NOVEMBER 2012 | CODAEX UK | RELEASE DATE 12.11.2012
NOVEMBER 2012 | CODAEX UK | RELEASE DATE 12.11.2012
NOVEMBER 2012 | CODAEX UK | RELEASE DATE 12.11.2012
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This is the penultimate release in the Tchaikovsky Symphonies<br />
cycle by the best Russian Orchestra conducted by its Music<br />
Director Mikhail Pletnev. The whole series has been critically<br />
acclaimed across the globe and this one will be eagerly awaited<br />
by collectors of the series.<br />
www.codaex.com<br />
<strong>NOVEMBER</strong> <strong>2012</strong> | <strong>CODAEX</strong> <strong>UK</strong> | <strong>RELEASE</strong> <strong>DATE</strong> 12.11.<strong>2012</strong><br />
TCHAIKOVSKY<br />
Symphony No.3, Coronation March<br />
Russian National Orchestra, Cond. Pletnev<br />
CAT.NO.: PTC 5186383<br />
FORMAT: 1SACD<br />
PPD: £ 9.25<br />
LABEL: PentaTone<br />
BARCODE: 827949038365<br />
GENRE: Symphony<br />
Acclaim for Tchaikovsky: Symphony No. 1<br />
The performance is Pletnev’s best in his PentaTone Tchaikovsky<br />
cycle thus far.... The Slavonic March [is] among the best, most<br />
exciting interpretations of the work you’re likely to hear... “<br />
Classical Candor<br />
(February <strong>2012</strong>)<br />
Acclaim for Tchaikovsky: Symphony No. 2<br />
“... a crackerjack Second.... Pletnev knows how to build to<br />
the big chorale, scurry long with the many string whirlwinds<br />
ever-present in the piece, and give us brassy blow-you-away<br />
entrances. [There] is no quarter to slackness or mellowness;<br />
he treats this work as the blockbuster it is, and in the end we come<br />
away very satisfied.”<br />
Audiophile Audition (July <strong>2012</strong>)<br />
Acclaim for Tchaikovsky: Symphony No. 4<br />
“Pletnev brings a winning simplicity to the opening melody of<br />
the Andantino second movement, and the gear change<br />
to the faster middle section is negotiated with skill and<br />
eloquence.... the playing is brilliant.”<br />
BBC Music Magazine (June 2011)<br />
Acclaim for Tchaikovsky: Symphony No. 5<br />
“There is so much to admire here... Details are invariably<br />
surprising... Rubatos, too, are elegantly turned, the<br />
phrasing eminently pianistic in that it is so quick of reflex. Of<br />
course, it takes an orchestra of extraordinary dexterity to pull<br />
off these subtly shifting nuances – and the Russian National<br />
Orchestra is extraordinarily responsive. Their playing is chamberlike<br />
in inflection, just writ larger. Is there a more graceful or deftly<br />
articulate account of the third-movement Valse on disc than this?”<br />
Gramophone (November 2011)<br />
A SHEET