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Donnington Priory Salerooms

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95<br />

An ormolu mounted white marble and biscuit porcelain ‘Venus’ mantel timepiece<br />

The design attributed to Benjamin Vulliamy, late 18th/early 19th century<br />

The French eight-day movement with platform lever escapement vertically mounted on the backplate and white enamel<br />

Roman numeral chapter ring to the engine turned-gilt dial within a rope-twist bezel, in a case with gilt compressed urn<br />

surmount above shaped upstand housing the movement and dial, raised on a half rotunda temple-form base with<br />

conforming ovoid pedestal vase finials above the gilt-capped Tuscan columns enclosing a figure of a semi-clad Classical<br />

female holding forth a dove flanked by male and female putti, the former with a basket of fruit the latter with a birdcage, the<br />

figures set on a shaped gilt plinth with mirror behind, the whole on stepped curved base, some restoration, 49cm high.<br />

Provenance: Christies, King Street Out of The Ordinary The Discerning And Individual Taste of Christopher Gibbs And Harris<br />

Lindsay 10th May 2006 lot 236. Where the case is attributed to Benjamin Vulliamy and the figures to Derby.<br />

The design of the current lot clock is perhaps related to the model celebrating the triumph of Love with Euterpe produced<br />

by Vulliamy with Duesbury Derby figures modelled by Johann Jacob Wilhelm Spangler in the early 1790’s. Both share the<br />

use of bisque porcelain figures within a well conceived and detailed temple-form case. The proportions and refined<br />

detailing of the current lot confirms the fact that this clock was conceived by someone highly versed in Classical Arts and<br />

Architecture such as Vulliamy.<br />

£3,000-5,000<br />

48<br />

www.dnfa.com/donnington

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