[Saison 2013/2014] [Season 2013/2014] - sitesystem
[Saison 2013/2014] [Season 2013/2014] - sitesystem
[Saison 2013/2014] [Season 2013/2014] - sitesystem
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Vorwort / Foreword<br />
Richard Wherlock<br />
Barbara Schneider<br />
Straight to the Heart<br />
Our aim in the work we do is to touch audience’s<br />
hearts.<br />
Without words, but visually stunning;<br />
through the emotional medium of music that<br />
is so closely linked to our art; in the language<br />
of the body, which makes time and space its<br />
own.<br />
And this is also why this season’s first ballet<br />
evening is called «Dance talks», a title that<br />
could equally apply to the whole season. As in<br />
previous years, I have invited guests to the<br />
first ballet evening who will perform shows<br />
with which they have already enjoyed major<br />
successes abroad: Ed Wubbe – an old friend of<br />
mine – will be showcasing his piece «Holland»,<br />
which he choreographed for the Scapino Ballet<br />
in Rotterdam and which is a tribute to the<br />
aesthetics of dance in his homeland and a<br />
homage to its cultural diversity and history.<br />
And we will be performing the piece «CEL<br />
Black Days» by the young Frenchman Jean-<br />
Philippe Dury, which won first prize in<br />
Madrid’s Talent Festival in <strong>2013</strong>. I will also be<br />
choreographing a show using a piece of music<br />
that I’ve always enjoyed listening to and<br />
always wanted to translate into dance. The<br />
title? Straight to the Heart!<br />
In December, Stephan Thoss will be creating<br />
a brand new, full-length ballet for us. The<br />
stars of his piece will be dance and love, which<br />
as silent speakers, set our hearts and bodies in<br />
motion and lure us over and over again into<br />
hidden and unfamiliar territories. He says the<br />
title «Love can dance» fell into his lap in Wiesbaden<br />
like a beautiful but flightless bird.<br />
«I now want to teach it to fly with the Basel<br />
company, so that I can set it free in Basel in<br />
December,» he says.<br />
As he proved with his piece «Bluebeard’s<br />
Secret», Thoss belongs to a generation of choreographers<br />
who represent tradition and<br />
innovation in equal measure. A mix I hold in<br />
high regard. He approaches the figures in his<br />
pieces from a psychological angle and develops<br />
the chosen material meticulously and in<br />
depth. His ballets always offer a personal and<br />
unique view of events, while at the same time<br />
featuring the very best in contemporary<br />
dance techniques. We look forward to this collaboration.<br />
In March we can look forward to being carried<br />
away by the sounds of baroque music and<br />
a story from the Old Testament. In Vivaldi’s<br />
oratorio «Juditha triumphans», I will once<br />
again be choreographing the story of a strong<br />
female character in a narrative ballet. The<br />
male and female dancers will be mingling on<br />
stage with the all-female singers to tell the<br />
story – through music and dance – of the beautiful<br />
Jewish widow Juditha, who courageously<br />
and selflessly enters the military camp of Holofernes<br />
and decapitates the enemy as he lies in<br />
a drunken stupor in his sleeping quarters.<br />
And as in previous years, the end of the<br />
season will see the return of the DanceLab,<br />
where we give young artists a forum for creative<br />
experimentation and a chance to choreograph<br />
their own pieces. Over the past few<br />
years the DanceLab evenings on the Kleine<br />
Bühne have become a real crowd puller. The<br />
pieces by the dancers from my company are<br />
both inspiring and diverse, coming together to<br />
ensure an exciting full-length event, that from<br />
experience offers a broad spectrum of pieces,<br />
from the exceptionally light-hearted to the<br />
remarkably serious.<br />
And because dance not only speaks to<br />
audiences but also to the dancers themselves,<br />
there will also be an education project this<br />
season which aims to acquaint young people<br />
with our art.<br />
I hope that you too will be inspired by our<br />
dance and I look forward to presenting our<br />
work, which comes straight from the heart, in<br />
the new season.<br />
Yours,<br />
Richard Wherlock<br />
Director Ballett Basel<br />
4<br />
Liebe Freundinnen<br />
und Freunde des<br />
Ballett Basel<br />
Wieder blicken wir gespannt und mit Erwartungen<br />
auf die neue <strong>Saison</strong> des Ballett Basel.<br />
Diese Spielzeit wird die letzte sein unter<br />
George Delnon als Direktor des Theater Basel.<br />
Der neue Theaterdirektor Andreas Beck, der<br />
das Haus ab August 2015 leiten wird, hat vor<br />
wenigen Monaten bekanntgegeben, dass er<br />
weiterhin mit Richard Wherlock als Direktor<br />
der Sparte Tanz weiterarbeiten wird. Viele<br />
Freundinnen und Freunde des Balletts haben<br />
diese Nachricht mit grosser Freude und Dankbarkeit<br />
entgegen genommen.<br />
Das Ballett Basel wird auch in der nächsten<br />
<strong>Saison</strong> unter Erfolgsdruck stehen. Dem sind wir<br />
uns als Freundinnen und Freunde des Balletts<br />
häufig nicht bewusst. Neben hervorragenden<br />
Produktionen, die von den Medien hochgelobt<br />
und vom Publikum begeistert aufgenommen<br />
werden, spielt für die Direktion immer auch<br />
eine Rolle, wie hoch die Aufführungen ausgelastet,<br />
d.h. wie viele Tickets verkauft worden sind.<br />
Das Ballett Basel ist auch in dieser Hinsicht sehr<br />
erfolgreich, sind es doch über 78'000 Zuschauerbesuche<br />
in den beiden zurück liegenden<br />
Spielzeiten. Solche Zahlen sind nicht selbstverständlich.<br />
Sie sind Ausdruck davon, dass der<br />
Tanz am Theater Basel auf sehr hohem Niveau<br />
gepflegt wird und dass die einzelnen Produktionen<br />
mit grösster Sorgfalt erarbeitet, choreografiert<br />
und getanzt werden. Nur solche Aufführungen<br />
werden vom anspruchsvollen und verwöhnten<br />
Publikum unserer Region besucht.<br />
Neben der Auslastung zeugt aber auch die<br />
Treue der Freundinnen und Freunde des Ballett<br />
Basel davon, dass der Tanz am Theater Basel<br />
einen hohen Stellenwert einnimmt. Die Basler<br />
Ballett Gilde hat es sich zur Aufgabe gemacht,<br />
die grosse Anzahl von Freundinnen und Freunden<br />
des Tanzes anzusprechen, ihnen aufzuzeigen,<br />
was eine Mitgliedschaft bei der bbg dem<br />
Ballett und ihnen selbst bringt. Darum ist es uns<br />
ein grosses Anliegen, unseren Mitgliedern<br />
unsere Wertschätzung und unseren Dank für<br />
ihre Treue und Unterstützung zum Ausdruck zu<br />
bringen. Nur ein Ballett, das viele Freunde hat,<br />
ist auch ein erfolgreiches Ballett. Und diese<br />
Treue und Liebe zum Ballett Basel will die bbg<br />
auch in der neuen Spielzeit zeigen mit Aktionen<br />
wie Einladungen zu Apéros mit der Compagnie,<br />
zu Hauptproben oder zu anderen speziellen<br />
Anlässen. Lassen Sie sich überraschen!<br />
Die bbg wünscht Richard Wherlock und der<br />
ganzen Compagnie eine erfolgreiche Spielzeit<br />
<strong>2014</strong>/2015 und dem treuen Publikum unvergessliche<br />
Tanzerlebnisse mit dem Ballett Basel.<br />
Barbara Schneider<br />
President of the Foundation Board<br />
of the Basler Ballett Gilde<br />
Dear friends<br />
of<br />
Ballett Basel<br />
Once again we can look ahead with excitement<br />
and expectation to the new season of Ballett<br />
Basel. This will be the last season with George<br />
Delnon as Director of Theater Basel. The new<br />
theatre director, Andreas Beck, who will take<br />
the helm in August 2015, announced a few<br />
months ago that he will continue to work with<br />
Richard Wherlock as director of the dance<br />
section. Many friends of the ballet were very<br />
happy and grateful to hear this news.<br />
Once again this season, Ballett Basel will be<br />
under pressure to succeed. As friends of the<br />
ballet, we are not always aware of this. Besides<br />
outstanding productions, which met with great<br />
acclaim from both critics and audiences, another<br />
key consideration for the management is<br />
how booked out performances are, in other<br />
words how many tickets are sold. Ballett Basel<br />
is also very successful in this respect, with<br />
audiences of over 78'000 in each of the past<br />
two seasons. Such figures should not be taken<br />
for granted. They are a reflection of the extremely<br />
high standard of dance at Theater Basel<br />
and the meticulousness with which individual<br />
productions are developed, choreographed<br />
and performed. Only performances of this<br />
calibre can attract the discerning audiences<br />
from the Basel region.<br />
Besides ticket sales, the loyalty of the<br />
friends of Ballett Basel is also testimony to the<br />
important role of dance at Theater Basel. The<br />
basler ballett gilde aims to address the many<br />
friends of dance and to highlight what being a<br />
member of the bbg brings to ballet and also<br />
what members themselves get out of it. This is<br />
why it is important to us to express our appreciation<br />
and thanks to our members for their<br />
loyalty and support. Because a ballet with<br />
many friends is a successful ballet. And this<br />
season too, the bbg intends to demonstrate<br />
this loyalty and love for Ballett Basel with activities<br />
such as invitations to drinks receptions<br />
with the company, dress rehearsals and other<br />
special events. Prepare to be amazed!<br />
The bbg would like to wish Richard Wherlock<br />
and his company a successful <strong>2014</strong>/15<br />
season and the loyal audiences some unforgettable<br />
dance experiences with Ballett Basel.<br />
Barbara Schneider<br />
President of the Foundation Board<br />
of the Basler Ballett Gilde<br />
5