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The lives of the poets from The Dictionary of National Biography ...

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is ei<strong>the</strong>r Benjamin Jowett or ben trovato has Jowett saying <strong>of</strong> a new poem that Tennyson recited, ‘I think I<br />

wouldnʹt publish that, if I were you, Tennyson’; whereupon <strong>the</strong> poet retorted, ‘If it comes to that, Master, <strong>the</strong><br />

sherry you gave us at luncheon was beastly’ (Martin, 433). Jowettʹs ‘Notes on Characteristics <strong>of</strong> Tennyson’<br />

cannot be bettered for <strong>the</strong>ir sympa<strong>the</strong>tic acumen (Ricks, Tennyson and His Friends, 186–7):<br />

Absolute truthfulness, absolutely himself, never played tricks.<br />

Never got himself puffed in <strong>the</strong> newspapers.<br />

A friend <strong>of</strong> liberty and truth.<br />

Extraordinary vitality.<br />

Great common sense and a strong will.<br />

<strong>The</strong> instinct <strong>of</strong> common sense at <strong>the</strong> bottom <strong>of</strong> all he did.<br />

Not a man <strong>of</strong> <strong>the</strong> world (in <strong>the</strong> ordinary sense) but a man who had <strong>the</strong> greatest insight into <strong>the</strong> world, and<br />

<strong>of</strong>ten in a word or a sentence would flash a light.<br />

Intensely needed sympathy.<br />

A great and deep strength.<br />

He mastered circumstances, but he was also partly mastered by <strong>the</strong>m, e.g. <strong>the</strong> old calamity <strong>of</strong> <strong>the</strong><br />

disinheritance <strong>of</strong> his fa<strong>the</strong>r and his treatment by rogues [Dr Allen and <strong>the</strong> wood‐carving scheme] in <strong>the</strong> days<br />

<strong>of</strong> his youth.<br />

Very fair towards o<strong>the</strong>r <strong>poets</strong>, including those who were not popular, such as Crabbe.<br />

He had <strong>the</strong> high‐bred manners not only <strong>of</strong> a gentleman but <strong>of</strong> a great man.<br />

He would have wished that, like Shakespeare, his life might be unknown to posterity.<br />

In <strong>the</strong> commonest conversation he showed himself a man <strong>of</strong> genius. He had abundance <strong>of</strong> fire, never<br />

talked poorly, never for effect. As Socrates described Plato, ‘Like no one whom I ever knew before’.<br />

<strong>The</strong> three subjects <strong>of</strong> which he most <strong>of</strong>ten spoke were ‘God,’ ‘Free‐Will,’ and ‘Immortality,’ yet always<br />

seeming to find an (apparent) contradiction between <strong>the</strong> ‘imperfect world,’ and ‘<strong>the</strong> perfect attributes <strong>of</strong><br />

God.’<br />

Great charm <strong>of</strong> his ordinary conversation, sitting by a very ordinary person and telling stories with <strong>the</strong><br />

most high‐bred courtesy, endless stories, not too high or too low for ordinary conversation.<br />

<strong>The</strong> persons and incidents <strong>of</strong> his childhood very vivid to him, and <strong>the</strong> Lincolnshire dialect and <strong>the</strong> ways <strong>of</strong><br />

life.<br />

Loved telling a good story, which he did admirably, and also hearing one.

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