Catalogo - Cineteca di Bologna

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INDICE CONTENTS Ai cittadini del Ritrovato / To the Citizens of Ritrovato..................................................................................................................................................................................................................................9 Peter.von.Bagh Anno zero / Year Zero......................................................................................................................................................................................................................................................................................................................................................13 Gian.Luca.Farinelli.e.Carlo.Mazzacurati LA MACCHINA DEL TEMPO / THE TIME MACHINE 1912..Novantasei.film.di.cento.anni.fa./.1912. Ninety-Six Films from a Hundred Years Ago.............................................................................................................18 Dopo.la.caduta..Il.cinema.e.la.crisi.del.1929./.After the Crash. Cinema and the 1929 Crisis.....................................................................................................40 Cinema.documentario.invisibile./.Invisible Documentaries......................................................................................................................................................................................................................52 Maestri.del.documentario.italiano./.Masters of Italian Documentary................................................................................................................................................................53 Mario.Ruspoli,.principe.delle.balene.e.altre.rarità. Mario Ruspoli, Prince of Whales and Other Rarities...........................................................................................................................................................................................................................64 Progetto.Rogosin./.Rogosin Project ................................................................................................................................................................................................................................................................................69 LA MACCHINA DELLO SPAZIO / THE SPACE MACHINE Passaggio.in.India..Breve.omaggio.di.cinefili.a.cinefili.. A Passage to India. A Short Tribute to Cinephiles by Cinephiles.....................................................................................................................................................................................................72 World.Cinema.Foundation......................................................................................................................................................................................................................................................................................................................................76 Il.progetto.Napoli/Italia.e.il.cinema.dell’emigrazione..Italiani.in.Argentina.. The Naples/Italy Project and Cinema of Emigration. Italians in Argentina..................................................................................................................................................................80 Il.Giappone.parla!.Primi.sonori.del.Sol.Levante Japan Speaks Out! The First Talkies from the Land of the Rising Sun.................................................................................................................................................................................82 IL PARADISO DEI CINEFILI /.THE CINEPHILES’ HEAVEN La.cinefilia.ritrovata./.Rediscovering Cinephilia..........................................................................................................................................................................................................................................................100 Ritrovati.e.Restaurati./ Recovered and Restored......................................................................................................................................................................................................................................................102 Alla.ricerca.del.colore.dei.film./.Searching for Colour in Films........................................................................................................................................................................................................125 I.colori.del.muto./.Silent Colours..........................................................................................................................................................................................................................................................................................126
Page 1 and 2: XLI Mostra Internazionale del Cinem
Page 3 and 4: LE SEZIONI DEL FESTIVAL LA MACCHINA
Page 5: alla Cultura, del Programma MEDIA+
Page 9 and 10: AI CITTADINI DEL RITROVATO TO THE C
Page 11: Limelight. Il suo nome viene associ
Page 14 and 15: Fuori dalla fumeria. Ma se lo spett
Page 17 and 18: LA MACCHINA DEL TEMPO The Time Mach
Page 19 and 20: Ritenendo che il cinema delle origi
Page 21 and 22: che, combattute ufficialmente da Se
Page 23 and 24: UNO SCANDALO IN CASA POLIDOR Italia
Page 25 and 26: PROGRAMMA 4: “YOU WERE NEVER LOVE
Page 27 and 28: Joachim Goëthal et le secret de l
Page 29 and 30: l’attrice togliersi le scarpe e p
Page 31 and 32: Audiences are far better served by
Page 33 and 34: DER STELLUNGSLOSE PHOTOGRAPH German
Page 35 and 36: tour virtuale a basso costo. Di con
Page 37 and 38: L’INDUSTRIA DEI CAPPELLI DI PAGLI
Page 39 and 40: ger film, a new possibility opened
Page 41 and 42: Quando nel 1929 il crollo di Wall S
Page 43 and 44: Seifenblasen uno sguardo accusatore
Page 45 and 46: Man’s Castle materiale. Il tutto
Page 47 and 48: Sonnenstrahl 47
Page 49 and 50: lack villain. As one of the protago
Page 51 and 52: DOSSIER GABRIEL OVER THE WHITE HOUS
Page 53 and 54: MAESTRI DEL DOCUMENTARIO ITALIANO M
Page 55 and 56: Raffaele Andreassi was a reporter,
Page 57 and 58:
LUCIANO (VIA DEI CAPPELLARI) Italia
Page 59 and 60:
si aggira per ogni vicolo di Napoli
Page 61 and 62:
STENDALÌ (SUONANO ANCORA) Italia,
Page 63 and 64:
Watching Florestano Vancini’s doc
Page 65 and 66:
LES HOMMES DE LA BALEINE Francia, 1
Page 67 and 68:
che le confidenze più personali de
Page 69:
PROGETTO ROGOSIN ROGOSIN PROJECT BL
Page 72 and 73:
PASSAGGIO IN INDIA. BREVE OMAGGIO D
Page 74 and 75:
Aggiungete le linee oblique, gli al
Page 76 and 77:
WORLD CINEMA FOUNDATION 2012 La Wor
Page 78 and 79:
Kalpana 78
Page 80 and 81:
IL PROGETTO NAPOLI/ITALIA E IL CINE
Page 82 and 83:
IL GIAPPONE PARLA! PRIMI SONORI DEL
Page 84 and 85:
CHUSHINGURA [Katsuben Talkie] Giapp
Page 86 and 87:
pecially The Freshman, were also a
Page 88 and 89:
quanto costituisce non solo il prim
Page 90 and 91:
Nakayama Shichiri © National Film
Page 92 and 93:
Madamu to nyobo © National Film Ce
Page 94 and 95:
gokumon (1953), il primo film giapp
Page 96 and 97:
Joriku dai-ippo © National Film Ce
Page 99 and 100:
IL PARADISO DEI CINEFILI The Cineph
Page 101 and 102:
profondi anche nelle sfere del pens
Page 103 and 104:
ONCE UPON A TIME IN AMERICA USA-Ita
Page 105 and 106:
about the enormous amount of time i
Page 107 and 108:
DIE WEBER Germania, 1927 Regia: Fri
Page 109 and 110:
Jean Valjean sostiene sulle spalle
Page 111 and 112:
claim and commercial success. But t
Page 113 and 114:
Anouk Aimée sul set di Lola. Foto
Page 115 and 116:
magini così cupe quanto il primo f
Page 117 and 118:
comprensibile perplessità quando B
Page 119 and 120:
del.Cinema.e.Fondazione.Cineteca.di
Page 121 and 122:
a “light-hearted shaman”, an un
Page 123 and 124:
THE UNSTEAYCAM (Roughcut) Regia: Am
Page 125 and 126:
ALLA RICERCA DEL COLORE DEI FILM Se
Page 127 and 128:
PROGRAMMA 1: IL DRAMMA DELLA DECOMP
Page 129 and 130:
PROGRAMMA 3: IL COLORE DEL 1912. EC
Page 131 and 132:
il. BFI. National. Archive. e. prov
Page 133 and 134:
PROGRAMMA 6: GAYNOR A COLORI ORIGIN
Page 135 and 136:
ata indolenza, in un costume da bag
Page 137 and 138:
of unreleased footage, bringing the
Page 139 and 140:
un dato momento e in un dato luogo.
Page 141 and 142:
The Life and Death of Colonel Blimp
Page 143 and 144:
Festa nella casa delle caramelle pu
Page 145 and 146:
I COLORI DEL CINEMA RITROVATO 2012
Page 147 and 148:
Collezione Cinémathèque Gaumont A
Page 149 and 150:
Alice au pays romand, 1938. Dufayco
Page 151 and 152:
© National Film Center, Tokyo A si
Page 153 and 154:
Distant Drums, 1951
Page 156:
The Life and Death of Colonel Blimp
Page 161 and 162:
Schizzo e bozzetto (a sinistra) di
Page 163 and 164:
L’avvento del sonoro trasformò t
Page 165 and 166:
DEAR GUIDO... Louise Brooks è una
Page 167 and 168:
PROGRAMMA 2 / PROGRAMME 2: PIERROT
Page 169 and 170:
PARTE 2: FONOSCENE DELLE ORIGINI -
Page 171 and 172:
PROGRAMMA 5: THE MUSICAL ORPHANAGE/
Page 173 and 174:
Anna Pavlova in The Dumb Girl of Po
Page 175 and 176:
I MUSICISTI THE MUSICIANS La commis
Page 177 and 178:
Dopo gli omaggi a Josef von Sternbe
Page 179 and 180:
PILLARS OF SOCIETY USA, 1916 Regia:
Page 181 and 182:
The Thief of Bagdad 181
Page 183 and 184:
nette allineate, e poderosi carrell
Page 185 and 186:
THE BIG TRAIL [Versione Grandeur] U
Page 187 and 188:
lungo il fianco di una montagna, an
Page 189 and 190:
fornia, Walsh costruisce un West in
Page 191 and 192:
When he gets promoted from dockside
Page 193 and 194:
Pursued anni),. Peggy. Miller. (Tho
Page 195 and 196:
Distant Drums of High Sierra) is se
Page 197 and 198:
Pictures.. Pri.. pro.:. 3. agosto.
Page 199 and 200:
Jean-Alexandre-Louis-Eugène Grémi
Page 201 and 202:
who would become Mme Henri Seyrig a
Page 203 and 204:
Gardiens de phare è in origine la
Page 205 and 206:
dons this character with uncanny si
Page 207 and 208:
Remorques 207
Page 209 and 210:
Lumière d’été i cambiamenti, m
Page 211 and 212:
da un feuilleton di “l’Écho de
Page 213 and 214:
his story. The narration of this si
Page 215 and 216:
Oltre i confini della Russia Ivan A
Page 217 and 218:
ed è significativo che tutta la be
Page 219 and 220:
V ŠEST’ ČASOV VEČERA POSLE VOJ
Page 221 and 222:
Čebotarëv.. Mu.:. Isaak. Dunaevsk
Page 223 and 224:
spite its title, also has quite a l
Page 225 and 226:
Lois Weber è stata la più importa
Page 227 and 228:
LOST ILLUSIONS USA, 1911 Regia: Loi
Page 229 and 230:
PROGRAMMA 3: SCANDALO, PARTE PRIMA
Page 231 and 232:
Where Are My Children? (per gentile
Page 233 and 234:
dell’economia sessista generata d
Page 235 and 236:
e della religione, The Blot contrap
Page 237 and 238:
ne cinematografica della celebre ba
Page 239 and 240:
Alma Reville non si limitò a eserc
Page 241 and 242:
THE FIRST BORN Gran Bretagna, 1928
Page 243 and 244:
243 Murder!
Page 245 and 246:
OMAGGIO A HARRY BAUR Tribute to Har
Page 247 and 248:
LA TÊTE D’UN HOMME Francia, 1933
Page 249 and 250:
Con Viaggio in Italia giunge alla t
Page 251 and 252:
PROGETTO CHAPLIN The Chaplin Projec
Page 253 and 254:
aiters. No doubt in reaction, Limel
Page 255 and 256:
The Immigrant 255
Page 257 and 258:
Charlie Chaplin, Rollie Totheroh e
Page 259 and 260:
Mu.:. Jerry. Goldsmith.. Su:. Gordo
Page 261 and 262:
OMAGGIO A JOHN BOORMAN TRIBUTE TO J
Page 263 and 264:
Me and me Dad 263
Page 265 and 266:
Wings stage. The company was concer
Page 267 and 268:
60 ANNI DI “POSITIF” 60 YEARS O
Page 269 and 270:
Jean Seberg (fotografia di Mario Do
Page 271 and 272:
IL CINEMA RITROVATO DVD AWARDS - IX
Page 273 and 274:
Lo scopo fondamentale di Europa Cin
Page 275 and 276:
CINESTORE - cinestore.cinetecadibol
Page 277 and 278:
INDICE DEI FILM / FILM INDEX After
Page 279 and 280:
I PARTNER DEL CINEMA RITROVATO / IL
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Catalogo - Cineteca di Bologna

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