Mes Amis Spring 2011 - Forest Ridge School of the Sacred Heart
Mes Amis Spring 2011 - Forest Ridge School of the Sacred Heart
Mes Amis Spring 2011 - Forest Ridge School of the Sacred Heart
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alumna Spotlight: cora edmondS ‘83<br />
Cora Edmonds ’83 in her gallery, ArtXchange Gallery in Seattle.<br />
Portrait<br />
14 <strong>Mes</strong> <strong>Amis</strong> <strong>Spring</strong> <strong>2011</strong><br />
<strong>of</strong> an<br />
artist’s journey<br />
By taylor Durham ’11<br />
For Cora Edmonds ’83, photographer and director <strong>of</strong><br />
<strong>the</strong> ArtXchange Gallery in Seattle, it has always been<br />
about <strong>the</strong> journey.<br />
Born in Hong Kong, Cora moved to <strong>the</strong> United States at age 12 and<br />
came to <strong>Forest</strong> ridge as an 8th-grade student. Her bilingual, bicultural<br />
background sparked a lifelong interest in global exchange that has<br />
since taken her to more than 30 countries. The Artxchange Gallery is<br />
<strong>the</strong> product <strong>of</strong> years <strong>of</strong> hard work and serendipitous encounters that<br />
meld her love <strong>of</strong> photography and international culture.<br />
Having spent time working in advertising at an agency based in Hong<br />
Kong and in communications at micros<strong>of</strong>t, Cora was familiar with<br />
both <strong>the</strong> creative process and technology. But it wasn’t until her fa<strong>the</strong>r<br />
brought two contemporary Chinese paintings home from a business<br />
trip that Cora realized her true passion. Inspired by <strong>the</strong> distinctiveness<br />
<strong>of</strong> <strong>the</strong> pieces, Cora began to formulate her vision for what was to<br />
become Artxchange, questioning, “How can I really marry <strong>the</strong>se<br />
things that I love—technology, art, people, culture and photography?”<br />
Cora began by sending out translated brochures to artists, galleries,<br />
museums and institutions all around <strong>the</strong> world, asking for images to<br />
include in an online art database that was in its infancy. “About two<br />
or three months later it was like Christmas. I was getting mail from<br />
all around <strong>the</strong> world,” she says. “People were folding drawings up<br />
and sending <strong>the</strong>m to me in envelopes from mongolia!” She quit her<br />
job at micros<strong>of</strong>t and began pursuing what she calls, “<strong>the</strong> best <strong>of</strong><br />
cultural exchange.”<br />
“I started traveling and meeting <strong>the</strong> artists face to face. The beautiful<br />
thing is that when you meet an artist, it’s never just meeting an artist,<br />
it’s meeting <strong>the</strong>ir friends, <strong>the</strong>ir social network,” she says. “I feel so<br />
lucky because I never travel without knowing someone. you are<br />
instantly welcomed like <strong>the</strong>ir family.”<br />
Evolving from an online gallery to private showroom and finally to<br />
its current gallery in Pioneer Square, <strong>the</strong> Artxchange features work<br />
from a diverse body <strong>of</strong> international artists designed to expose <strong>the</strong><br />
Seattle community to cultural exploration and <strong>the</strong> exchange <strong>of</strong> ideas<br />
through art.<br />
Cora’s work has taken her in many different directions, from cities<br />
(“Urban juice,” she says, “feeds my creative soul,”) to remote regions <strong>of</strong><br />
<strong>the</strong> world where she wonders at “<strong>the</strong> tenacity to survive.” In one such<br />
encounter, while filming a documentary on healers and <strong>the</strong>ir practices<br />
throughout <strong>the</strong> world, Cora found herself in <strong>the</strong> Humla region <strong>of</strong><br />
Nepal. Often called <strong>the</strong> Hidden Himalayas, Humla’s isolation makes it<br />
a perfect location to study traditional ways <strong>of</strong> living.<br />
recalling her last day in Nepal, Cora remembers, “We had to hike<br />
through <strong>the</strong> night to get to <strong>the</strong> village from which we planned to fly<br />
out. It was pretty rough; I was really tired and cold and hungry—<strong>the</strong><br />
wind was whipping. I remember my headlight battery died twice.”