20.04.2023 Views

Lina Bo Bardi e a Fábrica da Pompéia: relações entre pensamento crítico, projeto e apropriação da arquitetura

Escola da Cidade Trabalho de Curso Graduação em Arquitetura e Urbanismo Aluna: Gabriela Fuganholi Silva Orientador: Cesar Shundi Iwamizu Banca avaliadora: André Vainer e Marina Grinover

Escola da Cidade
Trabalho de Curso
Graduação em Arquitetura e Urbanismo
Aluna: Gabriela Fuganholi Silva
Orientador: Cesar Shundi Iwamizu
Banca avaliadora: André Vainer e Marina Grinover

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ABSTRACT

Among Lina Bo Bardi 's (1914-1992) built work, SESC Fábrica

da Pompéia disguises itself as one of the most exemplary cases

of her architectural thinking complexity. Situated in the

last moments of her trajectory, the SESC Pompéia project

brings in its conception and development several architectural,

cultural and aesthetical principles prepared by Lina throughout

her career, which present themselves at that project

with special maturity and consistency. This research intends

to investigate therefore Lina Bo Bardi's professional trajectory,

having as it's main objects of analysis her qualification

as architect, the architectural project and the several appropriation

forms of the built space in SESC Fábrica da Pompéia

by it's users. Enfasis to her drawings, considered by the architect

as a fundamental tool to design, and that reveal many

of Lina's intentions for the spaces she designed, representing

several appropriation forms of the architecture. Based on discussions

and points presented about those concepts in Lina

Bo Bardi's work, it's proposed analyzing the project after those

drawings. Through an isometric projection drawing, the

main spaces were represented on an attempt of finding relations

between designed space and forms of appropriation by

people. Finally, this research searches for rising hypothesis

about what in fact mean these concepts inside Lina Bo Bardi's

work as architectural, intellectual, cultural and political

intentions of acting in the social space. And, in the same way,

to reflect on the importance of Lina Bo Bardi's thoughts and

built work on contemporary discussion about the paths for

brazilian art and architecture in fields of action of architectural

project, popular culture and historical heritage, on which

the architect proposed to work intensively on SESC Fábrica da

Pompeia's project.

Key-words: brazilian modern architecture, brazilian folk culture,

social purpose of architecture, design process, architectural

design, appropriation of architectural space.

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