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Hotel Asolo

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Celebrities<br />

Caterina Corner or Cornaro was born in Venice on the 25th<br />

November in 1454 to Sir Marco and Fiorenza Crispo. On the 31st<br />

July 1468, via proxy, she married the King of Cyprus, Giacomo<br />

II “il Bastardo” whom she had never met. The young bride arrived<br />

in Cyprus in September 1472 to celebrate her official matrimony<br />

with the 30 year old king, who had already fathered<br />

various children. In July 1473 Caterina gave birth to their heir<br />

Giacomo III of Lusignano, but the King passed away on the eve<br />

of his son’s birth.<br />

Neverending intrigues in Venice. “La Serenissima” took hold of<br />

the island, but waited 16 years for total control.<br />

Caterina’s brief rule (1489-1509) brought fame to the city. Her<br />

court was quite small, hence she purchased a large rural house<br />

in which she added a “loggia” and a church but she constantly<br />

thought about Cyprus. In 1500 Caterina was tired so she entrusted<br />

the task of completing the work of the “barca” to her brother<br />

Giorgio.<br />

Many came to <strong>Asolo</strong> to see the Queen of Cyprus but she fleed to<br />

Venice after the invasion of Massimiliano of Austria in 1509.<br />

Paolina Borghese, born Bonaparte, Napoleon’s most loved sister,<br />

married at the young age of 17 in 1797; soon widow and in<br />

1803 remarried Camillo Borghese, to whom she soon separated.<br />

She was restless, a lover of pomp and pleasure and many talked<br />

about her because of her misleading behaviour. She was naughty<br />

but endowed with great beauty, hence famous inspiring muse<br />

for the Venere Vincitrice by Antonio Canova, (1757-1822) the<br />

famous artist from Possagno, not far from Ca’ Falier, where he<br />

first started his artistic talent.<br />

The sculptural piece expresses the ideal for the love of nature,<br />

transformed into beauty: Paolina is holding an apple, referring<br />

to Paride’s reference to beauty.<br />

The wooden base, draped like a catafalque, originally had a<br />

mechanism which allowed the sculpture to rotate, like Canova’s<br />

other of pieces of art, like Paride today in the “Sala della Ragione”<br />

in the museum in <strong>Asolo</strong>.<br />

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