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37<br />
OTTOMANIA<br />
Ottomania 6<br />
Ottoman Empire & European Theatre 4<br />
OTTOMANIA<br />
6<br />
Michael Hüttler ∙ Hans Ernst Weidinger<br />
OTTOMAN EMPIRE AND<br />
EUROPEAN THEATRE IV<br />
OTTOMAN EMPIRE<br />
AND<br />
EUROPEAN THEATRE<br />
IV<br />
SERAGLIOS IN<br />
THEATRE, MUSIC AND LITERATURE<br />
edited by<br />
Michael Hüttler ∙ Hans Ernst Weidinger<br />
In Ottoman Empire and European Theatre,<br />
vol. IV: Seraglios in Theatre, Music<br />
and Literature, the series continues to explore<br />
institute one for opera of the and theatre most history popular in Central and subjects of<br />
DON JUAN ARCHIV WIEN is an independent research<br />
Mediterranean Europe from the beginnings to the nineteenth<br />
eighteenth-century art: seraglio and<br />
century. It is a member of several international organisations,<br />
its such harem. as SIBMAS This and IAML, volume and collaborates provides with archives, a deeper<br />
libraries, museums, research institutions. The archive<br />
understanding fosters academic artistic of exchanges the on both seraglio’s a regional and various<br />
international level through numerous events like conferences,<br />
manifestations in the artworks, music and<br />
workshops, dialogue meetings, lectures, and notably the series<br />
theatre of symposia Ottoman of the Empire and Austrian/Habsburg European Theatre, which has and<br />
been held since 2008.<br />
Central European regions, including interconnections<br />
The book series “Ottomania”<br />
with<br />
researches<br />
Italy<br />
cultural<br />
and<br />
transfers<br />
France, from<br />
between the Ottoman Empire and Europe, with the<br />
the performing 16th to arts as the its focus. 19th centuries.<br />
Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman<br />
The Empire studies and European Theatre, examine vol. 1: The Age descriptions of Mozart and Selim of the<br />
III (1756–1808), 2013 (= Ottomania 1)<br />
seraglio by European diplomats, the seraglio’s<br />
visual traces in European artworks,<br />
Bent Holm: The Taming of the Turk: Ottomans on the Danish Stage<br />
1596–1896, translated from the Danish by Gaye Kynoch, 2014<br />
and (= Ottomania depictions 2) of the seraglio in eighteenth-century<br />
Austrian Singspiele. They<br />
Michael Hüttler and Hans Ernst Weidinger (eds.): Ottoman<br />
also Empire consider and European Theatre, seraglios vol. 2: The Time from of Joseph Haydn: the Ottoman<br />
From Sultan Mahmud I to Mahmud II (r.1730–1839), 2014<br />
point (= Ottomania of view 3) and investigate the music of<br />
the seraglio in eighteenth-century opera.<br />
Walter Puchner: Das neugriechische Schattentheater Karagiozis,<br />
2014 (= Ottomania 4)<br />
Michael Hüttler, Emily M. N. Kugler and Hans Ernst Weidinger<br />
(eds.): Ottoman Empire and European Theatre, vol. 3: Images of the<br />
Harem in Literature and Theatre, 2015 (= Ottomania 5)<br />
Contributions by Emre Aracı | Gülgûn<br />
Üçel-Aybet | Lisa Feurzeig | Caroline Herfert |<br />
Michael Hüttler | Darja Koter | Evren Kutlay |<br />
Alexandre Lhâa | Tatjana Marković |<br />
Strother Purdy | Orlin Sabev | Luca Scarlini |<br />
John Sienicki | Nina Trauth | Polona Vidmar |<br />
Hans Ernst Weidinger | Nazende Yılmaz<br />
Michael Hüttler, Hans Ernst Weidinger (eds.)<br />
Ottoman Empire and European Theatre<br />
Vol. IV: Seraglios in Theatre, Music and Literature<br />
Hollitzer: Wien 2016 | Ottomania 6<br />
ISBN 978-3-99012-189-4<br />
328 pages<br />
17,5 × 24,5 cm<br />
English<br />
Hardcover with dust jacket<br />
€ 55,00<br />
15.4.2016 11:57:44<br />
Also available as e-book<br />
€ 49,99
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