August 2008 - the Parklander
August 2008 - the Parklander
August 2008 - the Parklander
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CAMERA CLICKS<br />
Choosing a Photographer For Your Wedding<br />
By Jay H. Guttveg<br />
Welcome to Camera Clicks. This series of articles is<br />
designed to give you first hand knowledge on how to<br />
best use your point-and-shoot camera, and o<strong>the</strong>r helpful<br />
hints related to your photography needs.<br />
The summer months are generally slower for wedding professionals,<br />
which allows you more flexibility in meeting with <strong>the</strong>m and negotiating<br />
prices. Learning what to look for and what questions to ask are <strong>the</strong> most<br />
important issues of concern when finding <strong>the</strong> right photographer.<br />
Younger photographers tend to be more photojournalistic, where <strong>the</strong> old<br />
timers are more comfortable with a traditional style of photography. You<br />
should learn <strong>the</strong> differences between <strong>the</strong>se styles and see where your<br />
preference leads you. My recommendation is to find someone who has <strong>the</strong><br />
talent to do both, as each has significant value.<br />
Besides style, lighting is a great way of qualifying your photographer.<br />
Most photographers work with a single flash (on <strong>the</strong>ir camera), making<br />
<strong>the</strong>ir images appear flat or comparable to a novice. Multiple flashes create<br />
dimension as well as assisting <strong>the</strong> subjects to appear more flattering. At<br />
first, you might not notice this lighting technique, but over time and with<br />
more education, it will soon stand out and become obvious.<br />
Editing is ano<strong>the</strong>r way to determine <strong>the</strong> photographer’s level of<br />
professionalism. Taking <strong>the</strong> images from <strong>the</strong> camera to computer to disc is<br />
not good enough. The images need to be finessed.They need to be adjusted<br />
20 AUGUST <strong>2008</strong><br />
for color consistency, density, and expressions. In <strong>the</strong> world of digital and<br />
endless exposures, it is not uncommon to receive 800 or more unedited<br />
images, which you’ll have to go through, only to find that <strong>the</strong>re are a limited<br />
number of really acceptable photos. Make sure that <strong>the</strong> photographer<br />
presents you with adjusted images and not unedited images.<br />
Finally, I saved <strong>the</strong> best for last: price. The old adage, “You get what<br />
you pay for,” is too true in digital wedding photography. There are many<br />
ways of cutting costs, from less expensive albums to delaying <strong>the</strong><br />
production of <strong>the</strong> wedding album. But whatever you do, don’t cut <strong>the</strong><br />
hours of coverage. Photograph <strong>the</strong> entire day, as it is better to have it and<br />
not use it, than to not have it at all. We tell our clients that you can always<br />
put an album toge<strong>the</strong>r some time in <strong>the</strong> future, however we can’t print<br />
what we haven’t covered.<br />
There is typically no charge to meet with a professional wedding<br />
photographer, so take <strong>the</strong> time to check out at least three. This will allow<br />
you an opportunity to see some differences. Do some homework by<br />
checking with o<strong>the</strong>r industry related vendors and <strong>the</strong> Better Business<br />
Bureau about <strong>the</strong> photographers that you are considering. In general, an<br />
experienced photographer that is highly recommended is not going to let<br />
you down.<br />
Jay H. Guttveg, owner and president of Creative Focus Photography &<br />
Video, has specialized in Portraits and Events for more than 24 years.<br />
Guttveg, along with his wife and two sons, has been a Parkland resident<br />
for more than 14 years.