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Couv Cat 2009 - Eurodoc

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92<br />

Chapter<br />

ONE WAY KIDS<br />

PRODUCTIONS<br />

LENGTH : 52 & 90 MIN EURODOC-SCREENING 2007<br />

DIRECTOR : MARCO GASTINE<br />

PRODUCER : ALEXANDRE CORNU<br />

COMPANY : LES FILMS DU TAMBOUR DE SOIE (FRANCE)<br />

During the Greek civil war (1946-1949) 25.000 children, ages 3<br />

to 14, were transferred by the Greek communist partisans to<br />

socialist countries, in order to “protect them until the victory”. The<br />

victory never came, the children never came back. Nikos was one<br />

of them. In 1948, aged 12, he was sent with 250 children of his<br />

village to Hungary. In 1956, after the Soviet invasion, he escaped<br />

to France and lost the tracks of the other village children. Now<br />

retired, Nikos has decided to find out what happened to them.<br />

Through his quest, we will learn about this major political issue of<br />

the early Cold War which changed the entire course of so many<br />

lives.<br />

Coproducer :<br />

Minimal Films, Marco Gastine (Greece)<br />

Partners :<br />

ERT, Irène Gavala (Greece), YLE, Jenny Westergard (Finland),<br />

History Channel<br />

Delivery : 2010<br />

THE BOY WHO WAS A KING<br />

LENGTH : 90 MIN MASTER-CLASS 2006<br />

DIRECTOR : ANDREY PAOUNOV<br />

PRODUCER : MARTICHKA BOZHILOVA<br />

COMPANY : AGITPROP (BULGARIA)<br />

The Boy Who Was a King will tell the story of one of the most<br />

fascinating monarch figures in contemporary history. Simeon II of<br />

Bulgaria, cousin to the House of Windsor and a descendant of<br />

William the Conqueror. From his adventurous life as an exiled boy<br />

king who became a symbol of hope for a small European country,<br />

to his glorious return as Prime Minister of Bulgaria after half a<br />

century of Communist dictatorship. This “happy-end” Balkan<br />

version of Princess Anastasia’s story will tell the real life fairy-tale<br />

of one of the greatest experiments of democracy today.<br />

Coproducer :<br />

Zero One Film, Thomas Kufus (Germany)<br />

Partners :<br />

Channel 4, Jackson Tabitha (UK), TVP Kultura (Poland), TSR, Irène<br />

Challand (Switzerland), YLE, Erkki Astala (Finland)<br />

Delivery : 2010<br />

TRANSIT<br />

LENGTH : 80 MIN EURODOC 2008<br />

DIRECTOR : JOÃO CANIJO<br />

PRODUCER : JOÃO TRABULO<br />

COMPANY : PERIFERIA FILMES (PORTUGAL)<br />

“Transit” is a dialectical portrait of a Second World War episode,<br />

namely the passage and stay in Lisbon of 100.000 refugees<br />

escaping from Nazism. This flood of people was composed by<br />

everyone who could have been threatened by Hitler’s regime :<br />

Jews, intellectuals, artists or communists. Best way to join America,<br />

Lisbon became for these people the “harbour of hope”. The<br />

unexpected world converged on “neutral” Portugal, whose society,<br />

during this short period of time, stops being exclusively Lusitanian<br />

to become cosmopolite. Antoine de Saint-Exupéry, Erika Mann and<br />

Alfred Döblin - which made part of that flood - let us accurate<br />

testimonies of Lisbon in the 40’s. Through that perspective of<br />

encounter/divergence between refugees and Portuguese society,<br />

jailed in the Antonio Oliveira Salazar’s “apostolic fascism”, the<br />

film’s aim is to reveal its abnormal status-quo, still characterising<br />

it today.<br />

Partners :<br />

RTP, Jorge Wemans (Portugal), Gulbenkian Fundation (Portugal),<br />

ITVS, Claire Aguilar (USA)<br />

Delivery : 2010<br />

TINGUELY<br />

LENGTH : 90 MIN EURODOC 2007<br />

DIRECTOR : THOMAS THÜMENA<br />

PRODUCER : CHRISTIAN DAVI<br />

COMPANY : HUGOFILM PRODUCTIONS (SWITZERLAND)<br />

«There is no stillstand!» Jean Tinguely (1925 - 1991) fascinated<br />

people during his lifetime and beyond. In the film the so called<br />

“bande à Jean” share their memories of the man who brought<br />

movement into the world of art of the 20th century. Today his old<br />

friends repair Tinquely's machines, organise exhibitions and<br />

catalogues, found new museums and archive old photographs.<br />

However, they are fighting a somehow futile and almost tragic<br />

battle against oblivion and decay, and the merciless rust attacking<br />

Tinguely's machines shows that without sturm and drang, even<br />

with a huge effort, perpetual motion cannot be sustained forever.<br />

His former girlfriends, colleagues, mechanics and companions<br />

recount the exemplary life and fate of the artist. Their wild youth<br />

and their sense of infinite possibilities come back to life once<br />

more.<br />

Partners :<br />

Swiss Federal Office of Culture<br />

and Television<br />

Delivery : 2010

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