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Julius Caesar • 2013 - Chicago Shakespeare Theater

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JULIUS CAESAR:<br />

TREASON IN THE HOUSE OF TUDOR<br />

In 1598 Robert Devereux, the<br />

second Earl of Essex, sent a<br />

letter to an acquaintance at the<br />

royal court in which he queried, “When<br />

the vilest of indignities are done unto<br />

me, doth religion enforce me to sue?<br />

Or doth God require it? Is it impiety<br />

not to do it? What, cannot princes err?<br />

Cannot subjects receive wrong? Is an<br />

earthly power or authority infinite?”<br />

The target of Essex’s indignation was Queen Elizabeth I, the<br />

most popular Queen England had ever known—and <strong>Shakespeare</strong>’s<br />

patroness. The indefinite answer to his speculation,<br />

which any citizen of England could have given Essex<br />

at the time, was that his sovereign’s power was irrefutable,<br />

having been bestowed by a Divine magnate. By the light of<br />

Elizabeth’s court, to have penned such words as Essex did<br />

in his letter was a treasonous act.<br />

By 1558 the English penchant for sedition had become<br />

something of a national pastime. Sixteenth-century England<br />

became the site of an unprecedented number of plots and<br />

conspiracies against the Crown. Attempts were reported<br />

so frequently and with such blatant<br />

incompetence by their plotters<br />

that some historians have<br />

speculated that the government<br />

had even fabricated some of the<br />

cases. The participants in these<br />

plots were viewed as malcontents,<br />

consumed with envy, unable<br />

to accept the life God had<br />

ordained for them.<br />

Elizabeth’s court was awash<br />

in the intrigues of partisan politics.<br />

In her youth she could curb<br />

even the most rebellious with<br />

flirtatious encouragement. Later,<br />

confronted with an aging monarch<br />

still clinging desperately to<br />

the illusion of youth and beauty,<br />

courtiers found that flattery and<br />

backroom bargains were of-<br />

JULIUS CAESAR<br />

ten successful in getting their way with the queen. It was<br />

certainly risky business considering that many noblemen’s<br />

homes were filled with the eyes and ears of their rivals, but<br />

the man who controlled the ear of the Queen had all England<br />

within his grasp, and few men could resist the lure. Elizabeth<br />

recognized their ploys and capitalized on her power<br />

over them. She was a hands-on ruler, fully capable of stopping<br />

any enterprise short with a word, or merely by refusing<br />

to make a decision.<br />

Treason against the Crown was viewed as an act that<br />

threatened the very fabric of the established order, human<br />

and divine. The punishment for treason or sedition was severe,<br />

although not exorbitantly so for the period: hanging,<br />

followed by castration and disembowelment, and finally<br />

quartering. In order to bring conspiracies to light, agents<br />

of the government often used torture—usually the rack—to<br />

grind out confessions. Fear of detainment and questioning<br />

was often strong enough to turn even the most inveterate<br />

plotter into a stool pigeon.<br />

Contributing to the treasonous nature of Englishmen at the<br />

time was the Protestant Reformation instigated by Henry<br />

VIII’s divorce of his Catholic wife, Catherine of Aragon. Thus,<br />

Henry VIII broke ties with the Catholic Church and turned<br />

Protestantism into the new heralded religion in England. To<br />

Catholics, Elizabeth was a contemptuous heretic and an illegitimate<br />

child because her Protestant mother, Anne Boleyn,<br />

married Henry VIII after his divorce; she was therefore<br />

deemed a usurper and unfit to rule. As a Protestant ruler,<br />

The Family oF henry viii: alleGory oF The TuDor suCCession By luCas De heere<br />

www chicagoshakespeare com<br />

17

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