FUTURES
Publikation zum 2. Jubiläum von PLATFORM3 München, als Ergänzung zum Künstlerkatalog PLATFORM3 works. Die Natur dieser Publikation ist ausdrücklich dokumentarisch. Fotografien: Jörg Koopmann. Herausgeber: Birgit Pelzmann, Nikolai Vogel, Marlene Rigler für PLATFORM3-Räume für zeitgenössische Kunst. München, 2011
Publikation zum 2. Jubiläum von PLATFORM3 München, als Ergänzung zum Künstlerkatalog PLATFORM3 works. Die Natur dieser Publikation ist ausdrücklich dokumentarisch. Fotografien: Jörg Koopmann.
Herausgeber: Birgit Pelzmann, Nikolai Vogel, Marlene Rigler für PLATFORM3-Räume für zeitgenössische Kunst. München, 2011
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We’re getting there. Photographic paper and audiotapes:<br />
it is here, on this very site, that they were produced and sent out<br />
into the world, to see what could be seen and hear what could<br />
be heard. Here was, back in 1964, the former Perutz-Werk bought<br />
by AGFA (Aktiengesellschaft für Anilinfabrikation). Since the<br />
late nineteenth century, the Perutz Photowerke in Munich had<br />
produced photographic plates, adding roll-film to their selection<br />
in the 1920s. On this industrial site, AGFA established its largescale<br />
manufacturing facility for magnetic tape, which became part<br />
of BASF in 1990/1991. In 1997 it became EMTEC, a company<br />
that produced coated magnetic tape right here, at No. 70 Kistlerhofstraße,<br />
until it closed in 2004. This is where fresh magnetic tape<br />
sat ready to receive impressions, ready to wind up and unspool<br />
these impressions innumerable times. Rewind, fastforward: Just<br />
where exactly are we?<br />
On Kistlerhofstraße. But who was this Kistler? Was it<br />
Cyrill Kistler? The composer, music theorist, music professor and<br />
publisher, born in 1848, in the Swabian town of Großhaitingen, died<br />
1907 in Bad Kissingen in Lower Franconia. Studied in Munich and<br />
was, in his day, placed on par with Richard Strauss, has been all<br />
but forgotten. However, it turns out that we are on the wrong track<br />
with this particular Cyrill. At the city archives, I discover that the<br />
street name, Kistlerhof, derives from the name of a former estate<br />
in Obersendling. Was it a homestead? Hard to say right away, I was<br />
told by the archive staff: this would require more indepth research.<br />
So, next frame: Where are we?<br />
Here, on a floor of studios that has just been moved into.<br />
Everything is still fresh, the dust has barely settled, the floor is<br />
still covered with plastic sheets from the painting job, the hallway<br />
floor has just been laid. Everything is ready for exposure. Where<br />
precisely are we? On the third floor. On the floor above us, music is<br />
set and billiard balls follow their more or less intended trajectories,<br />
impact upon impact. Beneath us, gloves and sweating people<br />
in heavy-duty workout equipment. Maybe not the worst context!<br />
Art, after all, involves both head and body – Billiard and Body -<br />
building, so to speak. Although art doesn’t really need to be<br />
handled with gloves, save for the more fragile pieces as they are<br />
being installed. In Bodybuilding, the central objective is to shape<br />
the human body by exercising different muscle groups, often with<br />
the help of fitness machines. The term art can be described as<br />
any cultured form of action that is based on knowledge, practice,<br />
cognition and intuition (this includes the art of healing or the art<br />
of free speech). In its narrower sense, the term art refers to products<br />
of purpose-driven human action that do not have a particular<br />
function assigned to them. The following three factors are key<br />
in the making of a photograph: the light-sensitivity of the photographic<br />
medium, the aperture used, and the exposure time. A<br />
photograph is well exposed when both the highlights as well as the<br />
shadow areas retain a degree of line and detail. The beginnings<br />
of three articles in a popular dictionary… 1 Three articles that<br />
deal with how to express or convey an impression. An important<br />
prerequisite for gathering impressions is having a good outlook.<br />
And where precisely are we?<br />
30<br />
Let’s call it PLATFORM3. A platform can provide spectacular<br />
views; a platform can also be where you wait for the train<br />
that takes you elsewhere, a place of departure into new territory.<br />
A platform, podium-style, can be used to get messages across.<br />
In essence, a platform is the carrier for things that are evolving:<br />
it is a place of experimentation. There’s no need for telescopes here<br />
at PLATFORM3: much is being done to enhance the glance, and<br />
views can be found hanging on the walls and installed on the floor<br />
in the studios and gallery spaces, have yet to grow and wind their<br />
way out into the world. A platform on three legs, classical style.<br />
Three legs… that means the stand can be a bit wobbly if the fourth<br />
is missing. It means that one has to work to stay balanced, that<br />
one doesn’t get too comfortable or feel too secure, that one keeps<br />
moving: and that’s what it’s all about – using head and body. No,<br />
we are not standing at the green-felted pool tables, and we are not<br />
ensconced in the muscle-machines, nor are we coating virgin film<br />
or audio tape. We get to work directly on the developing processes<br />
within our minds; we immerse our bodies in the light and the<br />
sound and time itself and make them into something. What that is,<br />
exactly, remains to be seen. 2<br />
1 Wikipedia, March 2009 (translated from the german site)<br />
2 Shortened version of the Inaugural Talk for PLATFORM3, held on<br />
March 20th, 2009. The original talk ended with a reference to the season:<br />
“Today is equinox, the beginning of Spring! The new art spaces await,<br />
PLATFORM3 is set up and ready. Let us take this opportunity and dance!”<br />
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