Julius Caesar • 2013 - Chicago Shakespeare Theater
Julius Caesar • 2013 - Chicago Shakespeare Theater
Julius Caesar • 2013 - Chicago Shakespeare Theater
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IN SMALL GROUPS/PAIRS<br />
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Why “No” to Pact?<br />
CLASSROOM ACTIVITIES<br />
Cassius never gets make his pact in 2.1 (“And let us swear our resolution”). In groups of three, discuss what it<br />
might have been and write it down (no more than two lines). Share your version of his oath with the rest of the<br />
class. This may give you some ideas about Cassius and the conspiracy. CONSIDER COMMON CORE ANCHOR<br />
STANDARDS R2, W3<br />
Justify the Assassination<br />
In 2.1, Metellus sees that the conspirators have a public image problem (“...his silver hairs will purchase us a good<br />
opinion...”), and so does Brutus (“Our course will seem too bloody...”). Brutus shows the conspirators how to think<br />
of their task in a high-minded way. But he doesn’t explain how to help the general public think of the assassination<br />
in the same way. Spin! In groups of four or five, form a public relations firm sympathetic to the conspirators’<br />
cause. You have secretly been asked to prepare a ’package,’ using all modern forms of media at your disposal,<br />
to give an immediate explanation and justification of the assassination. Outline a PR campaign that will convince<br />
everybody that <strong>Caesar</strong>’s death is the best thing for Rome. Provide such detail (posters, slogans, etc.) as you think<br />
necessary. CONSIDER COMMON CORE ANCHOR STANDARDS L3, R2, R7, W4<br />
No Words<br />
As one person reads Portia’s lines in 2.1 (“…yesternight at supper / You suddenly rose and walked about), action<br />
by action and pausing after each, two others act out the scene without a sound, as you might watch it through a<br />
window. (This same activity can be used with Casca’s report of <strong>Caesar</strong>’s refusal of the crown in 1.2.) CONSIDER<br />
COMMON CORE ANCHOR STANDARDS L1, R1, SL2<br />
31 Gossip<br />
Lucius probably knows as little as Portia does about what’s going on, but has watched the Conspirators coming<br />
and going. He must have sensed the atmosphere, seen expressions on faces, observed how people moved,<br />
heard the tone of their voices. In groups of three or four, improvise a conversation Lucius holds with the other<br />
slaves the next morning, describing the night. The slaves ask many questions and have plenty of ideas about<br />
what it all means. They may get it right—or they may not! CONSIDER COMMON CORE ANCHOR STANDARDS R1, SL6<br />
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Third Person<br />
<strong>Caesar</strong> often refers to himself not as ’I’ or ’me,’ but as ’<strong>Caesar</strong>.’ In groups of four, try holding a conversation where<br />
you always refer to yourself by your last name. Topics can range from what you had for breakfast to your grandest<br />
personal ambitions. Afterwards, talk together about the effect it had on your conversation; then discuss why<br />
you think <strong>Caesar</strong> does it. Create a tableau (a wordless picture using your bodies as statues to convey the image<br />
you have in mind) dramatizing how <strong>Caesar</strong> sees himself. CONSIDER COMMON CORE ANCHOR STANDARDS L3, R4<br />
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