07.04.2014 Aufrufe

FUTURES

Publikation zum 2. Jubiläum von PLATFORM3 München, als Ergänzung zum Künstlerkatalog PLATFORM3 works. Die Natur dieser Publikation ist ausdrücklich dokumentarisch. Fotografien: Jörg Koopmann. Herausgeber: Birgit Pelzmann, Nikolai Vogel, Marlene Rigler für PLATFORM3-Räume für zeitgenössische Kunst. München, 2011

Publikation zum 2. Jubiläum von PLATFORM3 München, als Ergänzung zum Künstlerkatalog PLATFORM3 works. Die Natur dieser Publikation ist ausdrücklich dokumentarisch. Fotografien: Jörg Koopmann.
Herausgeber: Birgit Pelzmann, Nikolai Vogel, Marlene Rigler für PLATFORM3-Räume für zeitgenössische Kunst. München, 2011

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We’re getting there. Photographic paper and audiotapes:<br />

it is here, on this very site, that they were produced and sent out<br />

into the world, to see what could be seen and hear what could<br />

be heard. Here was, back in 1964, the former Perutz-Werk bought<br />

by AGFA (Aktiengesellschaft für Anilinfabrikation). Since the<br />

late nineteenth century, the Perutz Photowerke in Munich had<br />

produced photographic plates, adding roll-film to their selection<br />

in the 1920s. On this industrial site, AGFA established its largescale<br />

manufacturing facility for magnetic tape, which became part<br />

of BASF in 1990/1991. In 1997 it became EMTEC, a company<br />

that produced coated magnetic tape right here, at No. 70 Kistlerhofstraße,<br />

until it closed in 2004. This is where fresh magnetic tape<br />

sat ready to receive impressions, ready to wind up and unspool<br />

these impressions innumerable times. Rewind, fastforward: Just<br />

where exactly are we?<br />

On Kistlerhofstraße. But who was this Kistler? Was it<br />

Cyrill Kistler? The composer, music theorist, music professor and<br />

publisher, born in 1848, in the Swabian town of Großhaitingen, died<br />

1907 in Bad Kissingen in Lower Franconia. Studied in Munich and<br />

was, in his day, placed on par with Richard Strauss, has been all<br />

but forgotten. However, it turns out that we are on the wrong track<br />

with this particular Cyrill. At the city archives, I discover that the<br />

street name, Kistlerhof, derives from the name of a former estate<br />

in Obersendling. Was it a homestead? Hard to say right away, I was<br />

told by the archive staff: this would require more indepth research.<br />

So, next frame: Where are we?<br />

Here, on a floor of studios that has just been moved into.<br />

Everything is still fresh, the dust has barely settled, the floor is<br />

still covered with plastic sheets from the painting job, the hallway<br />

floor has just been laid. Everything is ready for exposure. Where<br />

precisely are we? On the third floor. On the floor above us, music is<br />

set and billiard balls follow their more or less intended trajectories,<br />

impact upon impact. Beneath us, gloves and sweating people<br />

in heavy-duty workout equipment. Maybe not the worst context!<br />

Art, after all, involves both head and body – Billiard and Body -<br />

building, so to speak. Although art doesn’t really need to be<br />

handled with gloves, save for the more fragile pieces as they are<br />

being installed. In Bodybuilding, the central objective is to shape<br />

the human body by exercising different muscle groups, often with<br />

the help of fitness machines. The term art can be described as<br />

any cultured form of action that is based on knowledge, practice,<br />

cognition and intuition (this includes the art of healing or the art<br />

of free speech). In its narrower sense, the term art refers to products<br />

of purpose-driven human action that do not have a particular<br />

function assigned to them. The following three factors are key<br />

in the making of a photograph: the light-sensitivity of the photographic<br />

medium, the aperture used, and the exposure time. A<br />

photograph is well exposed when both the highlights as well as the<br />

shadow areas retain a degree of line and detail. The beginnings<br />

of three articles in a popular dictionary… 1 Three articles that<br />

deal with how to express or convey an impression. An important<br />

prerequisite for gathering impressions is having a good outlook.<br />

And where precisely are we?<br />

30<br />

Let’s call it PLATFORM3. A platform can provide spectacular<br />

views; a platform can also be where you wait for the train<br />

that takes you elsewhere, a place of departure into new territory.<br />

A platform, podium-style, can be used to get messages across.<br />

In essence, a platform is the carrier for things that are evolving:<br />

it is a place of experimentation. There’s no need for telescopes here<br />

at PLATFORM3: much is being done to enhance the glance, and<br />

views can be found hanging on the walls and installed on the floor<br />

in the studios and gallery spaces, have yet to grow and wind their<br />

way out into the world. A platform on three legs, classical style.<br />

Three legs… that means the stand can be a bit wobbly if the fourth<br />

is missing. It means that one has to work to stay balanced, that<br />

one doesn’t get too comfortable or feel too secure, that one keeps<br />

moving: and that’s what it’s all about – using head and body. No,<br />

we are not standing at the green-felted pool tables, and we are not<br />

ensconced in the muscle-machines, nor are we coating virgin film<br />

or audio tape. We get to work directly on the developing processes<br />

within our minds; we immerse our bodies in the light and the<br />

sound and time itself and make them into something. What that is,<br />

exactly, remains to be seen. 2<br />

1 Wikipedia, March 2009 (translated from the german site)<br />

2 Shortened version of the Inaugural Talk for PLATFORM3, held on<br />

March 20th, 2009. The original talk ended with a reference to the season:<br />

“Today is equinox, the beginning of Spring! The new art spaces await,<br />

PLATFORM3 is set up and ready. Let us take this opportunity and dance!”<br />

31

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