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39<br />
OTTOMANIA<br />
Ottomania 8<br />
Ottoman Empire & European Theatre 5<br />
OttO man EmpirE<br />
and<br />
EurO p E an t h E atrE<br />
V<br />
Gluck<br />
and<br />
tHE turkisH subjEct<br />
in ballEt and dancE<br />
This volume focuses on the Turkish theme<br />
in ballet and dance from the seventeenth<br />
century to the time of Christoph W. Gluck.<br />
The Turkish theme was a popular topic on<br />
European ballet stages throughout the<br />
seventeenth- and eighteenth-century.<br />
Most influential choreographers had<br />
‘Turkish’ ballets in their repertoire. Taking<br />
Christoph W. Gluck and Gasparo Angiolini,<br />
successful composer and choreographer<br />
of ballets at the French theatre in<br />
Vienna, as a departure point, this publication<br />
investigates the Turkish subject in<br />
the history of European ballet, and aims<br />
to discuss, the aim of to discuss the topic<br />
from a historical perspective, to present<br />
new findings, and to introduce the latest<br />
scholarly achievements of the research<br />
field.<br />
edited by<br />
Michael Hüttler ∙ Hans Ernst Weidinger<br />
Contributions by Emre Aracı | Bruce Alan<br />
Brown | David Chataignier | Sibylle Dahms |<br />
Vera Grund | Bert Gstettner | Bent Holm |<br />
Michael Hüttler | Evren Kutlay | Dora Kiss |<br />
Laura Naudeix | Strother Purdy | Katalin<br />
Rumpler | Kathe Springer-Dissmann |<br />
Dirk Van Waelderen | Hans Ernst Weidinger<br />
Michael Hüttler, Hans Ernst Weidinger (eds.)<br />
Ottoman Empire and European Theatre V<br />
Gluck and the Turkish Subject in Ballet and Dance<br />
Hollitzer: Wien 2018 | Ottomania 8<br />
ISBN 978-3-99012-074-3<br />
362 pages<br />
17,5 × 24,5 cm<br />
English<br />
Hardcover with dust jacket<br />
€ 65,00<br />
Also available as e-book<br />
€ 59,99
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