Julius Caesar • 2013 - Chicago Shakespeare Theater
Julius Caesar • 2013 - Chicago Shakespeare Theater
Julius Caesar • 2013 - Chicago Shakespeare Theater
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58<br />
CLASSROOM ACTIVITIES<br />
24<br />
25<br />
Act 2<br />
AS A CLASS<br />
26<br />
27<br />
This Just In!<br />
At the end of Act 1, review the action so far and, by using no more than ten quick “sound bites,” summarize what’s<br />
happened. You can either use newspaper-type headlines to grab our attention, or better yet, use rap or rhyme to<br />
encapsulate Act 1. CONSIDER COMMON CORE ANCHOR STANDARDS R2, R3, SL4<br />
Love, Hate and Popularity<br />
You have not met <strong>Julius</strong> <strong>Caesar</strong>. In the opening scene, it is obvious that the characters possess different views of<br />
this leader. Marullus and Flavius consider him a threat. But many citizens think he is a great ruler. Think of reasons<br />
why people hold different views about the same person. What factors might influence their opinions? Choose a<br />
well-known person who has lived during the past 50 years—one who is admired by some people and hated by<br />
others. You may choose a politician, musician, actor, business leader, sports star, etc. Give two differing opinions<br />
of this person and tell why they vary so. CONSIDER COMMON CORE ANCHOR STANDARDS SL1, SL4<br />
Interview Calphurnia<br />
Calphurnia is one of the great roles in <strong>Julius</strong> <strong>Caesar</strong>, but she’s given very few words. Fully aware of the danger<br />
to her husband, she is unable to make him listen to her fears. As a class, interview a classmate who agrees to<br />
speak as Calphurnia (and it doesn’t have to be a girl). How does Calphurnia feel, for example, when her husband<br />
announces in public that she’s barren? When he dismisses her dreams? Does she feel that <strong>Caesar</strong> respects<br />
her? How much does she actually suspect about the assassination? Use the text as your evidence to support<br />
your portrayal. CONSIDER COMMON CORE ANCHOR STANDARDS L1, R3, SL3<br />
To Cut or Not to Cut?<br />
Practically every <strong>Shakespeare</strong> film and staged production cuts the text—sometimes by a line here and there, and<br />
sometimes by entire sections. If you had to cut one or two entire scenes from Act 2 to make your production of<br />
<strong>Julius</strong> <strong>Caesar</strong> shorter than the three-or-so hours it takes to perform the play in its entirety, which scene would you<br />
cut? Why? Would anything be lost by the cutting of it? Anything gained? CONSIDER COMMON CORE ANCHOR<br />
STANDARDS R2, R5<br />
<strong>Julius</strong> <strong>Caesar</strong> <strong>•</strong> <strong>2013</strong>