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From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

From Nowhere: Utopian and Dystopian Visions of our - Chris J. Young

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58. George Orwell (1903–1950). Animal Farm. New York: Harc<strong>our</strong>t, Brace <strong>and</strong><br />

Co., 1946.<br />

Satirizing the 1917 Bolshevik Revolution <strong>and</strong> the repressive style <strong>of</strong> government imposed by Lenin<br />

<strong>and</strong> Stalin, Orwell’s Animal Farm, represented here in a pro<strong>of</strong> copy, sounds a warning against<br />

revolutionary change. in this dystopia, a farmer named Mr. Jones habitually mistreats his animals,<br />

until a boar named Old Major takes charge <strong>and</strong> calls a meeting <strong>of</strong> the animals. Old Major compares<br />

humans to parasites who must be overthrown, but when he dies leadership devolves to two pigs,<br />

Snowball <strong>and</strong> Napoleon, who lead the revolution. Following its successful execution, the animals<br />

take control <strong>of</strong> the farm <strong>and</strong> begin to rebuild under the slogan ‘all animals are equal.’ As the novel<br />

progresses, Snowball is chased from the farm by Napoleon, who then assumes control <strong>of</strong> the farm.<br />

Napoleon’s rule <strong>of</strong> the farm illustrates the axiom ‘power corrupts but absolute power corrupts<br />

absolutely.’ As the original ideals <strong>of</strong> the revolution begin to change, the ruling elite modifies the<br />

original slogan to ‘all animals are equal, but some are more equal than others.’<br />

59. George Orwell (1903–1950). Nineteen Eighty-f<strong>our</strong>, a Novel. London: Secker<br />

& Warburg, 1949.<br />

Probably the best known <strong>of</strong> all modern dystopias, Orwell’s Nineteen Eighty-F<strong>our</strong> describes a British<br />

totalitarian state under the control <strong>of</strong> a mysterious dictator, Big Brother. Foreshadowing the rise <strong>of</strong><br />

telecommunications as a method <strong>of</strong> surveillance, the dystopia presents a state where children betray<br />

their parents, party members denounce each other, <strong>and</strong> an atmosphere <strong>of</strong> mutual distrust pervades.<br />

Following the life <strong>of</strong> Winston Smith, a worker for the Ministry <strong>of</strong> Truth, who spends his working<br />

h<strong>our</strong>s rewriting history for the government, the novel demonstrates the consequences for those who<br />

rebel against the state <strong>of</strong> Big Brother. Winston begins a love affair with a party member named Julia.<br />

They flee to the countryside to see out their love affair, only to be apprehended <strong>and</strong> imprisoned by<br />

Big Brother for their rebellious behavi<strong>our</strong>. Winston is consequently ‘reeducated’ by a party <strong>of</strong>ficer<br />

named O’Brien who eradicates the idea that the truth really exists out there, outside <strong>of</strong> Big Brother.<br />

Furthermore, Winston is told that the truth cannot exist in the individual, but only in the collective,<br />

<strong>and</strong> therefore the truth is what the Party says it is. Not only does Big Brother control the actions <strong>of</strong><br />

the people, but also their thoughts <strong>and</strong> emotions.<br />

<strong>From</strong> <strong>Nowhere</strong>: <strong>Utopian</strong> <strong>and</strong> <strong>Dystopian</strong> <strong>Visions</strong> <strong>of</strong> <strong>our</strong> Past, Present, <strong>and</strong> Future 73

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