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From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

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23. Saint Thomas More. The Utopia <strong>of</strong> Sir Thomas More. Oxford: Clarendon<br />

Press, 1885.<br />

Probably the first modern edition <strong>of</strong> Utopia, this bilingual version, edited by the scholar <strong>and</strong><br />

schoolmaster Joseph Hirst Lupton, includes much <strong>of</strong> the paratext that accompany both the<br />

Latin editions <strong>and</strong> English translations by Robinson, along with a brief biography <strong>of</strong> More, <strong>and</strong><br />

an extensive glossary. Although lacking illustrations, the edition allows readers to compare <strong>and</strong><br />

contrast the Latin <strong>and</strong> English versions.<br />

On loan from the Centre for Renaissance <strong>and</strong> Reformation Studies, Victoria University in the University <strong>of</strong> Toronto<br />

24. Saint Thomas More. Utopia. New York: W.W. Norton & Co., 2011.<br />

The most recent critical edition <strong>of</strong> Utopia, published by Norton, includes not only the paratext to<br />

the various editions, but also background texts <strong>and</strong> modern criticism. The background texts include<br />

excerpts from Plato’s Republic, <strong>and</strong> the F<strong>our</strong> Voyages by Amerigo Vespucci <strong>and</strong> his discovery <strong>of</strong> a<br />

new continent. The critical texts are excerpted from the writings <strong>of</strong> literary utopian theorists such<br />

as Northrop Frye, <strong>and</strong> from modern utopias such as Ursula K. Le Guin’s The Left H<strong>and</strong> <strong>of</strong> Darkness.<br />

Compiled for a scholarly audience, this edition provides a comprehensive literary context for both<br />

the work Utopia <strong>and</strong> the concept <strong>of</strong> utopia, from its inception in the sixteenth century.<br />

25. Abraham Ortelius (1527–1598). Vtopiae.<br />

in 1595, the famous cartographer Abraham Ortelius started work on designing a map <strong>of</strong> Utopia<br />

constructed from the account <strong>of</strong> the isl<strong>and</strong> by Hythlodaeus. Similar in style to the maps produced<br />

for Theatrum orbis terrarum, the map includes 111 topographical names in Latin, Greek, Spanish,<br />

Dutch, Slavonic, Turkish, French, <strong>Utopian</strong>, italian, <strong>and</strong> German. The bottom right cartouche states:<br />

To the spectator: behold the joys <strong>of</strong> the world. See the fortunate Kingdom. What could be<br />

better? This is Utopia, Fortress <strong>of</strong> Peace, centre <strong>of</strong> Love <strong>and</strong> Justice, safe Haven <strong>and</strong> Trusted<br />

Coast. Praised elsewhere, Venerated by you who knows why. This L<strong>and</strong>, more than Any<br />

Other, <strong>of</strong>fers you a Happy Life. Dedicated to Johannes Wacker von Wackenfels, as told by<br />

Raphael, recorded by More, <strong>and</strong> drawn by Abraham Ortelius. Joy <strong>and</strong> Prosperity to You.<br />

Johann Matthäus Wacker von Wackenfels (1550–1619) was an active diplomat, scholar <strong>and</strong> author,<br />

with a keen interest in history <strong>and</strong> philosophy <strong>and</strong> was a close friend <strong>of</strong> the astronomer Johannes<br />

<strong>From</strong> <strong>Nowhere</strong>: <strong>Utopian</strong> <strong>and</strong> <strong>Dystopian</strong> <strong>Visions</strong> <strong>of</strong> <strong>our</strong> Past, Present, <strong>and</strong> Future 41

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