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Donnington Priory Salerooms

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18<br />

A Regency mahogany bowfronted<br />

cistern tube stick barometer<br />

Barrauds, London, early 19th<br />

century<br />

With cavetto moulded caddy upstand<br />

above glazed rectangular silvered<br />

vernier register, annotated and<br />

calibrated in inches, with mercury<br />

Fahrenheit thermometer and signed<br />

Barrauds, LONDON to upper right<br />

corner, the trunk with ivory vernier<br />

adjustment disc and ebony line inset<br />

edges above ebonised urn-shaped<br />

cistern cover to the rectangular base<br />

with ebony line inlaid canted angles and<br />

cavetto moulded underside, 99cm high.<br />

Paul Philip Barraud is recorded in Baillie<br />

G.H Watchmakers & Clockmakers of<br />

the World as working 1796-1820, he, in<br />

partnership with W. Howells and<br />

G. Jamison, was charged with making<br />

Mudge’s marine timekeepers. The firm<br />

was continued by his sons becoming<br />

Barraud and Lund in 1839.<br />

£2,500-3,500<br />

19<br />

A George III parquetry strung<br />

mahogany bulb cistern tube stick<br />

barometer<br />

Keate, circa 1810<br />

With broken pediment above shaped<br />

engraved brass scale with vernier,<br />

alcohol tube Fahrenheit thermometer<br />

and signed KEATE, FECIT to upper<br />

margin, above caddy edge-moulded<br />

trunk with exposed tube flanked by<br />

angled-grain veneers and parquetry<br />

strung borders, with domed cistern<br />

cover to the rounded base,<br />

97cm high<br />

£200-250<br />

10<br />

20<br />

A rare Queen Anne walnut<br />

cistern tube stick barometer with<br />

Royal Society scale thermometer<br />

In the manner of John Patrick,<br />

London,<br />

Unsigned, circa 1710 and later<br />

The ogee caddy top pediment with<br />

three turned brass finials above<br />

cavetto moulded break-arch cornice<br />

and arched herringbone border and<br />

foliate scroll engraved silvered scales<br />

with brass setting pointer and<br />

annotated for summer and winter<br />

conditions and inscribed Fair if Rise<br />

and Foul if Fall, flanked by pilasters<br />

with brass capitals and bases above<br />

cavetto moulded throat moulding, the<br />

trunk applied with alcohol<br />

thermometer with (replaced) silvered<br />

scale calibrated from 5 at the top<br />

down to 95 and with annotations<br />

from Extream Cold to Extream Hott<br />

flanked by vertical cross-grain cavetto<br />

mouldings to sides and with half<br />

dome above waisted cylinder turned<br />

cistern cover also enclosing<br />

thermometer bulb and with gilt brass<br />

pendant finial to base (some<br />

restoration, thermometer scale<br />

replaced), 105cm high.<br />

A closely related example is illustrated<br />

and described in Claxton Stevens,<br />

Christopher and Wittington, Stewart<br />

18th CENTURY ENGLISH<br />

FURNITURE, THE NORMAN ADAMS<br />

COLLECTION, page 463. The Royal<br />

Society scale thermometer was<br />

devised by Robert Hooke in 1664<br />

and was calibrated to every degree<br />

representing an increase of 1/500 in<br />

volume of the thermometer liquid.<br />

The scale used the freezing point of<br />

water as the fixed point and was<br />

scaled from high to low with the<br />

increase of temperature. As the rate<br />

of expansion of the alcohol varied<br />

between instruments, each scale had<br />

to be individually made<br />

for the instrument. The current Lot<br />

has a replacement silvered scale as<br />

the original paper scale had probably<br />

become to worn and discoloured to<br />

read. Hooke’s original thermometer<br />

was adopted and became known as<br />

the standard of Gresham College and<br />

used by the Royal Society until 1709.<br />

£2,500-3,500<br />

21<br />

A William and Mary style<br />

olivewood cistern tube stick<br />

barometer in the manner of<br />

John Patrick<br />

Unsigned, circa 1695 and later<br />

The superstructure with arched<br />

pediment, brass ball finials and<br />

swollen frieze above fretwork upright<br />

flanked by ebonised twist turned<br />

columns, the later silvered<br />

herringbone border and foliate<br />

engraved two-part break-arch scale<br />

with brass setting pointer above<br />

replaced exposed bulb-cistern tube<br />

flanked by cross-grain veneers and<br />

ebonised caddy moulded edge<br />

above fretwork flared side panels and<br />

later half-round ring-turned cistern<br />

cover with ogee moulded underside,<br />

(restorations and replacements)<br />

120cm high.<br />

The decorative ‘hood’ superstructure<br />

which incorporates spiral twist<br />

columns emulates the design of<br />

longcase clock from the end of the<br />

17th century and bears similarities to<br />

examples depicted in John Patrick’s<br />

advertisement of circa 1710<br />

reproduced in Goodison, Nicholas<br />

English BAROMETERS 1680-1860<br />

page 48. Although this configuration<br />

appeared to be popular well into the<br />

first two decades of the 18th century,<br />

Edwin Banfield suggests<br />

(BAROMETERS Stick or Cistern Tube<br />

page 18) that the use of fretwork<br />

in the case indicates a date prior<br />

to 1700.<br />

£1,500-2,500<br />

www.dnfa.com/donnington

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