01.02.2017 Views

Dossier _ Ketnet Jr. _ 12122016

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

De investeringen in kinderprogramma’s van Vlaamse makelij zijn wel degelijk belangrijk en niet<br />

evident in een internationaliserend medialandschap. Zo toont onderzoek aan dat commerciële,<br />

veelal internationale zenders, weinig in lokale content investeren en dat publieke omroepen<br />

in dit segment het verschil maken. 80<br />

“What the historical and contemporary evidence suggests is that certain types of<br />

children’s programmes – particularly domestically produced programmes and nonanimated<br />

content – are under-provided by commercial broadcasters.”<br />

“In the area of children’s provision, the three PSMs in our study – the BBC, RAI and PBS<br />

– appear to be making, to different degrees and in different ways, a distinctive<br />

contribution, compared to what is available on commercial channels. PBS in the US<br />

continues to be the key provider of educational children’s programming, especially preschool<br />

content, with children’s programmes accounting for a significant proportion of<br />

the total broadcast output of PBS-affiliated stations in an advertising-free environment.<br />

Now that ITV has virtually withdrawn from the origination of children’s content, the BBC<br />

has been left, by a long distance, as the main funder and broadcast outlet for UKoriginated<br />

children’s content, sustaining range and diversity in the process. For<br />

example, as noted by the BBC Trust, the schedule of pre-school channel CBeebies<br />

comprises 76 per cent non-animated content, compared with levels of animation<br />

reaching 70 per cent on rival channels. Frequently criticised for not being sufficiently<br />

distinctive, even RAI appears to be playing a valuable role as the main outlet,<br />

commissioner and funder of original children’s programming across genres, nurturing<br />

talent and supporting the domestic animation industry, in a market which is dominated<br />

by American and Japanese animation. 81<br />

Indien VRT een eigen lineair aanbod voor de subdoelgroep van baby’s, peuters en kleuters mag<br />

aanbieden, betekent dit dat er doorheen heel de dag een volwaardig alternatief met lokaal,<br />

cultuurspecifiek aanbod voor de twee internationale, Amerikaanse zenders komt. Vandaag is<br />

dat niet het geval.<br />

80<br />

D’Arma, A. & Steemers, J. (2013). Children’s Television: Markets and Regulation.<br />

Retrieved from:<br />

https://www.researchgate.net/profile/Alessandro_Darma/publication/304789482_Children's_Television_Marke<br />

ts_and_Regulation/links/5781310608ae9485a43bd6aa.pdf; Steemers, J. & D’Arma, A. (2012). Evaluating and<br />

regulating the role of public broadcasters in the children’s media ecology: the case of home-grown television<br />

content. In, International Journal of Media & Cultural Politics, vol 8(2), pp. 67-85. Retrieved from:<br />

http://web.a.ebscohost.com/ehost/pdfviewer/pdfviewer?sid=26aa5595-1026-4fea-93a3-<br />

e94a97eaeafb%40sessionmgr4008&vid=1&hid=4114<br />

81<br />

Steemers J., D’Arma A. (2015). Public Service Media and Children: Serving the Digital Citizens of the Future. In,<br />

Reinventing Public Service Communication: European Broadcasters and Beyond. Retrieved from:<br />

http://www.ssnpstudents.com/wp/wp-content/uploads/2015/01/Reinventing-public-service-communication-<br />

European-broadcasters-and-beyond.pdf#page=135<br />

46

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!