<br />

23<br />

ART FOR ART’S SAKE<br />

The Society of the Four Arts will<br />

hold a dinner. For more<br />

information, call 561.655.7227.<br />

LIVE YOUR LIFE<br />

The American Lung Association wil<br />

host its “Jewels of Life” luncheon at<br />

11:30 a.m. at the Breakers. For more<br />

information, call 561.932.0886.<br />

24<br />

VERY CONTEMPORARY<br />

The Society of the Four Arts<br />

will hold its Contemporaries<br />

Gala. For more information, call<br />

561.655.7227.<br />

25<br />

SAY I DO<br />

Scully & Scully will host its<br />

“Wedding Registry” event at 11 a.m.<br />

at 504 Park Ave. For more<br />

information, call 212.755.2590.<br />

IT’S WORTH IT<br />

The Junior League of the Palm<br />

Beaches will host its “Worth<br />

Tasting” event at 6 p.m. on Worth<br />

Avenue. For more information, call<br />

561.689.7590.<br />

On February 8, Salvatore Ferragamo will present its Spring/Summer 2012<br />

collection at an event benefitting the Society of Memorial Sloan-Kettering<br />

Cancer Center. For more information, call 212.639.2000.<br />

On March 5, Van Cleef & Arpels will sponsor the Winter Ball—an<br />

evening with a performance by the students of the School of American<br />

Ballet and a dinner. For more information, call 212.769.6610.<br />

IN DA CLUB<br />

The Boca Raton Heart Ball will<br />

take place at 6:30 p.m. at the<br />

Woodfield Country Club. For more<br />

information, call 561.697.6624.<br />

KNIGHT IN SHINING ARMOR<br />

Amanda Selwyn Dance Theatre’s<br />

White Night II will take place at<br />

7 p.m. at 81 White Street. For more<br />

information, call 646.765.4773.<br />

28<br />

TRUE BLUE<br />

The New York Rangers will host<br />

Casino Night 2012 to support<br />

the Garden of Dreams Foundation.<br />

For more information, call<br />

877.MSG.GOAL.<br />

29<br />

POSH SPICE<br />

Captain Chesley Sullenberger will<br />

be honored at St. Jude Children’s<br />

Research Hospital’s dinner in<br />

Palm Beach at 7 p.m. at Club<br />

Colette. For more information, call<br />

800.278.3383.<br />

CALENDAR<br />

MARCH<br />

1<br />

WASTE NOT WANT NOT<br />

UNCF will hold its “A Mind Is A<br />

Terrible Thing To Waste” gala at the<br />

Marriot Marquis. For more<br />

information, call 212.843.1751.<br />

PICK AND CHOOSE<br />

Pickett’s Press and Blair Husain<br />

will host an event at 247 Sunrise<br />

Avenue on the 1st and 2nd. For<br />

more information, call 561.833.7971.<br />

5<br />

WINTER WONDERLAND<br />

School of American Ballet’s Winter<br />

Ball will take place at 7 p.m. at the<br />

David H. Koch Theate. For more<br />

information, call 212.769.6610.<br />

6<br />

PUTTING ON YOUR FACE<br />

FACES will host its gala at 6:30 p.m.<br />

at Pier Sixty. For more information,<br />

call 646.558.0827.<br />

FEBRUARY 2012 61


HARRY BENSON<br />

Tricia Nixon and Ed Cox<br />

before their wedding<br />

at the White House in<br />

June of 1971.<br />

IT SEEMS LIKE<br />

YESTERDAY


BEFORE TRICIA NIXON and Ed Cox<br />

married on June 21, 1971, I went with<br />

Priscilla of Boston to the White House to<br />

bring the dresses for the bride-to-be and<br />

her sister, Julie. When we arrived, Tricia<br />

and President Nixon were practicing the<br />

walk down the aisle in the Rose Garden.<br />

I was there to photograph everything<br />

up to the big event, from the china and<br />

flatware to a party given by some of the<br />

Congressional wives in Tricia’s honor.<br />

After the party, Tricia, in a lovely pink<br />

dress, slipped into the back of a waiting car<br />

with Ed where I took this photograph.<br />

I have photographed President Nixon<br />

and his family over the years. Mrs. Nixon<br />

instilled a rare dignity and good manners<br />

in her daughters. I recently saw Tricia<br />

and Ed before their son Christopher's<br />

wedding. Tricia looked exactly the same.<br />

It really does seem like yesterday. u


64 QUEST<br />

TAKI<br />

ALL HAIL<br />

<strong>THE</strong> SPECCIE!<br />

A recent issue of weekly English magazine<br />

The Spectator where Taki has contributed since the 1970s.<br />

IN SEPTEMBER 1976 I went to Torino<br />

to buy a car from Gianni Agnelli for the<br />

mother of my first child. The next day, I<br />

took possession of the Fiat and took off<br />

for Paris. I was advised to drive slowly<br />

for the first 1,000 kilometers. Boredom<br />

on the motorway brought on the muse.<br />

Close to 1,000 words were memorized<br />

on how one can tell an Englishman in a<br />

European nightclub (he looks at the bill<br />

at length and argues about it with the<br />

waiters; he never has the right currency;<br />

he wears thick tweeds that smell of horses<br />

and dogs; he dances without rhythm; he<br />

scares Arabs with his red complexion).<br />

When I got to London, I rang then-editor<br />

of The Specator Alexander Chancellor<br />

and proposed the piece. For any of you<br />

unfamiliar with “The Speccie,” it is the<br />

oldest magazine in the English-speaking<br />

world—close to 200 years in existence<br />

and with 9,000 issues printed. Graham<br />

Greene called it the best written and<br />

most elegant weekly in the world.<br />

As luck would have it, Chancellor<br />

wanted to lighten up the magazine<br />

and welcomed my proposal. I wrote<br />

1,500 words, adding a French accent<br />

to it, using “ze” for “the” and “zut”<br />

and “alors” after every expostulation.<br />

It ran the next week and Alexander<br />

asked me if I wished to contribute<br />

regularly. I jumped at the chance.<br />

Jet-setters did not read the The<br />

Spectator 35 years ago. Politicians, literary<br />

people, Oxford and Cambridge<br />

dons, and clubmen all did, but not<br />

jet-setters. So I invented the quintessential<br />

English jet-set couple, Mark and<br />

Lola Winters, based on Martin and Nona<br />

Summers, a real twosome I ran into


From left: Eaton Square, home to the fictious Mark and Lola Winters; Studio 54 provided ample fodder for our columnist’s copy in The Spectator.<br />

everywhere I went. I began to chronicle<br />

their life. I wrote amazing things about<br />

Mark and Lola, their social climbing<br />

with real people, the tricks they pulled<br />

in order to get invited to chic parties,<br />

their efforts to attract celebrities to their<br />

Eaton Square flat, the presents they sent<br />

to Greek ship owners they hardly knew,<br />

the children they rented to pose as their<br />

own when they had “proper” people as<br />

their guests, and their desperation to get<br />

third-rate royals—any royals—to attend<br />

their bashes.<br />

The column became required reading<br />

by those who found the Winters<br />

ridiculous and couldn’t get enough of the<br />

humiliation I heaped on them week in<br />

and week out. When The Spectator conducted<br />

a poll to see who was reading us,<br />

it revealed that Oxford dons were reading<br />

my column en masse, and discussing<br />

the state of English social climbing. One<br />

thing that everyone at The Spectator could<br />

never figure out was why no one realized<br />

that the couple was a fictitious one. I<br />

think the reason was that I mixed them<br />

up with real people who were mostly<br />

vague and aristocratic and who could<br />

never remember anyone’s name.<br />

New York’s glamorous Studio 54 provided<br />

great copy, and it was from there<br />

that I first reported about the widespread<br />

use of cocaine. But soon it was my turn. On<br />

July 24, 1984, I was warned at Heathrow<br />

airport by a customs officer that an envelope<br />

in my rear pocket was about to fall<br />

out. “Oh thanks,” I wisecracked. “If<br />

only you knew what was in it!” I ended<br />

up going to the pokey for four months<br />

for possession of two grams of cocaine.<br />

I used my one telephone call to ring The<br />

Spectator’s office and got Clare Asquith,<br />

granddaughter of World War I-era prime<br />

minister Asquith, on the telephone. I told<br />

her to tell the new editor, Charles Moore,<br />

that I was resigning, whereupon she asked<br />

me whether I would be filing my column<br />

from jail. In the 35 years of being a columnist<br />

at The Spectator, I have served<br />

under seven editors, five of whom were<br />

old Etonians and all of whom have edited<br />

a weekly staffed by probably as elegant<br />

and professional a crew as could exist<br />

in Evelyn Waugh’s fevered imagination<br />

of the upper classes. An example of this<br />

nonchalance was Charles Moore’s reaction<br />

when I resigned after being busted.<br />

“Were you our religious correspondent,<br />

I’d immediately accept it. The fact that<br />

you are our high-life writer, we expect<br />

you to be high at times.” Now that’s what<br />

I call noblesse oblige.<br />

After paying my debt to society, the<br />

new editor, Dominic Lawson, son of the<br />

Chancellor of Exchequer, suggested I<br />

write more about politics and life in general.<br />

I was thrilled. The first thing I did<br />

was spill the beans about Mark and Lola.<br />

Some wrote in that they were cancelling<br />

their subscriptions because I had misled<br />

them. Lawson thought it hilarious.<br />

Our present owners, Sir David and his<br />

brother Sir Frederick Barclay have been<br />

extremely supportive of my antics. About<br />

15 years ago, I wrote how Osama bin<br />

Laden—known as Harry Laden to us, his<br />

friends—was a very popular member of<br />

White’s Club, held court at the bar daily,<br />

and had been made a member by the<br />

Duke of Beaufort and Nicholas Soames,<br />

a grandson of Winston Churchill. Neither<br />

the Duke nor Soames, both good friends<br />

of mine, said a word. American newspapers<br />

went wild. Vanity Fair sent its best<br />

reporters to interview me. I had made<br />

the whole thing up, but told them I was<br />

too scared to give any more details. After<br />

September 11, 2001, some Americans<br />

stopped speaking to me after calling me<br />

a traitor for fraternizing with a mass<br />

murderer. David Metcalfe, a member of<br />

White’s, sued me because I had included<br />

him in my group with “Harry.” I had to<br />

give him an apology and took the opportunity<br />

to reveal that this story, too, was a<br />

Mark and Lola hoax. The Spectator’s staff<br />

enjoyed it greatly despite the hate letters<br />

received.<br />

When Boris Johnson took over as editor<br />

he was already a member of Parliament,<br />

but when he became London’s mayor,<br />

he had to give up the editor’s chair. But<br />

before he did, he fought tooth and nail<br />

on my behalf when the Israeli embassy<br />

decided I was “worse than Goebbels”<br />

in terms criticizing Israel’s policies in the<br />

West Bank. When the Israelis demanded<br />

he fire me, Boris answered that he would<br />

if they evacuated from the occupied territories<br />

and apologized for 45 years of<br />

oppression. Again, noblesse oblige.<br />

Which brings me to the present. It<br />

might sound corny and sentimental, but<br />

writing for The Spectator has been the one<br />

constant and wonderful happenstance of<br />

my life. I plan to retire in five years—40<br />

being a nice round number—and write<br />

books. I shall certainly miss the place.<br />

In fact, I am already thinking about how<br />

empty my life will become in five years.<br />

Long live “The Speccie!” u<br />

For more Taki, visit takimag.com.<br />

FEBRU ARY 2012 65


CANTEENS<br />

A SLICE OF FRANCE,<br />

BITE BY BITE<br />

FEBRUARY CAN BE something of a breaking point in New York.<br />

Temperatures reach all-time lows, winter ascends to new heights,<br />

and Valentine’s Day rolls around to remind us that we’re not living<br />

in a city as romantic and rouge-smooched as, say, Paris. The<br />

panacea for all of this might very well be in chef Jody Williams’s<br />

latest gastronomic venture, Buvette, a self-styled “gastroteque”<br />

serving up small plates that are big on flavor and performance.<br />

Roughly translated, a buvette is a sort of food or coffee<br />

stall: the relaxed, easy kind of place where you can pop in,<br />

unannounced, for an early-morning espresso, a mid-afternoon<br />

BY DANIEL CAPPELLO<br />

sandwich, an after-work drink, or some late-night nosh. With<br />

friends, or by yourself. For a group gathering in the semi-private<br />

back room, or a dîner à deux in the front window (it’s the perfect<br />

date spot). And Buvette is certainly all that; it has the pleasingly<br />

calibrated bustle of a Rive Gauche café or brasserie, but with all<br />

the comfort and fixings of grand-mère’s Provençal kitchen (not<br />

to mention her French countryside comfort food).<br />

The morning hours at Buvette are rather special, if not<br />

downright sacred. With significantly lighter foot traffic than at<br />

dinner or in the after-hours, breakfast and early lunch are comfy


DANIEL CAPPELLO; MAX POGLIA<br />

and cozy. The warm smell of toasts and coffee (Williams uses<br />

Philadelphia-based favorite La Colombe) almost makes you forget<br />

that you have appointments lined up for the rest of the day.<br />

It is also in the daylight that the details shine through: woven<br />

Provençal baskets skattered among antique-finished serving<br />

trays and salt-and-pepper shakers; page-boy hats hanging from<br />

the bar’s side (and from the bartenders’ heads); the gray-chalked<br />

aprons wrapped around the bright-eyed waitresses. Though<br />

cappuccinos are available in sufficiently large sizes (don’t ask for<br />

skim milk or extra foam: they’re served only one way, which you<br />

can take or leave), portions remain true to Buvette’s small-place<br />

character and feel (a chocolate croissant actually comes as two<br />

finger-food-size delicacies of puffed pastry filled with chocolate<br />

rich enough to wake you up if the coffee hasn’t already).<br />

Come nightfall, Buvette transforms into quite a boisterous<br />

bistro. A “gastronomo” (a word coined by chef-proprietor<br />

Williams to describe the jack-of-all-trades host-cum-waiter-cumcook-cum-sommelier-cum-bartender)<br />

is likely to greet you at the<br />

door in a friendly French accent, and then take care of you from<br />

CANTEENS<br />

cocktails through dessert (mousse au chocolat is tempting, but<br />

the tarte tatin will leave you in a state of bewilderment). As for<br />

the small plates, there’s seemingly no wrong combination, nor<br />

too many nor too few. A suggestion: the butter-slabbed anchovy<br />

toasts, the whipped brandade de morue, the gratin of cauliflower,<br />

and both the coq au vin and the cassoulet (where else can you<br />

order both but not leave as heavy as a Pinkerton guard?).<br />

Reservations are unnecessary—or, more correctly, can’t be<br />

had—though when walking past the crowded bar scene that<br />

nearly pours out onto the street at prime dinner hours, you wish<br />

they’d take a reservation or few, even if it were to involve haggling<br />

for a VIP email or number. Then again, this isn’t Manhattan<br />

anymore; at Buvette, at least, you won’t want it to be. u<br />

The entrance to and indoor scenes from Buvette, a French-inspired<br />

“gastroteque” from chef-proprietor Jody Williams (pictured above, top<br />

right). Buvette: 42 Grove St. (between Bleecker and Bedford), open<br />

weekdays from 8 a.m. to 2 a.m., weekends from 4 p.m. to 2 a.m. Reservations<br />

not necessary; 212.255.3590 or ilovebuvette.com.<br />

F E BRUAR Y 2012 67


Fresh Finds<br />

QUEST<br />

BY DANIEL CAPPELLO<br />

68 QUEST<br />

AND ELIZABETH MEIGHER<br />

FEBRUARY IS A MONTH OF LOVE, not to mention our annual<br />

Wedding Issue, which means we’ve brought a whole lot of love<br />

and attention to some perfect finds for the bride, groom, or special<br />

Valentine in your life. Whether you’re popping the question or get-<br />

ting down to details like invitations, we’ve found some choice bets.<br />

From the most fabulous of jewels to the sweetest of acces-<br />

sories, from slippers for him to sandals for her,<br />

we’ve figured out some stylish ways of helping<br />

you to say “I love you.” Or even “I do.”<br />

Walk down the aisle with easy glamour<br />

and understated romance in J.Crew’s Sinclair<br />

gown, in delicately crinkled silk chiffon.<br />

$675. J.Crew Bridal and Collection Store:<br />

769 Madison Ave., 212.824.2500,<br />

or jcrew.com.<br />

Tell her she’s the one with<br />

David Yurman’s Crossover<br />

engagement ring, in platinum<br />

and diamonds. Available at<br />

the David Yurman Townhouse:<br />

712 Madison Ave. or<br />

212.752.4255.<br />

Stuart Weitzman’s<br />

Swarovski crystal<br />

evening wrap-<br />

around sandals are<br />

the perfect<br />

marriage of style<br />

and comfort<br />

for the big day.<br />

$595. Stuart<br />

Weitzman:<br />

675 Fifth Ave.<br />

or 212.759.1570.<br />

Bespoke wedding stationery from<br />

Mrs. John L. Strong. Price based upon<br />

consultation. Please call 212.838.3775<br />

to make an appointment or for more information.


Give the groom<br />

the gift of time<br />

with the Rolex Oyster<br />

Perpetual Day-Date II in<br />

platinum with polished bezel<br />

and President bracelet.<br />

$60,000. Rolex: 800.36.ROLEX<br />

Be sure to keep<br />

your hair neat<br />

and your tux natty<br />

with a complete<br />

look from Ascot<br />

Chang: bow<br />

tie ($55), tuxedo<br />

shirt ($173),<br />

and custom-made<br />

tuxedo (price based<br />

upon consultation).<br />

Ascot Chang:<br />

212.759.3333.<br />

or rolex.com.<br />

Seal your wedding<br />

or Valentine’s Day with a<br />

kiss with Kim Seybert’s<br />

Lips Icon cocktail napkins.<br />

$32 for a set of six.<br />

Kim Seybert Designer<br />

Lifestyle Accessories:<br />

212.564.7850 or<br />

kimseybert.com.<br />

You’ll stand tall in Barker Black’s ultra chic velvet<br />

pumps with piping detail. Barket Black Ltd.:<br />

198-B Elizabeth St. or 212.966.2166.<br />

He’ll treasure his wedding day with Asprey’s<br />

sapphire and diamond cufflinks: a beautiful<br />

keepsake for generations to come.<br />

$18,000. Asprey: 853 Madison Ave.<br />

or 212.688.1811.<br />

Leica’s x1 with black cover,<br />

offering unsurpassed<br />

perfection<br />

in a compact package, is the ideal companion<br />

for your<br />

honeymoon<br />

and a lifetime of adventures. $1,995. Leica: leica-camera.com.<br />

F E BRU ARY 2012 69


Fresh Finds<br />

00 QUEST<br />

Add a little<br />

panache to<br />

your Palm Beach<br />

wardrobe with<br />

Fiandaca’s<br />

chartreuse ombré<br />

satin organza jacket<br />

and dress with<br />

flower print border.<br />

Alfred Fiandaca Couture:<br />

330 Worth Ave.<br />

or 561.659.3339.<br />

Wempe’s Glashuette Zeitmeister<br />

Manchette in stainless steel<br />

with<br />

mother-of-pearl dial<br />

and<br />

28 brilliant-cut brilliant-cut diamonds.<br />

$3,510. Wempe:<br />

700 Fifth Ave. or<br />

212.397.9000.<br />

Stay cheerfully stylish with Chanel’s<br />

multicolored and golden metal<br />

bracelet. $1,400. Chanel: 15 E. 57th St.,<br />

212.355.5050, or chanel.com.<br />

Indulge in a sweet treat with<br />

Judith Leiber’s macaron pillboxes,<br />

modeled after the famous<br />

Ladurée delicacy in crystal<br />

with lacquered sides (measuring<br />

2” across and available<br />

in 11 “flavors”). $495.<br />

Judith Leiber: judithleiber.com.<br />

Ideal as extra seats or just to rest your feet:<br />

hippopotamus leather footstools in full-grain<br />

leather, stuffed with wood wool. From England.<br />

Available at Scully & Scully:<br />

504 Park Ave. or 800.223.3717.<br />

Dress up with the divine David<br />

Webb cuff in 18-kt. yellow<br />

gold, platinum, diamonds, Tiger’s eye,<br />

and blue enamel. $62,000.<br />

David Webb: 942 Madison Ave.<br />

or 212.421.3030.


Any Shoshanna<br />

dress is a perennially<br />

pretty choice,<br />

but this month go<br />

for the Melissa<br />

beaded neckline<br />

dress in beautiful<br />

cotton grasscloth.<br />

$395. Shoshanna:<br />

Available at<br />

neimanmarcus.com.<br />

Tell your Valentine how<br />

much you love them<br />

with Sherle Wagner’s<br />

Cherub door knob<br />

in gold plate. Available<br />

at Sherle Wagner:<br />

212.758.3300<br />

or sherlewagner.com.<br />

Slip into chic with Dennis Basso’s Lynx Lace Bolero,<br />

a perfect accessory any time of year.<br />

Available at Dennis Basso: 765 Madison Ave.<br />

or dennisbasso.com.<br />

The Jean Schlumberger<br />

Rope ring, featuring a<br />

central diamond and 18-kt.<br />

gold and platinum rope<br />

design, makes a stunning<br />

statement. $34,800.<br />

Tiffany & Co.: tiffany.com.<br />

The Exotica flap clutch from Eric Javits<br />

is made of embossed Italian leather<br />

and comes with a detachable chain shoulder<br />

strap and interior sidewall zipper compartment<br />

and mirror. $425. Eric Javits: ericjavits.com.<br />

She walks in color block: Bottega Veneta’s Sunset<br />

Nero Plaster Fire Washed chiffon dress.<br />

$3,900. Bottega Veneta: 212.371.5511<br />

or bottegaveneta.com.<br />

F E BRU ARY 2012 71


FROM <strong>THE</strong> A RCHIVES<br />

PUBLISHED FEBRUARY 1997<br />

72 QUEST<br />

CELEBRATING 25 Y E ARS O F QUEST


12 TIMES A YEAR NOT ENOUGH?<br />

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AT <strong>THE</strong> NEWLY REVAMPED QUESTMAG.COM!<br />

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EMERALD IN <strong>THE</strong><br />

ROUGH<br />

74 QUEST


COURTESY OF ENTERPRISE HOLDINGS<br />

BUSINESS TRAVELERS KNOW how to be in the “driver’s<br />

seat” when it comes to their careers. Crossing the country<br />

making stellar presentations is second nature to them, and no<br />

one knows this better than National Car Rental, the industry<br />

leader in customer loyalty for frequent business travelers.<br />

This March marks the 25th anniversary of National’s<br />

pioneering Emerald Club, the car rental industry’s first<br />

frequent traveler program. Members reap the benefits of<br />

National’s 63 North American Emerald Aisle locations,<br />

which include offices at the country’s 50 busiest airports for<br />

business travel.<br />

Founded in 1947 and acquired five years ago by Enterprise<br />

Holdings (America’s 15th largest family-owned business,<br />

according to Forbes), National Car Rental has invested heavily<br />

in customer service. Market research has shown that what<br />

frequent business travelers value most are speed, choice,<br />

and control. “Frequent business travelers don’t need their<br />

hand held,” says National’s vice president of marketing, Rob<br />

T RAVE L<br />

Connors. “They want us to be there when we’re needed, but<br />

they’re seasoned pros and know what to do.”<br />

The Emerald Club allows members to completely bypass<br />

the rental counter and head directly to the Emerald Aisle,<br />

where they can choose the car that best fits their needs for<br />

that particular trip. If a full-size car or larger car is available,<br />

it can be had for the mid-size price.<br />

Upon return, members can use the ultra-convenient<br />

Drop & Go service, dashing off to catch their departing<br />

flight while National sends a receipt by email. “A business<br />

traveler has a lot of things on their mind,” says Connors, “so<br />

we make this as easy as possible for them. It’s about speed and<br />

putting our customers in control of their trip.”<br />

The Emerald Club has no enrollment fee, and benefits<br />

(including free rental days) increase the more often you rent.<br />

National knows what’s important to today’s business travelers,<br />

and when it comes to renting a vehicle, lets you stay in<br />

the driver’s seat. u<br />

This March National Car Rental<br />

celebrates the 25th anniversary of its<br />

pioneering Emerald Club rewards<br />

program for frequent business travelers.<br />

FEBR U ARY 2012 75


76 QUEST<br />

JEW E L R Y<br />

<strong>THE</strong><br />

JOYS OF<br />

COSTUME<br />

JEWELRY<br />

BY GEORGINA SCHAEFFER<br />

FROM <strong>THE</strong> SET OF Gossip Girl to the runways of Mercedes-<br />

Benz Fashion Week, Sequin’s presence in New York began over<br />

a decade ago. Founded by Minneapolis natives and sisters Kim<br />

Dryer and Linda Renk, Sequin produces collaborative costume<br />

jewelry collections for dozens of companies, and at every price<br />

point from Target to Badgley Mischka. And now, with three<br />

signature stores in Newport, two in Palm Beach, and one in<br />

Chicago, Sequin is becoming a household name in its own right<br />

among collectors of costume jewelry. “We are lucky to have<br />

complementary skill sets and we are both career driven,” says<br />

Linda, whose background is in retail. Kim, whose background<br />

was in jewelry design, concurs: “Our parents instilled in us a<br />

synergy to work hard and to contribute both personally and<br />

professionally.” Under the watchful eye of creative director Tara<br />

Malkovich, Sequin produces five to six collections of 30 pieces<br />

for each of the five or six markets a year (for those of you counting,<br />

that’s around 1,000 pieces—and that’s only for their Sequin<br />

line). Linda notes, “There is a bit of magic to Tara’s designs.”<br />

Each piece is hand-molded and uniquely feminine. Only a small<br />

quantity of any given design is produced (sometimes only 25 of a<br />

certain piece are made, while others are strictly limited edition),<br />

assuring customers that they won’t see their new favorite piece<br />

on their best friend at a party. “There is an intrinsic sophistication<br />

in these pieces,” says Kim. “They are for a customer who<br />

has fine jewelry and wants to wear costume.” u<br />

For more information about Sequin, please call 212.398.7363 or<br />

visit sequin-nyc.com.


Sequin’s signature shop<br />

on Worth Avenue in Palm<br />

Beach. Opposite: the<br />

new “Majorca” collection<br />

from Sequin was inspired<br />

by Spanish tiles.


78 QUEST<br />

DESIGN<br />

A ROOM<br />

TO<br />

ROMANCE<br />

BY GEORG INA SCHAEFFER<br />

PHOTOG RAPHY BY DANIEL NEWCOMB<br />

THIS YEAR MARKS the 36th anniversary<br />

of the American Red Cross Designers’<br />

Show House in Palm Beach. The event,<br />

which began on January 18, will continue<br />

through February 18.<br />

Jennifer Garrigues Interior Design was<br />

given an enclosed loggia in a Southernstyle<br />

mansion (commissioned by Orin<br />

Randolph, completed in 1923) as its<br />

project. Garrigues, who is known for<br />

her worldy sense of design, created an<br />

“Indian Palace” sun porch that blends<br />

seamlessly with the tropical weather and<br />

sophisticated style of Palm Beach.<br />

Working closely with senior designer<br />

Diana El-Daher, Garrigues created a<br />

sensuous and serene space filled with<br />

romance and a touch of wanderlust.<br />

Guests walk into the room through flowing<br />

panels of white linen, into an exotic<br />

haven. Softly stenciled white walls complement<br />

bold antique silk-sari fabrics<br />

found on the Indian stools and throw<br />

pillows. Treasures sourced from all over


the globe include a Syrian wedding chest,<br />

a celedon porcelain bowl, and crystal and<br />

glass globe lights that twinkle in the evening,<br />

adding a note of glamour.<br />

Garrigues used natural textures for the<br />

button-back sofa and other upholstered<br />

pieces, window treatments, and rugs to<br />

create a soothing effect. Elements of the<br />

tropical garden just outside the large windows<br />

are also reflected with lush flower<br />

arrangements and even a palm tree.<br />

But it is a Garrigues’ eye for detail that<br />

is truly evidenced in this room. Morrocan<br />

wedding beads, antique Indian artwork,<br />

unique slag crystal elements, a ebony and<br />

mother-of-pearl box, an elephant-shaped<br />

Jennifer Garrigues Interior<br />

Design created an “Indian Palace”<br />

in the sunroom of the Red<br />

Cross Decorator Showhouse<br />

in Palm Beach, which is open<br />

to the public until February 18.<br />

oil burner carrying an orchid, and other<br />

carefully curated objets d’art create a<br />

delightful and welcoming room for the<br />

global nomad with a romantic soul. u<br />

For more on Jennifer Garrigues Interior<br />

Design, please call 561.659.7085 or visit<br />

jennifergarrigues.com.<br />

F E B R U ARY 2012 79


BEAUTY<br />

JOHN FERRENTINO


Elizabeth Arden Red Door Spa<br />

opened its new flagship last<br />

month. In the new space,<br />

the iconic spa will offer its<br />

signature beauty treatments.<br />

BEHIND <strong>THE</strong><br />

RED DOOR<br />

ELIZABETH ARDEN opened her first spa on Fifth Avenue in 1910. Now,<br />

more than one hundred years later, the legacy of this day spa pioneer enters<br />

into its next chapter. Last month, Elizabeth Arden Red Door Spas’ flagship<br />

moved to a new state-of-the-art facility at 663 Fifth Avenue atop the Salvatore<br />

Ferragamo building. Occupying two full floors, the new 21,000-square-foot<br />

flagship spa features an outdoor penthouse terrace and sundeck. But it<br />

is Elizabeth Arden’s continuing legacy of beauty and well-being that sets<br />

Red Door Spas apart. The company still holds Ms. Arden’s fundamental<br />

belief that beauty should be “an intelligent union of nature and science<br />

to develop one’s finest natural assets.” The Red Door Spa flagship will<br />

offer an extensive menu of day spa and salon services, including Red Door<br />

signature skincare, massage and body treatments, nail services, hair color<br />

and styling, makeup artistry, bridal packages, couples and VIP treatments,<br />

gentlemen services, relaxation lounge, spa café, and more. It will also carry<br />

a full selection of Elizabeth Arden prestige skincare, fragrance and color<br />

cosmetics, a collection hair care and body care products, as well as gift<br />

cards and gift certificates. As Ms. Arden also believed: “To be beautiful is<br />

the birthright of every woman.” u<br />

For more information about the new Elizabeth Arden Red Door Flagship Spa<br />

at 663 Fifth Avenue, please call 212.546.0200 or visit reddoorspas.com<br />

F EBRUARY 2012 81


82 QUE ST<br />

A NAME UDA X<br />

ALTERNATIVE<br />

EDUCATION<br />

Dennis McEvoy with Sophia Loren. McEvoy was a Falstaffian figure, a hard-drinking ex-Marine who served as an editor at Reader’s Digest.<br />

SUMMER 1973. The summer of my alternative<br />

education. I arrived at Dennis<br />

McEvoy’s penthouse pad in Madrid after<br />

an all-nighter at the Crazy Horse and<br />

Deux Magots in Paris. The father of<br />

my boarding school roommate Nion<br />

(who is today the owner of Chronicle<br />

Books and SPIN magazine), Dennis was<br />

a Falstaffian figure, a hard-drinking ex-<br />

Marine who, at the time, was the senior<br />

editor in Europe at Reader’s Digest,<br />

having successfully launched the Asian<br />

edition of the Digest in Tokyo after<br />

World War II. He apologized that his<br />

vacation had to be delayed for a couple<br />

of days due to an impending deadline.<br />

He handed me the keys of his baby blue<br />

Mercedes 425 SL convertible so I could<br />

drive what appeared to be his girlfriend,<br />

a beautiful English nurse named Vivica<br />

who had cared for him during a recent<br />

hospital stay, down to the Costa del Sol.<br />

We got as far as Granada the first night<br />

and, after dinner, I passed out. But the<br />

next morning Vivica made it absolutely<br />

clear that Dennis was not her boyfriend,<br />

and things got better and better. Eventually,<br />

we made our way to the Alhambra and<br />

later that day drove south. At some point<br />

we stopped for a siesta in an olive grove<br />

that I thought was shielded from the road,<br />

but a passing truck driver stopped and<br />

shattered the mood as far as Vivica was


NAME<br />

From left: the inimitable Ava Gardner who was close friends with McEvoy; the Marbella Club where the “alternative education” began.<br />

concerned by calling out, “Hey hombre,<br />

how about some for me?”<br />

Once we got to Torremolinos, Dennis<br />

joined us from Madrid and Nion flew in<br />

from the States. Vivica explained the new<br />

situation and Dennis was philosophical<br />

and forgiving. Soon he was calling me,<br />

in Charlie Chan fashion, his “Honorable<br />

Number Two Son.” Dennis had led a picaresque<br />

childhood: his father, J.P. McEvoy,<br />

had been a journalist and playwright, and<br />

a member of the Algonquin Round Table.<br />

J.P. had foreseen that the world would<br />

become smaller and was determined that<br />

Dennis be prepared. He had lived and<br />

studied in Germany, China, and Japan<br />

and, in addition to those country’s languages,<br />

spoke perfect French and Spanish<br />

and a good deal of Arabic. He knew every<br />

broke aristocrat and wealthy gangster on<br />

the Costa del Sol. Our first stop was at the<br />

Marbella Club, presided over by Count<br />

Alphonsus Hohenlohe, where I was able<br />

to lie under the Steinway Grand on which<br />

Arturo Rubinstein was rehearsing.<br />

Next, there was golf at Soto Grande,<br />

and from there we made our way south<br />

toward Algeciras, staying at the finest<br />

hotels and resorts. Dennis never forgot<br />

to negotiate the lowest possible rate on<br />

the premise he would be writing a story<br />

on the venue. His favorite expression<br />

was, “It’s BUTTB time boys” (“BUTTB”<br />

translated to “Belly Up To The Bar”).<br />

This happened a little after noon on<br />

most days beginning with a long lunch<br />

and ended in an extended nap. Then,<br />

we would belly up again around 9 p.m.,<br />

sup at midnight, and party on. Drawing<br />

on his endless fund of stories and good<br />

cheer, Dennis drew people to him and<br />

most nights we closed whatever nightclub<br />

we found ourselves in at 4 a.m. Often,<br />

Dennis performed his pièce de résistance<br />

in which he, then a 60-year-old man,<br />

stood on his head in a chair and sang<br />

an aria from Pagliacci in Japanese to the<br />

cheers of the remaining customers.<br />

After too short a sweet sojourn, Vivica<br />

had to get back to work in Madrid and,<br />

when Nion and I expressed a desire to<br />

go to Tangier by ourselves for a couple<br />

of days, Dennis instructed us to look<br />

up Mohammed, the porter at the Palace<br />

Hotel. When Nion asked why, Dennis<br />

answered, “Because I know damn well<br />

why you’re going, and he’s got the best kif<br />

in all of Morocco.” And so he did.<br />

Dennis was friends with James<br />

Michener and drank with Hemingway.<br />

He knew Sophia Loren, but his best<br />

American friend in Madrid was Ava<br />

Gardner. One night Dennis was smoking<br />

in bed and fell asleep and his house<br />

caught fire. The next morning Ava called<br />

up and said, “Dennis, honey. I heard<br />

what happened, you just come on over<br />

here and move in with Ava until your<br />

place is ready.” Like any sensible man, he<br />

did as he was told. Then, the American<br />

ambassador at the time, Angier Biddle<br />

Duke, called him at the office and said,<br />

“Dennis, we’re having a state dinner for<br />

Generalissimo and Madame Franco next<br />

month. As one of the leading American<br />

businessmen in the country you have to<br />

be there. And I hear you’re staying at<br />

Ava’s, so bring her too.”<br />

“I don’t know, Angie, Ava’s been on a<br />

bit of a tear lately, you know how woundup<br />

she can get, I don’t think that’s such<br />

a good idea.”<br />

“Nonsense, the Spaniards love to see<br />

Hollywood stars. Bring her with you and<br />

see that she behaves.”<br />

The appointed evening came, and<br />

Ava looked radiant and dressed to the<br />

nines. An American lady on the other<br />

side of the table unwittingly commented<br />

that she thought Ava’s most recent film,<br />

The Night of the Iguana, had been “indecent.”<br />

Ava tensed, poked Dennis in the<br />

ribs and said, “You hear what that fat<br />

cow just said about my movie?” “Now,<br />

Ava, don’t cause a scene…” “Oh, I won’t<br />

cause a scene…Excuse me!” The whole<br />

room went silent, and Ava leaned over<br />

to the lady and sweetly asked, “Do you<br />

mind if I ask you a question? Would you<br />

tell me your definition of ‘indecent?’”<br />

The lady was flustered by now and could<br />

only say, “Well, I don’t know, just indecent.”<br />

“Well, would you like to hear<br />

what my definition of indecent is?” “Oh<br />

yes,” quoth the lady, feeling let off the<br />

hook. “Well, my definition of indecent is<br />

if it’s in long enough, wide enough, and<br />

hard enough, then it’s in decent.” The<br />

room collapsed into chaos and up on the<br />

dais a puzzled Madame Franco asked<br />

Ambassador Duke for a translation.<br />

Vivica got married to an English guy<br />

the following year. Dennis retired a<br />

couple of years after that, briefly moved<br />

to San Francisco to be closer to Nion,<br />

and then, expat at heart that he was,<br />

returned to Spain, where he died too<br />

young on Mallorca in 1982. Nion and<br />

I remain the best of friends and, just<br />

the other day over lunch, promised<br />

each other we would mark our 60th<br />

birthdays next year with a special trip.<br />

Mohammed will be waiting! u<br />

F E B R U ARY 2012 83


TOASTING <strong>THE</strong><br />

FOUR ARTS<br />

WHEN PALM BEACH was discovered<br />

by residents of the frozen North more<br />

than a century ago, it quickly gained<br />

a reputation for luxurious beaches<br />

and fabulous parties, making the<br />

resort destination the premier winter<br />

playground for wealthy patrons. But for<br />

those who were accustomed to grand<br />

concerts and stimulating art, Palm Beach<br />

in the 1900s was found to be lacking.<br />

In 1936 a group of passionate art<br />

patrons led by Maude Howe Elliot<br />

formed what is now the Society of the<br />

Four Arts, one of Palm Beach’s oldest<br />

84 Q UEST<br />

and most prestigious organizations.<br />

While the first exhibition was described<br />

as “begged and borrowed” artwork,<br />

it did feature Rembrandt’s Aristotle<br />

Contemplating the Bust of Homer, which<br />

was later purchased by the Metropolitan<br />

Museum of Art for over $2 million.<br />

Since that first show the institution<br />

has only continued to grow, claiming<br />

Palm Beach’s longstanding families as its<br />

loyal patrons and gaining critical acclaim<br />

for its broad programming. Beyond art<br />

exhibitions, the Four Arts offers concerts,<br />

lectures, film screenings, programs for<br />

children, and operates a stately Maurice<br />

Fatio-designed library that serves as a<br />

resource to the town.<br />

In 2009, as the Four Arts approached<br />

its diamond jubilee, the focus turned<br />

not only to the past but also the future,<br />

as the organization began to create<br />

programming and opportunities for the<br />

next generation of arts patrons.<br />

The Four Arts Contemporaries was<br />

designed for younger members passionate<br />

about the arts. The group invited artists,<br />

collectors, and board members of other<br />

cultural institutions to form its inaugural


COURTESY OF <strong>THE</strong> FOUR ARTS<br />

group of members. Today membership<br />

remains by invitation only, but in three<br />

years the group has grown from its initial<br />

75 members to well over 200—an increase<br />

attributed solely to word-of-mouth. “The<br />

Contemporaries has become a group that<br />

celebrates much of what makes Palm<br />

Beach an interesting and fun place to<br />

live,” says Four Arts Contemporaries<br />

advisory board memeber Piper<br />

Quinn. “It’s been a wonderful<br />

start to a program that’s sure to<br />

gain influence and momentum in<br />

the years to come.”<br />

While most traditional programming<br />

takes place during the<br />

day, Four Arts Contemporaries<br />

programs are designed for young<br />

professionals, with events including<br />

private after-hours viewings of<br />

exhibitions, special evening lectures<br />

and receptions, and opportunities to<br />

tour local art galleries and learn more<br />

about the cultural community.<br />

“The Four Arts has such a special place<br />

in the hearts of so many Palm Beachers,”<br />

begins Four Arts Contemporaries advisory<br />

board member Heather Henry.<br />

“We wanted the Contemporaries to be<br />

equally unique. This is not a networking<br />

group. This is not a place for<br />

people to make business connections.<br />

This is a specially curated group of<br />

young leaders who represent<br />

the future of The Four Arts,<br />

and of our cultural community<br />

as a whole.”<br />

In addition to Henry and<br />

Quinn, the advisory board<br />

includes Mary Brittain Cheatham,<br />

Peter Geisler, Jr., Lance and<br />

Patricia Mahaney, Talbott Maxey,<br />

Erik Waldin, Miguel Forbes, and<br />

Eleanor Ylvisaker. The board<br />

draws on its personal experience<br />

and connections to create unique<br />

programming opportunities. The<br />

resulting events have been enthusiastically<br />

received by members. “The<br />

Four Arts Contemporaries came to be<br />

as a result of several of the founders<br />

wishing to fill the cultural void that exists<br />

for young people in Palm Beach.,” says<br />

Erik Waldin. “It was established to foster<br />

arts understanding and appreciation,<br />

something that is so often overlooked in<br />

other ‘junior’ groups. The organization<br />

has been received extremely well, and<br />

our members are truly excited about our<br />

world-class programming, which I think<br />

rivals any young persons organization<br />

anywhere in the world.”<br />

One of the group’s main objectives<br />

this year is to partner with the Young<br />

Friends of the Four<br />

This page, from top: Art historian Richard<br />

Frank gives a gallery talk with Contemporaries<br />

members Christopher Walker, Dr. Michael Rigdill,<br />

Nicki Taylor, Bruce Langmaid and Charles Pool;<br />

Chairmen for the Four Arts Contemporaries<br />

“Studio 54 Gala” Mary Baker, Sara Groff, and<br />

Binkie Orthwein; Erik Waldin, Mary Brittain<br />

Cheatham, Talbott Maxey, Piper Quinn, Heather<br />

Henry, and Peter Geisler, Jr.. Opposite: the<br />

sculpture garden at the Society of the Four Arts.<br />

CULTURE<br />

Arts Gala to create a newly invigorated<br />

“Contemporaries Gala,” a project<br />

that appealed to gala chairwoman<br />

Binkie Orthwein. “As a member, it<br />

was important to support the Four<br />

Arts because they offer the finest arts<br />

programs right in Palm Beach’s own<br />

backyard,” says Orthwein. “This<br />

event will be a celebration of Palm<br />

Beach’s younger set, a fantastic<br />

party during the height of the<br />

season when patrons, sponsors,<br />

and supporters gather together to<br />

celebrate the growth and success<br />

of the Contemporaries.”<br />

The Contemporaries Gala<br />

on February 24 will be a stark<br />

departure from the formality so<br />

often seen in Palm Beach. With<br />

the help of co-chairs Sara Groff<br />

and Mary Baker, Orthwein<br />

is planning a high-energy,<br />

Studio-54 themed party that will<br />

feature the beloved Right On Band.<br />

Additionally, the Contemporaries<br />

have secured a number of important<br />

sponsors for the event including<br />

Sabadell Bank & Trust, Acento,<br />

Buccan, Calypso St. Barth, Sotheby’s,<br />

and Grey Goose Vodka.<br />

Other events planned for the<br />

Contemporaries this season<br />

include a lecture on buying wine<br />

at auction, a reception with noted<br />

author Dean King, and tours<br />

of private art collections. The<br />

group averages about two events<br />

per month.<br />

According to Four Arts marketing<br />

director Katie Edwards,<br />

the formula for events is equal<br />

parts education and fun. “Our<br />

group is young and enthusiastic<br />

and we want to make sure that<br />

everyone walks away from a<br />

Contemporaries event feeling that<br />

culture is exhilarating.”<br />

“We’ve been lucky that the Four Arts<br />

over the years has been able to grow and<br />

improve continually,” said Four Arts<br />

president Ervin Duggan. “The growth of<br />

the Contemporaries in such a short time<br />

probably should not be a surprise .” u<br />

For more information about the Society of<br />

the Four Arts, please call 561.655.7226 or<br />

visit fourarts.org.<br />

FEB RUARY 2012 85


OPEN HOUSE<br />

WITHIN <strong>THE</strong> FABLED WALLS of the<br />

Sherry Netherland Hotel are two current<br />

apartment listings that are part of<br />

the hotel’s unique rental pool. Marked<br />

by both elegance and convenience, there<br />

are only 50 apartments in this rental<br />

pool. It allows for the private use of the<br />

apartment for up to 30 days at any time<br />

of the year and in any configuration of<br />

days allowing for flexibility. Residents<br />

also have up to two additional weeks<br />

of “bonus days” per year as offered<br />

by the management. In addition, there<br />

is the option (for a nominal nightly<br />

fee) to stay past the “anytime 30 days<br />

and bonus days,” as well as the option<br />

of choosing to make the apartment<br />

your full-time private residence for any<br />

amount of time, and then either returning<br />

it to the hotel pool or not. Among<br />

the included services are twice-daily<br />

maid and turn-down services, room<br />

service by Harry Cipriani, a full-service<br />

salon and gym, and a 24-hour doorman<br />

86 QUEST<br />

AT <strong>THE</strong> SHERRY<br />

and concierge. Sotheby’s International<br />

Realty senior vice president, Stan Ponte,<br />

remarks, “The Sherry is the epitome of<br />

New York style and elegance and these<br />

two apartments offer the most flexible<br />

pied-a-terre ownership in town.” His<br />

colleague, Randall Gianopulos, adds,<br />

“Knowing your home is prepped and<br />

ready for your arrival is a peaceful<br />

luxury, earning its keep while you’re not<br />

in residence is a practical investment”<br />

Notably, one of the apartments offered<br />

belongs to a couple that has a long history<br />

with the Sherry Netherland. Chip<br />

Murphy grew up in Little Rock and<br />

during his childhood trips to New York<br />

City his family stayed at the Sherry<br />

Netherland. So it shouldn’t be too surprising<br />

that when it came to finding<br />

his own apartment with his wife Cindy,<br />

they looked to the Sherry Netherland<br />

first. “Buying our first apartment in the<br />

Sherry fulfilled a dream held since childhood.<br />

To our mild surprise, Cindy and I<br />

enjoyed renovating our apartment very<br />

much and having our own pied-a-terre<br />

has added tremendously to our enjoyment<br />

of our time spent in New York<br />

City.” Their recently renovated oversized<br />

one-bedroom aerie on the 19th floor features<br />

a gracious foyer, a large room perfect<br />

for both intimate dinners or larger<br />

cocktail parties, and a quiet, south-facing<br />

bedroom that has a luxurious marble<br />

bathroom. Chip continues, “So much<br />

so in fact that we are doing it again. We<br />

are nearing completion of the renovation<br />

and restoration of our second apartment<br />

at the incomparable Sherry. Aside from<br />

the greatest location on the corner of<br />

the intersection in the city, the tastefully<br />

understated elegance, and the unobtrusive<br />

but impeccable service, being part of<br />

the Sherry family is the best part.” u<br />

For more information, call Stan Ponte<br />

at 646.489.3066 or Randall Gianopulos at<br />

917.821.6930 or visit sothebyshomes.com.


Above, clockwise from top left: a living room at one of two apartments in the Sherry Netherland Hotel’s unique rental pool currently offered by<br />

Sotheby’s International Realty; the iconic clock outside the Sherry Netherland on Fifth Avenue; the bedroom of one of the pied-a-terres. Below,<br />

the facade of the famous Sherry Netherland, part of New York City’s enduring landscape. Opposite: the living room at Chip and Cindy Murphy’s<br />

apartment, currently listed with Sotheby’s International Realty. The Murphys’ long history with the hotel highlights its generational appeal.


REAL E STATE<br />

INDUSTRY INSIDERS<br />

NIKKI FIELD, Senior Vice President,<br />

has been a dynamic presence with<br />

Sotheby’s International Realty since 1998,<br />

consistently ranking among the top three<br />

producers, accomplishing sales of nearly<br />

one billion dollars. The 2011 “America’s<br />

Top 250 Real Estate Professionals,” by<br />

The Wall Street Journal, ranked Nikki in<br />

the top 100 agents in America and in the<br />

top 10 in New York City for sales volume.<br />

Quest sat down with this leading expert to<br />

discuss the current state of the New York<br />

City residential real estate market.<br />

Q: How is the the real estate market?<br />

A: The Manhattan residential real estate<br />

market continues to outperform the rest<br />

of the nation. 2011 ended with the top<br />

of the market flying high with a recordsetting<br />

$88-million penthouse deal at<br />

15 Central Park West. Extell’s ONE57,<br />

the newest super luxury development, is<br />

selling fast from floor plans with entry<br />

prices over $6,000 per square foot. New<br />

development roared back to life from its<br />

“Great Recession” slumber, and there<br />

appears to be no lack of eager buyers. The<br />

year was abundant with high-end activity<br />

and a return to demand for new product.<br />

88 QUEST<br />

Q: Who is buying in today’s market?<br />

A: Manhattan is no longer dependant on<br />

Wall Street fuel with foreign buyers prov-<br />

The living room of the Volney Penthoues at 23 East 74 Street. Listed at $20,000,000.<br />

Senior Vice President at<br />

Sotheby’s International<br />

Realty, Nikki Field.<br />

ing to be the instrumental market force.<br />

Three years after a global financial meltdown,<br />

New York is still one of the most<br />

attractive markets for international investors.<br />

The goal of obtaining a residence in<br />

the world’s greatest city is not only for its<br />

luxurious livability but also a safe haven<br />

for capital. The emerging elite—especially<br />

from China, Russia, Brazil, India, and<br />

Australia—have joined the Europeans in<br />

their growing confidence in the dollar.<br />

I traveled three times this past year to<br />

China to build on Sotheby’s International<br />

Realty’s growing business with global<br />

buyers. Each visit, I returned with a better<br />

understanding and appreciation of<br />

the Asian investor. High inflation due to<br />

China’s rapid economic growth is a serious<br />

concern for them and wealth preservation<br />

over growth is the objective. China<br />

has over 450,000 millionaires, and they<br />

are investing 30 percent of their wealth<br />

into real estate. The Global Chinese Real<br />

COURTESY OF SO<strong>THE</strong>BYS


From left to right: the facade of 20 East 65th Street; the living room inside the townhouse. Listed at $17,500,000.<br />

Estate Congress reports, “Chinese buyers<br />

are expected to buy at least $50 billion in<br />

overseas properties in 2012.” Cash-rich<br />

Chinese are touring the world looking for<br />

quality, safe investments and luxury lifestyles.<br />

They continue to take advantage of<br />

current United States market conditions<br />

with focused interest in New York City<br />

and a Manhattan home.<br />

Q: You have a unique business structure<br />

within Sotheby’s International Realty.<br />

What is the “Field Team” all about?<br />

A: We call it the “Field Advantage.” My<br />

business plan incorporates a team structure<br />

among eight independent salespeople.<br />

This is a generous, proactive group<br />

of experienced brokers who share collaborative<br />

support, permitting deeper client<br />

services and greater sales volume. Clients<br />

benefit with one designated broker and<br />

the experience of seven others.<br />

Q: Do you have any current listings you<br />

are particularly excited about?<br />

A: I currently have a strong portfolio of<br />

more than 20 exclusive properties including:<br />

The Chapel on Central Park West,<br />

the single most significant historic home<br />

on Central Park; 20 East 65th Street, a<br />

newly built condo in a historic limestone<br />

mansion off of Fifth Avenue; the United<br />

Nations Plaza Collection, an architecturally<br />

acclaimed cooperative on the East<br />

River; The Lucida Condominium, the<br />

last and most luxurious sponsor sale; The<br />

Volney Penthouse, the ultimate trophy<br />

duplex; and The Stanhope, 955 Fifth<br />

Avenue, soon to be unveiled, offering a<br />

new design of the 16th floor with over<br />

8,000 square feet, 10-foot ceilings, and<br />

the best Central Park views in the city.<br />

Q: What do you consider your greatest<br />

professional accomplishment?<br />

A: Keeping hope alive for my clients<br />

during these recent economic times. To<br />

accomplish the goals of all participants<br />

in a potential transaction, I have found<br />

that the broker must sometimes function<br />

as a CEO, listening to the requirements<br />

of both sides, assessing the situation,<br />

then advising all as to the best course of<br />

action while helping them recognize and<br />

embrace opportunity.<br />

Q: What is your outlook for 2012?<br />

A: Fourth-quarter data indicates that we<br />

have an ideal situation for both buyers<br />

and sellers. Market inventory is shrinking,<br />

most pricing is correct, and the<br />

influx of foreign buyers is keeping the<br />

market healthy. Now is the time for a<br />

realistic return for sellers. Buyers sitting<br />

on the sidelines for the past three years<br />

are up and shopping again. Our market<br />

is stable, developers are building, and<br />

New York is the destination of choice for<br />

international buyers. All of this suggests<br />

that Manhattan luxury real estate has<br />

proven its resiliency yet again. u<br />

For more information, call Nikki Field at<br />

212.606.7669 or visit nikkifield.com.<br />

The living room inside the newly completed “Lucida.” Listed at $7,500,000.<br />

FEBRUARY 2012 89


<strong>THE</strong> PERFECT<br />

HOLIDAY GIFT!<br />

ALL-NEW 2012 SHOW<br />

WITH LIVE ORCHESTRA<br />

REVIVING<br />

5,000 YEARS<br />

OF CIVILIZATION.<br />

SHEN YUN. For Chinese, the words<br />

evoke a sense of wonder, magic, and the<br />

divine. To audiences who have seen it,<br />

they recall the experience of a lifetime—<br />

a moment so powerfully beautiful it<br />

touches the soul.<br />

Discover the glory of a fantastically rich<br />

culture, that of classical China, brought<br />

to life through brilliantly choreographed<br />

dance and mesmerizing, all-original<br />

orchestral compositions. Magnificently<br />

costumed dancers—the world’s elite—<br />

move in poetic arrangements that evoke<br />

pastoral beauty, imperial drama, and the<br />

glory of an ancient civilization. This season,<br />

discover what art was meant to be.<br />

Discover Shen Yun.<br />

FOR 5,000 YEARS in China, culture<br />

was heralded as a divine gift. Its glory<br />

was long the inspiration of countless<br />

artists and poets, until this heritage was<br />

nearly lost…<br />

Based in New York, Shen Yun Performing<br />

Arts seeks to revive this once-majestic<br />

tradition by creating a production<br />

worthy in its beauty of this noble history—something<br />

that enriches the lives<br />

of audiences in powerful, lasting ways.<br />

JAN 11-15 DAVID H. KOCH<br />

LINCOLN CENTER |<br />

Hotline: 800-818-2393<br />

Presented by Shen Yun Promotions International<br />

ShenYun2012.com<br />

<strong>THE</strong>ATER


Longview Farm - Spectacular Country Estate, designed by noted architect<br />

Jack Arnold. Impressive Shingle and Stone Country House imbued with<br />

elements of a French Country Manor. Solid custom doors, distinctive windows,<br />

massive exposed beams and random-width oak �oors. First Floor Master with<br />

opulent Carrera Bath. Fabulous Mahogany Porch for taking in the view. Privately<br />

sited on �ve acres overlooking open space. North Salem Schools. $1,975,000<br />

On Two Ponds - �irteen acres on Guard Hill Road. A breathtaking<br />

landscape overlooking the water. Stunning Fieldstone & Shingle Country<br />

Estate. 6800 square feet of elegantly appointed living space. Gracious<br />

rooms for entertaining and everyday living. Phenomenal Great Room with<br />

vaulted ceiling, old barn beams, �oor-to ceiling stone �replace and charming<br />

loft. Sparkling Pool. Paddock. On Bedford Riding Lanes. $3,300,000<br />

Historic Lockwood Homestead - Mid-18th Century Landmark,<br />

carefully preserved. Incredible hand hewn beams, wide plank<br />

�oors, three �replaces, original glass, 18th Century doors and original<br />

hardware. Keeping Room with Fireplace, cooking crane and beehive<br />

oven. Formal Dining Room.Screened Porch. Five Bedrooms. Over three<br />

level acres, part of the original pound, with ancient trees. Antique Barn<br />

Complex perfect for square dances or avid collectors. Pool. $1,100,000<br />

Pastoral Guard Hill - Four spectacular acres in the heart of Bedford’s<br />

foremost estate area. Sophisticated and traditional Colonial with breathtaking<br />

views of meadows and water. Beautifully proportioned and elegantly appointed<br />

rooms. Fabulous Sun Porch with views of pond and pool. Formal<br />

Dining Room. Five Bedrooms. Incredible landscaping with majestic weeping<br />

willows and towering evergreens overlooking stocked pond. $2,295,000<br />

Sophisticated Brick - Stunning Colonial with handsome lines and<br />

traditional �oorplan. Beautifully scaled Living Room with Fireplace. Formal<br />

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Room with Fireplace. Incredible Master Suite with opulent Master Bath.<br />

Four additional bedrooms. Long drive to almost �ve acres of remarkable parklike<br />

land. Two-stall Barn, Salt Water Pool and Organic Garden. $1,295,000<br />

English Country - Trade your New York Apartment for a Gracious<br />

Country Estate! Long, gated drive to manicured setting. Stunning<br />

Stone and Shingle House reminiscent of the great estates of the<br />

English countryside. Sixteen main rooms with high ceilings, gleaming<br />

wood �oors, extensive millwork, oversized moldings, French doors, and<br />

custom lighting treatments. Five Bedrooms. Screened Dining Porch.<br />

Pool with Spa. Minutes to Bedford Village and Greenwich. $2,775,000<br />

(914) 234-9234 493 BEDFORD CENTER RD, BEDFORD HILLS, NY WWW.GINNEL.COM<br />

SPECIALIZING IN <strong>THE</strong> UNUSUAL FOR OVER 60 YEARS


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HILLCREST ESTATE<br />

$13,900,000 · Please visit: www.greenwichgrandeur.com<br />

Exclusive Agents: Lyn Stevens / Lee Fleischman<br />

ELEGANCE IN SHERWOOD FARM<br />

$5,250,000 · Please visit: www.6sherwoodfarm.com<br />

Exclusive Agent: Jane Gosden<br />

OLD GREENWICH VICTORIAN BEAUTY<br />

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Exclusive Agent: Julie Church<br />

G R E E N W I C H F I N E P R O P E R T I E S<br />

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KATHY ADAMS . JENNIFER BENEDICT . LISA BILHUBER . BERDIE BRADY . ANN BRESNAN . BONNIE CAIE . LESLIE CARLOTTI . LINDA CASTRIOTA . JULIE CHURCH . BARBARA CIOFFARI . JOSIANE COLLAZO<br />

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VILMA MATTEIS . DEBBIE MCGARRITY . CINDY MEEKER . JIM MEEKER . ERIN MOODY . ELLEN MOSHER . LAUREN MUSE . LIZ OBERNESSER . MARGARET RYDZIK . MARIANNE SCIPIONE<br />

FIFI SHERIDAN . LAURIE SMITH . DOUGLAS STEVENS . LYN STEVENS . TORY THORMAN . TYLER TINSWORTH . BEVERLEY TOEPKE . JOE WILLIAMS . MIHA ZAJEC


QUINTESSENTIAL GREENWICH ESTATE<br />

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COLONIAL CLASSIC IN MILBROOK<br />

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OLD GREENWICH SHORE COLONIAL<br />

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G R E E N W I C H F I N E P R O P E R T I E S<br />

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KATHY ADAMS . JENNIFER BENEDICT . LISA BILHUBER . BERDIE BRADY . ANN BRESNAN . BONNIE CAIE . LESLIE CARLOTTI . LINDA CASTRIOTA . JULIE CHURCH . BARBARA CIOFFARI . JOSIANE COLLAZO<br />

PATRICIA COUGHLIN . JEFFREY CRUMBINE . MAUREEN CRUMBINE . EVANGELA DALI . BLAKE DELANY . CANDY DURNIAK . JACKIE EKHOLM . LEE FLEISCHMAN . JOYCE FOWLER . JANIE GALBREATH<br />

KA<strong>THE</strong>RINE GEORGAS . JANE GOSDEN . MARY ANN GRABEL . SARA HOLDCROFT . JEANNE HOWELL . ROBIN KENCEL . SHARON KINNEY . ELIZABETH KOLDYKE-BOOLBOL . GILA LEWIS . SALLY MALONEY<br />

VILMA MATTEIS . DEBBIE MCGARRITY . CINDY MEEKER . JIM MEEKER . ERIN MOODY . ELLEN MOSHER . LAUREN MUSE . LIZ OBERNESSER . MARGARET RYDZIK . MARIANNE SCIPIONE<br />

FIFI SHERIDAN . LAURIE SMITH . DOUGLAS STEVENS . LYN STEVENS . TORY THORMAN . TYLER TINSWORTH . BEVERLEY TOEPKE . JOE WILLIAMS . MIHA ZAJEC


From This Moment On<br />

Tara Thompson &<br />

Neil Rasmus<br />

RYE, NEW YORK j JUNE 25, 2011<br />

PHOTOGRAPHED BY MACKLER STUDIOS<br />

Neil and Tara were married at a ceremony at the<br />

Coveleigh Club with a reception following. The bride wore<br />

a dress by Vera Wang and carried a bouquet of coral<br />

peonies with white and lavender roses by<br />

Inspiration Floral Artistry. The groom wore a tuxedo<br />

from Brooks Brothers and the bridesmaids wore<br />

dresses from J.Crew. The couple’s first dance was to<br />

“Dream a Little Dream of Me” by the Mamas and the<br />

Papas. After the wedding, the couple went directly<br />

to Ocean Beach on Fire Island for their honeymoon.<br />

94 QUEST<br />

B Y G E O R G I N A S C H A E F F E R


PHOTO CREDIT GOES HERE<br />

MONTH 2008 00


Caroline Perkin &<br />

José Luis Los Arcos<br />

NEW YORK, NEW YORK j OCTOBER 22, 2011<br />

00 QUEST<br />

PHOTOGRAPHED BY THÉRÈSE WAGNER<br />

Caroline and José were married at the Church of St. Ignatius<br />

Loyola with a reception following at The Colony Club. The bride wore<br />

a dress by Amsale with her mother’s Vedura earrings.<br />

She carried a bouquet designed by Bill Tansey. The groom wore white<br />

tie from J. Press. The bridesmaids dresses were from Coren Moore<br />

and earrings designed by Daria de Koning. The couple’s first dance<br />

was to “You Do Something to Me” performed by Michael<br />

Arenella and His Dreamland Orchestra. After the wedding, the<br />

couple left directly on their honeymoon to Argentina.<br />

PHOTO CREDIT CREDIT CREDIT GOES HERE


PHOTO CREDIT GOES HERE<br />

MONTH 2008 00


98 QUEST<br />

Phoebe Dick &<br />

Samuel Polk<br />

LAKE FOREST, ILLINOIS j SEPTEMBER 10, 2011<br />

PHOTOGRAPHED BY SALLY RYAN<br />

Phoebe and Sam were married at the First Presbyterian Church of Lake Forest with a reception<br />

at the Onwentsia Club following the ceremony. The bride was the fifth generation to wear the Newell family<br />

veil, which dates back to 1889, and the couple cut their cake with Leonidas Polk’s sword from the<br />

Civil War. At sunset, the father of the bride surprised the couple with a special bagpipe performance by the City<br />

of Chicago Pipe Band and fireworks. The couple’s first dance was to “Drift Away” by Dobie Gray,<br />

which was performed by childhood friends of the bride Katherine DePree Belcher and Spencer DePree.<br />

After the wedding, the couple went on their honeymoon to the British Virgin Islands.


100 QUEST<br />

Starrett Z enko &Petter Ringbom<br />

YONKERS, NEW YORK j OCTOBER 22, 2011 j PHOTOGRAPHED BY CHERI EISENBERG<br />

Starrett and Petter were married at Alder Manor with a reception for 150 guests. Jen Mankins officiated the<br />

ceremony. The bride wore a dress by Vera Wang with her mother’s necklace and family sapphire earrings. She carried a<br />

bouquet of dahlias and roses designed by Saipua. The maid of honor wore Rachel Comey and the groom wore<br />

Shipley & Halmos. The couple danced to “Quiet Nights of Quiet Stars” and “I Want to See the Bright Lights Tonight,”<br />

both performed by Michael Carney before leaving on their honeymoon to Acapulco.


Helena Khazanova &<br />

Adrien Gautier<br />

IBIZA, SPAIN j SEPTEMBER 24, 2011<br />

PHOTOGRAPHED BY FERNANDO SANCHO<br />

Helena and Adrien were married at a ceremony on the cliffs of Ibiza<br />

with a reception following at Amante Beach Club with one hundred<br />

guests in attendance. The rehearsal dinner held the night before<br />

was a “white party” at the bride’s villa. Helena wore a dress by<br />

Carolina Herrera with her grandmother’s Fabergé necklace and carried<br />

a bouquet of white flowers. The groom wore a bespoke English<br />

suit and the bridesmaid wore pastels dresses of their own choosing. The<br />

couple went on a quick trip to St. Tropez after the wedding.


FEBRUARY 2012 103


Meredith Aslin &<br />

Gregory Imber<br />

BOCA GRANDE, FLORIDA j DECEMBER 3, 2011<br />

PHOTOGRAPHED BY RYAN JOSEPH<br />

Meredith and Greg were married at St. Andrew’s<br />

Episcopal Church with a reception for 175 guests following<br />

at the Gasparilla Inn Beach Club. The bride wore<br />

a Ramona Keveza dress and carried a bouquet of white<br />

ranunculus, freesia, and tulips by Botanica. The bridesmaids<br />

wore dresses by J.Crew. After the wedding the<br />

couple honeymooned in Anguilla and St. Barths.


Aileen Weber-Lopez &<br />

Aileen and Ian were married at St. Mary’s Church in Roslyn Harbor with a<br />

reception following in Oyster Bay. The bride wore a dress from Reem Acra and a veil<br />

she made with her mother. She carried a bouquet of roses by Scarsella’s. The<br />

bridesmaids wore dresses from Ooh La Shoppe and the groom wore Paul Stuart.<br />

The couple’s first dance was to “A Kiss to Bring a Dream On” performed by<br />

Bob Hardwick. They went on their honeymoon to Italy directly after the wedding.<br />

106 QUEST<br />

Ian Gumprecht<br />

OYSTER BAY, NEW YORK j AUGUST 20, 2011<br />

PHOTOGRAPHED BY KIRO STUDIO INTERNATIONAL


Here Comes<br />

The Bride<br />

BY GEORGINA SCHAEFFER


COURTESY VICTORIA AND ALBERT MUSEUM; COURTESY OF DAVID DOWNTON<br />

Selina Blow, June 18,<br />

1998. Drawing by David<br />

Downton. Opposite:<br />

bride, circa 1926. The<br />

new silhouette for women<br />

was flat-chested,<br />

slim-hipped, and athletic.<br />

FEBRUARY 2012 109


During the reign of<br />

Queen Victoria the white wedding<br />

dress went from fashionable<br />

to traditional. In this new<br />

book, the superb collection of<br />

wedding dresses at the<br />

Victoria and Albert Museum in<br />

London comes to life.<br />

LONG OR SHORT, white or colorful, day suit or evening dress,<br />

every bride selects her ensemble for her wedding day with a<br />

certain amount of thought. The wedding dress itself somehow<br />

seems irrevocably linked to the identity of its wearer, and for the<br />

truly supersitious, a talisman carrying future happiness.<br />

In the new book The Wedding Dress (V&A Publishing,<br />

Abrams), curator of textiles and fashion at the Victoria and<br />

Albert Museum, Edwina Ehrman, explores the once-in-alifetime<br />

garment, along with the rich history and many traditions<br />

that have developed around it. Drawing on the museum’s own<br />

superb and extensive collection of over 200 wedding garments<br />

and accessories, as well as additional photographs, letters,<br />

memoirs, newspaper accounts, and genealogical research, the<br />

book delves deep into the history of the wedding dress and its<br />

cultural importance from 1700 to today.<br />

Focusing on the 18th-century white wedding dress—which<br />

became fashionable in the 19th century under Queen Victoria<br />

and continues to be favored by brides today—the book<br />

contemplates how designers have continually sought to refresh<br />

the garment with a modern aesthetic while maintaining its<br />

traditional sensibility. The designs of Zandra Rhodes, Noran<br />

Hartnell, John Galliano, Christian Lacroix, Jean Pean Gaultier,<br />

Nina Ricci, Chanel, Marchesa, and more are all represented.<br />

The book also considers the dress in context of the culture and<br />

period from which it hails. Ehrman writes: “They can illustrate<br />

responses to technological change and shifts in the economy and<br />

reflect changing attitudes towards the wedding ceremony and<br />

marriage.” But perhaps most importantly, this book celebrates<br />

the tradition, romance, evolution, and splendor of design. u<br />

COURTESY OF <strong>THE</strong> VICTORIA AND ALBERT MUSEUM; COURTESY OF JA SPER CONRAN; COURTESY OF TEMPERLEY LONDON


A sketch of a wedding dress by<br />

Worth in pencil, ink, and body<br />

color (London, circa 1922). Opposite:<br />

Jasper Conran, Autumn/Winter,<br />

2007 (above); Temperley London<br />

“Long Jean Dress,” 2010 (below).<br />

FEBRUARY 2012 111


112 QUEST<br />

COURTESY OF <strong>THE</strong> VICTORIA AND ALBERT MUSEUM


Cotton organdie wedding<br />

dress designed by Hardy<br />

Amies for the Cotton Board,<br />

1953. Opposite: sketch of a<br />

wedding dress by the House<br />

of Papquin in pencil, ink,<br />

and body color (London, 1939-<br />

1940). The design captures<br />

the theatricality that really<br />

defined the 1930s.


A Jewelry<br />

Legend Reborn<br />

BY DANIEL CAPPELLO


COURTESY OF MARINA B<br />

LIKE ITS VISIONARY FOUNDER and namesake, the jewelry<br />

brand Marina B is and always has been unforgettable, enduring,<br />

and chic. Originally founded in 1977 by Marina Bulgari,<br />

Marina B became an instantaneous “it” brand of high jewelry,<br />

marked by a daring of design and a boldness of beauty that<br />

perhaps only Marina Bulgari herself could achieve.<br />

After all, this was not only the granddaughter of Sotirio<br />

Bulgari, founder of the renowned Italian jewelry company<br />

Bulgari, but also the woman who in the 1970s led her grandfather’s<br />

jewelry company into its Golden Age as its director<br />

and head designer. When she stepped down from Bulgari to<br />

found a jewelry brand of her own, Marina launched a line that<br />

became an instantaneous success among stylish Europeans<br />

This page: Original sketches for the rubellite,<br />

diamond, and black jade ALFA ring; Princess<br />

Grace inaugurates a Marina B exhibit at the<br />

Hôtel de Paris in Monaco with Marina Bulgari,<br />

1981. Opposite: Inspired by the Palazzo Borghese<br />

in Rome, the PIVOMAB earrings in yellow gold,<br />

blue topaz, citrines, and diamonds.<br />

and international jet setters. Marina B, coveted the world over<br />

by princesses and Hollywood royalty, became an icon of its<br />

time, a so-called zeitgeist brand that defined the 1980s and<br />

’90s. After two decades of frenzied success, Marina stepped<br />

down once again, selling her company in 1996 to the sheik of<br />

Jeddah, Ahmed Fitaihi, and retiring in 1998 to Monte Carlo.<br />

Now, after nearly fifteen years out of the marketplace, the<br />

brand has been acquired by Windsor Jewelers, Inc., under<br />

the direction of its CEO, Paul Lubetsky. Based in Manhattan,<br />

Lubetsky, a longtime and passionate fan of Marina B’s designs,<br />

is considered the industry’s inside source for diamonds, vintage<br />

designs, and the highest-quality branded jewelry, so it is<br />

only fitting that he should be reviving a brand created by one<br />

FEBRUARY 2012 115


116 QUEST<br />

This page: Marina Bulgari’s<br />

ATOMO necklace, an 18-kt.<br />

gold feat of design and beau-<br />

ty. Opposite: The MITZUKO<br />

earrings, in yellow and black<br />

gold and diamonds.


COURTESY OF MARINA B<br />

of the most artistic talents of the last half century. When he<br />

discovered hundreds of sketches and hundreds more archival<br />

pieces from Marina Bulgari herself, Lubetsky knew that he<br />

had “stumbled upon a treasure, something very hard to come<br />

by in this day and age.”<br />

And the pieces he acquired are, in his own words, “enduringly<br />

chic and contemporary.” With strong and confident<br />

designs—hallmarks of the virtuosa herself—jewelry from the<br />

collection is perfectly suited for today’s modern woman: chic,<br />

spontaneous, fun, and fashionably exuberant, with a knowing<br />

eye for quality and a timeless sense of style.<br />

The new collection, based off of Marina Bulgari’s original,<br />

technically precise drawings and designs, debuted this past


This page: Marina Bulgari’s designs<br />

for the PARDY ring, which has been<br />

produced in the current collection in<br />

both yellow gold and diamonds and<br />

in rose gold, diamonds, and rubies.<br />

Opposite: Marina B’s Art Deco TROC<br />

earrings in black onyx, yellow gold,<br />

diamonds, blue topaz, and red garnet.<br />

fall and has been met with applause by wholesalers and customers<br />

alike. Neiman Marcus immediately picked up the collection,<br />

which is a dazzlingly unified whole, representing the<br />

best range of Marina B’s designs. All of the pieces have been<br />

manufactured according to the original specifications, and<br />

many of them have been produced by the original artisans in<br />

Europe. Given this connection and commitment to the original<br />

craftsmanship and creative process, it’s likely that Marina<br />

B is not only coming back, but is here to stay. u<br />

118 QUEST<br />

COURTESY OF MARINA B


“It didn’t take me long to realize<br />

that I’d stumbled upon a treasure,” Marina B’s<br />

new owner, Paul Lubetsky, says of his<br />

acquisition of the Marina B jewelry brand—<br />

a legacy of enduring beauty and chic.


This page, detail from an Arrow<br />

Collar advertisement by J.C. Leyendecker,<br />

1930. Opposite from left,<br />

ragtime-era dancers; Fred Astaire<br />

and Rita Hayworth from You Were<br />

Never Lovelier; legendary dancers<br />

Vernon and Irene Castle, 1913.<br />

Flirty<br />

Dancing<br />

Weddings are one of the last remaining<br />

social spaces where men and women dance<br />

together—when the men are willing. Here’s<br />

a simple primer for turning even the most<br />

awkward guy into a dance-floor Casanova.<br />

BY CHRISTIAN CHENSVOLD


©2012 NATIONAL MUSEUM OF AMERICAN ILLUSTRATION<br />

<strong>WEDDING</strong>S ARE ONE OF THOSE occasions when loads<br />

of women are in the mood to dance with men who would<br />

rather endure gum surgery. The reason is simple: men know<br />

they’re supposed to lead, and the responsibility—and threat of<br />

failure—is simply too much to bear.<br />

As a result, each year thousands of potential wedding-guest<br />

dalliances are forfeited due to terpsichorean trepidation. But a<br />

man needn’t spend thousands at Arthur Murray to pull off the<br />

vertical expression of horizontal desire, as they say in Buenos<br />

Aires. All he needs is a languorous tempo, an inspiring partner,<br />

and the following simple pointers.<br />

We’ll start with the embrace. Gentlemen, nix that adolescent<br />

embrace in which you place your hands on the woman’s waist<br />

while she puts hers around your neck (the back of your neck,<br />

that is: putting her hands around the front would be the response<br />

to your hands being lower than her waist). Instead, put your right<br />

hand on the small of her back, and, her hand in yours, extend<br />

your left arm, leaving a moderate bend. Do not leave your left<br />

hand open as if expecting payment for something, nor squeeze<br />

it to the point that her knuckles crack. Your posture should be<br />

somewhere between the shy limpness of a boy forced to hug an<br />

overperfumed aunt and the rigid rigor mortis of a soldier standing<br />

before a tribunal. To avoid stepping on each other, have the lady<br />

slightly offset to your right, aligning your feet on four tracks with<br />

the lady’s right foot between yours. This is a good time to remind<br />

you of the importance women place on quality footwear.<br />

Now it’s time to do something, since it’s not really dancing<br />

until you’re actually moving. While your inept and inebriated<br />

fellow leaders will start waddling their hips, pumping their<br />

left arms up and down as if exercising with a dumbbell, and<br />

stepping on every beat as if stomping out cigarettes, you—<br />

calm and poised, chest proudly extended—cavalierly take two<br />

beats per step, thereby subconsciously communicating to your<br />

partner that you’re a man who’s never in a rush when he has<br />

a woman in his arms. Around you go, rotating clockwise by<br />

taking small left-right steps just like you did when you crossed<br />

the floor to ask her to dance. Do not, in any way, shape, or form,<br />

attempt to “get your groove on” nor exhibit any kinesthetic<br />

expressions that could be considered “funky.” Instead, allow<br />

her to marvel at the dignified simplicity of your dance, with<br />

you the very personification of masculine aplomb. Midway<br />

through the song you should gaze at the woman with the<br />

look of constipated yearning commonly seen in BBC costume<br />

dramas and gently pull her closer, bringing her cheek next to<br />

yours. She smells your after-shave, you admire her earlobe. As<br />

the song reaches its climax, begin a series of double-time pivots<br />

before lunging sideways on your left leg and dipping the lady.<br />

As the song ends, you rise to gaze breathlessly in each other’s<br />

eyes, left arm flaccid at your side. Now say something witty and<br />

nonchalant and this could be the start of something big. u<br />

FEB R U ARY 2012 121


Casa de Campo,<br />

Dominican Republic.


COURTESY OF C A SA DE C AMPO; COURTESY OF <strong>THE</strong> PLAZA<br />

The Royal Plaza Suite<br />

at The Plaza Hotel,<br />

New York City.<br />

This Side of Paradise<br />

<strong>THE</strong> GERMAN ROMANTIC Jean Paul F. Richter once observed<br />

that paradise “is always where love dwells.” Perhaps nothing nurtures<br />

new love—or paradise found—quite like a dream wedding<br />

destination or perfect honeymoon spot. In that spirit, here are<br />

some of the most romantic places to be had across the globe.<br />

Casa de Campo, Dominican Republic<br />

800.877.3643 / casadecampo.com.do<br />

Launch the adventure of your life together from one of the most<br />

beautiful spots in the tropical Caribbean—Casa de Campo, the<br />

luxury resort situated on the southeast coast of the Dominican<br />

Republic. Known for its ideal location, sheer beauty, and fine<br />

cuisine, Casa de Campo offers a wondrous variety of ceremony<br />

sites, abundant options for your guests to relax and play, and<br />

an expert wedding staff to assist you along the way (including<br />

BY DANIEL CAPPELLO<br />

a new per-person pricing scale that includes all of the important<br />

details needed to create your once-in-a-lifetime experience).<br />

With reception packages like the Bridal Spa Ritual, the Groom’s<br />

Shooting Competition, and the Playita Beach Barbeque, you will<br />

be sure to include your guests in memorable wedding activities,<br />

all before retreating on your own honeymoon oasis within Casa<br />

de Campo’s 7,000 acres. From private picnics, secluded dining,<br />

couples massages, and more, you’ll cherish your time together—<br />

and, come your first anniversary, Casa de Campo will invite you<br />

back to relive your special day with a complimentary stay.<br />

The Royal Plaza Suite, New York City<br />

800.257.7544 / theplaza.com<br />

The one-of-a-kind Royal Plaza Suite is a magnificent three-bedroom,<br />

three-bathroom suite in a private area of the iconic Plaza<br />

F E B R U ARY 2012 123


The Surrey,<br />

New York City.<br />

Hotel overlooking the most prized views in Manhattan: Fifth<br />

Avenue and the legendary Pulitzer Fountain. The exquisitely<br />

appointed Louis XV-style suite includes a living room, dining<br />

room, butler’s pantry, kitchen, gymnasium, and a library (stocked<br />

with titles hand-selected by Prosper Assouline, the founder of<br />

the luxury-book publishing house Assouline). Generously sized<br />

en-suite baths are decorated with marble mosaic tile in a leaf-like<br />

pattern inspired by Central Park. And, like all Royal Plaza Suite<br />

guests, newlyweds also enjoy private butler services, making it<br />

easy to call this suite home just before starting one of their own.<br />

The Surrey, New York City<br />

888.419.0052 / thesurrey.com<br />

Nestled in Manhattan’s elegant Upper East Side, The Surrey<br />

provides the perfect setting for one-of-a-kind romantic experiences.<br />

Built in 1926 as a residence hotel, the original Surrey<br />

was home to many of New York’s most acclaimed celebrities<br />

over the years. Famous faces and discerning guests alike recognize<br />

the allure of exceptional, discreet service. For its current<br />

recreation, The Surrey enlisted interior designer Lauren<br />

Rottet and paid special attention to maintaining the integrity<br />

of its history while modernizing what has become New York’s<br />

most intimate address. Newlyweds looking to soak up all that<br />

the city has to offer can book a Romantic Getaway at The<br />

Surrey, and will receive a rose-scented candle, one champagne<br />

and chocolate turn-down, a couples massage in the Spa Suite<br />

at The Surrey, and accommodation upgrade upon availability.<br />

This offer is valid for stays through December 31, 2012, and<br />

may be booked using the promotional code: ROMANC.<br />

124 QUEST<br />

Ocean House, Rhode Island<br />

401.584.7000 / oceanhouseri.com<br />

A honeymoon or mini-moon at the Ocean House, the last of<br />

the grand Victorian hotels in Watch Hill, Rhode Island, is more<br />

than a vacation, but a step back into a genteel era. Set high on the<br />

bluffs overlooking a 650-foot private white-sand beach, Ocean<br />

House rose to fame in the early 1900s, when it was New York<br />

society’s quintessential summer home. Today, a major restoration<br />

has equipped Ocean House with modern amenities—including<br />

the five-star OH! Spa and five restaurants—without disrupting<br />

the character of its storied past. Guest rooms with sweeping<br />

views, a fireplace, and a private terrace will transport you to another<br />

time and place, all just a few sweet hours from home.<br />

Hotel Caruso, Ravello<br />

800.237.1236 / hotelcaruso.com<br />

Connected by probably the most scenic road in Europe,<br />

which twists, turns, loops, and falls the full length of Italy’s<br />

Amalfi Coast, the glamorous resorts of Sorrento, Positano,<br />

Amalfi, and, most of all, Ravello, have attracted the rich and<br />

famous—not to mention notable writers and artists—for centuries.<br />

Perched high among the natural glamour of Ravello sits<br />

the Hotel Caruso, a former 11th-century palace set on cliffs<br />

like a balcony hanging above the Mediterranean Sea. A honeymoon<br />

here is cut from the cloth of dolce vita paradise, with<br />

preserved ancient walls and fresco-covered ceilings, terraced<br />

gardens, a stunning infinity pool, boat trips to Positano, and<br />

Roman Pompeii within reach. Both inside and out, a world of<br />

heritage, culture, and beauty awaits.<br />

COURTESY OF <strong>THE</strong> SURREY; COURTESY OF OCEAN HOUSE; COURTESY OF HOTEL C ARUSO


C<br />

Hotel Caruso,<br />

Ravello, Italy.<br />

Ocean House in<br />

Watch Hill,<br />

Rhode Island.


Four Seasons<br />

Resorts,<br />

Maldives.<br />

Four Seasons Resorts, Maldives<br />

800.819.5053 / fourseasons.com<br />

With two resorts on land and a private cruise ship, the Four<br />

Seasons Resorts Maldives offer a truly extraordinary sunkissed<br />

honeymoon through any combination of the three. Begin<br />

with the charm of a private coral island village by the turquoise<br />

sea at the Four Seasons Resort Maldives at Kuda Hura.<br />

Then head to the Four Seasons Resort Maldives at Landaa<br />

Giraavaru, a scenic sea-plane ride from Malé Airport, for a<br />

verdant, beach-fringed coral island idyll. Or, for avid divers,<br />

water enthusiasts, and nature lovers, step aboard the Four<br />

Seasons Explorer, an 11-cabin, three-deck catamaran that<br />

takes you island-hopping in inimitable Four Seasons style, to<br />

some of the most remote and brilliant snorkeling sites. No<br />

matter what your pleasure, the Four Seasons Resorts Maldives<br />

offer unsurpassed service in the untouched reaches of the exotic<br />

atolls, from spa to shining sea.<br />

The Ritz-Carlton<br />

Powerscourt, County<br />

Wicklow, Ireland.<br />

La Mamounia, Marrakech<br />

800.223.6800 / mamounia.com<br />

The site of 18th-century garden parties and a favorite retreat<br />

for European jet-setters of the 1930s, Hotel La Mamounia<br />

has a historically sophisticated past. Honeymooners will be<br />

transported to an other-worldly refuge filled with luxury,<br />

romance, and glamour, all in a resplendently decorated and<br />

relaxing environment. Guest rooms, bathed in rich hues of<br />

crimson and earthy brown, are not only inviting and relaxing,<br />

but offer the perfect mix of Moorish and modern décor.<br />

The classic hotel has recently been restored to the height of<br />

its bygone grandeur with thoughtful pairings of antique and<br />

updated interiors by renowned French architect and designer<br />

Jacques Garcia. What’s more, four restaurants and bars, a spa<br />

with a private hammam, and the vibrant, bazaar-filled backyard<br />

of Marrakech awaits.<br />

The Ritz-Carlton Powerscourt, Ireland<br />

+353.1.274.8888 / ritzcarlton.com<br />

Whisk yourself away to a Palladian estate tucked in the<br />

woodlands of County Wicklow, on Ireland’s east coast. Take<br />

an enchanting stroll among the gentle green hills and sparkling<br />

lakes of Powerscourt Gardens, then head into Dublin<br />

for some cosmopolitan flair. The sumptuous surroundings of<br />

The Ritz-Carlton Powerscourt, County Wicklow hotel combine<br />

the luxury and tranquility of country living, but not<br />

without a hint of city chic. The property offers an ideal escape<br />

for honeymooners, including an outstanding spa with 20<br />

treatment rooms and one private spa suite, 36 holes of championship<br />

golf, and three exceptional dining facilities, including<br />

Gordon Ramsay at Powerscourt, a signature restaurant<br />

from the world-renowned chef. u<br />

COURTESY OF FOUR SEASONS HOTELS AND RESORTS; COURTESY OF RITZ-C ARLTON; COURTESY OF LA MAMOUNIA


La Mamounia,<br />

Marrakech, Morocco.


2011 MUSEUM OF <strong>THE</strong> CITY OF NEW YORK WINTER BALL<br />

Tara and Michael Rockefeller<br />

Andrew Roosevelt, Burwell Schorr, Allison Rockefeller,<br />

Celerie Kemble, Shafi Roepers, Mark Gilbertson, Calvert Moore and Phoebe Gubelmann<br />

Alex and Eliza<br />

Bolen<br />

Meg Braff and Jennifer Creel Othon and Kathy Prounis<br />

Peter Davis<br />

and Nicole Mellon<br />

Susan Gutfreund<br />

and Joanne de Guardiola<br />

Nina Griscom and Leonel Piraino<br />

Tom and Shabnam<br />

Henry<br />

Sherri Grace<br />

and Whitney Douglass


J.S. Fearnley<br />

Santos<br />

Gavin<br />

Spanierman<br />

Stephen Kalms<br />

Veronique Bamps<br />

William Cook<br />

Scott Snyder<br />

Palm Beach Chair<br />

HDRF Arts Committee<br />

John<br />

Atzbach<br />

Guarisco Gallery Asiantiques<br />

Palm Beach Show Group Presents<br />

FEBRUARY 17-21<br />

PRESIDENTS’ DAY WEEKEND 2012<br />

Charity partner of the Palm Beach Show Group presents<br />

Special Events at the Show<br />

DESIGNER SHOWCASE,<br />

TOURS AND LECTURES<br />

Created by<br />

the Arts Committee<br />

of HDRF<br />

at the Palm Beach County<br />

Convention Center<br />

Audrey Gruss<br />

HDRF Founder<br />

& Chairman<br />

For more information or tickets, call 561.822.5440<br />

www.palmbeachshow.com<br />

Tom Veilleux Gallery Michael S. Haber<br />

Michael Goedhuis<br />

The Kendall Collection<br />

The Manhattan<br />

Rare Book Co.<br />

Fred Leighton<br />

Michael Borghi<br />

Fine Art<br />

Lillian<br />

Nassau<br />

Jay Chatellier<br />

Fine Art


MUSEUM OF <strong>THE</strong> CITY OF NEW YORK WINTER BALL<br />

Vicky Ward<br />

Sloan Overstrom<br />

Marjorie Gubelmann and Lynn Watt<br />

Phoebe Gubelmann and Christian Leone<br />

Carol Mack and Mark Gilbertson<br />

Stephanie LaCava<br />

Celerie Kemble<br />

Jamie Tisch and Heather Mnuchin<br />

Julia Koch<br />

Allison Aston and Tantivy Bostwick<br />

Ferebee Taub and Jenny Valluzzo


SALUTING <strong>THE</strong> DIRECTORS’ COUNCIL<br />

<strong>THE</strong> MUSEUM OF <strong>THE</strong> CITY OF NEW YORK<br />

GEOFFREY BRADFIELD INC.<br />

116 EAST 61ST STREET, NEW YORK, NEW YORK 10065 212-758-1773 WWW.GEOFFREYBRADFIELD.COM<br />

Photograph: Sean Finnigan


MUSEUM OF <strong>THE</strong> CITY OF NEW YORK WINTER BALL<br />

Amy Fine Collins<br />

Celeste Boele and Hilary Dick<br />

Lauren Remington Platt and Ashley Platt<br />

Allison Rockefeller<br />

and George Whipple<br />

Heather and Bill Vrattos with Susan Madden<br />

Zani Gugelmann<br />

Kate Werlein<br />

and Hayley Bloomingdale<br />

Eric Javits, Andrea Karambelas<br />

and Edmundo Huerta<br />

Dana Hammond Stubgen<br />

Rachel and Ara Hovnanian with Fredrica Tompkins


Claudia Overstrom<br />

and Natalie Leeds Leventhal<br />

Allison Aston<br />

MUSEUM OF <strong>THE</strong> CITY OF NEW YORK<br />

LUNCHEON AT VALENTINO<br />

Amy Hoadley, Dayssi Olarte de Kanavos and Courtney Moss<br />

Alexia Hamm Ryan, Sara Ayres, Shafi Roepers, Calvert Moore,<br />

Ferebee Taube, Jill Roosevelt and Tara Rockefeller<br />

Gigi Mortimer<br />

and Jill Roosevelt<br />

Lisa McCarthy, Caryn Zucker, Mark Gilbertson, Alexia Hamm Ryan, Maria Villalba and Betsy Pitts<br />

Alexandra Lebenthal, Tara Rockefeller and Marisa Noel Brown<br />

Somers Farkas and June Haynes<br />

Helen Lee Schifter and Sara Ayres Celerie Kemble<br />

Jennifer Creel<br />

Alexandra Lind Rose<br />

Lara Trafelet and Leslie Heaney<br />

Evelyn Tompkins, Elizabeth de Kergolay<br />

and Bettina Zilkha<br />

Shafi Roepers<br />

<strong>THE</strong> MUSEUM OF <strong>THE</strong> CITY OF NEW YORK IS LOCATED AT 1220 FIFTH AVENUE. TO CONTACT US, CALL 212.534.1672 OR VISIT WWW. MCNY.ORG.


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136 QUEST<br />

KLOPP<br />

WHAT<br />

<strong>THE</strong> CHAIRS<br />

WEAR<br />

Karen Klopp, Founder of What2WearWhere, flees the freezing temperatures and<br />

heads south to Palm Beach for a sizzling party celebrating the “grand reopening” of Studio 54.<br />

This month’s What Chairs Wear is choreographed for the diva in all of us...<br />

PREPARE TO “PARTY HARDY” with the Four Arts<br />

Contemporaries at a one-night spectacular celebration of<br />

the “grand reopening” of Studio 54 at 7 p.m. on February<br />

24. The divine disco diva chairs—Binkie Orthwein, Mary<br />

Baker, and Sara Groff—are planning to recreate Ian<br />

Schrager and Steve Rubell’s iconic New York City club in<br />

the Philip Hulitar Sculpture Garden at the Society of the<br />

Four Arts. The beautiful people will “throw caution to the<br />

wind and confetti in the air”—the very same wording sent<br />

to the club’s loyal devotees in 1980! This ultra-fashionable<br />

bash supports the host’s mission of sharing the finest art and<br />

cultural programming with the community at Palm Beach’s<br />

best-loved destination for art exhibitions, concerts, films,<br />

and lectures. Join partygoers on the other side of the velvet<br />

rope for an unforgettable evening of revelry and merriment,<br />

with music by The Right On Band. Make an entrance, atop<br />

a white horse à la Bianca Jagger or a pair of roller skates,<br />

and don’t forget that disco attire and dancing shoes are a<br />

must as you shimmy and shimmer the night away! u<br />

For more information, please contact Katie Edwards at<br />

561.659.8506 or kedwards@fourarts.org.<br />

LILA PHOTO


6<br />

3<br />

1<br />

Own the dance floor in this unstoppable Oscar de la Renta<br />

dress (6), trimmed with both feathers and sequins. Strap on<br />

Jimmy Choo platforms (5), straight from the archives of disco<br />

history, history, and grab a Chandra clutch (2). There is no turning<br />

back now, so add to the excitement with the exuberance of David<br />

Yurman’s cable tread cuff (1) and pavé pinky ring (3). And don’t<br />

forget the<br />

disco-dreamy Tom Ford lipstick in “blush nude” (4)!<br />

Get down,<br />

boogie-oogie-oogie! Opposite, from left: Sara Groff,<br />

4<br />

Mary Baker, and Binkie Orthwein; the event’s invitation.<br />

2<br />

5<br />

FEBR U ARY 2012 137


APPEARANCES<br />

DISPATCH<br />

FROM Y HILARY GEARY P.B.I.B<br />

PALM BEACH IN DECEMBER rocks and<br />

rolls with parties every night that seem<br />

just like beautifully wrapped presents,<br />

coming in all different sizes: small, medium,<br />

and large! The weather has been<br />

perfect and everyone has been loving the<br />

glorious sunshine and, of course, all the<br />

fun. In fact the whole state is buzzing!<br />

We took a spin up north by Vero Beach<br />

138 QUEST<br />

Above: the tables set with beautiful flowers during a recent event for Brazilian artist<br />

Beatriz Milhazes hosted by Hilary and Galen Weston at Windsor.<br />

to that heavenly watering hole, Windsor,<br />

a lush oasis of 416 acres sandwiched<br />

between the Indian River and the Atlantic<br />

Ocean, brillantly designed by Andres<br />

Duany and Elizabeth Plater-Zyberk. We<br />

were there to see our pals Hilary and<br />

Galen Weston and to take in the show of<br />

famed Brazilian artist Beatriz Milhazes at<br />

the Windsor Gallery. After the show, and<br />

a fascinating Q. & A. with the artist and<br />

curator Iwona Blazwick who is the director<br />

of London’s Whitechapel Gallery,<br />

we dined under the stars while being<br />

serenaded by a steel band.<br />

Oh my, before I could blink, it was<br />

December 31 with New Year’s Eve parties<br />

all over town. All of the private clubs<br />

were sold out, including Club Colette


and Mar-A-Lago! Wilbur and I popped<br />

into Mike McCarty’s pre-Coconut dinner<br />

at his restaurant before motoring over<br />

to Judy and Alfred Taubman’s glorious<br />

oceanfront Addison Mizner palazzo for a<br />

small seated dinner. Last stop before saying,<br />

“Hello” to 2012 was the Coconut’s<br />

supper dance—better than ever thanks<br />

to Julia and David Koch’s very generous<br />

donation of 30 minutes of dazzling fireworks<br />

at the midnight hour. The evening<br />

was especially festive, too, as so many decorative<br />

“young’uns” attended such as Ted<br />

Geary, Tatiana Smith and Rem Curtis,<br />

Nicole and Matthew Mellon, Phoebe<br />

Gubelmann, Binkie and Chris Orthwein,<br />

Ed Swenson, Travis Acquavella, Nick<br />

Acquavella, Christina Warner, Lauriston<br />

Roach, Tory Grauer, Harry LeFrak,<br />

Kelly Van Ingen, Elizabeth Meigher,<br />

Amanda Meigher, Christina and Billy<br />

Bryan, Maddy Potvin and Alexandre<br />

Desmarais, and Marina Rutherford and<br />

Sims Lansing, plus us “grown-ups.”<br />

There are so many worthy causes—so<br />

many benefits, events, fundraisers—so<br />

when you come across one that seems<br />

like a private party it really stands out! “A<br />

Night of Great Expectations,” a benefit<br />

dinner started by Emilia Fanjul almost a<br />

decade ago to support the charter schools<br />

(Everglades Preparatory Academy and<br />

Glades Academy Elementary), is hands<br />

down one of my all time faves. How<br />

could it not be? First of all, what could be<br />

more worthwhile than education? Second<br />

of all, the party is small, cozy, and fun in a<br />

beautiful setting at a fabulous restaurant:<br />

Café Boulud. The evening started with<br />

drinks outside in the ultra-glam courtyard.<br />

While sipping icy Barcadi mojitos,<br />

guests perused the terrific auction items<br />

on display by the softly lit Coquina fountain<br />

framed by sheltering palms under<br />

the stars. Into the seated dinner on the<br />

terrace where about 200 guests feasted<br />

on swiss-chard ravoli, braised veal shank,<br />

and warm chocolate soufflé or strawberry<br />

shortcake with wines such as Lurton<br />

Pinot Gris and Vega Sindoa Cabernet<br />

Sauvignon—yum! Just before dessert,<br />

Sotheby’s chairman of North and South<br />

America and star auctioneer Jamie<br />

Niven brilliantly auctioned off such sensational<br />

items as a stay on Jim and Kristy<br />

Clark’s dazzling yacht Athena and other<br />

equally amazing goodies to raise over<br />

$800,000. Wow! Among the supporters<br />

were Pepe Fanjul with Raysa and<br />

Alfy Fanjul (and most of their extended<br />

family), Arianna and Dixon Boardman,<br />

Cynthia Boardman, Serena Boardman<br />

and John Theodoracoplos, Britty Bardes<br />

and Johnny Damgard, Whitney and<br />

Eric Bylin, Luce Churchill, Celerie<br />

Kemble and Boykin Curry, Countess<br />

Christina de Caraman, Prince Michel<br />

de Bourbon-Parme and Princess Maria<br />

Pia de Savoie, Mona de Sayve, Ann<br />

Downey, Jackie and Rod Drake, Jackie<br />

and Ken Duberstein, Llwyd Ecclestone,<br />

Suzie and Ed Olson, Gillian Fuller,<br />

Judith and Rudy Giuliani, Lorna and<br />

Larry Graev, Marty Gruss, Jane Holzer,<br />

Michele and Howard Kessler, Marianna<br />

Above, clockwise from left: a stay on the yacht Athena was a recent auction item during a benefit for Everglades Preparatory Academy and Glades Academy<br />

elementary; “A Night of Expectations” was held at Cafe Boulud in Palm Beach; fireworks were a gift from the Kochs at the Coconuts on New Year’s Eve.<br />

and George Kaufman, Kate and Hashem<br />

Khosrovani, Karin Luter, Carol and<br />

Earle Mack, John Mashek, Grace and<br />

Chris Meigher, Talbott Maxey, Mila<br />

Mulroney, Vanessa Mulroney, Pauline<br />

Pitt and Jerry Seay, Percy Steinhart, Judy<br />

and Alfred Taubman, Gale and Harry<br />

Theodoracopolos, Pricilla Whittle, Jane<br />

Ylvisaker, and more! u<br />

FEBRUARY 2012 139


B R O W N<br />

<strong>THE</strong> YOUNG & <strong>THE</strong> GUEST LIST<br />

This month, our columnist goes downstairs to Doubles at the Sherry Netherland and<br />

downtown to a couple of Cinema Society screenings while reporting on the Paradise Ball<br />

Stefania Allen and<br />

Stephanie de Kertanguy<br />

Kearney toast to a<br />

good cause at Doubles.<br />

YGL<br />

sponsored by Salvatore Ferragamo in Palm Beach.<br />

BY ELIZABETH QUINN BROWN


PATRICK MACLEOD (WWW.PATRICKMACLEOD.COM); PATRICK MCMULLAN<br />

On December 16, Nina Platt and Taylor<br />

Malfitano attended “Dancing at Doubles.”<br />

Wells Ross and Medora Hartz at Doubles<br />

at the Sherry Netherland Hotel.<br />

Nate Freeman and Michael Miller at Acme on January<br />

19, following a screening of Man On A Ledge.<br />

Paul Johnson Calderon on January 18, following a<br />

screening of Haywire hosted by the Cinema Society.<br />

THIS YEAR, I’ve resolved to read more, like everything ever<br />

written by C. David Heymann. Maybe you share my resolution?<br />

Well, my column is as good a place as any to start...<br />

On December 16, “Dancing at Doubles” benefitted the<br />

Grosvenor Neighborhood House YMCA, a non-profit organization<br />

dedicated to helping children and their families.<br />

Down a staircase perfumed by Parliament Lights, Alex Budney,<br />

Will Cleary, and Jennifer Rolfe mixed and mingled<br />

around an open bar decorated with sugar cookies. At midnight,<br />

everyone relocated to Marc Biron’s table at LAVO.<br />

On January 18, the Cinema Society hosted a screening of<br />

Haywire with BlackBerry Bold. The after-party at Sons of<br />

Alixe Laughlin and Betsy Maloney at Doubles<br />

at the Sherry Netherland Hotel to support<br />

the Grosvenor Neighborhood House YMCA.<br />

John DeStefano, Sarah Kunst, Mike Vilensky,<br />

and Derek Hester at Sons of Essex.<br />

Essex welcomed the young and the restless, suffering from<br />

the slowness of January. Elizabeth Banks, Emerson Barth,<br />

Kristian Laliberte, Celine Rattray, and Rachel Roy were<br />

among those catching up over Don Julio cocktails.<br />

On the 19th, Man On A Ledge starring Sam Worthington<br />

was screened by the Cinema Society with Gilt Man. Daniel<br />

Benedict, Hilary Rhoda, and Amy Sacco joined the afterparty<br />

at Acme, a recently re-opened restaurant serving “authentic<br />

southern and cajun cookin’.”<br />

So, I’m ready for February, outfitted with New England Patriots<br />

temporary tattoos for the Superbowl and a hundred pairs of<br />

black leggings for Mercedes-Benz Fashion Week. u<br />

FEBRUARY 2012 141


YGL<br />

The Paradise Fund celebrated<br />

Paradise Casino, sponsored<br />

by Salvatore Ferragamo, on<br />

November 25 at the Flagler<br />

Museum in Palm Beach.<br />

Here, Nic Rolden plays to win.<br />

LUCIEN CAPEHART PHOTOGRAPHY<br />

A


A<br />

India Paull and David Adams looked like they<br />

were on a winning streak on November 25.<br />

Rush Zimmerman wore Salvatore Ferragamo<br />

Resort 2012 to the Paradise Casino.<br />

Members of the committee joined to address<br />

guests about the Paradise Fund.<br />

Tommy Morrison and Sarah Scheffer posed at the<br />

entrance of the Flagler Museum before Paradise Casino.<br />

Nick Fouquet and Davina Woods supported the Paradise<br />

Fund at the Flagler Museum on November 25.<br />

Scott Schlager and Wyatt Koch hitting the tables together<br />

at the Paradise Casino on November 25.<br />

Binkie Orthwein and Kane Baker at the<br />

Paradise Fund’s Paradise Casino.<br />

Inger Anderson and Bettina Anderson<br />

wore Salvatore Ferragamo Resort 2012.<br />

FEBR UAR Y 2012 143


S NAPSHOT<br />

144 QUEST<br />

A KISS IN TIME<br />

IT SEEMS LIKE A TIME-HONORED tradition now, but prior<br />

to 1981, there had never been a royal balcony kiss. That year,<br />

six hundred thousand people lined the streets of London<br />

with an unprecedented television audience of 750 million<br />

viewers tuning in to watch the fairy-tale wedding of Prince<br />

Charles and Lady Diana Spencer. When the Prince and<br />

Princess of Wales emerged on the balcony of Buckingham<br />

Palace, they were greeted by their subjects with the chant<br />

of “Kiss! Kiss!” The story goes that Prince Charles wanted<br />

none of the crowd’s antics and, according to The Daily Mail,<br />

said, “I’m not going to do that caper. They’re going to try and<br />

get us to kiss.” Diana, true to her People’s Princess style, is<br />

reported to have said back, “Well, how about it?” And in a<br />

crowd-pleasing moment the couple kissed, the protocol was<br />

abandoned, and a new tradition began.<br />

The wedding of Prince William and Kate Middleton was<br />

by every definition the wedding of the year, if not the decade.<br />

When the new Duke and Duchess of Cambridge came out<br />

on to that same balcony to another screaming crowd of thousands,<br />

even Prince William was taken aback, saying, “Oh,<br />

wow!” (and that’s not counting the two billion people watching<br />

worldwide). When the couple shared its first public peck,<br />

the crowd decided that this time the kiss was too short and<br />

chanted, “Kiss again! Kiss again!” And, in another crowdpleasing<br />

moment, the couple kissed a second time, and history<br />

was made on the balcony, again. — Georgina Schaeffer<br />

Above, left to right: last spring, after their nuptials, the Duke and<br />

Duchess of Cambridge kiss on the balcony of Buckingham Palace;<br />

Prince Charles and Princess Diana started the tradition in 1981.


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©T&CO. 2012 800 843 3269 | TIFFANY.COM

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