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Catalogo - Cineteca di Bologna

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Man’s Castle<br />

materiale. Il tutto si svolge con seducente<br />

candore, senza facili compromessi. Sono<br />

le persone a contare: la loro presenza, il<br />

loro aspetto fiducioso, il modo in cui si<br />

toccano a vicenda. Le ultime immagini<br />

del film – sul treno – sono le più trionfanti<br />

del cinema romantico: niente al<br />

mondo è impossibile, nulla è improbabile,<br />

specialmente se i citta<strong>di</strong>ni sono come<br />

Spencer Tracy e Loretta Young, la coppia<br />

più memorabile <strong>di</strong> Borzage (naturalmente<br />

insieme a Janet Gaynor e Charles Farrell,<br />

<strong>di</strong>retti da Borzage in tre film a partire da<br />

Settimo cielo).<br />

Frank Borzage, the noble and romantic<br />

mystic of the American cinema, often<br />

went to the heart of the most poignant<br />

themes of the times he lived in – the World<br />

War, the rise of Nazism and the Depression,<br />

the last of these never so movingly<br />

as in Man’s Castle – once again armed<br />

with poetry coupled with pain. As often,<br />

paradoxes and unlikely images prevail,<br />

starting with the way Borzage lights a story<br />

that takes place in the most notorious<br />

landmark of the Great Depression, named<br />

after a failing president – Hooverville. The<br />

ghetto of the homeless Lumpenproletariat<br />

is real in the sense that the trouble shown<br />

is mortally present.<br />

At the same time the narrative is like a<br />

proud, romantic dream – it’s Hollywood<br />

in its plenitude, with ethereal facts of<br />

human faith, or small human victories in<br />

unofficial places, that prevail in spite of<br />

tragic material realities. This happens with<br />

winning naiveté, with no trace of cheap<br />

compromise. It’s people themselves who<br />

count: their presence, their look of confidence,<br />

the way they touch each other. The<br />

last images of the film – in the train – are<br />

the most victorious in all romantic cinema:<br />

nothing in the world is impossible, nothing<br />

is improbable, especially with citizens<br />

like Spencer Tracy and Loretta Young, the<br />

greatest Borzage couple (of course, along<br />

with Janet Gaynor and Charles Farrell, who<br />

made several films together for Borzage<br />

starting with Seventh Heaven).<br />

HARD TO HANDLE<br />

USA, 1933 Regia: Mervyn LeRoy<br />

█. T.. it.:. L’affare si complica.. Sog.:. Houston.<br />

Branch.. Scen.:. Robert. Lord,. Wilson. Mizner..<br />

F.:. Barney. McGill.. Mo.:. William. Holmes.. Scgf.:.<br />

Robert.M..Haas..Mu.:.Cliff.Hess..Su.:.C.A..Riggs..<br />

Int.:. James. Cagney. (Myron. C.. ‘Lefty’. Merrill),.<br />

Mary. Brian. (Ruth. Waters),. Allen. Jenkins.<br />

(ra<strong>di</strong>oannunciatore. della. maratona. <strong>di</strong>. ballo),.<br />

Ruth. Donnelly. (Lil. Waters),. Claire. Dodd.<br />

(Marlene.Reeves),.Robert.McWade.(Charles.G..<br />

Reeves)..Prod:.Warner.Bros..Pictures..Pri..pro.:.<br />

28.gennaio.1933. █.35mm..D.:.78’..Bn..Versione.<br />

inglese. /. English. version. █. Da:. BFI. National.<br />

Archive.per.concessione.<strong>di</strong>.Park.Circus<br />

45

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