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From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

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73. Margaret Atwood. The Year <strong>of</strong> the Flood. Toronto: McClell<strong>and</strong> & Stewart, 2009.<br />

Situated in an undefined near future, The Year <strong>of</strong> the Flood focuses on a small group called<br />

God’s Gardeners who have survived the post-apocalyptic events described in Oryx <strong>and</strong> Crake. The novel<br />

takes place in the years directly preceding <strong>and</strong> following the outbreak <strong>of</strong> a deadly pathogen that has<br />

nearly wiped out the human species, an event known in the narrative as ‘the Flood.’ The story is told<br />

from the perspective <strong>of</strong> Ren <strong>and</strong> Toby, <strong>and</strong> the narrative alternates between the portrayal <strong>of</strong> the two<br />

women’s attempts to survive in the post-Flood world, <strong>and</strong> their memories <strong>of</strong> life before it. Like the flood<br />

in the Old Testament, the Gardeners believe that the majority <strong>of</strong> humanity leads evil lives that are not<br />

worth saving. Following upon similar themes in Oryx <strong>and</strong> Crake, Atwood’s The Year <strong>of</strong> the Flood forces the<br />

reader to question the morality behind science <strong>and</strong> the dark consequences <strong>of</strong> scientific exploitation.<br />

74. Margaret Atwood. Atwood Papers: The Year <strong>of</strong> the Flood drafts. 2007-2008.<br />

Among the most difficult editorial decisions is the choice <strong>of</strong> the title for a book, as was the case<br />

with The Year <strong>of</strong> the Flood. There were actually two other working titles for the novel before the final<br />

printing <strong>of</strong> the book. Originally God’s Gardeners, The Feast <strong>of</strong> Serpent Wisdom was then suggested as<br />

evident from this master copy 9 July 2008. But scribbled over in pencil is the final title, The Year <strong>of</strong><br />

the Flood, highlighting the dramatic events about to unfold.<br />

75. Jason McBride (1968–) <strong>and</strong> Alana Wilcox. uTOpia: Towards a New Toronto.<br />

Toronto: Coach House Press, 2005.<br />

in the wake <strong>of</strong> Mayor David Miller’s election in November 2003, Toronto experienced a wave <strong>of</strong><br />

civic pride <strong>and</strong> enthusiasm that had not been felt in decades. Torontonians began to see their city<br />

as a place <strong>of</strong> potential, <strong>and</strong> began to dream again <strong>of</strong> a city that was truly workable, livable <strong>and</strong><br />

world-class. uTOpia, first published in 2005, aims to capture <strong>and</strong> chronicle that spirit, collecting<br />

the writings <strong>of</strong> thirty-f<strong>our</strong> Torontonians who suggest practical measures that would improve<br />

the city, potentially changing it into a utopian metropolis. The anthology explores plans for the<br />

redevelopment <strong>of</strong> the isl<strong>and</strong> airport, a car-free Kensington Market, <strong>and</strong> how efforts to combat<br />

development <strong>of</strong> the Spadina Expressway have shaped activism in the city. Although the work by no<br />

means <strong>of</strong>fers a complete picture <strong>of</strong> events in Toronto during the early 2000s, it does <strong>of</strong>fer a utopian<br />

vision <strong>of</strong> the city that might be shared with the world.<br />

<strong>From</strong> <strong>Nowhere</strong>: <strong>Utopian</strong> <strong>and</strong> <strong>Dystopian</strong> <strong>Visions</strong> <strong>of</strong> <strong>our</strong> Past, Present, <strong>and</strong> Future 83

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