From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young
From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young
From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young
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64. Hugh Hood (1928-2000). You Can’t Get There from Here. [Ottawa: Oberon<br />
Press, 1972].<br />
Set in the imaginary African state <strong>of</strong> Leoafrica (which had recently achieved independence from<br />
U.N. trusteeship) You Can’t Get There from Here invites the reader to see how two races with different<br />
languages <strong>and</strong> customs can transform a nation into a menacing l<strong>and</strong>scape where the threat <strong>of</strong><br />
separation <strong>and</strong> civil war become real. With both tribes in Leoafrica suspicious <strong>of</strong> one another, the<br />
inl<strong>and</strong> tribe declares itself an independent republic, resulting in riots <strong>and</strong> chaos across the country.<br />
Parodying the complicated cultural <strong>and</strong> linguistic l<strong>and</strong>scape <strong>of</strong> Canada, the novel captures the<br />
deep-seated historical differences in Canada, mirrored in the fictional Leoafrica, leaving the reader<br />
to speculate whether or not the cataclysmic events <strong>of</strong> Leoafrica could befall this nation.<br />
65. Matt Cohen (1942–). The Col<strong>our</strong>s <strong>of</strong> War. Toronto: McClell<strong>and</strong> <strong>and</strong> Stewart,<br />
1977.<br />
The Col<strong>our</strong>s <strong>of</strong> War captures the enormous potential for oppression inherent in the power <strong>of</strong> any<br />
government. Set in an alternative past to the events <strong>of</strong> the October Crisis <strong>of</strong> 1970, the novel<br />
follows the narrator, Theodore Beam, through a first-h<strong>and</strong> experience <strong>of</strong> a revolutionary resistance<br />
movement that is moving slowly across the country. As the novel progresses it becomes apparent<br />
that the government does not dem<strong>and</strong> the loyalty <strong>of</strong> the people, only their obedience; <strong>and</strong> as the<br />
Government devolves further <strong>and</strong> further into totalitarianism, the reader is left wondering what<br />
might have happened in the aftermath <strong>of</strong> October 1970, <strong>and</strong> just how much more the Government<br />
could have tightened its grip on the population. Reflecting on the novel’s events, Theodore comes to<br />
realize that Canada is no longer a country ‘set apart from the rest <strong>of</strong> the world’.<br />
66. William Weintraub (1926–). The Underdogs. Toronto: McCell<strong>and</strong> <strong>and</strong><br />
Stewart, 1979.<br />
Published nine years after the October Crisis <strong>of</strong> 1970, The Underdogs imagines a future socialist<br />
Republic <strong>of</strong> Québec. Set twenty years after separation, the once mighty Anglophones <strong>of</strong> Montréal<br />
have become the underdogs in the Republic. Because <strong>of</strong> the Linguistic Purity Laws, Englishspeakers<br />
are the poorest members <strong>of</strong> society; not even an English muffin can be purchased<br />
without a government permit. Anglophones’ every move is watched by the Language Police, the<br />
Recreation Police, the Agricultural Police, <strong>and</strong> the Veterinary Police to make sure Québec culture<br />
<strong>and</strong> the French language are maintained pure. A militant separatist group forms, called the ‘Anglo<br />
<strong>From</strong> <strong>Nowhere</strong>: <strong>Utopian</strong> <strong>and</strong> <strong>Dystopian</strong> <strong>Visions</strong> <strong>of</strong> <strong>our</strong> Past, Present, <strong>and</strong> Future 77