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From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

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45. William Morris (1834–1896). News from <strong>Nowhere</strong>. London: Reeves &<br />

Turner, 1891.<br />

Much like Edward Bellamy’s Looking Backward, William Morris’s News from <strong>Nowhere</strong> also begins<br />

with a man waking one morning to find himself in a world completely unlike the world in which<br />

he fell asleep. Leaving nineteenth-century industrial London behind him, William Guest wakes up<br />

in the twenty-first century in a communist society called <strong>Nowhere</strong>. As he travels through the city<br />

he finds that many <strong>of</strong> the divisions <strong>of</strong> Victorian Engl<strong>and</strong> are absent: education is available to all<br />

those who desire it; slums, poorhouses, <strong>and</strong> factories have vanished; political decisions are made<br />

by all through a majority vote in the communes; <strong>and</strong> women have been freed from the traditional<br />

gender roles that prevented their advancement. Unlike Looking Backward which saw technology<br />

<strong>and</strong> industry as methods for creating equality in society, Morris’s metropolis <strong>of</strong> <strong>Nowhere</strong> proposes a<br />

rural version <strong>of</strong> urban life, where people work with few machines <strong>and</strong> without large-scale industry<br />

to achieve the social equality that was missing from nineteenth-century London.<br />

46. H.G. Wells (1866–1946). A Modern Utopia. London: Chapman & Hall, 1905.<br />

Considered to be one <strong>of</strong> the founders <strong>of</strong> modern science fiction, H. G. Wells began his career as a<br />

dystopian satirist <strong>and</strong> spent most <strong>of</strong> his life writing variations on the theme <strong>of</strong> utopia. Although many<br />

<strong>of</strong> his earliest works – The Time Machine, The Isl<strong>and</strong> <strong>of</strong> Doctor Moreau, The Invisible Man, War <strong>of</strong> the<br />

Worlds, <strong>and</strong> The First Men in the Moon – were very much dystopian novels, A Modern Utopia reflects a<br />

time when Wells believed a better society could be created through a new world-state. The story is set<br />

on a planet much like earth, but different in that the inhabitants have created a perfect global society,<br />

a utopia, in which the problems <strong>of</strong> society have been eradicated through developments in science<br />

<strong>and</strong> technology. This modern utopia is ruled by the Samurai, a moral <strong>and</strong> spiritual ruling class that<br />

leads a spartan life to govern the planet. Wells’s core utopian themes in the novel focus on the need<br />

to resurrect a strong sense <strong>of</strong> civic responsibility, to cultivate a ruling elite, <strong>and</strong> to harness science <strong>and</strong><br />

technology to serve human needs. <strong>From</strong> A Modern Utopia onwards, Wells unceasingly advocated some<br />

form <strong>of</strong> new world-state that would solve society’s issues. But as the twentieth century progressed, he<br />

became disillusioned with the idea <strong>of</strong> a world-state, witnessing the collapse <strong>of</strong> the League <strong>of</strong> Nations,<br />

while the world slid into a global war for the second time in a generation.<br />

<strong>From</strong> <strong>Nowhere</strong>: <strong>Utopian</strong> <strong>and</strong> <strong>Dystopian</strong> <strong>Visions</strong> <strong>of</strong> <strong>our</strong> Past, Present, <strong>and</strong> Future 61

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