Couv Cat 2009 - Eurodoc
Couv Cat 2009 - Eurodoc
Couv Cat 2009 - Eurodoc
- TAGS
- couv
- eurodoc
- eurodoc-net.com
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
2007 Chapter<br />
IMPRISONED IN PERU<br />
LENGTH : 50 MIN EURODOC-SCRIPT 2002<br />
DIRECTOR : ANNE GULLBJORG DIGRANES<br />
In 1999 the Norwegian woman Tove (39) is arrested at the airport<br />
in Lima after an attempt to smuggle 8 kilos of cocaine. She is given<br />
a 15 years sentence. At first Tove tries to be extradicted to Norway,<br />
to serve her sentence in Bergen to be close her daughter who has<br />
been in a fosterfamily since 1996. Then Tove in 2003 fells in love<br />
with a well off Peruvian man, « Pepe », who visits the prison every<br />
Saturday. Pepe engages his lawyers to look into Tove’s case, and<br />
in March 2006 she is released on parole. She is living with Pepe in<br />
Lima in his mothers house. Pepe is a very possive fiancé and Tove<br />
feels to be in another kind of prison untill Pepe dies of an<br />
heartattack in June 2007. When Pepe’s family gets to know that<br />
Tove has inherited his real estate, they put a price on her head and<br />
she decides to flee from Peru via Equador back to Norway.<br />
The film follows Tove in her everyday life inside the prison walls<br />
and the first weeks in freedom, her inmates and her friends,<br />
especially the friendship with Helen(76), her translator. Helen is an<br />
intellectual who has been living in Peru since 1953 when she<br />
married a Peruvian professor of philosophy.<br />
Partner :<br />
TV2 (Norway)<br />
MARIA’S GROTTO<br />
LENGTH : 53 MIN EURODOCmed<br />
DIRECTOR : BUTHINA KHOURY<br />
PRODUCER : BUTHINA KHOURY<br />
COMPANY : MAJD PRODUCTION (PALESTINE)<br />
A gripping portrait of women, whose lives were dictated by a<br />
moral code, Maria’s Grotto is a painfully true film about the issue<br />
of honor killings in Palestine. Khoury explores the issue through<br />
the stories of four women: one is wrongly accused of dishonoring<br />
her family and then murdered; the second dies after being forced<br />
by her brothers to swallow poison; the third survives repeated<br />
stabbings inflicted by her brother; and the fourth is a Hip-hop<br />
singer who dares speak out about honor killings, and faces death<br />
threats. Through these stories, Khoury exposes the magnitude of<br />
honor killings in Palestine.<br />
Partners :<br />
Swiss Corporation, Unifem org (United Nations Development<br />
Fund for Wormen), RTBF (Belgium)<br />
Festivals :<br />
Dubai's Film Festival 2007, Silver Muhr Award<br />
Thessaloniki Film Festival, Greece 2008<br />
Encounter Fest, South Africa 2008<br />
Tatwan Fest, Morroco 2008 Jury Mention<br />
Layoon Fest, Morroco 2008<br />
Rotterdam Fest, Nederland 2008, Golden Hawk<br />
Doc à Tunis 2008 (Tunisia). Nominated for Ahmad Atia award in<br />
Sitges (Spain)<br />
GEORG<br />
FILMS<br />
A STORY OF LOSS, IDYLLS, ILLUSIONS & LONGING<br />
LENGTH : 72 MIN EURODOC-PRODUCTION 2004-2005<br />
DIRECTOR : CATERINA KLUSEMANN<br />
PRODUCER : REINHILD FELDHAUS<br />
COMPANY : MA.JA.DE. FILMPRODUKTION (GERMANY)<br />
Georg is part of a series of autobiographical films by <strong>Cat</strong>erina<br />
Klusemann, who was born in Italy to a Jewish mother and German<br />
father. As a member of the third generation, she deals, in a highly<br />
personal way, with the Holocaust and its consequences today. In<br />
breaking down the family history, so steeped in silence and<br />
taboos, and shedding light on the rituals of memory and<br />
processing thereof, she gradually moves closer to her own<br />
ambivalent place in a story full of pain, anger, suppression and<br />
hope.<br />
In “Georg", <strong>Cat</strong>erina Klusemann focuses on her German-born<br />
father, who died in Italy in 1981 at the age of just 38. She was just<br />
eight years old at the time. In her film, the director tries to confront<br />
her lack of memories and win back a part of her own personal<br />
history.<br />
Who was he? How can his behaviour towards his wife and motherin-law<br />
be interpreted? This conflict drives the film forward,<br />
connecting the father's biography with the questions and opinions<br />
of a member of the third generation.<br />
Partner :<br />
ZDF / Arte, Doris Hepp<br />
45