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Couv Cat 2009 - Eurodoc

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26<br />

Chapter<br />

PARTICIPANTS<br />

Cycle <strong>2009</strong><br />

UHURU PRODUCTIONS REHAD DESAI<br />

THE BATTLE OF JOHANNESBURG<br />

DIRECTOR : REHAD DESAI<br />

The central organising question of the documentary is ‘Do the poor have a place in the new<br />

Johannesburg’. Johannesburg has gone from economic bust to boom since the advent of democracy.<br />

In the run up to the 2010 FIFA World Cup, the poor are being driven out, the city metro find<br />

themselves hostage to the power of real estate capital, but the poor fight resist with often violent<br />

means. The Battle of Johannesburg looks at how big money is refashioning the city in their own<br />

image more often than not at the end of a barrel of a gun. The are poor resisting sometimes with<br />

their own firepower. We show how the 2010 World Cup plays into it all.<br />

La question centrale de ce documentaire est la suivante: les pauvres ont-ils une place dans la<br />

nouvelle ville de Johannesbourg? Depuis l'avènement de la démocratie en Afrique du Sud, la ville de<br />

Johannesbourg est sortie de la faillite économique et est désormais en plein essor. Depuis le début<br />

des préparatifs de la Coupe du Monde de football 2010, les pauvres ont été écartés de la ville. La<br />

ville est prise en hotage par le pouvoir du capital immobilier, mais les pauvres résistent en utilisant<br />

des moyens souvent violents. The Battle of Johannesbourg examine la manière dont l'argent<br />

redessine la ville à son image, le plus souvent par la menace. Cependant, les pauvres résistent,<br />

parfois à l'aide de leurs propres armes. Nous expliquons la place que la Coupe du Monde de football<br />

2010 occupe dans ce combat.<br />

BIOFILMOGRAPHY<br />

Rehad Desai completed a history degree at the University of Zimbabwe where he lived for three<br />

years. In 1996 Rehad entered the TV and film industry as a Producer/Director and has since focused<br />

much of his energy on documentary productions, much of which has received critical acclaim. In<br />

1997 he completed his Masters Degree in Social History at the University of the Witwatersrand. In<br />

2000 he completed a postgraduate degree in TV and film producing through AVEA. He currently runs<br />

Uhuru Productions a film and TV company producing documentary and drama work.<br />

2007 : BHAMBATHA: WAR OF THE HEADS 1906 - 72 min. Producer/Director<br />

2006 : BUSHMANS SECRET - 52 and 65 min. Producer/ Director.<br />

2004 : BORN INTO STRUGGLE – Producer/Director 52 and 74 min<br />

VIDES FILMU STUDIJA AIJA BERZINA<br />

PALAVANI<br />

DIRECTOR : TEMUR TSAVA<br />

In Georgia, little is taken as seriously as wrestling. This little country keeps producing an astonishing<br />

number of World and Olympic Champions and medallists in all major wrestling disciplines. Many of<br />

them come from the tradition of the folk wrestling style known as Chidaoba. Chidaoba is more than<br />

just the national sport. It is Georgian culture, Georgian lifestyle and, for many, it’s even Georgian<br />

religion. For centuries, this folk wrestling tradition has been characterized by a strictly respectful and<br />

gentlemanlike attitude towards the rival wrestler. But it’s all changing now. When the Georgian<br />

Orthodox Church bans the centuries-old tradition of holding folk wrestling tournaments in church<br />

yards, Shakro, a veteran wrestler, thinks the Church has gone too far. He sets out to raise support for<br />

a plea to the Patriarch to cancel the ban.<br />

En Géorgie peu de choses sont autant prises au sérieux que la lutte. Ce petit pays a toujours produit<br />

un nombre étonnant de champions du monde, de champions olympiques ainsi que des médaillés<br />

dans toutes les grandes disciplines de la lutte. Beaucoup d’entre eux sont issus de la tradition de la<br />

lutte folklorique connue sous le nom de Chidaoba.<br />

Chidaoba est beaucoup plus qu’un simple sport national. C’est la culture, le mode de vie et pour une<br />

grande partie, c’est même la religion géorgienne. Pendant des siècles, ce style folklorique de lutte<br />

est caractérisé par une attitude respectueuse et cavalière à l'égard des lutteurs rivaux. Mais tout<br />

change... Quand l’Église orthodoxe de Géorgie bannit la tradition séculaire d’organiser les tournois<br />

de lutte folklorique dans les jardins de l’église, Shakro – un lutteur vétéran, décide que l’église est<br />

allée trop loin. Il recueille le soutien du Patriarche pour qu’il annule le bannissement.<br />

BIOFILMOGRAPHY<br />

Born in Tbilisi, Georgia, 1954. Temur Tsava graduated from the Georgian Shota Rustaveli State<br />

Institute of Drama and Film (S.Chkhaidze and V. Khotivari class) with a film director Bachelor in<br />

1982. In 2004 Temur Tsava created his own independent production company PALESTRA. He has<br />

been making fiction films and documentaries since 1976. Alongside with making films Temur Tsava<br />

is a renowned professor at Ivane Javaxishvili Tbilisi State University where he teaches a course for<br />

young filmmakers.<br />

LENGTH : 90 MIN<br />

LENGTH : 52 MIN

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