Couv Cat 2009 - Eurodoc
Couv Cat 2009 - Eurodoc
Couv Cat 2009 - Eurodoc
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92<br />
Chapter<br />
ONE WAY KIDS<br />
PRODUCTIONS<br />
LENGTH : 52 & 90 MIN EURODOC-SCREENING 2007<br />
DIRECTOR : MARCO GASTINE<br />
PRODUCER : ALEXANDRE CORNU<br />
COMPANY : LES FILMS DU TAMBOUR DE SOIE (FRANCE)<br />
During the Greek civil war (1946-1949) 25.000 children, ages 3<br />
to 14, were transferred by the Greek communist partisans to<br />
socialist countries, in order to “protect them until the victory”. The<br />
victory never came, the children never came back. Nikos was one<br />
of them. In 1948, aged 12, he was sent with 250 children of his<br />
village to Hungary. In 1956, after the Soviet invasion, he escaped<br />
to France and lost the tracks of the other village children. Now<br />
retired, Nikos has decided to find out what happened to them.<br />
Through his quest, we will learn about this major political issue of<br />
the early Cold War which changed the entire course of so many<br />
lives.<br />
Coproducer :<br />
Minimal Films, Marco Gastine (Greece)<br />
Partners :<br />
ERT, Irène Gavala (Greece), YLE, Jenny Westergard (Finland),<br />
History Channel<br />
Delivery : 2010<br />
THE BOY WHO WAS A KING<br />
LENGTH : 90 MIN MASTER-CLASS 2006<br />
DIRECTOR : ANDREY PAOUNOV<br />
PRODUCER : MARTICHKA BOZHILOVA<br />
COMPANY : AGITPROP (BULGARIA)<br />
The Boy Who Was a King will tell the story of one of the most<br />
fascinating monarch figures in contemporary history. Simeon II of<br />
Bulgaria, cousin to the House of Windsor and a descendant of<br />
William the Conqueror. From his adventurous life as an exiled boy<br />
king who became a symbol of hope for a small European country,<br />
to his glorious return as Prime Minister of Bulgaria after half a<br />
century of Communist dictatorship. This “happy-end” Balkan<br />
version of Princess Anastasia’s story will tell the real life fairy-tale<br />
of one of the greatest experiments of democracy today.<br />
Coproducer :<br />
Zero One Film, Thomas Kufus (Germany)<br />
Partners :<br />
Channel 4, Jackson Tabitha (UK), TVP Kultura (Poland), TSR, Irène<br />
Challand (Switzerland), YLE, Erkki Astala (Finland)<br />
Delivery : 2010<br />
TRANSIT<br />
LENGTH : 80 MIN EURODOC 2008<br />
DIRECTOR : JOÃO CANIJO<br />
PRODUCER : JOÃO TRABULO<br />
COMPANY : PERIFERIA FILMES (PORTUGAL)<br />
“Transit” is a dialectical portrait of a Second World War episode,<br />
namely the passage and stay in Lisbon of 100.000 refugees<br />
escaping from Nazism. This flood of people was composed by<br />
everyone who could have been threatened by Hitler’s regime :<br />
Jews, intellectuals, artists or communists. Best way to join America,<br />
Lisbon became for these people the “harbour of hope”. The<br />
unexpected world converged on “neutral” Portugal, whose society,<br />
during this short period of time, stops being exclusively Lusitanian<br />
to become cosmopolite. Antoine de Saint-Exupéry, Erika Mann and<br />
Alfred Döblin - which made part of that flood - let us accurate<br />
testimonies of Lisbon in the 40’s. Through that perspective of<br />
encounter/divergence between refugees and Portuguese society,<br />
jailed in the Antonio Oliveira Salazar’s “apostolic fascism”, the<br />
film’s aim is to reveal its abnormal status-quo, still characterising<br />
it today.<br />
Partners :<br />
RTP, Jorge Wemans (Portugal), Gulbenkian Fundation (Portugal),<br />
ITVS, Claire Aguilar (USA)<br />
Delivery : 2010<br />
TINGUELY<br />
LENGTH : 90 MIN EURODOC 2007<br />
DIRECTOR : THOMAS THÜMENA<br />
PRODUCER : CHRISTIAN DAVI<br />
COMPANY : HUGOFILM PRODUCTIONS (SWITZERLAND)<br />
«There is no stillstand!» Jean Tinguely (1925 - 1991) fascinated<br />
people during his lifetime and beyond. In the film the so called<br />
“bande à Jean” share their memories of the man who brought<br />
movement into the world of art of the 20th century. Today his old<br />
friends repair Tinquely's machines, organise exhibitions and<br />
catalogues, found new museums and archive old photographs.<br />
However, they are fighting a somehow futile and almost tragic<br />
battle against oblivion and decay, and the merciless rust attacking<br />
Tinguely's machines shows that without sturm and drang, even<br />
with a huge effort, perpetual motion cannot be sustained forever.<br />
His former girlfriends, colleagues, mechanics and companions<br />
recount the exemplary life and fate of the artist. Their wild youth<br />
and their sense of infinite possibilities come back to life once<br />
more.<br />
Partners :<br />
Swiss Federal Office of Culture<br />
and Television<br />
Delivery : 2010