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From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

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eliefs found in Judaism <strong>and</strong> <strong>Chris</strong>tianity. These visions culminate in 1516 in Thomas More’s Utopia.<br />

Since More’s depiction <strong>of</strong> the imaginary society on the isl<strong>and</strong> <strong>of</strong> Utopia, writers have portrayed practical<br />

societies that transform <strong>our</strong> economic, political, technological, <strong>and</strong> cultural models, <strong>and</strong> take us to<br />

uncharted l<strong>and</strong>s, distant planets, <strong>and</strong> unimaginable futures that challenge <strong>and</strong> alter the very foundations<br />

<strong>of</strong> society. These utopian <strong>and</strong> dystopian visions imagine what <strong>our</strong> society could be like, <strong>and</strong> how we might<br />

create such a place.<br />

The word ‘utopia’ was coined by More as the name <strong>of</strong> the imaginary country he described in his short 1516<br />

satire entitled Libellus vere aureus nec minus salutaris quam festivus de optimo reip. statu, deq; nova Insula Utopia.<br />

The word Utopia is derived from the Greek words ouk, meaning not, which More reduces to u, <strong>and</strong> combines<br />

with topos meaning place, to which he added the suffix ia, He created a word to indicate a particular place.<br />

Etymologically, therefore, utopia is a place that is paradoxically a non-place, or basically no place, or nowhere.<br />

Utopia has <strong>of</strong>ten been interpreted to signify a good place, through the confusion <strong>of</strong> its first syllable with the<br />

Greek eu (as, for example, in ‘euphemism’ or ‘eulogy’). Utopia thus puns on eutopia to mean both no place<br />

<strong>and</strong> good place simultaneously. The conflation first occurred in a poem More wrote to the reader entitled ‘A<br />

short meter <strong>of</strong> Utopia’ in which Utopia is ‘righted’ to Eutopia, ‘a place <strong>of</strong> felicity’. As a result, the word utopia<br />

came to refer to a non-existent good place, rather than to nowhere.<br />

As a consequence <strong>of</strong> this conflation <strong>of</strong> meaning, the related word dystopia was invented in the nineteenth<br />

century by John Stuart Mill (1806–1873) during a parliamentary debate in the United Kingdom’s House <strong>of</strong><br />

Lords, where he described a bad place – the very antithesis <strong>of</strong> utopia. Dystopia is derived from the same root<br />

as ‘utopia’ but with the prefix u being replaced with the Greek dys, meaning, bad, abnormal, or diseased.<br />

in this exhibition ‘utopia’ is used synonymously with an imaginary good place or no place, as reflected in the<br />

title to the exhibition, <strong>Nowhere</strong>, while ‘dystopia’ is used to mean a place diametrically opposed to Utopia.<br />

What is a utopia or a dystopia?<br />

What constitutes a utopia or dystopia? Does the imaginary L<strong>and</strong> <strong>of</strong> Cockaigne count as a utopia, where<br />

cooked chickens walk into y<strong>our</strong> mouth <strong>and</strong> boundless gallons <strong>of</strong> wine flow out <strong>of</strong> an everlasting fountain?<br />

Should the apocalypse <strong>of</strong> World War Z be regarded as a dystopia, where the undead horde feasts on the<br />

flesh <strong>of</strong> the living until there is nothing left? is the setting <strong>of</strong> Star Wars in a far away galaxy, as a utopian<br />

state in a dystopian universe, where the rebellion struggles to repel the evil Galactic Empire? A utopia<br />

or dystopia has to emerge from a functionally constructed society. New worlds, cities, or civilizations<br />

may be founded upon futuristic technologies, republics, or faiths, but at its core there has to be a<br />

materialist reality where society functions, not necessarily like the one familiar to us, but realistically<br />

10 Introduction

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