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The lives of the poets from The Dictionary of National Biography ...

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doesnʹt depend on its literary merit or even on its stage effect, but on its hitting somehow. (Allingham, 287, 5<br />

Aug 1880)<br />

Irving procrastinated for years, but six months before Tennysonʹs death he agreed to produce it, and did so<br />

in February 1893.<br />

Strong <strong>of</strong> constitution, Tennyson lived to a great age. In his nerve‐shattered thirties (<strong>the</strong> 1840s) he had<br />

despairingly resorted to water cures, and intermittently throughout his life he had a fear <strong>of</strong> blindness, but it<br />

was not until a few years before he died that ill health came upon him. In 1888 he suffered severe rheumatic<br />

illness, <strong>from</strong> which he did not recover until May 1889; in 1890–91 <strong>the</strong>re was perilous influenza; and <strong>the</strong>n in<br />

July 1892 he entered what was to be his last illness, bronchitis, influenza, neuralgia.<br />

Death and posthumous reputation<br />

On 6 October 1892, having recently reached his eighty‐fourth year, Tennyson died at Aldworth. That day,<br />

Queen Victoria recorded:<br />

A fine morning—I heard that dear old Ld Tennyson had brea<strong>the</strong>d his last, a great national loss. He was a<br />

great poet, and his ideas were ever grand, noble, elevating. He was very loyal and always very kind and<br />

sympathising to me, quite remarkably so. What beautiful lines he wrote to me for my darling Albert, and for<br />

my children and Eddy [her grandson <strong>the</strong> duke <strong>of</strong> Clarence and Avondale]. He died with his hand on his<br />

Shakespeare, and <strong>the</strong> moon shining full into <strong>the</strong> window, and over him. A worthy end to such a remarkable<br />

man. (Queen Victoriaʹs journal, Dyson and Tennyson, 140)<br />

Tennyson was buried in Westminster Abbey on 12 October. <strong>The</strong> grave is next to that <strong>of</strong> Browning, and in<br />

front <strong>of</strong> <strong>the</strong> monument to Chaucer. On 28 October 1892 <strong>the</strong>re was posthumously published <strong>The</strong> Death <strong>of</strong><br />

Œnone, Akbarʹs Dream, and O<strong>the</strong>r Poems. He left £57,206 13s. 9d.—this, and royalties to come, <strong>from</strong> poems<br />

that have lasted.<br />

Such was <strong>the</strong> sense <strong>of</strong> national loss that <strong>the</strong> abolition <strong>of</strong> <strong>the</strong> <strong>of</strong>fice <strong>of</strong> poet laureate was solemnly mooted<br />

when Tennyson died. It was not until 1 January 1896, more than three years later, that a successor was<br />

announced: Alfred Austin, poetaster laureate.<br />

Emily Tennyson died on 10 August 1896. In October 1897 Hallam Tennyson published, in two volumes,<br />

Alfred Lord Tennyson: A Memoir. To this he had devoted <strong>the</strong> five years since <strong>the</strong> poetʹs death, amassing,<br />

cutting, and (on occasion) shielding, towards <strong>the</strong> classic Victorian form, a life and letters. Indispensable, <strong>the</strong><br />

Memoir is capacious and honourable, at its best in breathing a sense <strong>of</strong> what it was like in <strong>the</strong> immediate<br />

vicinity <strong>of</strong> Tennyson during <strong>the</strong> second half <strong>of</strong> his life, a memoir quite as much duly as unduly reticent.<br />

In due course <strong>the</strong>re came <strong>the</strong> expected ‘reaction against Tennyson’. Samuel Butler, his grim comic nose in <strong>the</strong><br />

wind, had started to jeer as soon as <strong>the</strong> breath was out <strong>of</strong> Tennysonʹs body:<br />

I see <strong>the</strong>y packed <strong>the</strong> volume <strong>of</strong> Shakespeare that he had near him when he died in a little tin box and<br />

buried it with him. If <strong>the</strong>y had to bury it <strong>the</strong>y should have ei<strong>the</strong>r not packed it at all, or, at <strong>the</strong> least, in a box<br />

<strong>of</strong> silver‐gilt. But his friends should have taken it out <strong>of</strong> <strong>the</strong> bed when <strong>the</strong>y saw <strong>the</strong> end was near. It was not<br />

necessary to emphasize <strong>the</strong> fact that <strong>the</strong> ruling passion for posing was strong with him in death.<br />

A little later he went on, ‘It seems that it was not <strong>the</strong> copy actually in bed with Tennyson when he died that<br />

was buried with him, but ano<strong>the</strong>r copy, let us hope <strong>of</strong> <strong>the</strong> same edition, and equally well bound, was<br />

substituted for it’ (Butler, 254, 257).<br />

Imminent Edwardians ousted eminent Victorians. Some lovers <strong>of</strong> Tennyson tried to reform things <strong>from</strong><br />

within: Harold Nicolson in 1923 brilliantly rescued many <strong>of</strong> <strong>the</strong> true poems by conceding that much <strong>of</strong><br />

Tennyson must go—while insisting that <strong>the</strong> essential Tennyson, ‘a morbid and unhappy mystic’, could and

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