You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
Man’s Castle<br />
materiale. Il tutto si svolge con seducente<br />
candore, senza facili compromessi. Sono<br />
le persone a contare: la loro presenza, il<br />
loro aspetto fiducioso, il modo in cui si<br />
toccano a vicenda. Le ultime immagini<br />
del film – sul treno – sono le più trionfanti<br />
del cinema romantico: niente al<br />
mondo è impossibile, nulla è improbabile,<br />
specialmente se i citta<strong>di</strong>ni sono come<br />
Spencer Tracy e Loretta Young, la coppia<br />
più memorabile <strong>di</strong> Borzage (naturalmente<br />
insieme a Janet Gaynor e Charles Farrell,<br />
<strong>di</strong>retti da Borzage in tre film a partire da<br />
Settimo cielo).<br />
Frank Borzage, the noble and romantic<br />
mystic of the American cinema, often<br />
went to the heart of the most poignant<br />
themes of the times he lived in – the World<br />
War, the rise of Nazism and the Depression,<br />
the last of these never so movingly<br />
as in Man’s Castle – once again armed<br />
with poetry coupled with pain. As often,<br />
paradoxes and unlikely images prevail,<br />
starting with the way Borzage lights a story<br />
that takes place in the most notorious<br />
landmark of the Great Depression, named<br />
after a failing president – Hooverville. The<br />
ghetto of the homeless Lumpenproletariat<br />
is real in the sense that the trouble shown<br />
is mortally present.<br />
At the same time the narrative is like a<br />
proud, romantic dream – it’s Hollywood<br />
in its plenitude, with ethereal facts of<br />
human faith, or small human victories in<br />
unofficial places, that prevail in spite of<br />
tragic material realities. This happens with<br />
winning naiveté, with no trace of cheap<br />
compromise. It’s people themselves who<br />
count: their presence, their look of confidence,<br />
the way they touch each other. The<br />
last images of the film – in the train – are<br />
the most victorious in all romantic cinema:<br />
nothing in the world is impossible, nothing<br />
is improbable, especially with citizens<br />
like Spencer Tracy and Loretta Young, the<br />
greatest Borzage couple (of course, along<br />
with Janet Gaynor and Charles Farrell, who<br />
made several films together for Borzage<br />
starting with Seventh Heaven).<br />
HARD TO HANDLE<br />
USA, 1933 Regia: Mervyn LeRoy<br />
█. T.. it.:. L’affare si complica.. Sog.:. Houston.<br />
Branch.. Scen.:. Robert. Lord,. Wilson. Mizner..<br />
F.:. Barney. McGill.. Mo.:. William. Holmes.. Scgf.:.<br />
Robert.M..Haas..Mu.:.Cliff.Hess..Su.:.C.A..Riggs..<br />
Int.:. James. Cagney. (Myron. C.. ‘Lefty’. Merrill),.<br />
Mary. Brian. (Ruth. Waters),. Allen. Jenkins.<br />
(ra<strong>di</strong>oannunciatore. della. maratona. <strong>di</strong>. ballo),.<br />
Ruth. Donnelly. (Lil. Waters),. Claire. Dodd.<br />
(Marlene.Reeves),.Robert.McWade.(Charles.G..<br />
Reeves)..Prod:.Warner.Bros..Pictures..Pri..pro.:.<br />
28.gennaio.1933. █.35mm..D.:.78’..Bn..Versione.<br />
inglese. /. English. version. █. Da:. BFI. National.<br />
Archive.per.concessione.<strong>di</strong>.Park.Circus<br />
45