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Donnington Priory Salerooms

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50<br />

97<br />

97<br />

A rare Queen Anne ebonised thirty-hour longcase clock<br />

Robert Rouch, Bristol, early 18th century<br />

The posted countwheel bell-striking movement with anchor<br />

escapement and 11 inch square brass dial with herringbone border<br />

engraved calendar aperture incorporating pinhole adjustment and<br />

rectangular silvered signature plaque Rich’d Rouch, Bristol to the<br />

matted centre, within an applied silvered Roman numeral chapter ring<br />

with Arabic five minutes and stylised fleur-de-lys half hour markers,<br />

with original pierced steel hands and gilt female mask and scroll cast<br />

spandrels to angles, the case with silvered wood ball finials and<br />

domed caddy to the blind fret fronted box upstand, above moulded<br />

cornice with conforming fret to frieze and integral columns to hood<br />

door, the trunk with concave throat moulding and lenticle-centred<br />

rectangular door, on plinth base with moulded skirt, 220cm high.<br />

Provenance: the property of a private collector.<br />

Robert Rouch is recorded in Bellchambers, J.K. Somerset<br />

Clockmakers as working in Bristol circa 1725-55, where he is listed<br />

as ‘a fine maker’. A single-handed clock by Dennis Chambers of<br />

Pucklechurch with identical engraved half-hour markers is illustrated<br />

in Darken, Jeff and Hooper, John English 30 Hour Clocks Origin &<br />

Development 1600-1800 on page 145. The calendar has the<br />

unusual feature of pin-hole adjustment for advancing the date at<br />

the end of shorter months, a feature normally associated with the<br />

workshop of Thomas Tompion and his successor George Graham.<br />

The case is a rare survivor and is in good original condition<br />

considering its pine construction, and was made by a cabinet<br />

maker who successfully captured the feel and proportions of a<br />

high-end London case of the period.<br />

£1,500-2,000<br />

98<br />

A mahogany eight-day longcase clock<br />

Francis Rowbotham, Hampstead, 18th century<br />

The four-pillar rack and bell striking movement with calendar<br />

aperture and subsidiary seconds dial to the matted centre within an<br />

applied silvered Roman numeral chapter ring with fleur-de-lys half<br />

hour markers, Arabic five minutes and signed Francis Rowbotham,<br />

HAMPSTEAD to lower edge, the angles with twin cherub and crown<br />

pattern spandrels beneath STRIKE/SILENT dial flanked by dolphin<br />

mounts to arch, now in a case with dentil cornice to the break-arch<br />

pediment above fluted pilasters to hood, break-arch trunk door and<br />

plinth base with moulded skirt 205cm high.<br />

£900-1,100<br />

99<br />

A George III mahogany eight-day longcase clock<br />

William Peterson, London, late 18th century<br />

The five-pillar rack and bell striking movement with 12 inch single<br />

sheet brass break-arch Roman numeral dial with subsidiary<br />

seconds and calendar dials and signed W’m Peterson, London to<br />

centre within chapter ring with Arabic five minute outer track, and<br />

foliate spray engraved lower spandrels, the arch with<br />

STRIKE/SILENT dial flanked by festoon decoration continuing down<br />

to the upper spandrels, the case with reduced pagoda pediment<br />

above break-arch trunk door flanked by brass stop-fluted quarter<br />

columns, on shaped raised panel fronted plinth base with shallow<br />

moulded skirt (generally distressed) 211cm high.<br />

£1,000-1,500<br />

www.dnfa.com/donnington

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