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1 The Living Art of Greek Tragedy Marianne McDonald, Ph.D., MRIA ...

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his life because he challenged the geocentric explanation which most <strong>of</strong> the theologians<br />

accepted. Challenging theologians when he lived (1564-1642) could be dangerous for your<br />

health because this was the time <strong>of</strong> the inquisition.<br />

I owe special thanks to my painstaking readers: James Diggle, Thomas MacCary, and<br />

Michael Walton, besides helpful suggestions from Michael W. Lundell, and readers chosen by<br />

Indiana University Press (2003, rpt. Bloomington, Indiana: Indiana University Press, 2004).<br />

Background<br />

We can say that dramatic story telling in Greece began with the Homeric bard who told<br />

stories to nobles while they ate and drank. In the Odyssey, Demodocus also sings before the<br />

public at the games (8. 266 ff). Aristotle says that the particular form that <strong>Greek</strong> tragedy took<br />

was derived from the singing and dancing <strong>of</strong> the dithyrambic chorus in honor <strong>of</strong> Dionysus, the<br />

god <strong>of</strong> theatre and wine. It developed when the chorus leader separated himself from the rest and<br />

created the possibility <strong>of</strong> a dialogue. <strong>The</strong> first performance <strong>of</strong> a tragedy is attributed to <strong>The</strong>spis,<br />

ca. 534 BC in Athens.<br />

6

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