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Mix It Up Project Report: Building New Audiences - Multicultural Arts ...

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Conclusions and Recommendations<br />

<strong>Mix</strong> <strong>It</strong> <strong>Up</strong> Research <strong>Project</strong> 2006<br />

- 33 -<br />

Centre For Leisure Management Research<br />

The fact that we engaged so many stakeholders and we are still on speaking terms with them<br />

and in fact still enjoy good relations with them is a tribute to something in the water in this<br />

place. (Administrator, the <strong>Arts</strong> Centre)<br />

<strong>Mix</strong> <strong>It</strong> <strong>Up</strong> demonstrated to its protagonists that the new cultural economy is made up of traditional, institutional<br />

organisations, small flexible innovative organisations and fledgling, individual cultural entrepreneurs, freelance<br />

practitioners and minority communities. Many of the latter are self-employed, self-taught and work with English<br />

as their second language. The small and fledgling organisations and individuals have traditionally worked at the<br />

fringes of the traditional, institutional organisations. <strong>Mix</strong> <strong>It</strong> <strong>Up</strong> provided the opportunity to create new<br />

interdependent systems of cultural production and distribution. The lack of opportunity for development in the<br />

larger, established and traditional sector has been a constant cry in the cultural industries (Bilton 1999). <strong>Mix</strong> <strong>It</strong> <strong>Up</strong><br />

provided one of those rare opportunities for this emerging and dynamic sector of individuals and small firms to<br />

work with large established organisations.<br />

On the other hand, <strong>Mix</strong> <strong>It</strong> <strong>Up</strong> also provided opportunities for traditional, institutional organisations, which are<br />

managerially strong, offer development opportunities but may tend to adopt traditional ways of working.<br />

Flexibility, opportunism and innovation as niche providers were skills transferred to traditional organisations. <strong>Mix</strong><br />

<strong>It</strong> <strong>Up</strong> required innovation in programming and audience development, team building and new ways of marketing,<br />

as well as the development of new networks. Indeed, it was a change program on a large scale, undertaken in a<br />

short time frame and with stakeholders who did not necessarily know one another or have experience working<br />

together. After years of doing things one way, this project required everyone to find new ways of working<br />

together, without a blue print for making the change happen successfully.<br />

Overall, small organisations and individuals learnt the importance of managerial skills in putting on <strong>Mix</strong> <strong>It</strong> <strong>Up</strong>,<br />

while traditional organisations have learnt the importance of flexibility, opportunism and being close to the<br />

customer. Small organisations and individuals are compelled to be more entrepreneurial in order to survive in an<br />

uncertain marketplace. Traditional large institutions are learning to appropriate these tactics, by forming strategic<br />

alliances with independent organisations and individuals. In other words, large institutions are learning to act like<br />

small ones and small independent operators are learning about the corporate approach to working in the arts.

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