ARCHEOMODERNITAS Rivista semestrale di Ineffabili fatti d'Arte nr.1

fact, the sacred images have been corrupted by heavy repainting that, whilepreventing the
usability aspects of the original, end up imprinted in the eyes of the faithful, causing a kind
of failure to recognize the object of their devotion once it is restored. The rigorous work
of Stephen Garosi, he has worked his daughter Laura and Roberta Gori justlike in an antique
shop, (executed under the direction of Mirella Branca and Lia Brunori of the Superintendence
for the Historical, Artistic and Ethno-anthropological and the Museums city
(Florence and we thank them for the courtesy of this online publication) has allowed the
recovery of almost all sangalleschi values but also prompted the installation ofa "new" but
at the same time "old" thong on the sides of the beautiful polychrome linden sculpture.
PAINTING CONTEMPORARY
Alvaro Spagnesi: The "Archeomodena" language Renato Nosek: by intangible to complete
form.
This article, which reworks my text of 1998, it intends to clarify the concept of "archeomodernità"
presenting the work of a Master born in Venice but Bari of adoption, which combines
elements derived from the pictorial tradition of sixteenth and seventeenth century with
its characters of his era, being able to express, perhaps thanks to this combination, concepts
and feelings "new" because it sprung unrepeatable uniqueness of its DNA, through the use
of an artistic language "archeomoderna", thus overcoming the contingent conventions and
fashions of the moment, thanks to the ability to rigorously follow the dictates of his inner life.
Nosek feels protagonist of his age and if it takes "old" elements is only because they
are lexicons congenial to him, the materials with which he can create the mysterious
and ineffable "poetic places" that are his works. The article is linked to the interview-dialogued
made the artist in his studio Bari Alvaro Spagnesi, visible on site "exstudentiaccademiabellearti.org",
face book and you tube through links. Museums
MUSEUMS
Giovanna Lazzi: The "Great Dome Museum".
The renewed arrangement of the Opera museum of FlorencÈs Dome is described withconciseness
and precision, passion and love for the extraordinary art finds that, in this article
by Jeanne jokes, a historian of the thumbnail of the international level, already Director of
Riccardiana famous Library of Florence as well as being a fine expert in the history of fashion
and costume. If you really want to know the history of Santa Maria of Fiore Dome, you
must visit this beautiful Florentine Museum, now made even more fascinating, located right
in the adjacent areas to the cathedral itself, "here had its General Filippo Brunelleschi district
andhere Michelangelo sculpted David, destined to a buttress of the Dome "These environments,
property of ‘'Opera del Duomo" which still owns them after being deposits from
the ‘600 to 800, in 1891 became the Museum for the works of the most the great masters
of the Middle Ages and the Renaissance who had collaborated in the construction and decoration
of the Cathedral: in the Museum, with Mary Magdalene by Donatello and Michelangelo’s
Pieta, the panels of Anrea Pisano, Lorenzo Ghiberti and the "model of the Dome" of
Brunelleschi, "flock of masterpieces and all the arts from architecture to sculpture, painting,
weaving, embroidery, jewelery, interact with poetry, music, song and ritual choreography
in the celebration of divine glory, but also in the cultural and social structure of the city. "
(Link with the site: Opera museum of FlorencÈs Dome)
This article, for the first time posted online, focuses on work by Francesco de ‘Rossi, said
Francesco (or Sniper) by the family of Cardinal Giovanni Salviati his patron, born in Florence
in 1510 and died in Rome in 1563, He rediscovered by Alessandro Cecchi when he directed
the Palatine Gallery in Florence. Cecchi, one of the most important scholars of the Renaissance
and great connoisseur of the work and the workshop of Vasari, which we are proud to also
have in the steering of staff "Archeomodernitas" recently became Director of Casa Buonarroti,
Florentine painter returns to a job from him tracked in poor condition just at the Palatine
and restored by Nicola MacGregor.The Salviati, a great sixteenth-century master who like his
friend and staunch supporter Giorgio Vasari, has not enjoyed in the past the proper attention
Critics, today, thanks also to Alessandro Cecchi studies is winning awards appropriate to the
level of the importance of his work: according Cecchi this "innovator ‘maniera’al time of Vasari"
was "inexplicably" ignored by critics committed to enhance thÈrivoluzionari’Pontormo and
Rosso Fiorentino on one side and the old-style antiqued Perin del Vaga and Raphael’s pupils.
In him "quotes the ancient join shooting from large Roman models of the first forty years of
the sixteenth century". (Cf.in
"Antiquities Viva", 1.1994, p.12).
We must say a true "modern archaeo" that finally finds justice!
ARCHITECTURE AND RESTORATION
Rocco Jimmi Mazziotta: The restoration of the Costantini palace in Lecce. The restoration of
a prestigious manor house in the old center of cities like Lecce, Costantini’s palace (XV-XVII
century. With later additions).
Carried out under the supervision of the Superintendence of Cultural Heritage in the nineties,
has placed various problems both the purely technical structure and conservative order
that the aestheticartistic nature and imposed decisions related to the residential function
of the complex as well as the careful evaluation of the historical evolution undergone
by various architectural parts: the article by Rocco Jimmi Mazziotta, architectural author
intervention on the palace in 1997 (?), relates the not always easy and discounted technical
solutions relating to the removal of incongruous parts of the whole or to the stabilization
of stone material more or less deteriorated and especially shows (thanks to the photo
shoot John Nicolai), taking into consideration the current state of "health" to almost.....
years restoration that he performs, which happens very rarely in every part of Italy.
PAITING OF SIXTEENTH CENTURY
Alessandro Cecchi: A rediscovered masterpiece the picture of Giovanni by Bande Nere of
Francesco Salviati.
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